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Cartoon Saloon and the New Golden Age of Animation | the New Yorker
1/20/2021 Cartoon Saloon and the New Golden Age of Animation | The New Yorker The studio’s hand-drawn movies use the language of painting and illustration rather than that of the latest technology. Still courtesy Cartoon Saloon and Abrams Books Onward and Upward with the Arts December 21, 2020 Issue The studio’s hand-drawn movies—including its latest, “Wolfwalkers”—offer an alternative vision of what children’s entertainment can be. By Mark O’Connell December 11, 2020 n the seventeenth century, after wolves were hunted to extinction in most of the British Isles, Ireland was sometimes referred I to as Wolf-Land. The implication, perhaps, was that it needed to be tamed. In 1649, Oliver Cromwell’s New Model Army invaded Ireland on behalf of the Commonwealth of England, leading to the deaths of hundreds of thousands of Irish people. The Army also appointed professional hunters to cull the country’s wolves. Cromwell’s men captured the walled city of Kilkenny, which was surrounded by forests full of wolves and was home to as many superstitions about them. One myth held that certain natives of https://www.newyorker.com/magazine/2020/12/21/cartoon-saloon-and-the-new-golden-age-of-animation 1/9 1/20/2021 Cartoon Saloon and the New Golden Age of Animation | The New Yorker the region could transform into wolves, roaming the land while their ordinary bodies lay in a kind of trance. If they were injured in the course of this lupine marauding, the wounds would appear on their human esh. -
Summer Starters Yabba Dabba Crew Reviews Redux
v6n4cov 5/24/01 5:12 PM Page c1 ORIGINAL MUSIC SOUNDTRACKS FOR MOTION PICTURES AND TV VOLUME 6, NUMBER 4 NO MENTION OF PEARL HARBOR IN THIS ISSUE! OF KING THE WORLDThe James Horner Buyer’s Guide, Part 1 SUMMER STARTERS The Mummy Returns, Swordfish and Atlantis YABBA DABBA CREW A Salute to Hoyt Curtin REVIEWS REDUX The latest CDs and DVDs 04> 7225274 93704 $4.95 U.S. • $5.95 Canada v6n4cov 5/24/01 5:15 PM Page c2 FILM & TV MUSIC SERIES 2001 If you contribute in any way to the film music process, CONTACT: our four Film & TV Music Special Issues provide a unique marketing opportunity for your talent, product or service Los Angeles throughout the year. Judi Pulver [email protected] (323) 525-2026 Film & TV Music Special Issue August 21, 2001 New York Features Calling Emmy,® a complete round-up of music nominations, John Troyan Who Scores PrimeTime and upcoming fall films by distributor, [email protected] director and music credits. (646) 654-5624 Space Deadline: August 1 Materials Deadline: August 8 United Kingdom John Kania Film & TV Music Update: [email protected] November 6, 2001 (44-207) 822-8353 Our year-end wrap on the state of the industry featuring upcoming holiday blockbusters by distributor, director and music credits. director and music credits. Space Deadline: October 19 Materials Deadline: October 25 Dates subject to change. www.hollywoodreporter.com CONTENTS APRIL/MAY 2001 cover story departments 24 King of the World 2 Editorial They said it would never happen—but here it is! Backstage With Six FSM begins another massive Buyers Guide series, Groovy Guys. -
Cartoon Saloon As Mythopoeic: Reimagining Irish Mythology
Cartoon Saloon as Mythopoeic: Reimagining Irish Mythology through Animation Rachel Hargrave Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts In English Charlene Eska Katharine Cleland Kenneth Hodges May 11th, 2021 Blacksburg, Virginia Keywords: Liminality, Irish, Ireland, Cartoon Saloon, Animation, Mythology, Folklore, Christianity, Coming of Age, Urbanization CARTOON SALOON AS MYTHOPOEIC: REIMAGING IRISH MYTHOLOGY THROUGH ANIMATION Rachel Hargrave ABSTRACT Cartoon Saloon, an Irish animation studio based in Co. Kilkenny, Ireland, explores themes of liminality, urbanization, and coming of age in its trio of Irish folklore-themed films. Secret of Kells, Song of the Sea, and Wolfwalkers each explore Irish identity, folklore, and community through different time periods and spaces to create truly Irish animated films. Each film explores the tension between folklore and Christianity, urban and rural community, and the challenges of coming of age in various ways through the lens of Irish folklore. By communicating these themes in animated films, Cartoon Saloon centers indigenous animation work in a country that has lacked an indigenous industry and uses the flexibility of animation as an art form to address Ireland’s history and mythology through the writing, music score, and animation style of the three films. Cartoon Saloon stands at the forefront of a new revitalization of Irish culture reminiscent of the Gaelic and Celtic revivals of the nineteenth and twentieth centuries through their dedication to preserving and exploring Irish mythology, art, history, and language via an emergence of an indigenous Irish animation industry. -
Rosanna Lyons 548 Alvarado Street, Brisbane, CA 94005 (323) 434-4662 EFX Animator [email protected]
Rosanna Lyons 548 Alvarado Street, Brisbane, CA 94005 (323) 434-4662 EFX animator [email protected] I am a highly experienced traditional visual effects artist, designer, tutor and animator. I spent many years in the animation industry, designing, and animating work for Disney, Dreamworks SKG, Amblimation and Film Roman, working on such projects as The Hunchback of Notre Dame, The Prince of Egypt, The Simpsons and The Simpsons Movie. I have a fine and detailed eye for naturalistic effects. I feel that this expert eye would benefit any studio or company looking to make their artwork really look it's very best. Related Work Experience and Representative Projects: 2017: Effects animation, character design and animation for Sister/Mekanism, Los Angeles and San Francisco Commercials for MillerCoors 2016-present: Storyboard for Swordfish Studios, San Francisco Various projects for Google 2015-2016: Effects animation for Warner Brothers Tom and Jerry and the chocolate factory, Tom and Jerry go to Oz, etc. 2012 - 2015: Effects animation for Duck Soup Studios, Los Angeles Various Projects including The Smurfs, MCDonalds commercials and foreign art film 2004 – 2012: Effects Designer and Animator - Film Roman The Simpsons Movie The Simpsons (Television Series) 1996 – 2001: Effects supervising Animator - DreamworksSKG The Prince of Egypt The Road to El Dorado Spirit; Stallion of the Cimmaron 1992 – 1996: Effects animator at Disney, Paris The Hunchback of Notre Dame The Runaway Brain 1990 – 1992: Effects animator - Amblimation (a Steven -
Direct-To-DVD: from Syfy to the Majors
Direct-to-DVD: From Syfy to the Majors A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Christorpher J. Haak March 2011 © 2011 Christopher J. Haak. All Rights Reserved. 2 This thesis titled Direct-to-DVD: From Syfy to the Majors by CHRISTOPHER J. HAAK has been approved for the School of Film and the College of Fine Arts by Louis-Georges Schwartz Assistant Professor of Film Charles A. McWeeny Dean, College of Fine Arts 3 ABSTRACT Haak, Christopher J., M.A., March 2011, Film Scholarship Direct-to-DVD: From Syfy to the Majors Director ofThesis: Louis-Georges Schwartz The direct-to-DVD market is an understudied aspect of the film industry. By focusing on Syfy, as both exhibitor and financier of direct-to-DVD movies, and the Majors’ direct-to-DVD divisions, I will show how these two distinct systems interact with the home video market. Initially one would think that these two systems, Syfy with its ultra low budget action and horror movies and the Majors more typical direct-to-DVD fare, would be in competition with one another, however, this is not the case. The Majors are not attempting to edge out the mini studios by producing a glut of movies at the $1-2 million range; instead they leave that to mini studios and focus on fewer, bigger titles. Approved: _____________________________________________________________ Louis-Georges Schwartz Assistant Professor of Film 4 TABLE OF CONTENTS Page Abstract ............................................................................................................................... 3 List of Tables ...................................................................................................................... -
Disney XD GUARDIANS of the GALAXY Marvel TV Animation Disney XD STRETCH ARMSTRONG and Hasbro Studios the FLEX FIGHTERS Netflix
STAR WARS RESISTANCE Lucasfilm Animation Disney XD GUARDIANS OF THE GALAXY Marvel TV Animation Disney XD STRETCH ARMSTRONG AND Hasbro Studios THE FLEX FIGHTERS Netflix BUG DIARIES Amazon Studios/Amazon KULIPARI: ARMY OF FROGS Splash Entertainment Netflix THE AWESOMES Seth Meyers/Michael Shoemaker Prod. Bento Box/Broadway Video/HULU MAX STEEL Mattel/ Fremantle DisneyXD/Cartoon Network MONSUNO Dentsu/JakksPacific/Fremantle Nickelodeon Network/Nicktoons PLANET SHEEN O Entertainment/Nickelodeon Productions Nickelodeon Network THE SECRET SATURDAYS Porchlight Entertainment Cartoon Network YIN! YANG! YO! Walt Disney TV Animation ABC & Disney Channel THE EMPERORS NEW SCHOOL Walt Disney TV Animation ABC & Disney Channel LILO & STITCH Walt Disney TV Animation ABC & Disney Channel MUCHA LUCHA Warner Bros. Animation Cartoon Network CASPER Universal/Harvey/Amblin Entertainment FOX Network PET ALIEN Mike Young Productions-Productions Taffy Entertainment JAKERS! Mike Young Productions PBS Network HOUSE OF MOUSE Walt Disney TV Animation ABC/Disney Channel TIME SQUAD Cartoon Network Studios Cartoon Network BUTT UGLY MARTIANS Mike Young Productions/Nickelodeon Tavera Music, Inc. • 28205 W. Agoura Road, Suite B • Agoura Hills, CA 91301 • 818-991-0400 • [email protected] • www.michaeltavera.com • TOONSYLVANIA Dreamworks SKG/CBS/FOX BEETHOVEN Universal Cartoon Studios/CBS WHAT A MESS DIC Entertainment ABC JINGLE BELL ROCK DIC Entertainment CBS ED GRIMLEY Hanna-Barbera Productions NBC SONIC THE HEDGEHOG DIC Entertainment ABC BACK TO THE FUTURE Amblin TV/Universal Cartoon Studios NBC/CBS WHERE’S WALDO? DIC Entertainment CBS CAPTAIN N & DIC Entertainment THE SUPER MARIO BROTHERS NBC DON COYOTE Hanna-Barbera Productions NBC THE HURRICANES Cookie Jar Entertainment MIDNIGHT PATROL Hanna-Barbera Productions/NBC WOWSER Saban Entertainment FANTASTIC MAX Hanna-Barbera Productions Cartoon Network/Warner Bros. -
A Film by Joshua Grannell
Backlash Films in association with Fog City Pictures present A film by Joshua Grannell 2010 / USA / 98 mins. OFFICIAL WEBSITE : http://www.allaboutevilthemovie.com/ TO DOWNLOAD HI-RES IMAGES: http://www.allaboutevilthemovie.com/press_release.html SYNOPSIS The EVIL begins when Deborah Tennis (Natasha Lyonne) a mousy librarian, inherits her father’s beloved but fading, old movie house in San Francisco: the Victoria. In order to save the family business, she discovers her inner serial killer – and starts turning out a series of grisly short films. Deborah quickly cultivates a rabid legion of San Francisco gore fans who catapult her to new-found local celebrity. On her murderous path to finding her innermost “star quality,” Deborah makes it a “family” affair by recruiting a nefarious crew to execute her devious plan: the loyal Mr. Twigs (Jack Donner), psychotic twins Veda and Vera (Jade and Nikita Ramsey) and hygienically challenged Adrian (Noah Segan). Her adoring audience and even her biggest fan-- high school student Steven (Thomas Dekker) -- don’t realize that the murders in the movies are all too real. But will this brooding youth catch the blame as Deborah's steady stream of 'actors' keep disappearing at an ever-quickening pace? Rounding out the cast are Cassandra Peterson (better known as Elvira) as Steven's mother and veteran cult film actress, John Waters superstar Mink Stole (Desperate Living, Pink Flamingos) in a particularly gruesome role! 2 SYNOPSIS Continued ALL ABOUT EVIL is the brainchild of director Joshua Grannell, best known by his notorious drag persona: midnight movie impresario “Peaches Christ ,” the hostess of the wildly popular Midnight Mass movie series-- the largest and most successful midnight movie event after The Rocky Horror Picture Show.