I I '' • ! I I I' "- - .LI! - -•- .._
Marie Knig/,t in Britain
I Asks EDGAR JACKSOW· • • •# t iSTEREOPW,NIC or 3-D-clllCI .. heral Lest 111011d1 ther ca,MCI a NIIICltlon ef 11w Audio ,-1,. lut you ,stilt canrw:,t 1H,y then, In- the' shops. Why? . So far, -the Pr., organllCltlon It the. oat, flan to olitilt It 11 react, to enter the· >-D ff'll'J. ~ Pr• Mp ~ 0 11 ho 'WIii be on ICN nut ...,111. tt~il'n1,oftl'7/- ~ •~"': • w "'.JfJ.t1ord 7'0lfflHa.Uon Monda: But the other bf1 corrroanlea ate bold.llll' ·c•·rn ·•·y LEAVE !_vri,.cto.,, f.o'H~..!~-,,."::1 p tor on-~~>- JI~,,. back. 'fbe nearest date t!}eY' will halUd .,._., · II -""'• m...... - s .. 011 Ila,,1 M au • at ..Bcmic. for 3-D day la the Ra4Jo Show at Barta -~-h_ena_«._J!_.;;,_·;...~;..._._0 _;~_1c__;,,._l~__":..;.~_~_fn.....:• ___ •.:.."4..:Frld_.,_c:_i..;.0 ·h....::"".:..1..;.u..;.'':f.:..n..."J....: '~.;__;_tam:.:.:..·cwrou__ ..;._Co_11_r _t._w_h_l_ch__,opens on Wednesday, Aqu.st DAIIKWORTH ORI Zl. WlU? Lonnie Donegan disa:· is ~~io~t~i!~ ~~::~ IEXTRAI b d b BBC ln~~tt=~e:m~tr:~ a1~~§.€~~ . anne · y i=t,;,;i;:;~1.t~ ~~~~'r/~"'tl,;r,:,-..::, will give tho beat reproduction. lo'°tho West En. 8) tute lino whtob ls quite nocepr,. able.'' Lonnie will be able to 11ln1t TED HEATH tbe number on the BBO wtth the new lyric. He hn.s already I Invita tion to lunch (p. 20) performed the orillnal verslon on BBC • TV's " Silt - Five Special" I LAURIE Donepn's baalst Mickey Ashman ltaves the ,roup next week. Ho bas bem wtth Lonnie LONDON since the at.art or the Slclffle States tour offu (D. 20) oroup and alao played with b1m Lo the Chris 13arbeJ' Ba.nd. NITWITS FOR " u.s TV l ID MILLWARD and b1s made rush arranrementa to S Nitwits with WaU_y Stewart, bav• the, N!Lwit4 filmed during I one or Brlt.aln'a toP comedy last week's Variety Bppearnnce band act.a. will 8hortr1_ _be aee.n at the. Ohlswlck Empire. I on t.wo big American TV showa. Ed Sullivan alrendy hM B film I Tbe are the •· Je Lewis or tbe NU.wit.,. It WM taten ~hoEdw X and lhe worrc?.ramous during an appearance In Paris Th,: 11car•, /lnol va,1rt u 11•a.t0n at th4' London Tren~. co-lcadllrf 0/ Tllo T,.,,,..,.•. The .th01D Sullivan Show." a. few monUw nao. He plan., to Pollodfum oi,cn.ed on Afl)OOQII iohh Joh.nllC. C. reNIOCd I)• Poi Brand QII 1)0.0.• 1:1 Johnnie Ourln1 h1s recent. Palladium Incorporate It. into one or hl.s .Ra11 towtna the bill. n , «. olctured t4bove) top• c~ blll '" tfib IM.,...... Sund, \'lohl seuon comedlao Jerry Lewia weekly abowa. IHt&oCCln hou,e, with Cltu.ule and OIUI At Th• London Paltodlum •• TV ~. ' - Page 2-MEtODY MAJtim. May 10, 1951
...______------.....______...... _ ...... -. .--...... \ Handy's · WELCOME GIRLS. RIOT. OVER HOME! ORONTO. 1fe4Dt!.14M'. fortune T Paut AnJca may be a bl.I &UractJon Ill IOffie clttn,, gw YORK. Wedll.e..sa,, tuu aot ta hb own bume N Most of the late W. o. &own. Ba.Ddy'a eat&ie - estimated WIien the 1'·Te&N>ld aL 100,000 dollan ln real 1q>peared lD oua"-a. hi ll&U\'9 dt,~~~., be WWI ~el&ed Wlua ltOlt,ea and PT~~:wtdow, Mn!. Irma == LotJa.n RICKY NELSON ll&lb blllba. The au41rJKe E"?c· two aonaha c1auabter YOIK,. Wednesclar ~ IO muCb commotion NEW I durlt:11 bJa llNt number t hat be ltooDed Ila.du ·to confu REN wltb bin415'« but WII• GREVATI' I uama. tben returned to do it.~~~rs =~::~!:;S; MEET THE STARS wllll two more •no amld•t r.ld muob Jeertn,:. fflli.-m,e tiaee. te Scotland, but he ha, · 1 11 Jo Toronto-1 ..~n ka m~t a 76_...._ marrfane thl ■ m.a.- N I Q ...4 .. -• - a meeth,,. had version, but. t.he Oorme aide ctuleter but -.w cool r~ep. --r • no "' on Hai, e 10n. ~.. ~up ( or tbe ..yo= fl..,, .. es t.o n.rov:lde much com• Uon D'Ola au41eace tu 4BOLLE D8.AJ:CE EOlt- Th ,...... and .,.,. ~•- ., a.e STINE.. wUe of BIUY a:lDler wtt.b of . ..,...... Maple I.Mt O&rtlena, Wb~ C e 1ouna a..,....er aon om._._ be bea411JWI a rock·°n'•.roll acu~niimcd Ule stnatr tor of oiz:te and Harriet Nelaon ~-Pvx In ll.?.!~ on HI-LO'S allow WWI 8am COOkf'. ol~:C~c~ recently caused a rtot of _rayt.b but a~~ 11 out, UVttne BaJlfl. .Jlmmlf' ~iTn °lid. aoct,en anCI ,cn·~rat rtconl u. cruett'J ana na 2,370 teenage etrls 1Il Fon Wonb, °ioot'.iw,mom~ •,,bl~ would dOlllW ~WJ JDOllt.1111 Texas, haft added London to the Delared trip •~er Ule Ottawa rna.c:u, Alllt&'• motber •Jd l bal l'lt ~ tbm ~rl~~ at~ ~tcba f~~ans~~~ ~~ D~-~-~~r mBE Ht-Lo'a wW play Enaland ll'DOIG .. aeYer ..-n mute =:::Sw::m.~•'mi«:'~et.Jcf which Uterally backed 1' ~~ .._ •-u -• ,_ -.., i. · nm Sept.ember. anotber _,,..,,.nee In that b.e:r 1n,..n<1'1 drtnltlnS men up agalmt. the stage ol the ~Uy, falle:n through. Ortalnally sat !or June. t.he Ottawa.• Bo far Anka hJu bad become a problem. Oollleum. waa blne:r than a dates had t.o btl moved back DleJIC.Nlf\lte4 to ---· IUl7 0001• ~tton t.enduecnmvJa Pr~ey RUSS HI.MILTON be<:ause or ooufllet.e or other 'Dream' ended In Ille u.me audlt.ortum l&St. bootlnp...... INAH WASHINGTON'S year. ■ rLeJ hit D IULh mvnare wbtcb. • ..'lbe !. o.rfo1se ....~.ao &rttt.tN~f~I!• ... f 1 lt,CClOTdiftC to ber acatanen, .... .,.. 0 ,..._._ Uiat...... R""'.. ,... .. ,...... rwv..N'S •·•-t. Queo monua a,o. wu .. a ainal.n.i fa.lltd to set. out. ugo;, ~...,., ,.,_ dream," end~ art.er a no- one wUd~yed girl screamed: dlac, l.ssutld here th1a week 1,a, arsument recenu, us • R1cty, a1ng· It ror me. I love on the Jtapp label, looka llke JacboD•W.. P!onda. ltl.. and tlien turned to her a hit. Second to.or for Dinah Ald be-r hWlbaD.d. comnanion t.o ult: .. What'a be '!be atde ls a ?fftval of t.be ban41GM1ar • t4DOT aa.o- .--:- •--1~ ...oo rh~ .. '".. 1'0e Dbonin Bddle Chamblee. &mlln&, I can't bear blm.• - ...... ,. "A.J¥ ..... ae»bcra;elr pJ&J'ed mWllc Tbrouah Tbe Tul pa. &nu w,e badlr "to ui,eet me," when LAURIE LOI DON Brttllh chanter handa 1t a be M>OOnll)IUlied be:r OD mtaht.J cla8sy reading. ni,bt club enp,pmenta. No ,.t•- Another new rtle&M of the Gerry Mulligan ---~ -.. week la Max Bnraves'a or1C1nal L eo~ LAURIE LONDON wru not. be Ve'l"lDOJl or H You Need Baoda." 5'Nm BURT KORALL 5'eatb.. retumin,g to the Stat.a record.ed hue Jut. week by '1'1111'1WIWlll~~__._,~IWlll~~~-t.h:_l!_moo__ t.b.______• ___ Ey;...dl _e_o_o_rm__ e_ . _ 1_t.•_1 _a_p1_ea_ee_n....,t. NEW YORK. Wedneeday.-England can eicpect ti> see and hear ·• tbe new 0erry MUlllaan quartet some ume th1a Pall Mulll gan and drummer Da.ve Balley remain of the group which made the l&st Brltlsb ~. ar.1e:;; ~J•:dbaa. The, r ep~e Bob=: Brook· :~ Nineteen-year-old BRITAIN HELPS BIG BILL mever valve tmb.) ancl J oe Ben• • ■ S the bal&nce j bteta printed belmr 41tcloee, tbe two Sq BUI Broom, benefit ooncena and f d• A f&na' dona.UOD1 bave n1led a toe.al of £ 1,066 Is. Gd. for the ~er. J~:ir.i... com~tlYe DeW• JOIDI IIC race 001Dff 1.0 the IICIQe aDd bU A obecwe fo, .£500 bu &lrea4J lleeD ICDt to Bn,omy, •bo la w ln Chlcacc. foUOWUII' Ul worked wtth st.an oeu and Ton, Barrr Barnetlt. a 10,.Jear-old epnulcm aa h.11 Ulna&. n affll aeema ~, anllkel:, that be ..m C"ler dnf ap.ln. Scott. Pannu la one ot tbe ■Jnscr f rom OVouc.b £Del. last All &he baDda and ariist.a appe:arin1 M Uae t wo c:oucerta pft tbelr aentc:es Cree to belp lbe most. promlaln8. lt not. the most weu ~l tua an; record-for i.be promlalP«, or all tM ,-ouna Bl4V label, bluee acer. trumpcUra. nt.let_are "Book Of Love" and Tbe niw ll'OUD d6bUta 11ut .. All I Haff To Do li Drum." MAIICH t , 11Nl1 LONDON COLI.H Uii, MARON 1~L !_~I DOMINION THIATIII. wee& at Ohaflle. Orulano'II OOrk B. Crolt crnd AJIOdll;te, HtJnana.i Joa ,tderatl.on And Blb Club. LoQ.I Ia,land.. £ ...... P, 11 di ol eak af tkltcu , • - • • l'r~ of ...,. al t!ckcu •• . . 111. •• Proenunm•: Sain and 11.11111111. ProtrllmllWt: &ala 11.Dd adnr KAI WINDIIIG t.111 nv~ue leu cos, ot , llilDC rennu• lea COIi£ ot 1u1DttnI •• •• •• •• 117 3 I l)f'lnUnl •• N I I Another visitor ColllCUOJI &AUG a\ IIOftCtn , • UI U I DocaUom • , ' LSO ln Lhe w,c,ru • a Br1tlllh t,tM I I JN ..I I iour ror Ka.t WlDdJne'■ uDJt, £US: mtt ol &hlatn and prl JIL- ~w ch IPC)ta four trombooea. £&S&: m,. of Ui • t.r•t bookl.111 Bl1t&ln'I Ronn&e Ball 1a pl&ntat i&a, Drt.llLinc of &Ju.eta. tlC. .... 17 ' 1.Dt ol ~Mle •• • ... ,. •• , •• Advtrt11lo1 upeiuc,, pottna a.ad wttb I.he fTOUP. leafllU • • • , • . , 1'1 •• TOTAL £411 I t s ..- llhaf'lld IJJ a Oron COUNT BASIE aA4 AU.ocia\a .. .. 1M U 1 TOrAL mt prooeed■ el boU'I <-,,\a • • •• •• •• N1 1t • - 1• I DC»l.\ffOKa co dMe (ladodUIC Concffl echo ale ot IUl'Pkll ~ HB ramoua .. Spll1tuala To t,_ OolNlm OODlleTU .. 111 I I T concem, pr~ "' oa.rncSwilJ" e Halli 1D 1938 and TOTAL £411 I I TOTil AMOUNT IIAIIID 10 PAA 1939. are be z,e\e&Nd on V~ luard from pr1.nt.e recordUI• (I.HO ure14J ant &o Bill BrooDIIJI·- .. ~l 111 ,10!:m R&Jpmopd, &Ucb stars .,. Joe Turner. BIS Bill BroolUIJ Brownle McObee and ------LEADING PLA YDS INVAIIAIL Y Big band line up sonny 'ren-,.1. a.a well u tJ• Goodman e.Da Ba.le bands, wW CHOOSE A FINI INSTIUMENT at Spa, Whitby be featured. Une-up ot the T omm, SDeak• STEVE ALLEN man Band Whlcb opens al;\le 8Pa. Whltbr. OD r.ia, 24 for e Cafe tlate PLAYIIS swnmor ta: Joa Mli.cbelJ, Er o mv ,tar and ptaoltt Ste•e Allen Srew1n. Ernest. S.dJcr aDd 01,llc .I. . wtll PlaJ bl.II nm ca!6
Jlaoe 4 ICELOl>Y IIUD. llay 10, lt88 LJst week Tony Bro wn pajnted a gloomy pie ture of the slump in the British dance band business. But in America, things are looking up. The kids are dancing again ... and I t'BS a - . oom. coming
''A IIG Nncl NOIII b Just mound the comer. I beU••• we ahall soon ••• o n•l•ol of the Gooclmon• Darser-Mlller e,a of the Thirties and ._.1y Fortle1." The speaker? Jack Green, vice-president of Cewtt 8oae (t-,.J rec.ntly received 16,000-plus the the WWard Alexander lland'a olr fare from New Yortc to Lo• Ant,elea-flor a Office 1n New York, and TY appeaance. hnny Goo•an (centre) and the the man who negotiated the British trips ol Count Ba.sle and the McKlnley-Mlller Ttlftlffly Doney band are ltoth Wtt draws. Gudslt,an was band. on an 180,000 TV podcage ..._ wftb Ba Ats1•• 9d Olftn hue Jut week to arranre a tour of the Blrdland All-Stan, beUeve.s that the • daya of the rock atn1er u a box-omce draw are num bered. .. We boot 200 bAllrooma In \be etat.," be aay& "-r..·o years aao a band would take Where trad musicians d l>@nl to a rock·'D'-roll The tendency today 15 'i:n~ OU1. and "1t: Hit. Parade lndJcates the trend. 'Tequila.' by The Obampe wu a No. 1 aeUer. went off the rails That wu an lnstrument.al Now AST •eelr IU9ll•lfecl ~tmtn11111nmm11utm111111111111mmum11un111mn1111111111111111111111111111111rmnnm1111111m1111mg co~ I ~":!..an. 0 ul:ist=~t!l• L h t t a o tr-_ .... itJon --&.z-h- e-= L HUMPHREY LY 111.• ■ TON =§ Parade"Look. Tedat Hyoureath ownhas beenBit comet to • dead lto_p lt el IIJ &Ill § way up there ror se,,eral week.II not o troclltlon at • In s = now with · sw1nc10· Shepherd the artistic HflM. ,.. nUtllllllWIWIUfllllDillUJJIIJIOIOUllllllllllllUfllUJJIOIIIIIIIIJ lllllllllllllllllllllilllllJJll lllUIRllllllm Blues.• ml.talc• •• ···••all1t1 into waterttaht compa.rt,-. lutlon of the Minton acbool. loolced solid mad. wa• In mlslntff-•t• ment.a: 1., The New Orleans but It Wll8 equaJly decl.slve . .,. Tradition period; 2. Sub- Their brealtaway from con- " In tbe St.ates. the top bonds 1 Ing Jaxz hbtor,. • sequent non-Jae, ln.ffoenced :f3~lSn ~~ ~~:fest~ H ' ttt 8 f:~&a,'z::/ 8:'. =~ For instance, Rex H.e.rrfs and dlluted b7 " European e:xprcsslon which 1a u,e bU1s or .. The McKinley-Miller Bond Pelican " Jazz " ls based or-thodozY." alf aubsequenL Jazz develop- beats au box-omce records. It's on the premJse that New sa ~ln~~~e~3 m~~ Bechet to Hodaea and =~8811~ ~~~ ~tgJ :.Y Orleans Jazz went into ~le'"" and "inatrument&Uon:• Hav.lcins LO Parter la a PT~ .. The Tom.my Dorsey band. eclipse at the end of the AD 1Dn1tablY, il produces con- gresglon which can be followed led . bJ Lrombonlat Warrt'n t.100,.. without. taxina t.he 1moglna- OovtngtOn, is anolhtr big draw. TWenttes--and was reborn Par euml>!_e, J e 11 y Roll t.1on. Like-wise. from Arm.strong oo,tniton, tru:ldenta!Jy. was again with the Revival of Mort,cm. wtt.h .ws carefully con- to Eldridge t.o OWesple. picked" to tront. the oulftL by th the Forties nnd Fifties. ~F·J.:; ~.! .,::;• m~u~~ rt1 "'lc,P:; ~~a :i_~11~an~~nse~ B e divldes Jazz neatly and If.Oil. t.bat what revived~=- In the aembled Oorae-y•s. = waa 11rm TUIJfflOI ~ ,vnuoln.was the busk or a Jazz "ta B rown tt1 onother. Hi5 :::======:======ii. ...-.. w...... band la well establlahed. Mu.slO!ana Ute myaelf who And 1f modem lt,11sta were have moved from a LradJtlonal t.alnt.ed wttl> "~ ort.ho to a " malnsb"ellln " position arc dOllY • 1w 1Dtroducln1 t.be Oat,. .simply acknowledgtog the fact. ORCHETTES t.ened tlf&b, then surely Louis thaL there exist.a a JllZ7l t.rad1- tJon which II aUve along I.be Series No.1 S.le1 No.2 w~=Uyci~~ whole kna1,,b or tea 11151orical development.. You're Driving Me Cruy It Had To Be You ~ ~ ~t. during tbe Twent1fll, wben~_!)rlea.na • All She's Funny That Way They Didn't Believe Me OOll'flntlonl ware ....&UUUll t.o mus I Never Knew Blue Moon dJa bUD ..U~ttoo, a A aLrfldng ~ of c.be (Thet new tnldltscr, IPt'Ollted. • fr~om wblcbtn It can Roses Grew) Poor Butterfly It wu founded. no do~bt. be found ln the Clayton Jam. Love la The Sweetest Thing Don't Be That Wa} un.oonscJou.alY, bY men like session N!COrdlnp, In wb1cll My Blue Heaven Amlltron& Bech.et, Morton Arm.ltrong-J.Mp lred Buck Olay " aod Noone. who were not onlf ton can ~ pbruee wltb • · Les •own Or-at Indintavl:w which fa OlllesDl&-~lred Joe Newman how PeUoantmn aplaJ.na them wttb hlahly conat.ruct.Lve mwd • Baa1e, the No. 1 awing band, S•I•• No.3 S•I•• No., away - bm &15o Great Non- cal reault& la dotna 1ood bualness tn the China Boy rdy Melancholy Baby COllfonnllt,t. WbJ/9 the&tree-of all plact'& Thealres After You're Gone 'Dletr ialmta oould not be Because, ~- ot style. - Wte four Variety- were dy lna Miss Annabelle Lee ooniamed • 1 t b 1 n the New they both belona t.o the same In the States. But theatru are In A Little Spanish Town Ra_gtime C.Owboy Joe Orleana OOllffDu.on,_ so Uley tradlL.lon-tbe lrad.ltlOiD Whleb opening LO book the Cow,L The One I Love (J)elong, Shine On Harvat Moon d.llcarded them. ts atlll ~ enough to wttb- •• JeffY Lewis paid around To Somebody Else) A Broken DoU n wu not a lelf - oonscloua !tand and accommodate all £0,000 to boOk Ba.ale's band ror renunct&Uon. 11.ke tile bop revo- kinda or styllaUc upheavals. his NBC-TV ahow. He new the Bye Bye B!Ackbird 20-man out.ftt all the way from Blrdland to Los Anaeles ror the c_,,u114 ,u lnd,~ ndml PaliDJ lne show. And paid transPort.. Growing up llaok 1. Ptano (with Acc. SymhoJ.). IBook ◄ . T rumpet-Trombcm .. .. Benny Goodman Ls stlll a llaok 2. 8--VfoU.: Book 5. 1.s All- 1111 Te.nor Su. ,1a draw. Be wu on an £80.000 pack.age ahow with Ella P itz· ,s..k S. Drw CA11te;; Book 6. ?nd Aho-21:ld T,_, Su 4era.la on the Texaco Gasoline LO Sprln1.' or01hat nunmtf.~s;1naarter . .. Wh:, the boom? l gues., the 'ctd.s who went ror rock-'n'•rol1 when they were eleven. t.welvo ind thirteen, are growing up. l'hey're aotn1 to colleges and mlventtfea, Roct-'n'-roll Is not •/a le amona the onlvensil>' ut. .. A maJor f actor. though. Is FRANCIS, DAY & HUNTER tTD. hat. romance la beglnolilg LO · 1me Into lhelr llves. DI/WO Ont Ctou Rold, LONDON. W.U TUl 9351 .. And what's beu.er for 1ett1n1 qet.bu' &.ban daoc::tna1 "IF JOU 11 .... tile ,._... : ...... •••••••••••••••• bullts •••Y Jell'I ... : • a good interview eut ef • I • Ella. She's 1care4 of : I, f b Q IIQ d $ • pre er • them." It wat Nonncan : • Gran_z tallrin9 ft h• led.. : • over to Ella flta..,.hfa : she tells • th •" ~~~~~. In e Dorcheatw ! MAURICE BURMAN • " Miss Fltzjerald,'• I : • said as I sat down, ., on ...... •...... : behalf of almost every body I know, may I thank rlrl alnger lJi the world wishes own tlelda." In a alnr.aong voice ahe could a1na like Y<>U." I said. ahe went on: M 1 love Nnt you for the wonderful .. What does lt feel llke to be Perry Fmnk " ' music you have given WI!' perfection?" " Blhlf' Hoi'tcia'y? " "I am not .Perfection. I am " I love ber, too. but I hate The photographen bad far from perfect. but I ah;ays alrt ady begun crowdln.s being nsud wbo my rnourtt.e try to Improve.• atnaer i&." She threw her arms round- I counted 19-and .. Aa a matter of fact I have out. " I love everybody." flash bulbs were rotnr co.n beard you breathe 1n the middle "You love everybody and you tlnuousJy not more than a of a word." sins a bout. love. Are you ln yu d away. Ella waa rub .. What, .. she exploded. "rve Jove?" bing h er eyes and lookln1 never noticed lt,-no oue·s ever worried. told me that before...... Tbe word la '«lldins ' and Dlplomade W• struagled on : "Every the reconl la • Narihattan '." She gave me a chnllengl1111 She turned suddenly to the look. "Ye,, I am. I'm In IO\'e PbotosTap~ who were call with Lhe spring, with my music ing- out tnstrucU.ons. • I can and v.-1 th ure-and I thlnk oll]y do one thing at a Ume," that's what )'OU call being she calJed. " I can't look In all dlP,lomatic. Huh9" dlrectlona at once and answer • May I say / ou look slim questions at the 88ale t ime. mer than when last saw you." And iou." she add~ turning to " Ob thank you. thank you me, let me o.nt.sb ·o:ne ques that ·s hie aweet.est. thing )'OU've Uo11 before YoU Uk the next.." 811.ld today." She was wearing a dark blue "I pr•f•r bala4s bearuM YDU tell a at.y, TM fo&t dress, pl!arl neckface and ear Plerae pride rings, and looked atrttingly nvmben .,_... • IINak up - .._. ~ y.u _... On at.age Ella Pitzaerald Is aUte.ctfre. always a,ok• t:b.- 1111l1ily dear." plump, rent.ut and cuddly. Olf IAu Levy came by and said st.ase a.tie II alJmmer, younger ln an assumed EDgll&h accent: The raat ones, however, do help rledlJ. • Bow do you feel al>out looklna and very alert. She ha.s " Hullo. .BU&. old glrl. welcome to break 1L up. But you mun ao ~ aJDaera copyiOI you,• great, dJlllilY and a ft.erce p ride. t.o Eruclaod."' "Bullo, ChoJmond always make tbe melody clear.• I ubd: He.r tq>eaktn1 tolce baa the ley. o1i1 boy," she answered. .. You didn't line tbe melodY • I feel Y!!ZY_ honoured..• . same maatc. tender quality of I started aga.lD : " ElJa, do In ' HOW lllgh lbe Moon: .. l .. Tbe BMV people tell IDe bu 11lnatnr. you ftnd You.raelf compromising Joked. . 72u~o1.Da to have a hli IQ " What do th1nk or belween 1our Jazz sense and the " 1 did. I dl.d. What are you 8 ' Sbepbffd Blua' Sarah Vaueb&DE I went on. melOdy?' lfT ma to do t."> me? I aarlC the It'a releued tbla week.• " I love her. I on Sarah not .. Not necessarily. I've made melod.1 ln Ule l1nt chorus. • I I ~ be mnafn.11 oll}y .., A I ~ bu~ II .. an album of lrvin1 Berlin amll You're LrylnK to be l.echnl~ It Ofer bee. I1l have to rc'Jtam ln some or Ulese tunu we swing: •llb me aoa I nf.l * * ,. f. vr• * ·FULL COLOUR * . . * PIN UPS * ol * DICKIE VALENTINE * TERRY WAYNE * * RUSS HAMIL TON * TERRY DENE
* These Beautiful Full Colour * Pidures are only available * in the JUNE ISSUE oJ *
Fascinating, up-to-the minute Features, News Gossip and Pictures frotw the world of Films and Pop. lluY j/011111 Copy !!0!!.I PRICE -1/3 FROM ALL NEWSAGENTS AND BOOKSTALLS I/ in di/liculty writ• to 'Circulalion Manager, PHOTOPLAY, 44 Hopton Street, Londo .• S.E.1 Po9e 1>-MELODT MADIR. Nay 10, .J958 ' -·-·· • .••• 1•1:,.,-"':li1•:F ·. · • 1- 1111m:·;if._.,,.: ::·: .•:: 1:::::21. :::: .. ,.i.. .. 1 •••••.. =.• · .....•..• - ...... 1 ... .J= ... 1.~:. -=::::::!:::: ::.: ::::!: .. ::.. :t ~. :::n::::.:= .... 1 . ....;;1 •• ,:...... :t-.:1...... • ...... 1. •• : •••• mm I
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~LL right. So I'm o bu1lne11man. I'm says NORMAN GRANZ ••lllng Jazz, as oth•r people Hn steel, coal or Lost week Norman Gnns, reputedly the can. la that anr reason fi11t m■n •••r to make o million out of J ■zx, •hr I ahouldn't remain a told how he proposes to man Europe part human being? of hla Ja.z.s empire. This week-in part two I'm an impresario, but I of hi• exclusive lnterwlew with MM cones shall always be a musi ponclent Laurene• Wilkinson-he talks ■bout cian, as I was when I Jass mu1ldan1. star ted. I still keep up my Muslolans' Union card. There's too much phoniness for 1'hom he Is playing. That Even 11 that wasn't the In the entertolnm.ent bustn~ means cutllnc out lhe photo case, would it be good busi too much cockeyed thinking. e-:,ipblc flash bulbs. and being ness to try to treat. human There seems 10 be a feeUn,g ruthless whh tu·sterlcal tttn beings as merchandlse? nmong some people that be Bgers. cnuse a mnn Is a Jazz musician Most or Lhase kids who nnd. thcrcrore. an a rtist, he scream and run up lhe aisles ought to play !or art·s sake. nre not really rencllng in prnt,.e Nonsense I He should be of the performer but Just find- paid. and paid well, u bis 1.mr an outleL Cor their o..-n cx talents deurve. bJlilt.lonlsm. l ~-eject I.hem. He should travel in comfort. I know the entertainment be provided with a good h otel. business. the Jazz business, Is Whe.n h e Is on nn e.xhnustlng h ighly dependent on publicity. tour. be should be met. Bt the By stopping n photographer :ilrport bv a locnl representn from opent!ng I may be losing ll\'e, be drt,·en l.n.t.o tovrn and. newspaper publicity for the find hl.s hotel room reads. not allow, and perhaps hit.ling the hnve to watt. hours Ior the occu box office. pants to vncnte the room. That is part or the price I am prepared to pay so that people who have paid tor their seata should set. B l'tQUare deaJ, and 10 UUt the muslciani.1 hem selves shoutdn·t be embal'T'l'lSsed and blinded by nosh bulbs. Principle I have made myselt a lot or enemlea among the Press throulh this policy, but I ha\'e applied It. even nt the Cnrnegle Hall. A magazine with ~.-orJd •THEY An r1aye4 Rar- wlde olrculllt.ton wn.s going to ttme " by Rudi Blesh Guitar fufor do a complete picture l:ll·out. I ESPITE t.be marh-b eralded lost this. and wllh no retrel.& and 11.&rriet. Janis is the first D demise of 5klffle, rultar to malnlain the pri.nc.lple ot and, 50 fa r as I know, the tatora conUnae to pour on to Cal.mess to I.he customer nnd only attempt to trace &be the market. Tbe ltltc1t " l\lodern the artl.st.. orllins and history of Ras Gllltar Tutor '' by Fred Tbcrbofr " Whatever the M £Lo 1> Y Ume. and Jade Zoural can be hirhly MAKlJl ma.y think nbout It, I am It Js an erudite book. rec.ommended witb one reser not prepared LO move from thJ.s hanclsomely produced with Y&tlon. &ta ndpoln t. musical llluatratlons, fully A.a with all tut.on,, I feel the But I believe one doe., n ot indexed, and 1ncludlna attempt to teach I.he reading or lose worthwhile friends ~r hotograpbs of mualc b,v print a.lone moy pro,·e stlcldng to principles one us B tbe rartlme Arthur M11raball Tom Turpin. too complicated. ror a~yone with convinced are rlaht.." greats." Tony J ack.son, J eliy RA>ll Morton no~revlous lmowle<.11e of the The authora trace the muaic BDd James P. J obnaon, as well from Us Mct&s.,Jc" J>eriod 1n sub ect at alt as the ,tortes behind the claslic e book ls dhidtd Into two Sed.alla. Mlaourl. to fil& virtual numbers. • Parts-for rhythm guitar artd extlncUon ln the ln>L The book 1s not tor those .,.Ith aolo work. rt oonta.Jns cbarl.s They tell of the l{reat names a PU$lng Interest In Jazz but and e.xerolses.- Bob Dawbarn. like Scott J oplin. JDJDes Scott, should fascinate the more serious collect.ors who wlsb to Publlllied w Boaworth and Pubff!h1.d bJ SUfgtafck cutd learn more or the ort,tns and Co., L td.. l'-18. Htddon Strut, :lacbon at 30a. ltlndred arts of Jazz. W.1, at '11. by Hubert W. David THE LAREUR VARSITY RANGE ET a nother of our aon, This does not appear lo be Y mter rudena - Mn. the case with songw-rltera. Val GrUliths - bu been It. 1a orten as.sumed that one Flat Top Model. Sunburst mall finish, tlttled a member o f the need ha\
{!******************* *** *** i( {! i( {! i( {! i( {( i( {r i( {r i( {r •' i( MINDY CAISON {{ curled- her 1ll1ht says------~ frame comfortably ln i( an easy chair ancl re MINDY CARS.ON >, flectecl. who stars in this week's "Sunday ~ .. The live perform- ance Is st.Ill the vital Night At The London Palladium." • pnrr. ot our business." she saJd. {{ "I think It's terribly unfortunate that wlth to sell wllhout aff~ LaUon were small nlabt. clubs every. ~ so man~ or the young or trills and without a lot. v.flere. or Inane plen.santrles t.o "Where are the bands and Ille ~ rock-'n'-roll stars who the audience that. don't lhcatrel! totlt\.V? And clubs? Woll. >, get an overntght h1t mean anytbJng." the club b""-lllW lsn't whaL It ~ record, Uve perform Mindy does not put roclc once was.. And In many cases. an ance as an o.rt suffers. 'n'-roll· do-.'tl. "I think artist has to have a record i( .. Don't m~ take m~ n'a rock wlll leave Its mark for before be can get a club booklng. not the artist.ts fault. I years t.o come. It was an so where does Ulat lea,·e them? J.., RUl'SS It's Just the way Of answer t<> the need Cor .. Aantn t.hef can't break an ~ the buslne58 today. B ut.· dance music, music with a act ln until It s too IRt.e to do IL ~ think about It. A bunch bent. properly. I L's speclnlly sad. be• ~ o r kids gd together and cause ao many record · a rtists mnke a r~ ord. All or a today make it wllh only one or J..r audden ll 's a hit. The act. RoAkw .-•eAo•dsw .- t wo records. Maybe they could ~ ls In great demand. " \Vb:, don't 1 make ba,·e a lot more record hHs U •· The trouble la that rodt•'n'-roll records? Wby th ey could make a aood personal i( U1erc Isn't time to teach don't Rosemary Oloon ey lmprt'.sslon." them what to do on a or Jo Staffonl or Doris >, slage. Beca use they have Day make rodc-'n'-roll ~ to 1et out. there and do reconh! Some_people Ja.st >} ¥ 1:J.. ¥ 1:J.. • ~ · l;J,. something ru t. whlle don't reel the Idiom wlfbln i( thev·n: In demand. n ·a lbcm. I don'&f ed u·, for unfolr to the nrUst.s and t.o me." >, lhe a udience. T hey call What can these young, * ~ them stars. But. none or lnexper lenced arttst.s do to ~ them are r eally stars Ull present a belt.er appcar *. '7' lhe:-o also know bow to a.nee. we aaked, perform. ~ Not. ver y much," said >, .. Cert.alnllr there are the blonde thrush. " ln the ~ ~ rN:ord acts \\"ho are also earlJcr daya. there were * ~ great. perfor mers. Slnat.rq bllllds you could sing with. '7' tind Nat Cole are iOOd there were vaudeville clr- EC ... exomples. 'nley know how cuJts you could play, there * {r * theMOOEIINWA i( * at NO EXTRA C 'T. {t Sinatra is next ,._ -- ...... _..., * . . ,, ~ i( to tl,e Almigl,ty * ----__ , .. _ {:( 'l\..,. INETEEN • ye.ar - old * ~ l" C o n n l e (" Who'll "7' ~o rl')• ~o" ") Fnu1els Is * onl' or the 1ro" lnr a.rm, CONNIE: {! nr teenace artl• t• helpln~ * to l\hape the musical ~ a 1111clltl's of America's FRANCIS Two great Stars ~ te1•n1tJC p ublic. She's lllSO 011e of tho c teenareN the new American * {.! "hose lrno"INJre, taste and ,:encral .. hipness • song star, gi••• her * TOGETHER FOR THE FIRST TIME ~ t r nds to put the Ile to her views on the curre nt "7' ll('llllll a,:e bracket. .. l like rock or anyt.hlng pop scene * >, U1RL's done wlU1 reol ~ h1•11rl." sh(' told me, un- 11est part or tb f record b ua1• * ~ mcchantcally. " I like the nus tor &t'Vtra r uni. l Ju.tit '7' ort1unators. not the fol- don't think , 1r1s can r.:a111 lowers Eh1l5 Pr~ley and atns n><'lt• n -roll wt'II be-- * Ptlts Domino have that. cause IL'a b1uJcaJJy a .avarc {{ musk. * nutI 1ent1c c.ound. And. to .. But maybe_ t.ho l.MlN ~ ntl!, Frnnk Slnntra ls next are go1n11 Lho otllcr way now. '7' h. lhc Almighty. He h o.s otrls have a chance to RCt Rl'Cal phra.,in.: nnd quallly llla hlta apJn. l cclc:lcnlaUy, * >, and he cain make every- tht'J say u,at the strl lttC· * ~ on" reel as tho~h he v;ere aaers arc the ones who bUl' I , moet or the roclt RCOrc:14 a n d i( Ii na1ng , us( to uim alone. fellow the male rock 11.ans. Contagious Pn~t ! ~,f~~ ~~~ ~ r::.i own * ~ Connie llkas U1e more ~ f " I think we are beacUna undenlandable Corm, or * or a hlPJ>J' D'U!d lum ln modern JIU U1ou11h abll ~ n-cord~ and M1np. Bock ft'Clll lbat tht''• not yet rciMlr '7' <'t•rtatn!J la 11011111 to bO for the rar out 1nstrumcn1.a1 b(.>rt' !OT ft, lonr time to ltUIT. But Ibo l lliO hN 1c:l u,- * ~ ('l)fllC The bent la 60 con• llkll.~ ~ t111t1ou~. BuL rn11ybo people " One or the curse, or our ar" Ill'! tins a It ttlc more tmsJncsa 111 Lile ·cover• re- * ~ 11uph1,,11cated Jn what. 1.he7 cc,rd that merely c:oplea an '7' w111l to hl•&r. arra?fl?mcnt and ao toter• M' ht-re atl! more balladl p ... : •• ,-,n or a tune. It'• a * ~ b11lna ,-un11 todar, what you 1ln \.hat anrbody wltb a ~ call rocka•ballac:11. nus cal! thous&nd ctol &rs or ..o can b ~• attno!it &a)' ballncl, U It I ao r l11ht ahead. and p ractlc- * ~ Mlllil na,\11111~ a 11011tto a uy copy a N)O()rd a.ud aho.ro "7' but nollcCRblC' rOClk•'n'•roU lo t he pronu. rhythm btat tn tbc back- "AnothPr tllltls tha t * >, around That'• Cht way wo -,tpes a Jot of WJ I the "-l' l 'C ~ cha • Who'a Sorry Now? '," of 18 Po.J>Ul.ar rtte>nb lhl'Y ' '.']'ll'rl' bas been plenty o:t t ll at c bcaP pr1CC4. TflllJ' * fi11d d are·ya' ~ ,.,,uwlon In t he {l' .-eL artl I who work. for 10,, 'Bow lar lava? ' '7' he-rt' Bllout tho lack o rl ratet and C'OPJ I\II the hit 1,tnacl'II on tho J>OJ>ul LJ' rt!Cord!l D114 undl"T'l,l'II the * b/w • NOTBIN' IN COMMON• >, chart" Connie h&li atrona or1rlllll.l rttOrd.!t. That hurl!, ~ oPln 004 on tho point. 1111 of m wbo trr to be ~ ·• Ro : help Frankie ~ 11111 J.nllA i( ~klE VAUGHAN left fo, the StotN lost Soturclar (I) WHOLE LOTTA WOMAN Marvin Rainwater MGM {( with • pocketful of eoocl luck choniil which hen• ~ d_,_~....._ IDacl, alrea4r 9lwen the 9Unt of -■9k to hi• latest 2 (4) WHO'S SORRY NOW COnnte Fn:ndl NGM Jk«.r lla1UI (De); .JdlaDII Bar '1'11Jl: 1tdc JI- (Deal; \-,.,._ ~ IO,II; 1'aJ "Jr~ ~ reccmlme-"K•"PI• Dolt." The chwwu ••• preMfltl t• K- J; ~ wi:iiiiiil C,:~I~ t11JJlll,a tlfK\'); a-. tew1- 0-.; A ..... l'>T.. i. ll•t: "?' ------, from hu fam. Clona U. na._ QICDIJ; lloOe OWJO: Jeit Da'11 Q'ad; '4a 1- lllll\ 1. M4a l!Mc.. r IJJltVI; BcaF Olnd tl'UI: I.la Nobl9 a>e,q. {( ANTHEM SAVES A P~e ~':;t!.1~o:4n!:ln8: I (J) A WONDERFUL ffME UP Pat BolH Landon ~ 1 lAulrle Henab&w-has become a THERI/IT'S TOO · "?' DENE 'RIOT ~rc:e~=-~ only ten ci.rs SOON TO KNOW .h rTUlE m&naaemeot ol Nonrtcb'I 4 (1) SWINGIN' SHEPHERD Ted Heatll Decca ~ i Ol"Offenor Ballroom bad a Fantastic ~ :Dl&l'-rlot on tbctr b&Dda Jut Sa.ya Pb1llpa Ill.UIS "?' 81mltd.a, Wbe'D Tvn Dene failed a IPOkam&n tor .klbar Pat.t 1Pam Koa It.._. "PAIKEI with -w1111111111mmnnrnmr11111111111111111111mnumm11111n111111mrnmn11nrmnr11111111111n1111111111m1r_. 1trl1191," ..GIDflple = ..... a * with 1trln111" - now I by I.AURIE BENSIIJIW I * "Garner with ~tringL" ~ 11111111111IIJ11111111111111111111111111111 11111111111111 II I I I I I Ill llllllllffllflllJIII III II I I I I II II I I I I I I II Ill II Ill IIll llffl Or, to quote the * 4 aleeve title, 0&.her bu tbat dordl Ule duo plent-, or r------1 Voices-Erroll Garner IOOS>e for t.helr bea\J YOC&li11n1. J , h• * With Orchestra Under IllB&a~o~~cd "SOlhlDI o■orrow s its The D I rec t I o D Of (Capitol '5-CLUl83) * Mitch JWI)er." • WITCH DOCTOR " b1 Don Frankie Laine l,aQs (IUIV POr◄AA) . Tbla The sleeve note dis bet.-t;r, ~Ylcd etron OOUld * nnJ Ulo American bcst.-aol.ler plays the usual Ameri "MY Oal And A Prtl)'tr" la one bf D!Avl4 8cvtlle'a Orobetnru. ot tbOIO ao.ml-rellalous Releued: Ma.1 18. can preoccupation with 10nra tbat wtte t.ba omo,1n1 dell * detail-but o.tter all the venr 01 Pnlnlrle Llllno. .. 8£<:JUrn.Y " by Jlmmla hoo-hah about uncover •• Tbe IADellOme l'°8d," ramlllar Rodswl (CoL DIUl:lO). An to t&lne &dmlren, muea an al:trictlH ballad •tJll.01 bJ Ule * ing •• new facets or e.rreo Uve COUl)llna. .. K.laet 81teet.er Than Wille•· * Garner." " interplay at (PhWO- 4.5-PUa!I) we. Pan4... Beleued: w.., 18. • ...ou. GAltNlll.... f. elwcrys wofth ...... the session," .. creative •,vzzy NIOOT" bJ Black LoTe•: ·Oil Yab •. • u4 Tille la teamwork." etc.. etc• . this DaYe King lhlnbUo. AnothCT fKOrdll\3 M,r Bd.cwfld ,.; .. Wbate•er LOia LP merely adds up to t1'0ID Sou.th Africa that could Wante " / "The Other " I SUDDENLY"1 a IIOl"t of " H&ato be a !trol'.la lollow-110 t.o "Tom " B x p e r I e n o e Ono::g •:"I some pleasant. lmpro Moment.a • number, provt~ Barie • (Col. DBU3i). Ra!~ Re Ma, "lot1nn1, ttmart ": • Old Devl vtsed Jan piano agalnBt an oft'ectlve toll tor t.ho relaxed 18. Moon "i "rt•• ~ TO.. '&omem over-ponderous orches dtllvor, or Daft KIDS, Whose ------ ber ••; and • Idle Gontp.-_ tral b:ickgrounds. •104Jtna make9 a retl'O&btna chanae (Ahnury Ul'U3U) trom th• tonurecl walllna ot the ud oocnpoc;m wttbout not-able It could have been roclten. dJatlnctton, J:ucs.tDit tram bll For Variety brtUIAnt.. 'nlat 1t ls not ls " on1, OJle or Yon ,. ta a ell"orta on .. T11crse \ ·011 •, e Ntrtt prtmarUy du.e co the aome e&ln,eo.ctyled effort.. Dave aeca KOTBEB LP lo Oq]Mol'a • ,la1t tull. mut:a tor bOlb. UNNI,"' an JtP or tour U~lea. A For VarWCJ''" 8ff1ea featune what unlo.splred arran1e Relu.td unentna. but Utt.le Na& • 1ttna • Cole, Ba., AnUlonJ. mmta (bY ex-Herman.Ile ( De.c:ica FU0lt) more. 11:Q B&uT, Pee Wee Bun~ Tbe Poul' Nat Pierce) and the turgid (Fontana TFll170U) i"relbmen, l'fci.on R.144le. 1M Paul and Kar, Jl"ot'd, Belen Porr-. Patti Page Ohu, Hof•• va.~ot WbJit.loa. Bing Crosby Jacklo Dftvla and Bobby Hackett. ATTI PAOB'S "Anothrr T1me, My particular ravourltee: P Another Plaee " 18 no match T uoma that Bln!J ma~o AnUIQDJ''• .. l'll'~nnde In DIDI'.'' ror tho Don Oberr, nnton. Main "8tnitsht Down The 811ddle rault Uee wtlb c..be let.b&rsJc I 'l Stan-'• .. tt•, TJle Tall: or Tbe tempo. " Te>morrow•• My LurkJ Olaf Town... ontlWlaL Oav:a·a .. I llftlr A matrur tor hla 01m aro~mcnt. llhllPl!Odf'' .ncs Haekett'a .. In A Whyt Because Lhcae are aon11 Scnlln1tnui1 l Mnnc!." • wtlb • IOl-ftna molU-and, .. WO But th t DN>S'1'11mme U n:a uP t.o WATCH THIS ! Jtn.o1r, Oroal)j._ main bobbJ la Lt. Varlelf Utle. IOl,t. (Capitol THI) Alma Cogan un, me al'te t, To tolftnt rea.den and mU11- 1'UJJ{ng Mr rnqa, oroued. /or ctaoa. 1.heu. Lhese ore bl1htr Lou Preage, " Statrwa.r O Love." reoommondod. And to ~he mum.a Hn /an.11 wut not be dlt- and Cladl ""''" ukc Bln11 •11 rehutet4 AMJillmSMITB PALAI8 real· 1ty10--no matter ~he content r;,t H dent ' 1,CII~ Pl'el«u S1Vf11 ll apaofnted. TM.t bouf!Eft 7riori t.b.e IODP. oolnter \0 mo.t P&lala bGlldlS wttb oeu •n 11'ectioe wior,...,u rom hla 1.n11trumeac:ai. .. Fedora" &Dd tho rou11Pi-in,-the-ror111u rm.a .. Man:bln' Orummcr Blnea.•. and the rran.1' CordeJJ Illa Fitzgerald If all baDda PIA7od with Ullt pre Orc1lfftns. ctmon and beM. Lhe hal18 wuwcs be .. Com• Loft• it G 1GUll mD &mpoccablc Ella 1• tn her IJ&Ckcd. But tben Lou I.I an old oerafon o/ fM oldfe. .I.. USJMl f•ultl- form on hand at l!le IPeClallled same or (HMV '6--POP.-ft) • 8Wln,tn• 8be-phcro 1uue11 " - a e&terulLtot danom&. Voc:a.l na;lon of the hlL lratru menitaJ--&nd .. MldnlJllf ~un.'' (Columbia 4.~BU.15) , • Nat Pierce, wflo scord .. ThHe Wor14IJ Wondrn" haa B~I penonalJy atll prefer \he Four Preps II Ulo vtnuo ot an tnaonloua lyric, June Ob.rlAl' version of Lhe latter. OUter vo·,ces." Which Pa,W l)toJoote ID ber usual CIII\IV 45-1'01'4811) lnt~rpretatlon by the Miller 1volto "fd"~UJ"J 7AlflOO) Larry Sonn Orcbestt'a Inevttablf, all tbll bu Georgia Gibbs anded to boS dowu Gamer, who dOH not mat.ch bJa LIKE the bruh deUnn of bc5t e«on--nctat>t~ I.be I Oeora1,a GLbba. Sbe reallf. tracra OD i>h.11111, BDL,078. belta tt ouc. on .. u n oun A Itta>·.• BOT-and 11, I.I a blc 0111: "Arr~eden:t Roma.. -1a lea ~e LP 11 wonn ti.nnir tor two perrormanees alone. IUlt.ed co her fortbrllht •tJ1e. The \\t.lH? •• On Tbe St.r~ (MUCW7 7MTl?l0) Where You Live " and "I Didn't Know Wb.u Tlme IC Wu 0 Dorla Day For hlJI dellclOUIJ pl&lelah OO'R meme:aioea ot tho ear1, treatment ot Lhe M.y Pair F Dorta Dar: '' lkWIIC'hed" Ledy " hi\. Oarner delcnea "M1 Dl'ffm 11 Yoon"/" Pl'l'tlt a~Lbood. RabJ" and • Canadl&rl To IUffl UP.: Oamrr ll C.pen. atwen worth b~-mla One for U1e Day «sevou-. taka and a.II. He ll by f ar (Phillps BBB1U67) the moat atlmula\ln, pllnll, oo t.he contemporary ecene. Crhllhll DUL71io-&) Al Semon Anot~ ringer tllu tfme • mate c:lfmh, t~ • 8uatnn,y or Lov-e." w,.., vet, to the tor, /fm " an11b0di,'1 '"6"8. And Jor 111, backfno. Ill~ llollldaN c1t.OO#• an oldie-.. May L Thll 011• 001ild -,,en aid to t/UJ Hit Par~ /frltt (Columbia t~DB41J1) ALL '\ i Satchmo the Great \ Louis ARMSTRONG BBL 7111 nME-~ Solitude Duke EWNGTON BBL 7llt iq:z Bunk JOHNSON BBL 7lll ON PHILIPS igbt! 11/IMtrd/ • ---• ~U.A~ . • ♦*- tltJUMMI f Dlaff ♦ RWSIJRI. f N There is no better value Mnl4 U ... where Mu u Un,._. you may I ...,11 .....,... such II the opinion ol ••~I guilatisll SPEAK for tbemse/res ! Maltfl a polni of u e ln~ and fr>•l,if;f Carlton ai your local i\huk Shup FREE!;.:,-~:;;;;,~,:;;;;--: l Fully llkntrM..t C•ltofll ut~ I l~::~ == ------_::_J UlUI 1u1u1•1. cunH lfllUl. te••- LU DDIE flSHII, who told hl1 wife Debbie leynold1 not to••• "TCDlll'IIY," wanted Eher to cvt "Karl Waits For Me," whkh 11 hi1 CWNnt peat big hit ... New femme •ln9• with Les lrown la Laurie Johnson ... laclio nporh a.-...,: "lhl1 la• 1ood solclJw an4 hla 1e111••nt la .,_, pleased with him" ••• Frank Sinatra, rest.1ng lo Palm Springs, saya bis round-the-world trl_p 18 now off. . . . Tbe scr~n version ot the mu.slcal, HEADLINES " Damn Yankees," will a tar Tab Hunter. . . . Watch tor the forth by HOWARD LUCRAFT comtng, unique "Shelly Manne and bis Latin ~A,nn Qlcharda, may 10 u O~da~t.erh~ m-, v • • . 0apl.tol ieleued !oln cousin ~¥ the Friends" LP...• "'lbe Pour Pteanmm In oo~ Mardi Clraa • mm. •• . SlnAtra cert " LP simulLaneously with reoelved a Loe Angeke award Eueert• Wright e . up'a May 9 O?e90eDdO " ror t.he promou.ot,. of bet.tA!r · . . . . ne ruu 17-plece relatlcma and undentandlna " 'lbe,, aa~~ basalat Euaene Ue Barnet band. plus Mel ro-r b1a " KinP 00 Porth " Olm Wrt&bt Will Join Cannen ~ are featured on t2lJa wb.lch dee.la with an inter-racial McJb.e when h e return.a week's .. Stan or Jar.a" TV 11t.uatton. •• • ftom oveneu wtth Dave =abow from Hollywood.·•· Mffs1 Gatnor Brubeck. ••• Sammy Dam Caesar PetriDo They -, here that Wtzi ~nr., wanta to star lD Llone1 Petrillo sent bf.I attoroe, to Ga,nor baa an offer trom Rank Bamr>ton'I 1llm blosrapbJ. BoUJwood 1n an remake • 19 BJDa .. . 1u, St.acJ 1a working un5Uccessrul ro etepa.• •.. Qa1n at a new locatlon endeavour to break up the new oroel>Y'• ftrlt BollJ.WOC)d heme, PepJ'I Roman Room. •.. i~:Jca.. ~ ~~lana' Oulld of Wtz.s:e18 ~eryto~USJ~ maa roomror an c:nlarled Iha Kentoa Andre PreYln park.Ina lot. ••• 8t&n Kenton starta a oa.tlon Qold,ryn Studloa 811:ned an 'Ghosh' wlde aummer tour 1n J ul,J. B1s lntm.m agreement wll.h I.be ID an tntenilrw wtth Bolly- muslctao•• union and wood critlc John TJD&n. Les Andre PreYin started Brown a1d am17 ll&Dda are recordln,r for .. Pol's, aell1ol • ~cata .. : a Jlm.my And Bea" with a Do!NY 1mld led bJ a trualpet. 105 - pl~ choral• Dluer, a Glenn MUler band oroheatral ~ - . . • fronted by a c1rummer _.and a lqhn Lewis and Duke Benny OOodrnao baDd 1~ by a Debbie Reynolds and Curt Jurwens In a romantic KMM ,,..._. c.allngtoo will write troml)Qn1at-" and Bmol Oood,. tbH -• ,._ Happy Feelln9-,. · SJ)eClal coml)OISlllana man tm't even dead ye I" "This for ibe Gl"eat SouUl Bay Jaz:a festival. •• • ~;:..=:.;.;;.;,;;;.;;;;;;~;;.;;.------ f'NnlrSlntna It's too early to assess Maureen O'Hara maned a three-year reoordlJlg pact with ROA Victor. •.. Bob the· value of British jazz due to what Pat Brand t.mnl J SHOULD Ub to o!w .. pompou.t preJudloe • OOI Th• film studios lenl'• BD'.lllP1ue7 L,ttel LETTERS 19/ t / 58). on the contrary, \be ton'e latest at t a o k on •d,t•d b , OouncU'I library In Load.cm continue to " Pel}canfsm• (MM 3/5/58). lends auch recoida to tta oen twn out Wo I wonder what Wllbar de BOB DAWBARN tres In the UK ror dances pven for overaeaa at udenta. graphle1 ·of Pana would aa1 about his more subtle mus1c.-Jake £well, a&atemeu.t that u within the But funds available for the fcunou1 mu1tdan1. Brlatol. aupply to llbrarle.s overseas are Now It'• Gene rtstd framework of tra4J very limited. " Pop " record.I K,upo'1 twn, tsoual Jaa. DOt.binl' frelh Slckalnn have a abort llfe and It would b:aa emff&'e4.. 1'.TIN!:l'Y i,er cent. of these be ~ble t.o rnatntaln an with 11.....,.. Humph also makea the J., -e&r-ber fans tnow nothing u~ ~aupply lD addltlon co actor Sol Mineo point that about ruJ Jua. Bow can people the recon1lnp or more sertoU1 no rm•&llst has be taken In by tb1s arUftclal music whlcb are eseotlal to taldn9 the .... "Succeeded In proctoclng and so •Uck17 arran&ed main, the eounou·, atm or securlq a port. an:,thJ.Dg whlch equall, let Sal Mineo on ut st.rum~t.radltlonal Jau. wortb7 place ror British musta. u.. alone advances, the music or GeoJJ,.q L41oett, Chelrru/ord., Incldeotally. dlstrlbutioo la. the Twenties.." Euez. 1n a,oy case. tbe responalbllJty not of the oouncll but of t.he 8Ulf.. NAT S,5, aaa p.a. ■OTAL nrrnAL BALL I := t.be reuon lJ that. MNstn Presley companies ooocemed.- Mfchael BllftADr8 KING 01' .JASS ;umpb m:onall'!t~ !?j.: JP ,.._..,._ Friend, Prffl Rdatfona Sectton, I TM BrUuh Councll. e u M P e R B Y =.~ ~tlito!! :?~~5$ UNDIPLOMATIC reached ~~f macunty. u cal ruuartst mvts Presle~ ,tYeS fWI B L T O N =~~ot-::,~.=:r= ~\a~ •d. ~o:c.Bor.J:~ M':i~~ry 'lJ~rm':f lrl•~ ,& be added to tbe ., Greata."- -eome ainaer or personaUty how L Y T J. s. Hw, Bn/tdd. Mfddz. much they earn a week. nita ARD IIU 8AJID WII■ ftllUIIL ii quJte undlplomatlc. Bow AMOICA'I fllDIUT THI · C,,.,■ Jee BRITISH· CVU"'-1 mucli does Maurice earn? - s. s uaual Kr. LYtt.eltm la THE f act that the Brtllab Lem, st. Albcuu, Hem. 11TT111atuans,a1111a '•• RENDEl.l-lYTTElTON ta.lklDg throqb bJa hat. OOUOdl dos not supply s.,. Maarlce Bannan: 0on•~ ToA d.LspJ!1fe b.11 P«:'Ulltr arru-- Jazz or ~~ records to Its be undJplomMlc. M.r. Lew1I. MAIII KNIGHT n•n• 0 1 3,e SJ. 718 10#• 12,e.. 9o1I Offfce WAT 3181 6 aaHta ment, all ODe nlllda to do Ls rov_ eneaa____ es_ 1s_ 1n_ no..;...• ·;...,;,;;;,;:Tbat;.:;'•;.;;DlY;;;:,..:;JOb=.· ______compare a r(!iC)d tnd band wttb Th R DE MONTFORT HALL· LEICESTER ~l~&~o!~:r~ e stars: ay, Treniers MONDAY, JUNE 161h, 6.35 ,:,.m. on4 8.60 p.m. Within &he a:tru~ure or the AIUlarm.r-1.,_..Dramic~Stat £~=~~r~ -and the orchestra new Idea&. brtm1Da IJl t.b.e be6t of modenilmn-lhj" Afro.Cuban TBE&B ftre bo0411eta (and OUS!it to be a knock-out. At Cbe .R:BBY LEI= I.EWIS rtlJtJUn~4 del,:lnt back to • a.eddy Joho.nle ~cUum lhey round tt iouCb Hit~ or .. s ....~- .. as.. Balla Of Ftn,• Etc. the Golden Aae-tbe uae or the Ray-none for;:ri!fflor Cole and -..are Mttl1.af loto an CUJ'• the London um Ore.bes,. r.t~ ..~b 1.bat (n~t ror Ltl1J/. tra which ID rtahJJ deaened .,_ -.uJ> "l 1M11ted any pal"tlcu. TIE nia.n&l&IW • m mm wm mo ~~nBna.n •· lht!DI. ~-lnibllllb . Vll'Ually, tbe)' Jro eal. 101•. 8/IS. Oall. 7/•. • ...... , • • 71-, 5f· Dampb la a.rain In ~ rcb of Por whether they were play...... mu, produced M'uatca111 Arthur fClm~•II, ,a Rvallr Roiad, Hlnckiey, Lalu. o, Munl4 pal aox ornu, a tradJUon on l)lal'e '- Uury tend to bore with one ~ Lelcetlff, Po,111 All,lllt.tlonl t!nCJ0N lleml111nc• and S.A.£. ln& the lneredlbly corny. pit. tempo Du.mbe.r &tw anot.b•. PIJ'1.a suppUed by the Ul'1alla1, '======BARB£RIAND Theda Slaten.. rollowtng lbe brllli&nt Junllns of the Peiro Fascinates 1lKISS WILL1AM8 C?l.>.1 Bl"9lhtra. or (~ugmented bJ if.I. - 28/4/ 58> aya O b r J, gultarilt Bryan Daly) perform .~~n• bul . bonns la Jobn• Barbera band ts the best In the ln& the aometlm.es hair-ralslnl n.., -,J, Ho fuc:lnatea me. I 1c,e NA ilONAl JAZZ f EDER AIION tbO Arne he&rlnl aid, Pl'C)b&b)J world. Bu abe nenr heard of reas. or lteep~ tempo ror lbe ume mldnlgbt--blue dtnnar Kld Ory, Georp Lewla or Johnnie Ray, tbey played with ~ and uouaen the um. WllbW' de Parta. . And haa she drive and conftdeocc o.nd, ed-out uPl'Ullon at the ROYAl FESTIVAL HALL-RECITAL ROOM never beard Brtta.ln'a Ken whore t.he parts allowed. ~d of a IUUN, lhe -.me u~rtJ7 Colyer? - Al~ B IC ha r achieved a sall.afylna big. =ttmed ,a.ller,-retcblog eontc,r.. TUESDAY, 13th MAY TUESDAY, 20th MAY cf,. run: London, W.C.1. band aound that rave strmstn UOna, and Wa llke wak:hiDif Ml J'AI .,-. JAi •- lntnca.ie11 oontrl.,.d piece ol and lmpol'1,ar)oe to nery aci.. mec!l&nlam. 1,. JAll h. , , They had Uttle. of course. to f bf.&J' tb1 Dml ralber tonel.,.. wnu S(SSJll 15 IIOBIII WOIISH8P 31 ...... do tor the Ttenl~t rock 'fOIC'e, t.be e&me tonurtn1 of UM THI CAIDINALS HE beet that can be uld Ing and rolling boys who aupoly RnaUsb l4llSUe , .. Yow- ~ G.n,, 101 CORT JACKII SNAIPI SEXiif T about Cl:u1a Barber's baDd their own alto. Di&no drwoa. rubbles 111 ahU◄r ") and I find IOI KB.LY 11 that tbey play what they ma.raccu, C()W bella anii e.lecu-tc m,sell admh1na Lbe iUY ror HEIL WALSH Gueat , AOHNlf ROSS alncerely believe 11 Jazz. One bus acoompanJment to a ,u~ llnowtna a&acll, •bat ma.kea the mlrht add that It. bu a.lJ been turnsc.llet1 cllclt and dllhtna &l KtN SYKORA l(EH MOUi.i oeaslon of rockers lite "oo. 00£ out lnf&lllb!)I Dllht after nlirbt. Co•pe,., Cc,,..pe,., done IO much bett.ff beto,e. 00 " and " Rock Me All NI.lb But mU.lic:allJ •• , lt'I tbl boTa T,c,(flW M. 41-.. 61·, 9/•, 7/9. A.,.Jla.bl• Bo• omoc, ~T 31111 and that the beat or the 011&• LO~ .. ln the band Who P\ my bo\.l.qu.■I lna1 ,Jazzmen procr--1 ro 011. ~da tuf l,b..La~.lt,. cnma: BST/0'1:T) MONDAY, MAY " ' IATUIIDAY, MAY 111 I 0-1 .4.5 p m. DL: Ct,rb 1&11Nr. 12.1•12.u p.m. A I ; IUq 0111' ■,, 1.0-10.0 T : (t) .:,t Mlt111lu If llai, world tel...... ,,_,, H--. Don AnllttJl.f, LNA Illa, Tiltn\11111, l1'MI klllll. a I -,1r, .._, .NIM. (.2) a ~IIIUIN If T . 1111. • 1.20-1 .13 A l 2: ,_.,_ OIUIUI, H1M11U, •IH'••• 1' I U 111 • er Wln11 Dl'lf ...... et,. •..,_ ,.. c,, ... a.1M.U z : lwlna ...... 10. 10-11.0 • : ,tau p,.,, ..... 1.0 aPJ>.-c.JO a.,:,111m: 1n111a •• ,au. 10.10-11 .1 a: ,ff ,.,,. ran• UIDL: ..,..l11t,laaa-.. 10.:to-11 •• app. K: ,.,. ht.tllll. 1,0-10.0 T : Cl) IINltra. Hl-l.. e ... W , ll... 1.1 • m. J : o-., lh... caJcbl.lJ). •~•• (I) ._.,tt.apn1w. a.c., fft!MY a.,1.11, ,.,._,., TUQOAY, lf.AY U 1 ol Jazz t M .,0 p.m. P I: CatlM .. 11,, ...... taar. t•.·M-"• IJIP .J :W :a,....._. MU Tia--~- .. U .. AI o.trl• I -...o O J! AYltO Hn c,-. UH hlwtal---♦ L0-10.t T : (I) a M fnut• al lllt,, 10.0.10.IO O :t: I.,_ WIIM ....!, AltttMnr, T.o. C1) . Menll, Oartet...... fll&raala. NitVn• Cfti, JOHNNY IANKWOITH'S ~ !g~ua~ creat cteat ID.MOM B: IN 'hrMt Q' ....._ ■- 114•--. aate, 011 D••• .._Uc. -.reee .. mm. tit.at the coucut out "'- ..ui. Hutt Mann, 111• 1111m1a. orchHtn 19 a IHttMf _,r,. t.bat I WU ::,~~ ~ 11.11-10 .• P f : l.tlnn.r K•U.. AU ...... ao :; II.urn ,l,au tta.. • There le no concert &bme ln ...... IUlt.U ~m: TIie Real ,a,.a. force at anr ttae. Lett tho time.• 11.0-lu.t P • : ~ ...... 10 11-11.0 a: ,.., ,au ,,,._ the U.S today-U:a been all but 11 ..J.12.I J : A 1111...-. ._ ...... 10.-.11.t N: lau ~ Sun4ay ft ••eel.. ltNlf _ W~d out." 11.11-ll_. Y: ._ ~. for the benefit of Ray ■• hll■ •• ., •• Pen.cDewn. who aaw man, IJ. »-ll.O Q: MI ■ I ,_ •f W. 0. wu.... AY, IIAY HI banda an4 musicians. was 1.1..._U p.m_ D:S: lau ...... lrown, Herlt 11111, Stan ~ GJIJesple reta:raei to tiill ...... ot adm.lraiton for Che way l:t.1-Ua.n.J: 0-, ...... 1.►11.0 T : o, T .o •• e . c .. tteto. ,n• great orm . . ■ UDDY OOLLlnTE CLP) tlle t empc,, b e aeneran, mnnAae. · (e)- Oo11te oa.._n flpt,1 wllb above "Nie• oa," to mns- r bJl hm. II • M. Do. !Do.) A Nin o., (al: TIier• wm Nner Dm:llie lhe limlted DOlllbUI• (f)__,._y 01.. 11u• tunb) wttb ■• AMlht:r Ytu (ct: Miner 0Hla• t1r:I o! tour-ptece aroupa ln wbJcb Affll r b)-thm. HI& M. Do. CDo.l lla1t fbJ; 0Hr Tfle bl,.._ Cal: on.ly one man plays mo~ I.ban C&>-Oua Oum 1alto) wm, u.me Clllan1• It lbl: ...... 1w1-, fcl; one 1.Datrume.ru, Ulerc never rbJtlµn. 2117, M. Do. IDo,I I'll A ■-ffllNr APYII (bl; .,._ aee.ma to be a.nJ' aamen eiili or (h)- 11-lt ■ rleht T,111 ■ rt,111 ..... How•r• cb)l ffaU Win• (bl; monotony. lpno.1: WIibur W•~n• (llr,I: WIiia, • ■uU1 ■oo Ce). N11Mft ll>AUI , 17 11, H . Do, (Do.I Tbla la d\UI partly to the neat, (1)-l•tllll lhlbab (nc hltlvM CC•1tt1-.,ora,, 12 In. U.01iN2- tbOUSb Well-911.rtrd, routlnee. but a,•. u.) • .,.,, Callo):. R•dla lcn (lmb .l . a.. PfObablJ even more c.o l he TMP!r l'lanapn fpno.); ••nny (a)-C.lltlf• 1al1ot ell- Clau, tar.): ab[Ut.J or Mr. COlletll .. cohona. aurtell (llf,1: 0:aF"I Pruit: lb:Ual; Ila, O.• ,.,i...._. cpAo,,: ffll11 c ...... AD are rust rate-and au ln• eludes planlst O&Jvln J ICQOD. "•Ml fdn.), 11.S.N. Do. ( Do. ) Cbau1. ,IN Plltn ldn.). 1/I VM. O>-ftu ■r,ant Trle: ■ r,1111 tJBA. f Am. ConMtm l)CU'U7.) I put 1t Uke Ula.i. bccaw;o !Pno,I, Wen.Ill Marahall lbllnl: ,lo (lt) - &1,,011D ■ IIOWN AND MAX all bf Urble. TbOulh DO more IIOACN CLP) or111na1 hannanlcolly thao an, ,. a&u4J 1A Dnnrll • ot.ber 12-bar aeca.ucnce, "Reml.o.Ll CMNtlMI 1'.._11 awlllSJll'I 1.&11•1 c:ecm BIUN," W'Ub lta baunt(na blll 0-St'I D11-1 Cltftllll metocs:,, could well beoome a. l'or _.trlll11t1 la..-,1 If I Loft oommcralal hl.i. Tbo other two A1,1l11 1 Take TIie II A II Train, are llttlo more than r1aa. but t.be7 batl muc.b tbt ,ame C'EaA re, U In. &IL1171-.Jle, 1N.) al-tdlln-. . ~ Clpt.): ll•ell (dn.); H.uflll ,..On tb1a abowtoa. pl&Dta& Dan ....,. c1ar.1: lllthlo .-...n CPDo.)d· ..cKenna 11 bardJ.r_ uie most o ..,., M~ lbua). n 2t an lmaatnni1ve aototn. But, u with • 12F1t&S. New Yor\:. CAm Zmiro,.) tho r~ of Vrble Oree11·• ae&e> t Errontously 1lvtD u " Oulll.D1 cJates. ba. unaaa~. relued PDr Ptrllln " OD labeL and comtort.ablY aw1.11■1.o1 rh,tbm woutd havo been ClUDcua to rTI1fE faster tbe tfflll)O. Ult beuer.-t.:Clrar Jacuoo.. ..I. more nota Ollfford Bl'OWD eQuttua Into the bar. And ~ more not.ea he fore• lo, t.he lat ml'anlog(ul Dod mua1cal I.hey !>. Gospel music come. It 11 a aha.me becau,e at t.bo 1117 NIW ..OAT olAll l'UTIYAL (1.P) 11ower ltmpoa we reallle that bo The Or l ■ llatd ll ■aen 1 W.. All m l•M Wf ll ba'fC become a brU• 0Yar OH'I H-H ■ 1 a.tu, A■d uant. but lncllvldual, mlxturo ot Tftde,t,, .... la Hie Can1 Tfllt•• J.lllq DAvt.l a.od Pata Nanno. 1""'11 all a ). The llacll He1M onrortunatelY, be aod llJchJe Oholr1 The 111 ■ Of TIM ,11141,. Powell died lD a car crull two 1111811 I Want.,_ T■ Wall& WIii! 7eara a,o. Mer ThHkllll Ht1111 If I Could Even 110, only Mu: Roach Touoh Th, H- Ot Hit Gam11n11 nmchu Brownte'a 1Lature. Wall 011 TIit LMd IIU b). '11\e Sl'O® u a whole bit. bar d ll)d a wtnp robuau,. OD• C0ttu■tllla-411ef H In. &>011'112 ronun:llt'lf tht. does not mana.. - 41t. l ltS.> to conttal that, tor au tbl!lr (■) h~ llDkllOYn, bul 1rt1.b suprrtlclal verve bolb t.enonat Larr, Onnllard (ptlo.1: Dloky Mltclle.11 B tlrold Land and plan.lat Richie fffammond or11n 1. '1 / 1/61. Nll1f'POrt Powell were a UII In tbe develop. Jan Pt, tll'al (Am. Verve.I mtnt 1t1ae. OI) Penonnel unltnown. tut wlth J uat how belated thla r eleue Char,.. ■ anllt IPDO,): Mllelltll S.S. Is 1h own by tho tact thai tbe torsau). Do. oo. lDo.) alet>Vc note mak• no menuon or arown1e·1 death. Don't IIOllle A.Br •telt J 11r?Ote at. IOme Qlffo,d ■rown ""1,ht wol En1:lltb companies ever ct.eek Up L lcoR'tb about the ll)read of hawo become a briliant and, where. neoeaary. amend Interest ln 1roa1101 a1na1nr, men mixture of MIi•• Davia Amer lcnn not•1,,~!ven la tbolr t1on1na tho • u cccu of tho Oo■pnl owo 1ntcrc•U?-~a.r ,ldlllon. afternoon on Sunday at. Ule lut and Jots Navarro. Unfor• Ne~rt Pe&ll'fal. tunatoiy ho dlod two Every commentator I ba,e nad yea.rs 090. Jack Elliott la •arrttd that. t..he 1ln•101 WU Warmer fone ftnt-rate. " Down Bea'i"• wrote: Ull ■ I ■ CIIHN OUIHTff CV) " Tb.la compeUtoa muato at tbe • B111• And Olhtr Sb.Id• Of Orem " roota o! Jar.a clre" t.he moat aua t.alned audlcoce entbuatum of ree.1101. but. nenrahc-leu mu.ale llawnlnl111nt ■ 1- , Thou lwtlll 0111 any _oc thn con cer'8." tblll tallea &0me l t'Ulnlil' bold or. at his best l'ro Ottl Dirt, Dall, FAdle Condon and Rloh&rd Tbo connection bett.•ee.n It and 1'AC• EU.IOTT Cl.Pl (HMV J ■C~Ut. 1IC.) OebmaD .., or tha. reoo:Cl: "Thia Jus la lea direct t hin tbe link Jaa cam Cbt aoor Sl ,..,_ 18-MELODT NAXER- May 10, 1158 carry comprehensive * LUTON * .:t~::w-~~"Mr:tlo ITOU. stodts of the ·delightful * MANCHESTER * 11 1 " MY FAIR LADY " ~:p:t?o':f~ J:!::.u~ 1~A~ end fabulous "JAZZ AT THE PHIL" .. ,.. I.II~ ,_ LPs and IPs TIID ...TH r~-----'-"- 1 w,i, ,.._.. t• .,w.c ,_,,.,-' I ·····-························ I ._.•I,-_,.,'-'-· I , ...... _ _ _ _ _ I I ...,...,, ______f , ______f I=-::::::::::::~_-_-_-_ I I IIOSI MOMII .. co. LTD. I •--I 79/IS--- P•I s,.. -----· Lenden, E.C.2 I SUNDA Y UN COLYirS JADaN IATIIIW.-- MONDAY "SINGINC IN IAIIIINY" UN COi.Hi'S J~ Wl!.D., 'l'.SDAY ~-z;: camsr .:::1'.l:.lt\ ,:,,.::!"' :,::: ..., 1•00 pri••-"" ...... SOMT,., ...... - JAmllN ...... -. &.ut&aW• .... ,..,_ ...... ,....»..-. •••■Nt ■• t ■■ t ■ ■ 1114 ...... =~~.:e IU I A •-'•#tJ ~/et.,.._. ,,..,;.,--- ,.... ., ...Milll ia _._,., ,.__,.T■t ■ ftft""" • •...,.._ -· .... JMM.,....,.."_....._...... elCN,wic•&cW. bGnaJu&CW.. ~ ,"·'- ,.,.M"'a.lMY """,t■ ...... 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