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At MSG Iris Interview P. 3 Letters % P.§«4 Bulletin Board...P.Jj7 Basketball..!
VOLUME 59, NUMBER 19 THURSDAY, FEBRUARY 27,1986 Donnie Iris and !the Cruisers rockiCampusiCenter crowd. Flash! There they were - Don- began his famous "Agnes and Louie" nie Iris and the Cruisers. While certain story. The tale varies from concert to band members chose Jackets and ties concert, but somehow sounds better for their performance, Iris opted for w every time. The moral of the story was more casual attire. He*appearedon that* lrlsris|"/io wimp" and won't stage in an oversized white shirt, jeans, tolerate being "Injured in the Game of penny loafers and! of course, his Love." • ! : . trademark -- black-rimmed glasses. Guitarist and Mercyhurst student, The band opened with one of their Marty Lee, shined for his fellow oldies, "Agnes.* From the very beginn- classmates with a blistering guitar ing, the concert set an energetic pace. solo lead into "Love is Like a Rock." The audience realized that the per- Audience participation peaked during formers were going to give them their this Cruiser hit as Iris provoked the au- money's worth of t music for the dience to perform their own rendition? evening. 5^3- j $£ B The Campus Center crowd, which, A few songs into the concert, Iris according to the Cruisers' manager, Marty Lee (I) and Donnie Iris rap to Donnie Iris' emotion-charged perfor- • 'The Rapper." 'W W ** \ mance rocked the Campus Center. At 8 p.m. on Sat., Feb. 22, the crowd numbered 708, wouldn't let the band In the Campus Center was becoming quit. They called the band back for an restless with anticipation. -
Chance the Rapper's Creation of a New Community of Christian
Bates College SCARAB Honors Theses Capstone Projects 5-2020 “Your Favorite Rapper’s a Christian Rapper”: Chance the Rapper’s Creation of a New Community of Christian Hip Hop Through His Use of Religious Discourse on the 2016 Mixtape Coloring Book Samuel Patrick Glenn [email protected] Follow this and additional works at: https://scarab.bates.edu/honorstheses Recommended Citation Glenn, Samuel Patrick, "“Your Favorite Rapper’s a Christian Rapper”: Chance the Rapper’s Creation of a New Community of Christian Hip Hop Through His Use of Religious Discourse on the 2016 Mixtape Coloring Book" (2020). Honors Theses. 336. https://scarab.bates.edu/honorstheses/336 This Open Access is brought to you for free and open access by the Capstone Projects at SCARAB. It has been accepted for inclusion in Honors Theses by an authorized administrator of SCARAB. For more information, please contact [email protected]. “Your Favorite Rapper’s a Christian Rapper”: Chance the Rapper’s Creation of a New Community of Christian Hip Hop Through His Use of Religious Discourse on the 2016 Mixtape Coloring Book An Honors Thesis Presented to The Faculty of the Religious Studies Department Bates College in partial fulfillment of the requirements for the Degree of Bachelor of Arts By Samuel Patrick Glenn Lewiston, Maine March 30 2020 Acknowledgements I would first like to acknowledge my thesis advisor, Professor Marcus Bruce, for his never-ending support, interest, and positivity in this project. You have supported me through the lows and the highs. You have endlessly made sacrifices for myself and this project and I cannot express my thanks enough. -
11095 Hon. Spencer Bachus Hon. Jeff Miller Hon
June 13, 2006 EXTENSIONS OF REMARKS, Vol. 152, Pt. 8 11095 Mr. Speaker, CdLS is a congenital condi- Optometric Association’s 109th annual con- River community in south Mobile County, AL, tion, which means it is present from birth. It vention. On Saturday, June 24, they will elect Fred Carley earned three degrees during his impacts on virtually all of a person’s being. Dr. Tommy Crooks as the association’s 85th two active military tours at Auburn University, Physical and mental manifestations of CdLS president. where he excelled in athletics, the arts, and may include: missing limbs or fingers; severe Doctors of optometry are the Nation’s larg- academics. reflux; feeding difficulties; cleft palate; eye est eye care profession, serving patients in During his professional career as an engi- problems; hearing loss; seizures; and behav- nearly 6,500 communities across the country, neer, he still found time to coach both the ioral issues. Overall, cognitive and physical in more than 3,500 of these communities; they Murphy High School and University of South development is slowed, and delays in speech are the only eye doctors. The American Opto- Alabama track and cross-country teams, which and communication are even more pro- metric Association is the professional society went on to win many awards. Since his trans- nounced. for optometrists nationwide and has more than fer to Eglin Air Force Base in 1969, Fred The foundation celebrated a medical and 34,000 members. Dr. Crooks will lead the as- Carley has contributed to the fitness and well- scientific breakthrough in April 2004 when a sociation on its mission to improve eye and vi- being of countless young athletes in Northwest research team led by scientists at the Chil- sion care in the United States. -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
NEWS34-Gd7m.Pdf
news #34 MUNGOLIAN JETSET - MUNGODELICS Hot on the heels of 2011`s "Schlungs", the Jetsetters have kept those buttons busily pushed, and are already here with their next chapter installment, featuring 8 new nuggets entitled "Mungodelics". The album is essentially a psychodramatic sequel to the highly acclaimed "We Gave It All Away, Now We Are Taking It Back" album of 2009, as it is musically a blend of originals and remakes made into originals, as well as solo performances and external collaborations from the band`s musical core members, Knut Saevik and Paul "Strangefruit" Nyhus. All in all, "Mungodelics" musically summons everything that is hazy, dazy, underearthly and crazy. This is the Mungolian Jetset taking you on a ride through the seasons, and shifts of the days and nights, from the Cantina to the Ewok forest, via ritualistic dancing at Kilmin Taboour and stellar swimming in the galactic Goa. STS228CD/LP CDF/LP6 600116082824/600116082817 SMALLTOWN SUPERSOUND ANTIBALAS - S/T “Afrokalas. Det var Antibalas som satte I gang den andre afrobølgen. Nå vil de surfe den selv. Så afrikansk funky at det er vanskelig å sitte stille.” Dagens Næringsliv, Per A. Risnes Fifth Studio album by the leading Afrobeat ensemble from Brooklyn on the mighty Daptone imprint! A Must for fans of Fela Kuti, Tony Allen and the likes! "Rhythm is what makes a good afrobeat record," says Gabriel Roth, Daptone Records co-founder and producer of Antibalas' forthcoming self-titled LP. "Not just the rhythm section, but the rhythm of the horns, the rhythm of the vocals, the rhythm of the keyboards, everybody's rhythm. -
The Leadership Challenge
Praise for the Fifth Edition of The Leadership Challenge “My heart goes out to Jim Kouzes and Barry Posner with the deepest gratitude for this book, the most powerful leadership resource available. It is providential that at a time of the lowest level of trust and the highest level of cynicism, The Leader- ship Challenge arrives with its message of hope. When there are dark days in our lives, Kouzes and Posner will shine a light.” —Frances Hesselbein, former CEO, Girl Scouts of the USA; author, My Life in Leadership “Jim Kouzes and Barry Posner have taken one of the true leadership classics of the late twentieth century and made it freshly relevant for today’s twenty-first century leaders. It is a must-read for today’s leaders who aspire to contribute in a more significant way tomorrow.” —Douglas R. Conant, New York Times bestselling author, TouchPoints; retired CEO, Campbell Soup Company “For twenty-five years, the names Jim Kouzes and Barry Posner have been synony- mous with leadership. There is a reason for that. This book, in its new and updated form, demonstrates that leadership is a challenge you must win every day. It shows that every leader is unique, with his or her own style, and it helps you find your style. But the real beauty of this book is that it does not just tell you about leader- ship. It takes you by the hand, and walks you through the steps necessary to be better at what you do. It also gives you the confidence to take the kinds of risks every leader needs to take to succeed. -
The Influence of Network Design on Firm Performance – Perspectives and Empirical Evidence
THE INFLUENCE OF NETWORK DESIGN ON FIRM PERFORMANCE – PERSPECTIVES AND EMPIRICAL EVIDENCE Inauguraldissertation zur Erlangung des akademischen Grades eines Doktors der Wirtschaftswissenschaften durch die Wirtschaftswissenschaftliche Fakultät der Westfälischen Wilhelms-Universität Münster WESTFÄLISCHE WILHELMS-UNIVERSITÄT MÜNSTER vorgelegt von BRINJA MEISEBERG aus Bottrop Münster, 2010 Erster Berichterstatter: Prof. Dr. Thomas Ehrmann Zweite Berichterstatterin: Prof. Dr. Anja Tuschke Dekan: Prof. Dr. Stefan Klein Tag der mündlichen Prüfung: 12. April 2010 Acknowledgements The process of writing this dissertation was accompanied by a number of people to whom I would like to express my gratitude for their support. I am sincerely indebted to my dissertation advisor, Prof. Dr. Thomas Ehrmann, Institute of Stra- tegic Management at Münster University, for his guidance and promotion of my research efforts, and for providing extensive expertise and creative commentary whenever needed. I am also in- debted for his continuous trust in taking me on as a research assistant. I thank Prof. Dr. Anja Tuschke, Ludwig Maximilian University of Munich, for her co-supervisory of my dissertation. I extend my thanks to Prof. Dr. Martin Bohl and Prof. Dr. Gerhard Schewe, both of Münster University, for accepting the responsibility to join the dissertation committee. Finally, I thank Dr. Hendrik Schmale, Sandra Stevermüer and Alfred Koch for being great friends and colleagues. I am deeply grateful to Dagmar and Rolf Meiseberg for promoting and challenging critical thinking in any endeavours, and for being a constant source of love, concern, support and strength, all these years. I thank Prof. Dr. Frank Ückert for supporting me every step of the way. TABLE OF CONTENTS TABLE OF CONTENTS ................................................................................................. -
Scratching the Surface
Scratching the Surface Marit Larsen and Marion Ravn: Popular Music and Gender in a Transcultural Context Jon Mikkel Broch Ålvik A thesis submitted in partial fulfilment of the requirements for the degree of PhD Department of Musicology Faculty of Humanities University of Oslo 2014 1 2 Table of Contents ACKNOWLEDGEMENTS .................................................................................................................5 CHAPTER 1 ........................................................................................................................................9 INTRODUCTION: SCRATCHING THE SURFACE.......................................................................9 BACKGROUND: CRITICAL AND POPULAR MUSICOLOGY............................................................................ 12 ON SINGING (AND WRITING) IN ENGLISH: GLOBAL LANGUAGE AND THE PARADOX OF AUTHENTICITY................................................................................................................................................. 14 AN INTERSECTION OF DISCIPLINES: INTERTEXTUALITY, PHENOMENOLOGY, PERSONA .................... 32 OUTLINE OF THESIS........................................................................................................................................ 35 CHAPTER 2 ..................................................................................................................................... 37 GROWING UP IN PUBLIC: SOCIAL BACKGROUND AND THE EMERGENCE OF SUBJECTIVITIES IN M2M........................................................................................................... -
THE GARY MOORE DISCOGRAPHY (The GM Bible)
THE GARY MOORE DISCOGRAPHY (The GM Bible) THE COMPLETE RECORDING SESSIONS 1969 - 1994 Compiled by DDGMS 1995 1 IDEX ABOUT GARY MOORE’s CAREER Page 4 ABOUT THE BOOK Page 8 THE GARY MOORE BAND INDEX Page 10 GARY MOORE IN THE CHARTS Page 20 THE COMPLETE RECORDING SESSIONS - THE BEGINNING Page 23 1969 Page 27 1970 Page 29 1971 Page 33 1973 Page 35 1974 Page 37 1975 Page 41 1976 Page 43 1977 Page 45 1978 Page 49 1979 Page 60 1980 Page 70 1981 Page 74 1982 Page 79 1983 Page 85 1984 Page 97 1985 Page 107 1986 Page 118 1987 Page 125 1988 Page 138 1989 Page 141 1990 Page 152 1991 Page 168 1992 Page 172 1993 Page 182 1994 Page 185 1995 Page 189 THE RECORDS Page 192 1969 Page 193 1970 Page 194 1971 Page 196 1973 Page 197 1974 Page 198 1975 Page 199 1976 Page 200 1977 Page 201 1978 Page 202 1979 Page 205 1980 Page 209 1981 Page 211 1982 Page 214 1983 Page 216 1984 Page 221 1985 Page 226 2 1986 Page 231 1987 Page 234 1988 Page 242 1989 Page 245 1990 Page 250 1991 Page 257 1992 Page 261 1993 Page 272 1994 Page 278 1995 Page 284 INDEX OF SONGS Page 287 INDEX OF TOUR DATES Page 336 INDEX OF MUSICIANS Page 357 INDEX TO DISCOGRAPHY – Record “types” in alfabethically order Page 370 3 ABOUT GARY MOORE’s CAREER Full name: Robert William Gary Moore. Born: April 4, 1952 in Belfast, Northern Ireland and sadly died Feb. -
"Now I Ain't Sayin' She's a Gold Digger": African American Femininities in Rap Music Lyrics Jennifer M
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 "Now I Ain't Sayin' She's a Gold Digger": African American Femininities in Rap Music Lyrics Jennifer M. Pemberton Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF SOCIAL SCIENCES “NOW I AIN’T SAYIN’ SHE’S A GOLD DIGGER”: AFRICAN AMERICAN FEMININITIES IN RAP MUSIC LYRICS By Jennifer M. Pemberton A Dissertation submitted to the Department of Sociology in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2008 The members of the Committee approve the dissertation of Jennifer M. Pemberton defended on March 18, 2008. ______________________________ Patricia Yancey Martin Professor Directing Dissertation ______________________________ Dennis Moore Outside Committee Member ______________________________ Jill Quadagno Committee Member ______________________________ Irene Padavic Committee Member Approved: ___________________________________ Irene Padavic, Chair, Department of Sociology ___________________________________ David Rasmussen, Dean, College of Social Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii For my mother, Debra Gore, whose tireless and often thankless dedication to the primary education of children who many in our society have already written off inspires me in ways that she will never know. Thank you for teaching me the importance of education, dedication, and compassion. For my father, Jeffrey Pemberton, whose long and difficult struggle with an unforgiving and cruel disease has helped me to overcome fear of uncertainty and pain. Thank you for instilling in me strength, courage, resilience, and fortitude. -
Behind the Music: Music Producers & Their Struggles for Authorship Rights
Intellectual Property Brief Volume 8 Issue 2 Article 3 2016 Behind the Music: Music Producers & Their Struggles for Authorship Rights Dima S. Budron American University Washington College of Law Follow this and additional works at: https://digitalcommons.wcl.american.edu/ipbrief Part of the Intellectual Property Law Commons Recommended Citation Budron, Dima S. (2016) "Behind the Music: Music Producers & Their Struggles for Authorship Rights," Intellectual Property Brief: Vol. 8 : Iss. 2 , Article 3. Available at: https://digitalcommons.wcl.american.edu/ipbrief/vol8/iss2/3 This Article is brought to you for free and open access by the Washington College of Law Journals & Law Reviews at Digital Commons @ American University Washington College of Law. It has been accepted for inclusion in Intellectual Property Brief by an authorized editor of Digital Commons @ American University Washington College of Law. For more information, please contact [email protected]. Behind the Music: Music Producers & Their Struggles for Authorship Rights This article is available in Intellectual Property Brief: https://digitalcommons.wcl.american.edu/ipbrief/vol8/iss2/3 BEHIND THE MUSIC: MUSIC PRODUCERS & THEIR STRUGGLE FOR AUTHORSHIP RIGHTS Dima S. Budron* INTRODUCTION ............ 121 I. The Authorial Role ofProducers................................... ..... 123 A. The Song-Making Process ................ .................... ..... 124 B. The Producer Business Model ................................. ...... 128 C. The Digital Era............................................ -
The Mix Song List
THE MIX SONG LIST CONTEMPORARY 2010’s CENTURIES/ fall out boy 24K MAGIC/ bruno mars CHAINED TO THE RHYTHM/ katy perry ADDICTED TO A MEMORY/ zedd CHANDELIER/ sia ADVENTURE OF A LIFETIME/ coldplay CHEAP THRILLS/ sia & sean paul AFTERGLOW/ ed sheeran CHEERLEADER/ omi AIN’T IT FUN/ paramore CIRCLES/ post malone AIRPLANES/ b.o.b w/haley williams CLASSIC/ mkto ALIVE/ krewella CLOSER/ chainsmokers ALL ABOUT THAT BASS/ meghan trainor CLUB CAN’T HANDLE ME/ flo rida ALL ABOUT THAT BASS/ postmodern jukebox COME GET IT BAE/ pharrell williams ALL I NEED/ awol nation COOLER THAN ME/ mike posner ALL I ASK/ adele COOL KIDS/ echosmith ALL OF ME/ john legend COUNTING STARS/ one republic ALL THE WAY/ timeflies CRAZY/ kat dahlia ALWAYS REMEMBER US THIS WAY/ lady gaga CRUISE REMIX/ florida georgia line & nelly A MILLION DREAMS/ greatest showman DANGEROUS/ guetta & martin AM I WRONG/ nico & vinz DAYLIGHT/ maroon 5 ANIMALS/ maroon 5 DEAR FUTURE HUSBAND/ meghan trainor ANYONE/ justin bieber DELICATE/ taylor swift APPLAUSE/ lady gaga DIAMONDS/ sam smith A THOUSAND YEARS/ christina perri DIE WITH YOU/ beyonce BABY/ justin bieber DIE YOUNG/ kesha BAD BLOOD/ taylor swift DOMINO/ jessie j BAD GUY/ billie eilish DON’T LET ME DOWN/ chainsmokers BANG BANG/ jessie j and ariana grande DON’T START NOW/ dua lipa BEFORE I LET GO/ beyonce DON’T STOP THE PARTY/ pitbull BENEATH YOUR BEAUTIFUL/ labrinth DRINK YOU AWAY/ justin timberlake BEAUTIFUL PEOPLE/ chris brown DRIVE BY/ train BEST DAY OF MY LIFE/ american authors DRIVERS LICENSE/ olivia rodrigo BEST SONG EVER/ one direction