SMTA Tenor Index 2015
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Alshire Records Discography
Alshire Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Alshire International Records Discography Alshire was located at P.O. Box 7107, Burbank, CA 91505 (Street address: 2818 West Pico Boulevard, Los Angeles, CA 90006). Founded by Al Sherman in 1964, who bought the Somerset catalog from Dick L. Miller. Arlen, Grit and Oscar were subsidiaries. Alshire was a grocery store rack budget label whose main staple was the “101 Strings Orchestra,” which was several different orchestras over the years, more of a franchise than a single organization. Alshire M/S 3000 Series: M/S 3001 –“Oh Yeah!” A Polka Party – Coal Diggers with Happy Tony [1967] Reissue of Somerset SF 30100. Oh Yeah!/Don't Throw Beer Bottles At The Band/Yak To Na Wojence (Fortunes Of War)/Piwo Polka (Beer Polka)/Wanda And Stash/Moja Marish (My Mary)/Zosia (Sophie)/Ragman Polka/From Ungvara/Disc Jocky Polka/Nie Puki Jashiu (Don't Knock Johnny) Alshire M/ST 5000 Series M/ST 5000 - Stephen Foster - 101 Strings [1964] Beautiful Dreamer/Camptown Races/Jeannie With The Light Brown Hair/Oh Susanna/Old Folks At Home/Steamboat 'Round The Bend/My Old Kentucky Home/Ring Ring De Bango/Come, Where My Love Lies Dreaming/Tribute To Foster Medley/Old Black Joe M/ST 5001 - Victor Herbert - 101 Strings [1964] Ah! Sweet Mystery Of Life/Kiss Me Again/March Of The Toys, Toyland/Indian Summer/Gypsy Love Song/Red Mill Overture/Because You're You/Moonbeams/Every Day Is Ladies' Day To Me/In Old New York/Isle Of Our Dreams M/S 5002 - John Philip Sousa, George M. -
Volume 40, Number 3
ALEMBIC May 1961 THE ALEMBIC Published Q uarterly by THE STUDENTS OF PROVIDENCE COLLEGE Providence. R. I. The ALEMBIC is published bi-monthly by the students of Providence College, Providence, Rhode Island. Entered as second-class matter at the Post Office. Providence, Rhode Island, December 18, 1920, under Act of March 3, 1879. Subscription S2.00 the year. "Acceptance for mailing at special rate of postage provided for in Section 1103. Act of October 3, 1917; authorized April 9, 1932.” Primed at the Oxford Press, Providence, Rhode Island. THE STAFF EDITOR-IN-CHIEF G. Brian Sullivan................................................. Letters ’61 EDITORIAL STAFF Essay Editor C harles Caley . ............................................... Letters ’61 Fiction Editor Brian M ullaney Letters ’61 Poetry Editor Richard L eidig . ............................................... Letters ’62 ART EDITOR David Ca l e y ........... Letters ’61 BUSINESS MANAGER Stephen O ehmsen ............................................... Letters ’62 Assistant M ichael Sullivan . ............................................... Letters '64 FACULTY MODERATOR R everend R obert L inus W alker, O.P. ALEMBIC CONTENTS V o l. XL May, 1961 No. 3 Page Obituary: Robert Joseph Slavin, O.P........Richard Leidig, ’63 5 Pan-Americanism: Out of the Pan and into the Fire Charles J. Goetz, ’61 9 Marv-Joe ........................................ ..............Philip Dohertv, 61 15 Man and the Bomb......................... .... Raymond Lajeunesse, ’64 17 merger ........................................... -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Tarzan the Censored
TARZAN THE CENSORED by Jerry L. Schneider Forward In "Edgar Rice Burroughs: Master of Adventure" by Richard A. Lupoff, the author stated that the Ballantine Books' versions of the Tarzan series were edited (evidently for political correctness), not the "all complete and unabridged" as Ballantine stated on the paperbacks. So, armed with the earliest hardcover editions that I owned in my collection (McClurg, A. L. Burt, Grosset & Dunlap, Burroughs Inc., and Canaveral Press) and post 1969 Ballantine editions, I scanned through them for discrepancies and changes. There were changes from the early hardcovers that I found in some of the paperbacks. Some of the books in the Tarzan series were edited for "political correctness" with regards to ethnicity dialects and derogatory terms. Hard to read dialects (or hard to typeset) were changed to an easier form (i.e. hit's changed to it's, heat to eat, and hour to our), while extremely derogatory terms such as Jew (see Tarzan and the Golden Lion) and nigger were altered or eliminated (not for the betterment of the story as the alteration in the words has lessened the impact the originals imparted to the reader—the level of anger toward the character who spoke the words has been lessened). The term "black" remained in place in some books but removed from others—no rhyme or reason to the changes. Esmeralda's original dialect in "Tarzan of the Apes" remained in place through 1969, then edited downward to an easier and friendlier version. Because of these changes, an in-depth look at the various editions of "Tarzan of the Apes" is shown below, while the other books in the Tarzan series are only compared by using an early hardcover version and the first version that was edited, usually the Ballantine edition. -
Rehearsal Mon March 2
The Classics of Rodgers & Hammerstein MONDAY, MARCH 2 132 S 5th St--Rehearsal Hall Order Time REHEARSAL ORDER Vocal Designation Singer Chorus 1 7:00 The Carousel Waltz (Concert Version) Orchestra Only orchestra orch only 2 R&H Orchestra Interlude - Overture Orchestra Only orchestra orch only 3 7:30 Hello, Young Lovers Soprano Solo Amy Rosine 4 no chorus Out Of My Dreams Mezzo Solo ,SATB Chorus Patricia Thompson, chorus KWU 5 no chorus You'll Never Walk Alone Mezzo Solo Patricia Thompson, chorus South HS 6 When I Marry Mister Snow soprano Amy Rosine 7 My Favorite Things Mezzo Solo Patricia Thompson 8 The Sound Of Music (F Major) Soprano Solo Amy Rosine 9 w/o Drew I Have Dreamed Mezzo ,Baritone Duet Patricia Thompson, Drew Horton 10 no chorus June Is Bustin' Out All Over Mezzo Solo ,SATB Chorus Patricia Thompson, chorus Sal Chorale 11 Climb Ev'ry Mountain (Tenor Version) Soprano Amy Rosine It's A Grand Night For Singing (Concert Version) Baritone Solo ,SATB Chorus Reg Pittman, chorus KWU We Kiss In A Shadow Soprano ,Tenor Duet Janie Brokenicky, Bryan Pinkall I Whistle A Happy Tune SATB Chorus Chorus KWU If I Loved You (Db Major) Tenor Solo Reg Pittman Soliloquy Baritone Solo Drew Horton Younger Than Springtime (F Major) Tenor Solo Bryan Pinkall I'm in Love with a Wonderful Guy Soprano Solo Janie Brokenicky There Is Nothin' Like A Dame Men's Chorus Men's Chorus S Chor MEN Some Enchanted Evening (Concert Version) Baritone Solo Reg Pittman Do-Re-Mi SATB Chorus Salina South HS South HS Oh, What A Beautiful Mornin' Tenor Solo Drew Horton Surrey with the Fringe on Top Baritone Solo Bryan Pinkall People Will Say We're In Love (A/D Major) Soprano ,Tenor Duo Janie Brokenicky, Bryan Pinkall Oklahoma! Everyone on stage. -
An American in Paris Capitol H-301 Paul Whiteman Released February, 1952
Capitol Albums, 301 to 400 and EP Identifier Gershwin: An American in Paris Capitol H-301 Paul Whiteman Released February, 1952. Gershwin: Rhapsody in Blue Capitol H-302 Leonard Pennario, Piano, with Paul Whiteman & His Orchestra Released February, 1952. An American in Paris/Rhapsody in Blue Capitol P-303 Paul Whiteman Released February, 1952. Combines H-301 and H-302. Later reissued as T-303. Moods for Candlelight Capitol DCN-304 = KCF-304 < L-304 Francis Scott & His Orchestra Released March, 1952. The LP contains two bonus tracks. Reissued later in 1952 as H-304. Keyboard Cocktails Capitol CDF-305 = H-305 Chuy Reyes Released April, 1952. Kitten on the Keys Capitol CCN-306 = CCF-306 < H-306 Ray Turner Released April, 1952. The LP contains two bonus tracks; the first back cover does not mention the bonus tracks. Accordion Powerhouse Capitol DCN-307 = KCF-307 < L-307 Ernie Felice Released April, 1952. The title on the cover is Accordion Power House. The LP contains two bonus tracks. Top Banana Capitol FDR-308 = EDM-308 = S-308 Original Cast featuring Phil Silvers Released January, 1952. With a Song in My Heart Capitol DDN-369 = KDF-309 = L-309 Jane Froman Released March, 1952. Pal Joey Capitol FDR-310 = EDM-310 = S-310 Original Cast Released March, 1952. Sugar Blues Capitol CCN-311 = CCF-311 < H-311 Clyde McCoy Released May/June, 1952. The LP contains two bonus tracks. Dixieland Detour Capitol CCN-312 = CCF-312 < H-312 Pee Wee Hunt Released June 1952. The LP contains two bonus tracks. Circus Parade Capitol DCN-313 = KCF-313 < L-313 Merle Evans Released April, 1952. -
Tarzan's Quest
Tarzan's Quest By Edgar Rice Burroughs Tarzan's Quest 1. THE PRINCESS SBOROV "My dear Jane, you know everyone." "Not quite, Hazel; but one sees everyone in the Savoy." "Who is that woman at the second table to our right?—the one who spoke so cordially. There is something very familiar about her—I'm sure I've seen her before." "You probably have. Don't you remember Kitty Krause?" "O-oh, yes; now I recall her. But she went with an older crowd." "Yes, she's a full generation ahead of us; but Kitty'd like to forget that and have everyone else forget it." "Let's see—she married Peters, the cotton king, didn't she?" "Yes, and when he died he left her so many millions she didn't have enough fingers to count 'em on; so the poor woman will never know how rich she is." "Is that her son with her?" "Son, my dear! That's her new husband." "Husband? Why, she's old enough to—" "Yes, of course; but you see he's a prince, and Kitty always was— er—well, ambitious." "Yes, I recall now—something of a climber; but she climbed pretty high, even in aristocratic old Baltimore, with those Peters millions." "But she's an awfully good soul, Hazel. I'm really very fond of her. There isn't anything she wouldn't do for a friend, and underneath that one silly complex of hers is a heart of gold." "And kind to her mother! If anyone ever says I'm good-hearted, I'll —" "S-sh, Hazel; she's coming over." The older woman, followed by her husband, swooped down upon them. -
The 1958 Summer of Musicals
I); Welcome to the 1958 Summer of Musicals . Welcome to Broadway in the country. Last season was the first time Guy S. Little, Jr., presented his SUMMER OF MUSI- CALS in Sullivan. That season was the culmination of many years of planning and dreaming. When very young he spent three seasons in summer stock at Keene, New Hampshire, and at Gateway Musical Playhouse at Ocean City, New Jersey. There he learned theatre business from the ground up . from making negligees for the leading lady to building scenery and stages. He was so enthralled with the theatre that he majored in drama at the University of Miami. While there he played numerous roles at the Ring Theatre and appeared in six operas with the Miami Opera Guild in support to Metropolitan opera stars. At Miami he met his wife, Jerili, who was a voice and drama major also. There he also had experience in directing, designing and publicity work. After receiving his B.A. he did graduate work at The American Theatre Wing and at Columbia University in New York City to further prepare himself to be a theatre producer. For the past ten years he familiarized himself with all Broadway productions of the past and present. He col- lected props and costumes for the day when he would operate a summer theatre. All during these years of preparation his dream was to bring the theatre to the Midwest, to the country. Why should New England be the only place where one could see the best of Broadway in summer stock? Would not the Mid- west, would not his home town support a SUMMER OF MU- SICALS? And so SUMMER OF MUSICALS opened July 3, 1957, with ERIGADOON featuring a New York cast. -
South-Pacific-Script.Pdf
RODGERS AND HAMMERSTEIN'S SOUTH PACIFIC First Perfol'mance at the 1vlajestic Theatre, New York, A pril 7th, 1949 First Performance in London, Theatre Royal, Drury Lane, November 1st, 1951 THE CHARACTERS (in order of appearance) NGANA JEROME HENRY ENSIGN NELLIE FORBUSH EMILE de BECQUE BLOODY MARY BLOODY MARY'S ASSISTANT ABNER STEWPOT LUTHER BILLIS PROFESSOR LT. JOSEPH CABLE, U.S.M.C. CAPT. GEORGE BRACKETT, U.S.N. COMMDR. WILLIAM HARBISON, U.S.N. YEOMAN HERBERT QUALE SGT. KENNETH JOHNSON SEABEE RICHARD WEST SEABEE MORTON WISE SEAMAN TOM O'BRIEN RADIO OPERATOR, BOB McCAFFREY MARINE CPL. HAMILTON STEEVES STAFF-SGT. THOMAS HASSINGER PTE. VICTOR JEROME PTE. SVEN LARSEN SGT. JACK WATERS LT. GENEVIEVE MARSHALL ENSIGN LISA MANELLI ENSIGN CONNIE WALEWSKA ENSIGN JANET McGREGOR ENSIGN BESSIE NOONAN ENSIGN PAMELA WHITMORE ENSIGN RITA ADAMS ENSIGN SUE YAEGER ENSIGN BETTY PITT ENSIGN CORA MacRAE ENSIGN DINAH MURPHY LIAT MARCEL (Henry's Assistant) LT. BUZZ ADAMS Islanders, Sailors, Marines, Officers The action of the play takes place on two islands in the South Pacific durin~ the recent war. There is a week's lapse of time between the two Acts. " SCENE I SOUTH PACIFIC ACT I To op~n.o House Tabs down. No.1 Tabs closed. Blackout Cloth down. Ring 1st Bar Bell, and ring orchestra in five minutes before rise. B~ll Ring 2nd Bar three minutes before rise. HENRY. A Ring 3rd Bar Bell and MUSICAL DIRECTOR to go down om minute before rise. NGANA. N Cue (A) Verbal: At start of overt14re, Music No.1: House Lights check to half. -
Directed by Kendall Campbell, Burton Community Church Spring, 1990?
Nov. 12, 1989 - Directed by Kendall Campbell, Burton Community Church Spring, 1990? (no info found) Nov. 18, 1990 – Directed by Jerry McGee, Vashon Lutheran Church Two Madrigals, “Since I First Saw Your Face” & “Musik Dein Ganz Lieblich Kunst” American Folk Songs – “Gentle Lena Clare” & “Misty Morning” “I’ll Sail Upon the Dog Star”, “Whither Must I Wander?” & “Simple Gifts” – G. Koch “Benedictus” by Camille Saint-Saens “Thanks to the Pail”, “The Singer” & “Under the Sea” – M. Ericksen Songs of the Sea – “Just As the Tide Was Flowing” & “High Barbary” April 27, 1991 – Directed by Jerry McGee, LDS Church Concerto Grosso Op. 6 Nr. 1 by G. F. Handel Missa Solemnis in B Flat Major by F.J. Haydn (Kalmus) Dec. 8, 1991 – Directed by Jerry McGee, LDS Church Vesperare Solemnes De Confessore by W.A. Mozart, Kalmus April 12, 1992 – Directed by Jerry McGee, Vashon Island Theater Frostiana, Seven Country Songs, music by Randall Thompson American Spirituals, arr. Harry T. Burleigh Swing Low, arr. G. Alan Smith Wondrous Cool, arr. J. Brahms Phantom of the Opera Choral Medley Dec. 6, 1992 – Directed by Jerry McGee, SJV Church Mass in G by F. Schubert, Schirmer edition Gloria by A. Vivaldi, Kalmus edition April 25, 1993 – Directed by Jerry McGee, McMurray School Come To Me, O My Love by Allan Robert Petker Lavender’s Blue, arr. Gordon Langford The Owl & the Pussycat, arr. Robert Chilcott Give Me a Good Digestion, Lord, arr. Ferguson Turkey In the Straw, arr. Alice Parker Home Is a Special Kind of Feeling by John Rutter, Hinshaw Music Basketball! A Court Jest by Bayne Dobbins Two Chorales from Sørlandet by Bjarne SlØgedal Amazing Grace, arr. -
Joseph Mahowald
Joseph Mahowald HARDEN-CURTIS ASSOCIATES 850 Seventh Ave. Suite 903 New York, NY 10019 Joseph Mahowald (212) 977-8502 Joseph Mahowald HARDEN-CURTIS ASSOCIATES 850 Seventh Ave., Suite 903 J OSEPH M AHOWALD New York, NY 10019 AEA/AFTRA/SAG (212) 977-8502 (212) 977-8420 FAX BROADWAY & OFF-BROADWAY THE PIRATE QUEEN (Original Cast) Chiefton O’Flaherty Hilton Theatre JEKYLL & HYDE Jekyll & Hyde Plymouth Theater LES MISÉRABLES Javert Imperial Theater DIFFERENT FIELDS (World Premiere) Aaron James New Victory Theater LES MISÉRABLES Enjolras Imperial Theatre LONE STAR LOVE (Original Cast Album) Frank Ford John Houseman Theater THE LITTLE PRINCE The Aviator John Houseman Theater THE PRINCE AND THE PAUPER Hugh Hendon The Lamb’s Theater NATIONAL TOUR LES MISÉRABLES Javert Marius Company, III National A GRAND NIGHT FOR SINGING Featured Soloist Pace Corp./101 Productions SAYONARA Ace Gruver TUTS/Seattle 5th Avenue Theater REGIONAL THEATRE (representative) BEAUTY AND THE BEAST The Beast Houston, Theater Under The Stars HUNCHBACK OF NOTRE DAME Captain Phoebus Fox/Magicworks -- The Rep. (TRT) BRIGADOON Tommy Albright Paper Mill Playhouse THE MERRY WIDOW (w/Judy Kaye) Danilo Paper Mill Playhouse SOME SWEET DAY Isaac Ingram Goodspeed Opera Co. CAROUSEL Billy Bigelow Westchester Broadway Theater GIGI Gaston Laschaille Westchester Broadway Theater ASSASSINS John Wilkes Booth Players Theater Columbus SHOWBOAT Gaylord Ravenal North Carolina Theater TAMING OF THE SHREW Lucentio Tennessee Repertory Theater (The Rep.) A MIDSUMMER NIGHTS DREAM Lysander Tennessee -
South Pacific Cast Who Took Even More Dance Instruction at Laura’S Studio
Prints of the Players July, 2014 “I’m gonna wash that man right out of my hair and send him on his way.” Theroyalplayers.com July 2,9,11,16 On these Wednes- days and Fridays someone will be at the Royal from 3-5 p.m. to take phone reservations live and answer questions. At other times patrons can leave a message telling name, date they want to attend, and number. Leave phone number in case there is a prob- lem. July 14-15 7 p.m. Our Town auditions. Page 2 Young Players Aladdin August 7-10 Production Aladdin Rehearsals have begun. Aladdin Performances will be August 7,8,9 and 10 Hairspray-January 8-18, 2014, 2015 One Acts-February 2015 The “selfie” to the left is part of the South Pacific cast who took even more dance instruction at Laura’s Studio. Below is Nellie ready for the Follies. Other photos: Jenny Johnston was nominated by Royal Players for a Community Service Award. She was honored by KARK for her work with us in choreography and her work with other groups. She received a cash award which she donated to the fund for the digital piano which was recently purchased. Other donors were Del and Peggy Roberson, Jim Ed and Laura Stilwell, and Susan Dill. Laura and Jenny at the Governor’s Mansion. RP 2013-14 Season Remaining Royal Players July 11-13; 18-20 The Royal Players and W. W. and Anne Jones Charitable Trust will present South Pacific at the Royal Theatre July 10-13 and 17- South Pacific 20.