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Asian Shakespeare Newsletter 6.1 (Spring 2018), 1 Asian Shakespeare Newsletter 6.1 (Spring 2018), 1 Asian Shakespeare Newsletter Table of Contents SHAKESPEARE, TRAFFICS, TROPICS: Conference at a Glance Performances at Conference Third ASA Conference Conference Registration Conference Accommodation Travel & Tourist Information Conference Program Executive Committee Chair: Bi-qi Beatrice Lei National Taiwan University Vice Chairs: Judy Celine Ick University of the Philippines, Diliman The third biennial conference of the Asian Shakespeare Poonam Trivedi Association to be held in Manila on May 28-30, 2018, is now University of Delhi accepting online registration and payment. Take advantage of Secretary: the early bird rates by registering before March 31. Yoshihara Yukari Jointly hosted by the Ateneo de Manila University and the University of Tsukuba University of the Philippines Diliman, the conference program Treasurer: comprises of Peter Holland’s keynote speech, a plenary panel, Ricardo G. Abad twelve parallel panel sessions, six seminars, two workshops, Ateneo de Manila University and a mini festival consisting of four live performances from Members: Japan, Malaysia, and the Philippines with Q&A sessions. There Kim Kang will also be an exhibit of manga Shakespeare, a book exhibit, Honam University Lee Hyonu and a reception and two dinners. Selected papers from the Soonchunhyang University conference will be published in Kritika Kultura as a special Minami Ryuta issue. Tokyo Keizai University A tentative program is attached, with possible adjustments Yong Li Lan to come. Please visit the conference website for updates. National University of Singapore Copyright © Asian Shakespeare Association, All rights reserved. Website: http://AsianShakespeare.org; E-mail: [email protected] Asian Shakespeare Newsletter 6.1 (Spring 2018), 2 PERFORMANCES Macbeth (Malaysia) This interactive storytelling of Macbeth uses action and live music. The performance is developed by KL Shakespeare Players (KLSP) from Malaysia, with the help of their consultant Johnny Gillett. Audience will have the chance to participate in some exciting moments in the play, such as the opening battle, and the seduction of the three witches. Founded in 2011, KL Shakespeare Players is committed to bringing Shakespeare to diverse audiences in every state in Malaysia, and has traveled from Kuala Lumpur to Langkawi, Penang, Ipoh, Nilai, Seremban and Johor Bahru. Besides its annual Shakespeare series, the troupe provides trainings and workshops based on the concept of “Learning Through Shakespeare,” working with actors and students to increase their appreciation of the Bard and to explore various stage crafts, all rooted in Shakespeare’s text and works. RD3RD (Philippines) Co-directed by Anton Juan and Ricardo Abad and with dramaturgy by Judy Celine Ick, RD3RD is a bold and inventive reinterpretation of Shakespeare’s Richard III in light of contemporary Philippine realities. The adaptation was triggered by Stephen Greenblatt’s “Shakespeare Explains the 2016 Elections,” published in New York Times: “In the early 1590s, Shakespeare set out to write a play that addressed a problem: How could a great country wind up being ruled by a sociopath?” The Trump administration, Greenblatt’s object of critique, is not unique. “By being very particular with the choices of scenes to portray, RD3RD becomes focused in telling the story of how despotic rulers come into power. It is a frightening wake-up call to open our eyes to what is currently happening around us, through a play written hundreds of years ago. It’s the sort of power and energy that makes theater such a powerful artistic medium. And it is very relevant, solidly firm in its intentions—a work of theater that is unafraid to speak its mind.” (Wanggo Gallaga, Philippine Daily Inquirer) Copyright © Asian Shakespeare Association, All rights reserved. Website: http://AsianShakespeare.org; E-mail: [email protected] Asian Shakespeare Newsletter 6.1 (Spring 2018), 3 The Tempest (Japan) The Tempest is an unconventional and physical interpretation by Yamanote Jijosha. Founded in 1984 by a group of students of Waseda University, the birthplace of Suzuki Tadashi’s SCOT and many other major theater companies in Japan, the troupe is based in Tokyo and has been invited to several international festivals in Asia and Europe. Dissatisfied with Western realism, Yasuda Masahiro developed the troupe’s unique yojohan acting method, which deconstructs the acting styles of Japanese traditional theater and confines the movements of actors to the space of a typical Japanese tearoom size (yojohan). His theory is that this narrow space physically defines the movements of the Japanese and symbolizes a sense of constraint. He sets many rules and imposes restrictions on the actors’ movements, so they can express how modern Japanese sensitively and even neurotically react to their surroundings and other people. The Squaddies’ Shrew (Philippines) Directed by Ian MacLennan and performed by the oldest theater company of Ateneo de Manila University, The Squaddies’ Shrew resets The Taming of the Shrew in modern time and is lauded as “commedia dell’arte in a very contemporary way.” Since its founding in 1972, Tanghalang Ateneo has grown from a fledgling band of student players to one of the country’s leading school-based theater companies. The troupe has won many awards and citations, including several for Sintang Dalisay, an adaptation of Romeo and Juliet which mesmerized the audience at the inaugural ASA conference held in Taipei, 2014. Copyright © Asian Shakespeare Association, All rights reserved. Website: http://AsianShakespeare.org; E-mail: [email protected] Asian Shakespeare Newsletter 6.1 (Spring 2018), 4 REGISTRATION How to Register Student Discount (Flat Rate) Fill in the online form to register. After Internationals 80 USD completion, you will receive an e-mail with your Locals 3000 PhP details and a link to the Payment Page, which will Students (graduate and undergraduate) then direct you to a secure banking site. All online may avail of this discount. This rate may be paid payments will require a valid credit card (Visa, online or on-site. Failure to prove student status MasterCard, JCB, American Express); it will be will lead the participant to being charged the full done through a secure banking site (BDO). amount of the on-site fee (or the difference if Please save/print a copy of payment confirmation student fee has been paid online) upon arrival at for your own record. the event. Fees Early Bird Rate (through March 31) The conference fee covers all conference Internationals 120 USD days. It admits attendance to all panels, sessions, Locals 5000 PhP workshops, as well as all performances to be staged as part of the conference. This fee The cut-off for the Early Bird Rate is includes lunch and snacks, as well as two March 31. conference dinners, and the conference kit. It Regular Rate excludes accommodations and travel expenses. (April 1 through May 15) Rates have been computed to include the Internationals 160 USD 20 USD regular membership fee and the 10 USD Locals 6500 PhP student membership fee for Asian Shakespeare The Regular Rate will apply from April 1 Association, as well as bank fees where to May 15. applicable. For International Participants, payments On-Site Rate must be made in U.S. Dollars. Local participants Internationals 170 USD qualify for a discount, as indicated by the rates in Locals 7500 PhP Philippine Pesos. Those who register but do not pay online Please note that only those who have will be charged the On-Site Rates upon arrival at registered and paid by May 15, the deadline for the Conference. registration, will have their names in the Receipts for all payments will be issued at program and their abstracts in the book of the Conference. abstracts. The deadline for online registration is Click HERE to Register May 15. for the Conference Copyright © Asian Shakespeare Association, All rights reserved. Website: http://AsianShakespeare.org; E-mail: [email protected] Asian Shakespeare Newsletter 6.1 (Spring 2018), 5 ACCOMMODATION As a participant to this conference, you may Microtel by Wyndham avail of discounts at any of the three designated UP Technohub Conference Hotels. Two of them are located near the conference venues (both Ateneo and UP) and Type: International Hotel are easily accessible by taxi. The third is a hotel Prices: PhP 3,000/night (58 USD), sleeps on UP Campus. Please give your name and the up to two, with breakfast conference name (Asian Shakespeare 2018) Address: UP-Ayala Technohub, when making a reservation with any of Commonwealth Ave., Diliman Quezon City these three hotels. 1121 During conference days, a representative Telephone: (632) 8997171/ +639178881800 from the organizing committee will be on hand at Website: the three designated conference hotels to assist http://www.microtel-uptechnohub.com/ participants. E-mail: [email protected] Conference shuttles will also be available at Oracle Hotel and Residences these designated hotels to take you to the conference venue. Type: Affordable Hotel If you wish to stay somewhere with quick Prices: PhP 2,226-2,850/night (44-55 USD), access to commercial establishments or four-star sleeps up to two; PhP 2,850-3,350/night amenities, we recommend booking a hotel around (55-65 USD) with breakfast the Tomas Morato/South Triangle district. Address: 317 Katipunan Avenue, Loyola Tomas Morato is located within Quezon City’s Heights, Quezon City (across from Ateneo entertainment district and is known for its bars and de Manila University) busy nightlife. It is about 8 km away from UP (or Telephone: (632) 9299937/ +63 936 110 15 minutes by car), and features plenty of dining 2435 options: restaurant, bars, and cafés. Website: http://www.oraclehotel.com.ph/ Please remember to plan your own transfers E-mail: [email protected] from and to the airport to these hotels or directly to The University Hotel (UH) conference venues. Do check if your hotel of choice offers an airport pick-up service.
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