Customer Focused Textile and Apparel Manufacturing Systems: Toward an Effective E-Commerce Model
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Study on Improving the Production Rate by Rapier Looms in Textile Industry Aby Chummar, Soni Kuriakose, George Mathew
ISSN: 2277-3754 ISO 9001:2008 Certified International Journal of Engineering and Innovative Technology (IJEIT) Volume 2, Issue 7, January 2013 Study on Improving the Production Rate by Rapier Looms in Textile Industry Aby Chummar, Soni Kuriakose, George Mathew the company. It is mainly manufactured by the shuttle looms. Abstract— In India the textile industry is growing very fast. Conventional shuttle looms are mainly used during the Most of the earlier established textile industries are using weaving process in the industry. All these shuttle looms are conventional shuttle looms for the production of the cloth. But the too old. In these present conventional shuttle looms, it is advancement in the technology made the textile industry more competitive. The effective usage of the new methods of the necessary to pass a shuttle weighing around half a kilogram weaving technology, which is more energy efficient, makes the through the warp shed to insert a length of weft yarn which production more economical. It is found out that the usage of the weighs only few grams. The shuttle has to be accelerated conventional looms badly affects the cloth production. This study rapidly at the starting of picking cycle and also to be focuses on identifying the problems associated with the low decelerated, stopped abruptly at the opposite end. This production by the shuttle loom and suggesting suitable methods process creates heavy noise and shock and consumes by which these problems can be reduced. considerable energy. Beat-up is done by slay motion which again weighs a few hundred kilograms. The wear life of the Index Terms—Greige Fabric Picks, Rapier Loom, Shuttle Loom. -
HIGHLAND PARK MANUFACTURING COMPANY MILL NO. 3 This Report
HIGHLAND PARK MANUFACTURING COMPANY MILL NO. 3 This report was written on December 3, 1986 1. Name and location of the property: The property known as the Old Highland Park Manufacturing Company Mill No. 3 is located at 2901 N. Davidson Street, Charlotte, North Carolina. 2. Name, address, and telephone number of the present owner of the property: The owner of the property is: Highland Park Group, Inc. 200 Queens Rd. Suite 200 Charlotte, NC 28204 Telephone: (704) 377-4700 3. Representative photographs of the property: This report contains representative photographs of the property. 4. A map depicting the location of the property: This report contains a map which depicts the location of the property. 2901 N Davidson St Map data ©2018 Google 200 ft 2901 N Davidson St Charlotte, NC 28205 At this location Breathe Refuge 4.0 (4) 5. Current Deed Book Reference to the property: The most recent deed to this property is recorded in Mecklenburg County Deed Book 5223, page 325. The Tax Parcel Number of the property is: 083-078-01. 6. A brief historical sketch of the property: This report contains a brief historical sketch of the property prepared by Dr. William H. Huffman. 7. A brief architectural description of the property: This report contains a brief architectural description of the property prepared by Thomas W. Hanchett. 8. Documentation of why and in what ways the property meets the criteria for designation set forth in N.C.G.S. 160A-399.4: a. Special significance in terms of its history, architecture, and/or cultural importance: The Commission judges that the property known as the Old Highland Park Manufacturing Company Mill No. -
Smart Army Jacket
Perspectives in Communication, Embedded-Systems and Signal-Processing (PiCES) – An International Journal ISSN: 2566-932X, Vol. 2, Issue 10, January 2019 Proceedings of National Conference on Emerging Trends in VLSI, Embedded and Networking (NC-EVEN 18), April 2018 Smart Army Jacket Bhuvaneshwari, Nipun Pradeep, Harish K Pavan Kumar, Sowmya Professor, Department of EC, Brindavan College of Engineering, Bangalore UG Students, Department of EC, Brindavan College of Engineering, Bangalore information systems are equipped with input and output Abstract: Wearable technologies are now pervading functions [1]. many applications in several fields. The aim of this review paper is to collect and summarize the actual Sensors or switches are used for input in smart smart clothing in the space and military field where clothing; they determine conditions of the surrounding conditions could be critical for health and safety, and environment (for example, temperature or humidity outline the innovation trend for innovative services to sensor) or operate and control the system (for example, police and soldiers. The aim of this paper is to consider system ON/OFF switch, volume control buttons). To keep data input methods and technologies related to wearing feeling as satisfactory as possible, it is preferable to replace data input mechanical buttons with flexible information input into electronic systems that would be switches and connections. The aim of this paper is to suitable for smart garments. An overview of recent consider data input methods and technologies related to developments in the area of flexible switches is information input into system that would be suitable for provided, describing processes used to fabricate these smart garments. -
Toward Eliminating Pre-Consumer Emissions of Microplastics from the Textile Industry
Toward eliminating pre-consumer emissions of microplastics from the textile industry Photo credit: Mark Godfrey Photo credit: Devan King Abstract There is growing global awareness that microfibers are, we know enough to take microplastics are a potentially harmful action now to reduce the flows of these pollutant in oceans, freshwater, soil and air. materials into natural systems like rivers While there are many important sources of and oceans. The elimination of pre- microplastic pollution, we now know the consumer microfiber pollution will require textile lifecycle of manufacturing, use and changes along all stages of the textile disposal is a major emission pathway of supply chain. These changes include: microplastics. Microplastics emitted during a textile’s lifecycle are referred to as 1. Better understanding the relative microfibers or ‘fiber fragments.’ To date, emissions of microfibers at each much of the attention has focused on the manufacturing step (from fiber to yarn shedding, washing and disposal of to fabric to garment). synthetic textiles by consumers. 2. Developing microfiber control technologies and codifying best However, this is only part of the picture practices. and ignores microfiber leakage during the manufacturing and processing of these 3. Scaling these solutions to Tier 1, 2 and 3 materials. We estimate that pre-consumer suppliers via a combination of textile manufacturing releases 0.12 million regulatory and brand or retailer-led metric tons (MT) per year of synthetic action. microfibers into the environment – a similar 4. Continuing to raise industry, order of magnitude to that of the consumer government and consumer awareness use phase (laundering). That would mean of the topic. -
Textile Manufacturing
Textile Manufacturing Industry Overview Not all textile manufacturing industries produce hazardous you suspect that you generate a waste that is not included in this waste. If, however, you use hazardous solvents and materials summary, contact your state hazardous waste management agency containing toxic chemicals, you might be subject to Resource or EPA Regional office for assistance. Conservation and Recovery Act (RCRA) requirements covering the generztion, transportation, and management of hazardous waste. Waste Minimization An effective waste minimization program can reduce the costs, The following textile manufacturing industry segments are liabilities, and regulatory burdens of hazardous waste manage- covered by this summary: ment, while potentially enhancing efficiency, product quality, and community relations. Waste minimization techniques that can Broad woven fabric mills and wool mills, including help you reduce the amount of hazardous waste that you generate dyeing and finishing include: Knitting mills and knit goods finishing Other dyeing and finishing textile mills Production planning and sequencing Floor covering mills, including dyeing and finishing. Process/equipment adjustment or modification - Raw material substitution Loss prevention and housekeeping Hazardous Wastes from Textile Waste segregation and separation Manufacturing Recycling. Most ofthe hazardous waste generated by textile manufacturers results from the use of solvents. Solvents are used in the dry- Training and supervision of employees implementing waste cleaning of synthetic fiber knit fabrics and woven and wool fab- minimization techniques is an important part of your successful rics; in specialty operations such as tricot and lace splitting or program. Call the RCWSuperfund Hotline toll-free at 800424- solvent scouring; in dyeing operations; and in some finishing op- 9346 (or TDD 800-553-7672for the hearing-impaired) for waste erations for impregnation or coating of textile fibers. -
The War and Fashion
F a s h i o n , S o c i e t y , a n d t h e First World War i ii Fashion, Society, and the First World War International Perspectives E d i t e d b y M a u d e B a s s - K r u e g e r , H a y l e y E d w a r d s - D u j a r d i n , a n d S o p h i e K u r k d j i a n iii BLOOMSBURY VISUAL ARTS Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA 29 Earlsfort Terrace, Dublin 2, Ireland BLOOMSBURY, BLOOMSBURY VISUAL ARTS and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2021 Selection, editorial matter, Introduction © Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian, 2021 Individual chapters © their Authors, 2021 Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identifi ed as Editors of this work. For legal purposes the Acknowledgments on p. xiii constitute an extension of this copyright page. Cover design by Adriana Brioso Cover image: Two women wearing a Poiret military coat, c.1915. Postcard from authors’ personal collection. This work is published subject to a Creative Commons Attribution Non-commercial No Derivatives Licence. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third- party websites referred to or in this book. -
Cotton and the Community: Exploring Changing Concepts of Identity and Community on Lancashire’S Cotton Frontier C.1890-1950
Cotton and the Community: Exploring Changing Concepts of Identity and Community on Lancashire’s Cotton Frontier c.1890-1950 By Jack Southern A thesis submitted in partial fulfillment for the requirements for the degree of a PhD, at the University of Central Lancashire April 2016 1 i University of Central Lancashire STUDENT DECLARATION FORM I declare that whilst being registered as a candidate of the research degree, I have not been a registered candidate or enrolled student for another aware of the University or other academic or professional institution. I declare that no material contained in this thesis has been used for any other submission for an academic award and is solely my own work. Signature of Candidate ________________________________________________ Type of Award: Doctor of Philosophy School: Education and Social Sciences ii ABSTRACT This thesis explores the evolution of identity and community within north east Lancashire during a period when the area gained regional and national prominence through its involvement in the cotton industry. It examines how the overarching shared culture of the area could evolve under altering economic conditions, and how expressions of identity fluctuated through the cotton industry’s peak and decline. In effect, it explores how local populations could shape and be shaped by the cotton industry. By focusing on a compact area with diverse settlements, this thesis contributes to the wider understanding of what it was to live in an area dominated by a single industry. The complex legacy that the cotton industry’s decline has had is explored through a range of settlement types, from large town to small village. -
Wages and Working Hours in the Textiles, Clothing, Leather and Footwear Industries
GDFTCLI/2014 Wages and Working Hours in the Textiles, Clothing, Leather and Footwear Industries Sectoral Sectoral Activities Department Activities International Labour Office (ILO) Department 4, route des Morillons CH-1211 Genève 22 Switzerland GDFTCLI/2014 INTERNATIONAL LABOUR ORGANIZATION Sectoral Activities Department Wages and working hours in the textiles, clothing, leather and footwear industries Issues Paper for discussion at the Global Dialogue Forum on Wages and Working Hours in the Textiles, Clothing, Leather and Footwear Industries (Geneva, 23–25 September 2014) Geneva, 2014 INTERNATIONAL LABOUR OFFICE, GENEVA Copyright © International Labour Organization 2014 First edition 2014 Publications of the International Labour Office enjoy copyright under Protocol 2 of the Universal Copyright Convention. Nevertheless, short excerpts from them may be reproduced without authorization, on condition that the source is indicated. For rights of reproduction or translation, application should be made to ILO Publications (Rights and Permissions), International Labour Office, CH-1211 Geneva 22, Switzerland. The International Labour Office welcomes such applications. Libraries, institutions and other users registered with reproduction rights organizations may make copies in accordance with the licences issued to them for this purpose. Visit www.ifrro.org to find the reproduction rights organization in your country. Wages and working hours in the textiles, clothing, leather and footwear industries: Issues Paper for discussion at the Global Dialogue -
The Textile Machinery Collection at the American Textile History Museum a Historic Mechanical Engineering Heritage Collection
THE TEXTILE MACHINERY COLLECTION AT THE AMERICAN TEXTILE HISTORY MUSEUM A HISTORIC MECHANICAL ENGINEERING HERITAGE COLLECTION Textiles are an important part of our everyday lives. They clothe and comfort us, protect our first-responders, Introduction filter the air in our automobiles, and form the core of the fuselage in our newest aircraft. We enjoy their bright colors, wrap up in their warmth, and seldom give a second thought to how they make bicycles stronger and lighter or how they might be used to repair our vital organs. As textiles have changed from the first simple twisted fibers to high-tech smart fabrics, the tools and machinery used to make them have evolved as well. Drop spindles and spinning wheels have given way to long lines of spinning frames. And looms now use puffs of air instead of the human hand to insert the weft thread in a growing length of fabric. During the eighteenth and nineteenth centuries, textile manufacture was the catalyst for the Industrial Revolution in America. It was the leading edge in the transformation from an agricultural to a manufacturing economy and started the move of significant numbers of people from rural areas to urban centers. With industrialization came a change in the way people worked. No longer controlled by natural rhythms, the workday demanded a life governed by the factory bell. On the consumer side, industrialization transformed textiles from one of a person’s most valuable possessions to a product widely available at incredibly low prices. For more than a century, textile mills in Great Britain and the United States dominated textile production and led the industrial revolution in both Europe and North America. -
GURPS+-+4Th+Edition+-+High-Tech
Written by SHAWN FISHER, MICHAEL HURST, and HANS-CHRISTIAN VORTISCH Additional Material by DAVID L. PULVER, SEAN PUNCH, GENE SEABOLT, and WILLIAM H. STODDARD Edited by SEAN PUNCH Cover Art by ABRAR AJMAL and BOB STEVLIC Illustrated by BRENT CHUMLEY, IGOR FIORENTINI, NATHAN GEPPERT, BRENDAN KEOUGH, and BOB STEVLIC ISBN 978-1-55634-770-2 1 2 3 4 5 6 7 8 9 10 STEVE JACKSON GAMES 5. WEAPONRY. 78 FIREARMS . .78 Dirty Tech: Full-Auto Conversions . 79 How to Treat Your Gun . 79 CONTENTS Drawing Your Weapon . 81 Immediate Action. 81 INTRODUCTION . 4 PERSONAL DEVICES AND Shooting. 82 Publication History. 4 CONSUMER GOODS . 30 Reloading Your Gun . 86 About the Authors. 4 Personal Accessories. 31 Careful Loading . 86 Appliances . 32 Black-Powder Fouling . 86 1. THE EQUIPMENT AGE . 5 Foodstuffs . 33 Air Guns . 88 Ranged Electric Stunners . 89 TIMELINE . 6 Luxuries . 34 TL5: The Industrial Revolution . 6 Non-Repeating Pistols . 90 COMMUNICATIONS . 35 Revolvers . 92 TL6: The Mechanized Age . 6 Mail and Freight . 35 TL7: The Nuclear Age. 6 Dirty Tech: Improvised Guns . 92 Telegraph . 36 Semiautomatic Pistols . 97 TL8: The Digital Age . 6 Telephone. 36 Dirty Tech . 6 Automatic Revolver . 97 Radio . 37 Disguised Firearms . 98 BUYING EQUIPMENT . 7 Radio in Use. 38 Rocket Pistol. 99 You Get What You Pay For . 7 Other Communications . 40 Shotguns . 103 The Black Market . 7 MEDIA . 40 Muskets and Rifles . 107 New Perk: Equipment Bond . 7 Audio Storage, Recording, Drilling . 108 Legality and Antiques. 8 and Playback . 40 Minié Balls . 109 WEAR AND CARE . 9 Video Storage, Recording, The Kalashnikov . -
Scheme of Instruction and Evaluation I - Viii Semester of B.Tech
SCHEME OF INSTRUCTION AND EVALUATION I - VIII SEMESTER OF B.TECH. DEGREE PROGRAMME Branch-Fashion & Apparel Technology First Year Engineering First Semester Theory Practical Code Course Name Hours/ Credit University Internal Hours/ Credit Marks Week Theory Marks Evaluation Week Practical L/T L/T BS Mathematics-I 3-1 4 100 50 - - - BS Chemistry/ Physics 3-0 3 100 50 2 1 50 ES Basics of Electronics / 3-0 3 100 50 2 1 50 Basic Electrical Engineering ES Mechanics/ 3-0 3 100 50 Thermodynamics ES Programming in ‘c” 3-0 3 100 50 2 2 50 HS English Communication 3-0 2 100 50 2 1 50 Skill ES Engineering Workshop/ 4 2 100 Engineering Drawing Total 16 18 600 300 18 7 300 Total Marks: 1200 Total Credits: 25 Second Semester Theory Practical Code Course Name Hours/ Credit University Internal Hours/ Credit Marks Week Theory marks Evaluation Week Practical L/T L/T BS Mathematics-II 3-1 4 100 50 - - - BS Chemistry/ Physics 3-0 3 100 50 2 1 50 ES Basics of Electronics / 3-0 3 100 50 2 1 50 Basic Electrical Engineering ES Mechanics/ 3-1 3 100 50 Thermodynamics ES Data Structure Using 3-0 3 100 50 2 2 50 ‘C” HS Business 3-0 2 100 50 2 1 50 communication ES Engineering Workshop/ 4 2 100 Engineering Drawing MC NSS/NCC - - - - Total 17 18 600 300 14 7 300 Total Marks: 1200 1 Total Credits: 25 Page 4 Year B.Tech Program (Fashion & Apparel Technology) Structure for admission batch of 2015-16 Second Year Engineering Third Semester Theory Practical Code Course Name Hours/ Credit University Internal Hours/ Credit Marks Week Theory Marks Evaluation Week Practical L/T L/T PC Elements of Fashion 3-0 3 100 50 2 1 50 PC Fundamental of Textile- 3-0 3 100 50 2 1 50 I PC Elements of Design 3-0 3 100 50 2 1 50 &Colour PC Traditional Textile 3-0 3 100 50 2 1 50 PC Polymer Chemistry & 3-1 4 100 50 Fiber Science HS Engineering Economics/ 2-1 3 100 50 Organizational Behavior Total 19 19 600 300 8 4 200 Total Marks: 1100 Total Credits: 23 For Honours and Minor 4 4 100 50 Specialization Laboratories : 1. -
Mariantonia Urru
MARIANTONIA URRU weaving innovation and heritage together MARIANTONIAURRU.COM M/U: weaving innovation and heritage together elegant tapestries and textiles fire-resistant fabrics sound-absorbing, thermo-acoustic panels Since 1981, Italian workshop Mariantonia Urru has been creating textiles with striking patterns, many passed down for generations. M/U calls Samugheo, a village in the heart of Sardinia, home. This area is famous for its living tradition of textile manufacturing, characterized by an ancient symbolic language and traditional loom techniques. Each M/U piece is created using these exclusive Sardinian techniques, including some that were almost forgotten. While rediscovering tradition, the brand constantly focuses on reinventing the ancient art of making fabric with an innovative, modern approach. Tapestries and Wall Textiles We collaborate with many talented artists and designers to create one-of-a-kind wall textiles. Each piece provides an interpretation of heritage - a new telling of the themes, symbols, and ideas held dear by the local Sardinian community. These elements of tradition are expertly woven into every combination of material, color, and design to create tapestries and wall textiles that respect the past while looking to the future. M/U specializes in functional wall coverings, artistic tapestries, and textile installations to create new spaces. Unique by Design Each design and color palette tells a distinct story. Further, due to variations in thread production and weave, no two pieces are exactly alike. Every M/U piece is unique. Stories of land and heritage, told through innovation and beautiful textile design. Mariantonia Urru weaving innovation and heritage together cel. +39 349 327 53 53 tel.