Der Bader-Meinhof Komplex
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Butz Peters RAF Gegen Bundesrepublik
Butz Peters 1977 RAF gegen Bundesrepublik Besuchen Sie uns im Internet: www.droemer.de © 2017 Droemer Verlag Ein Imprint der Verlagsgruppe Droemer Knaur GmbH & Co. KG, München Alle Rechte vorbehalten. Das Werk darf – auch teilweise – nur mit Genehmigung des Verlags wiedergegeben werden. Covergestaltung: ZERO Werbeagentur, München Coverabbildung: FinePic®, München Satz: Adobe InDesign im Verlag Druck und Bindung: CPI books GmbH, Leck ISBN 978-3-426-27678-5 5 4 3 2 1 INHALT VORWORT ........................................ 11 FRÜHLING ERSTER ABSCHNITT. BUBACK ........................ 21 1. Gründonnerstag ................................ 21 2. Margarine ..................................... 25 3. Karfreitag ..................................... 38 4. Sonnenberg .................................... 43 5. Klar .......................................... 45 6. Folkerts ....................................... 55 7. Erkenntnisse ................................... 58 8. Staatsbegräbnis ................................. 61 9. Selbstbezichtigung .............................. 69 10. Singen ....................................... 81 11. Überraschungen ............................... 87 12. Becker ....................................... 95 13. Lorenz ....................................... 103 14. Heißler ....................................... 109 15. Haag ......................................... 113 16. Wüstencamp .................................. 117 17. Harz ......................................... 123 18. Überlegungen ................................ -
International Casting Directors Network Index
International Casting Directors Network Index 01 Welcome 02 About the ICDN 04 Index of Profiles 06 Profiles of Casting Directors 76 About European Film Promotion 78 Imprint 79 ICDN Membership Application form Gut instinct and hours of research “A great film can feel a lot like a fantastic dinner party. Actors mingle and clash in the best possible lighting, and conversation is fraught with wit and emotion. The director usually gets the bulk of the credit. But before he or she can play the consummate host, someone must carefully select the right guests, send out the invites, and keep track of the RSVPs”. ‘OSCARS: The Role Of Casting Director’ by Monica Corcoran Harel, The Deadline Team, December 6, 2012 Playing one of the key roles in creating that successful “dinner” is the Casting Director, but someone who is often over-looked in the recognition department. Everyone sees the actor at work, but very few people see the hours of research, the intrinsic skills, the gut instinct that the Casting Director puts into finding just the right person for just the right role. It’s a mix of routine and inspiration which brings the characters we come to love, and sometimes to hate, to the big screen. The Casting Director’s delicate work as liaison between director, actors, their agent/manager and the studio/network figures prominently in decisions which can make or break a project. It’s a job that can't garner an Oscar, but its mighty importance is always felt behind the scenes. In July 2013, the Academy of Motion Pictures of Arts and Sciences (AMPAS) created a new branch for Casting Directors, and we are thrilled that a number of members of the International Casting Directors Network are amongst the first Casting Directors invited into the Academy. -
Martin Moszkowicz Filmographie
FILMOGRAPHIE MARTIN MOSZKOWICZ FILMOGRAPHIE MARTIN MOSZKOWICZ JAHR TITEL REGIE 2022 Liebesdings Anika Decker EXECUTIVE PRODUCER Der Nachname Sönke Wortmann EXECUTIVE PRODUCER 2021 Welcome to Raccoon City Johannes Roberts EXECUTIVE PRODUCER Contra Sönke Wortmann EXECUTIVE PRODUCER Caveman Laura Lackmann EXECUTIVE PRODUCER Tides Tim Fehlbaum EXECUTIVE PRODUCER Ostwind - Der große Orkan Lea Schmidbauer CO-PRODUZENT The Foundation Mike P. Nelson EXECUTIVE PRODUCER Monster Hunter Paul W.S. Anderson EXECUTIVE PRODUCER 2 020 Drachenreiter Tomer Eshed EXECUTIVE PRODUCER Black Beauty Ashley Avis EXECUTIVE PRODUCER Berlin, Berlin Franziska Meyer Price CO-PRODUZENT Das geheime Leben der Bäume Jörg Adolph EXECUTIVE PRODUCER 2019 Das perfekte Geheimnis Bora Dagtekin EXECUTIVE PRODUCER Eine ganz heiße Nummer 2.0 Rainer Kaufmann CO-PRODUZENT Die drei !!! Viviane Andereggen CO-PRODUZENT The Silence John R. Leonetti EXECUTIVE PRODUCER Der Fall Collini Marco Kreuzpaintner EXECUTIVE PRODUCER Ostwind – Aris Ankunft Theresa von Eltz CO-PRODUZENT Polar Jonas Akerlund EXECUTIVE PRODUCER FILMOGRAPHIE MARTIN MOSZKOWICZ JAHR TITEL REGIE 2018 Der Vorname Sönke Wortmann EXECUTIVE PRODUCER Fünf Freunde und das Tal der Dinosaurier Mike Marzuk CO-PRODUZENT Asphaltgorillas Detlev Buck EXECUTIVE PRODUCER Verpiss Dich, Schneewittchen Cüneyt Kaya EXECUTIVE PRODUCER Nur Gott kann mich richten Özgur Yildrim CO-PRODUZENT 2017 Dieses bescheuerte Herz Marc Rothemund PRODUZENT Das Pubertier Leander Haußmann EXECUTIVE PRODUCER Tigermilch Ute Wieland EXECUTIVE PRODUCER Ostwind – Aufbruch nach Ora Katja von Garnier CO-PRODUZENT Axolotl Overkill Helene Hegemann EXECUTIVE PRODUCER Tiger Girl Jakob Lass EXECUTIVE PRODUCER Jugend ohne Gott Alain Gsponer EXECUTIVE PRODUCER Timm Thaler oder das verkaufte Lachen Andreas Dresen EXECUTIVE PRODUCER Shadowhunters (TV) McG u.a. PRODUZENT Resident Evil: The Final Chapter Paul W.S. -
Conceptions of Terror(Ism) and the “Other” During The
CONCEPTIONS OF TERROR(ISM) AND THE “OTHER” DURING THE EARLY YEARS OF THE RED ARMY FACTION by ALICE KATHERINE GATES B.A. University of Montana, 2007 B.S. University of Montana, 2007 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of Germanic and Slavic Languages and Literatures 2012 This thesis entitled: Conceptions of Terror(ism) and the “Other” During the Early Years of the Red Army Faction written by Alice Katherine Gates has been approved for the Department of Germanic and Slavic Languages and Literatures _____________________________________ Dr. Helmut Müller-Sievers _____________________________________ Dr. Patrick Greaney _____________________________________ Dr. Beverly Weber Date__________________ The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. iii Gates, Alice Katherine (M.A., Germanic and Slavic Languages and Literatures) Conceptions of Terror(ism) and the “Other” During the Early Years of the Red Army Faction Thesis directed by Professor Helmut Müller-Sievers Although terrorism has existed for centuries, it continues to be extremely difficult to establish a comprehensive, cohesive definition – it is a monumental task that scholars, governments, and international organizations have yet to achieve. Integral to this concept is the variable and highly subjective distinction made by various parties between “good” and “evil,” “right” and “wrong,” “us” and “them.” This thesis examines these concepts as they relate to the actions and manifestos of the Red Army Faction (die Rote Armee Fraktion) in 1970s Germany, and seeks to understand how its members became regarded as terrorists. -
Olaf Jahnke RAF Topographie Kurz
Rote Armee Fraktion Topographie Olaf Jahnke Olaf Jahnke olafjahnke.de Druck und Bindung: MJ Raak, Frankfurt DievorliegendePublikationisturheberrechtlichgeschützt. Alle Rechte vorbehalten. Dies gilt insbesondere für die Vervielfältigung, Übersetzung oder VerwendunginelektronischenSystemen. Rote Armee Fraktion AlleAngabenindiesemBuchwurdenmitgrößterSorgfaltkontrolliert. Der Autor kann nicht haftbar gemacht werden für Schäden, die in Zusammenhang mit diesem Buch stehen. Topographie Künstleredition, Auflage 99 + 5 E.A. Vorwort Dr. Barbara Perfahl Frankfurt und Umgebung die-wohnpsychologin.de Mit einem Vorwort von Dr. Barbara Perfahl Das Gesamtprojekt wurde gefördert durch ein Stipendium der Hessischen Kulturstiftung. März 2021 Einleitung Seit 1982 arbeite ich in Frankfurt, habe auch einige Jahre hier gewohnt. Speziell ältere Kollegen erzählten mir früher, dass damals in der einen oder anderen Ecke Frankfurts Mitglieder der RAF einen Unterschlupf gefunden hatten. Meistens wurde von Bornheim oder, etwas konkreter, der Berger Straße gesprochen. Die Taten der Gruppe im Hinterkopf, lief mir dann ein Schauer über den Rücken, beim Gedanken, dort unwissentlich möglicherweise einem Terroristen begegnet zu sein. Wenn es mir bereits so geht, wie müssen sich die Betroffenen fühlen? Polizisten, die in einen Schusswechsel mit den Mitgliedern der RAF gerieten oder nach den Anschlägen die grausame Wirkung von Bomben sahen, ganz zu schweigen natürlich von den Opfern selbst und ihren Angehörigern, sie leiden ein Leben lang unter den Folgen. Mit der RAF bringt man wahrscheinlich eher Berlin oder bestimmte Anschlagsorte wie Karlsruhe in Verbindung. Umso überraschter war ich zu Beginn meiner Recherche bei der Lektüre des Standardwerks „Der Baader-Meinhof-Komplex“ von Stefan Aust. Hier schreibt Aust ganz deutlich, dass Andreas Baader sehr schnell Frankfurt als neues Hauptquartier ausgewählt hatte. West-Berlin war Baader aufgrund der Inselsituation zu eng geworden, in Hamburg hatte die Gruppe bereits einige Rückschläge erlitten. -
5-28-1972 Bonn Gets Warning of More Bombings
11/4/11 From the archive: May 28 1972: Bonn gets warning of more bombings | Wor… Printing sponsored by: From the archive: May 28 1972 Bonn gets warning of more bombings May 28 1972: Neal Ascherson reports on the mood of panic across West Germany as Baader-Meinhof conduct a wave of attacks Neal Ascherson The Observ er, Saturday 27 May 1 97 2 l ar ger | smal l er The wave of bombings in West Germany, culminating on Wednesday in the death of three American soldiers when a parked car exploded at the United States Army headquarters at Heidelberg, may not yet have reached its peak. An urban guerrilla 'commando' has warned that there will be attacks in major cities next Friday, and proclaimed: 'The armed struggle has begun...only violence can help, when violence rules.' The attacks are deeply alarming the Government. Herr Genscher, Minister of the Interior, said that counter-intelligence squads would be enlarged. The head of the Federal Criminal Office booked 10 minutes of television on Thursday night to appeal to the public to act as detectives against the bombers. On Friday, Chancellor Brandt called an emergency conference of provincial Ministers of the Interior to study the problem. It seems likely that the urban guerrilla groups loosely united in the 'Red Army Faction' have become stronger in spite of a three-year manhunt. The nucleus was the group led by Ulrike Meinhof and Andreas Baader, both still at large although several members of the band have been killed in gun battles, captured or have given themselves up. -
De Rote Armee Fraktion in Het Nederlandse Parlementaire Debat
“Zoals bekend, zijn dat gewapende overvallers, misdadigers.” Infame Misdrijven: De Rote Armee Fraktion in het Nederlandse parlementaire debat Master Scriptie, History PCNI: Political Debate Niels Holtkamp S0954055 Begeleider: Prof. Dr. H. te Velde Universiteit Leiden 01 juli 2019 [email protected] +31654938262 Kort Rapenburg 6A 2311 GC Leiden 2 1 “Wer mit Ungeheuern kämpft, mag zusehn, dass er nicht dabei zum Ungeheuer wird. Und wenn du lange in einen Abgrund blickst, blickt der Abgrund auch in dich hinein.” - Friedrich Nietzsche, Jenseits von Gut und Böse (1886) 1 Titel naar uitspraak van Marcus Bakker (CPN), Handelingen Tweede Kamer 1973 – 1974, 4 september, 4604. ‘Infame misdrijven’ naar Theo van Schaik (KVP), Handelingen Tweede Kamer 1975 – 1976 12 februari, 2806. Afbeelding voorblad: Ton Schuetz/ANP. De ravage rond een telefooncel in Amsterdam Osdorp, waar bij een arrestatie in 1977 twee RAF leden en drie agenten gewond raakten, door vuurwapens en een handgranaat. 3 Inhoudsopgave “Zoals bekend, zijn dat gewapende overvallers, misdadigers.” .................................... 1 Afkortingen .................................................................................................................... 4 Deel 1 ............................................................................................................................. 5 De Rote Armee Fraktion en het Nederlandse parlementaire debat ................................ 6 Historiografie ............................................................................................................ -
Whose Hi/Story Is It? the U.S. Reception of Downfall
Whose Hi/story Is It? The U.S. Reception of Downfall David Bathrick Before I address the U.S. media response to the fi lm Downfall, I would like to mention a methodological problem that I encountered time and again when researching this essay: whether it is possible to speak of reception in purely national terms in this age of globalization, be it a foreign fi lm or any other cultural artifact. Generally speaking, Bernd Eichinger’s large-scale production Downfall can be considered a success in America both fi nancially and critically. On its fi rst weekend alone in New York City it broke box-offi ce records for the small repertory movie theater Film Forum, grossing $24,220, despite its consider- able length, some two and a half hours, and the fact that it was shown in the original with subtitles. Nationally, audience attendance remained unusually high for the following twelve weeks, compared with average fi gures for other German fi lms made for export markets.1 Downfall, which grossed $5,501,940 to the end of October 2005, was an unequivocal box-offi ce hit. One major reason for its success was certainly the content. Adolf Hit- ler, in his capacity as star of the silver screen, has always been a suffi cient This article originally appeared in Das Böse im Blick: Die Gegenwart des Nationalsozialismus im Film, ed. Margrit Frölich, Christian Schneider, and Karsten Visarius (Munich: edition text und kritik, 2007). 1. The only more recent fi lm to earn equivalent revenue was Nirgendwo in Afrika. -
THE EDUKATORS (German)
THE EDUKATORS (German) Activity Guide by Amanda K. Plummer Title: The Edukators Director: Hans Weingartner Country: Germany Year: 2004 Starring/Character: Daniel Brühl: Jan Julia Jentsch: Jule Stipe Erceg: Peter Burghart Klaußner: Hardenberg Writers: Katharina Held, Hans Weingartner Length: 127 minutes Language: German Location/Time of Action: Berlin, Germany, circa 2004 More information: http://imdb.com/title/tt0408777/ http://www3.ifcfilms.com/theedukators/ http://www.theedukators.com http://www.rottentomatoes.com/m/edukators http://en.wikipedia.org/wiki/The_Edukators SUMMARY: The Edukators is about three young people living in present-day Berlin. Jule is a student who is horribly in debt as a result of an automobile accident. Early in the film she is evicted from her apartment, despite having finally paid six months worth of back rent. Her boyfriend, Peter, invites her to move in with him and his friend Jan. Jan and Peter are more than friends; they are partners in a political/social activism scheme. Calling themselves “The Edukators,” they break into the homes of extravagantly wealthy people. Instead of burglarizing the homes, they rearrange the valuables and leave a note with a lesson. The one at the beginning of the film reads, “Your days of plenty are numbered.” Jule learns of this secret life when Peter goes to Barcelona for three days, leaving her alone with Jan. Together, Jule and Jan break into the home of Hardenberg, the businessman whose car Jule crashed into. They leave Hardenberg a lesson that reads, “You have too much money.” Unfortunately, they also leave behind Jule’s cell phone. Jan and Jule return to Hardenberg’s house the following night to retrieve the phone and are interrupted by Hardenberg. -
Titel Kino 1 2000, Endversion
EXPORT-UNION OF GERMAN CINEMA 1/2000 GERMAN MASTERS Schlöndorff, Thome and Wenders in Competition at the Berlin International Film Festival Special Report SELLING GERMAN FILMS Spotlight on GERMAN TV-MARKETS Kino Scene from:“THE MILLION DOLLAR HOTEL” Thanks to our national and international customers subtitling film video dvd 10 years of Film und Video Untertitelung dubbing post-production 10 years of high-quality subtitles editing telecine 10% reduction on our regular prices standard conversion video transfer inspection of material during 10 celebratory months graphic design from 10 July 1999 to 10 May 2000 dvd mastering you will see the difference www.untertitelung.de [email protected] tel.: +49-2205/9211-0 fax: +49-2205/9211-99 www. german- cinema. de/ INFORMATION ON GERMAN FILMS. now with links to international festivals! Export-Union des Deutschen Films GmbH Tuerkenstrasse 93 · D-80799 München · phone +49-89-39 00 95 · fax +49-89-39 52 23 · email: [email protected] KINO 1/2000 6 Selling German Films 25 In Competition at Berlin Special Report 25 The Million Dollar Hotel 10 Opening Reality OPENING FILM Wim Wenders For Illusions 26 Paradiso – Sieben Tage mit Portrait of Director Sherry Hormann sieben Frauen PARADISO 11 ”I Sold My Soul To Rudolf Thome The Cinema“ 27 Die Stille nach dem Schuss Portrait of Director Tom Tykwer RITA’S LEGENDS Volker Schlöndorff 12 Purveyors Of Excellence Cologne Conference 13 German TV Fare Going Like Hot Cakes German Screenings 15 A Winning Combination Hager Moss Film 16 KINO news 28 German -
Black Hands / Dead Section Verdict
FRINGE REPORT FRINGE REPORT www.fringereport.com Black Hands / Dead Section Verdict: Springtime for Baader-Meinhof London - MacOwan Theatre - March 05 21-24, 29-31 March 05. 19:30 (22:30) MacOwan Theatre, Logan Place, W8 6QN Box Office 020 8834 0500 LAMDA Baader-Meinhof.com Black Hands / Dead Section is violent political drama about the Baader-Meinhof Gang. It runs for 3 hours in 2 acts with a 15 minute interval. There is a cast of 30 (18M, 12F). The Baader-Meinhof Gang rose during West Germany's years of fashionable middle-class student anarchy (1968-77). Intellectuals supported their politics - the Palestinian cause, anti-US bases in Germany, anti-Vietnam War. Popularity dwindled as they moved to bank robbery, kidnap and extortion. The play covers their rise and fall. It's based on a tight matrix of facts: http://www.fringereport.com/0503blackhandsdeadsection.shtml (1 of 7)11/20/2006 9:31:37 AM FRINGE REPORT Demonstrating student Benno Ohnesorg is shot dead by police (Berlin 2 June, 1967). Andreas Baader and lover Gudrun Ensslin firebomb Frankfurt's Kaufhaus Schneider department store (1968). Ulrike Meinhof springs them from jail (1970). They form the Red Army Faction aka Baader-Meinhof Gang. Key members - Baader, Meinhof, Ensslin, Jan- Carl Raspe, Holger Meins - are jailed (1972). Meins dies by hunger strike (1974). The rest commit suicide: Meinhof (1976), Baader, Ensslin, Raspe (18 October 1977). The play's own history sounds awful. Drama school LAMDA commissioned it as a piece of new writing (two words guaranteed to chill the blood) - for 30 graduating actors. -
1. Title: 13 Tzameti ISBN: 5060018488721 Sebastian, A
1. Title: 13 Tzameti ISBN: 5060018488721 Sebastian, a young man, has decided to follow instructions intended for someone else, without knowing where they will take him. Something else he does not know is that Gerard Dorez, a cop on a knife-edge, is tailing him. When he reaches his destination, Sebastian falls into a degenerate, clandestine world of mental chaos behind closed doors in which men gamble on the lives of others men. 2. Title: 12 Angry Men ISBN: 5050070005172 Adapted from Reginald Rose's television play, this film marked the directorial debut of Sidney Lumet. At the end of a murder trial in New York City, the 12 jurors retire to consider their verdict. The man in the dock is a young Puerto Rican accused of killing his father, and eleven of the jurors do not hesitate in finding him guilty. However, one of the jurors (Henry Fonda), reluctant to send the youngster to his death without any debate, returns a vote of not guilty. From this single event, the jurors begin to re-evaluate the case, as they look at the murder - and themselves - in a fresh light. 3. Title: 12:08 East of Bucharest ISBN: n/a 12:08pm on the 22 December 1989 was the exact time of Ceausescu's fall from power in Romania. Sixteen years on, a provincial TV talk show decides to commemorate the event by asking local heroes to reminisce about their own contributions to the revolution. But securing suitable guests proves an unexpected challenge and the producer is left with two less than ideal participants - a drink addled history teacher and a retired and lonely sometime-Santa Claus grateful for the company.