Ewing Libranda Del Mundo 2

Total Page:16

File Type:pdf, Size:1020Kb

Ewing Libranda Del Mundo 2 ™ AUG 2018 002 INHUMANS: ROYALS AL EWING KEVIN LIBRANDA MIKE DEL MUNDO 2 HEUTE KAMEN DIE FREMDEN The Strangers Came Today Royals 6 – Oktober 2017 SEHT EUCH DIESE HÖHLENMENSCHEN AN Look at Those Cavemen Go Royals 7 – November 2017 EIN RISS IM HIMMEL Crack in the Sky Royals 8 – November 2017 DIE ROYALS Untitled AUF DER ANDEREN SEITE On the Other Side Royals 9 – Dezember 2017 LASST UNS DIE ZEIT STEHLEN We Could Steal Time Royals 10 – Januar 2018 ALS OB NICHTS UNZERSTÖRBAR WÄRE As Though Nothing Could Fall Royals 11 – Januar 2018 HOCH GEFLOGEN, TIEF GEFALLEN From Kether to Malkuth Royals 12 – Februar 2018 TAG DES JÜNGSTEN GERICHTS Judgment Day Inhumans: Judgment Day 1 – März 2018 MUTANTEN IM WELTALL Vor langer Zeit erschufen die außerirdischen Kree die Inhumans, die durch das Element Terrigen mutieren. Zuletzt regierte Ex-König Black Bolts Verflossene Medusa die Inhumans, doch als das Terrigen auf der Erde die X-Men tötete, vernichtete die todkranke Medusa es. Sie dankte als Königin ab und brach mit mehreren Mitgliedern ihrer royalen Sippe sowie dem aus einer anderen Dimension stammenden Kree Noh-Varr (alias Marvel Boy) ins All auf, um dort nach einer Zukunft für ihr Volk zu suchen. In den Ruinen der Kree-Welt Hala, in der nur noch der einstige Kree-Ankläger Ronan lebt, pflanzte Marvel Boy diePlex genannte Saat der Obersten Intelligenz der Kree aus sei- ner Heimatdimension ein. Sie wies Medusa und Co. den Weg, indem sie ihnen die Existenz des Primagen enthüllte, dem Vorgänger des Terrigen. Damit schufen die mysteriösen Progenitors, die eine Verbindung zu den mächtigen Skyspear-Obelisken haben, einst die Rasse der Kree. 1000 Jahre in der Zukunft ist Maximus indes der letzte Inhuman und trifft den alt gewordenen Noh-Varr. Sie müssen sich der Rückkehr der Progenitors stellen… ■ Christian Endres INHUMANS: ROYALS erscheint bei PANINI COMICS, Rotebühlstr. 87, D-70178 Stuttgart. Geschäftsführer Hermann Paul, Publishing Director Europe Marco M. Lupoi, Finanzen Felix Bauer, Marketing Director Holger Wiest, Marketing Fabio Cunetto, Vertrieb Alexander Bubenheimer, Logistik Ronald Schäffer, PR/Presse Steffen Volkmer, Publishing Manager Lisa Pancaldi, Redaktion Carlo Del Grande, Christian Endres, Harald Gantzberg, Christian Grass, Kristina Starschinski, Daniela Uhlmann, Übersetzung Alexander Rösch, Proofreading Genoveva Fincias Alonso, Lettering Claudia Sartoretti, grafische Gestaltung Rudy Remitti, Nicola Spano, Art Director Mario Corticelli, Redaktion Panini Comics Annalisa Califano, Beatrice Doti, Prepress Francesca Aiello, Andrea Bisi, Repro/Packager Alessandro Nalli (coordinator), Mario Da Rin Zanco, Valentina Esposito, Luca Ficarelli, Linda Leporati. Für die digitale Ausgabe: Supervision Mattia Dal Corno, Grafik und Layout Michele Manzo. Deutsche Edition bei Panini Verlags-GmbH unter Lizenz von Marvel Characters B.V. Cover von Daniel Acuña, Inhumans: Judgment Day 1. Digitale Ausgaben: ISBN 978-3-7367-3646-7 (.pdf) / ISBN 978-3-7367-3647-4 (.epub) Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. AL EWING MARC DEERING Autor KEVIN LIBRANDA ÁLVARO LÓPEZ MIKE DEL MUNDO Tusche KEVIN LIBRANDA JAVIER RODRÍGUEZ JORDIE BELLAIRE Zeichner JOSÉ VILLARRUBIA Farben CLAUDIA SARTORETTI C. B. CEBULSKI Lettering Chefredakteur USA ALEXANDER RÖSCH JOE QUESADA Übersetzung Chief Creative Officer USA TOM BREVOORT DAN BUCKLEY SARAH BRUNSTAD Herausgeber USA WIL MOSS Redaktion USA ALAN FINE Produzent USA 5000 JAHRE IN DER ZUKUNFT selbst um mitternacht bleibt die luft im steinwald drückend. er schmeckt die der letzte inhuman versteinerte baumreste mikropartikel verflucht die pause. schimmern wie tanzende in der luft. gerippe in der flirrenden hitze. zerstörte rippen. teil der toten lunge der welt. legt den kurs fest. der ankläger, an der spitze laufend, bleibt kurz stehen. sein pferd erlag kurz nach erreichen der küste der hitze. ihm blieb nichts anderes übrig, als zu fuss zu laufen. ... ist und der entkräftet. reiter... der letzte inhuman schaut sich nicht nach ihm um. solange es ging. es gibt nur eine richtung. vorwärts. immer voran. nun, du {hust} bist die pilotin, ehrlich? swain. derHEUTE tote planet hala vor zwei was stunden hab meinst ich geheult. du? die astarion war schrott, medusa. eine tragfläche war abgerissen. sie wäre nie wieder geflogen. ich dann bot die WUssTE nicht, wie ich‘s dir plex-intelligenz beibringen soll. ihr reparatursystem ich erinner an. sieh selbst. ich glaub, mich noch zu gut der neue flügel ist an den letzten. besser als der da s nenn ich mal alte. 'nen grünen koloss mit machtdurst, der was kann. trieb- werke an, captain... ”... wir fliegen los, sobald wir lebewohl gesagt haben.“ gut siehst hör zu, du aus. wir wollen aufbrechen... und... ronan? ja. die plex gab mir bescheid, crystal. geh, sobald du willst. ich will nicht. solange die dinge zwischen uns ungeklärt sind, ronan, will ich dich nicht allein lassen. wir waren verheiratet. ich liebte dich. ich muss die ganze zeit darüber nachdenken, wie du hier einsam die toten gezählt... und jedem die schuld dafür gegeben hast, auch dir selbst. wie es dich belastete... ... wär ich nur für dich da gewesen. hätt ich dich nur gesucht. ich hätt dich suchen müssen. tut mir leid. ... die plex- intelligenzspricht nun zu mir, crystal. genau wie zu noh-varr. ich bin nicht mehr allein. schliesse ich die augen... ... sehe ich aus makro-naniten geformte skylines, die diamantene hügel erklimmen. raumfähren über himmlischen gefilden, wie sie kampfhungrige missgeburten mit har- punen aus kristallinen gedanken jagen. ich sehe, wie alle wesen zueinander- finden. einander kennen... ... wie sich ich sehe selbst. und... ich sehe hala in der höhe, die strahlende bastion der toleranz, das juwel aller ... erkenne... realitäten. ... die bedeutung von liebe. bis ich meine augen öffne. und nichts als leichen sehe. ronan-- du konntest das ist nicht früher kommen, nach wie vor weil dein volk dich so. du hast mehr brauchte. pflichten... ... so wie ich. ronan, du das mag sein. brauchst der bau von hala in doch ich... hilfe-- der höhe wird lange konnte bisher dauern. vielleicht nicht mal den jahrhunderte. grundstein legen. die plex verlangt, dass ich mir vorher den tod einer welt verzeihe... nur wie?! ich verzeihe keinem von uns. die bürde ist zu gross, liebling... ... und du bist hier nicht will- kommen. bitte. geh jetzt. prinzessin crystal? alles okay ? du starrst jetzt schon eine ganze weile durch diese alles gut, jovanna. scheibe und-- ich seh mir nur hala an. oooch, du wie es ver- ”wieder schwindet... aaarme! weisst du, cousine, 'nen ehemann wirst verloren. irgendwann du dir eingestehen buhuu!“ müssen, dass es an dir liegt. maximus... knurr nicht rum, gorgon. nicht jeder von uns muss sich mit zum scheitern verurteilten interspezies-romanzen in endlosschleife rumärgern. überleg mal, wie sehr swain dein gejammer nerven muss. hey, halt mich da raus... wieso? als ob du im moment millionen von lichtjahren von ein glückliches der frau entfernt, häschen wärst... die du... hm, ist es liebe?! oder nur bequem? ist liebe für ... real?! eine mit deinen kräften je... denk dran, schwager- war herz. doch nur 'ne meinung, ich kann commander dir auch ohne medusa. haare wehtun. wollte dich... au!... nicht beleidigen. nun, die nächste phase unserer mission ist diplomatischer natur, maximus. du wirst deinen legen- dären charme für mich arbeiten lassen... ”... und es wird dir nicht gefallen.“ die grossartigeCENTAURI-IV stadt novahala auf dem kontinent akuunos, neue heimat der universal-inhumans wir fünf sind eine sippe. OOLA UDONTA ALADI KO EKE ONOMI WHITEMANE AVOE matriarchin der königin der badoon, erste vorsitzende der göttin der incentaurianer fünfte kaste white room-kymellianer wraith-inhumans nicht durch oder freie wahl. sondern blut. durch schicksal... ... und bestimmung. eine sternen- sippe. denn wir alle haben ein grossartiges geschenk von den kree es wurde an empfangen. uns experimen- tiert, bis wir zu etwas grösse- rem wurden als der rest unserer spezies. und im geiste dieses geschenks, dieser veränderung, grüsse ich euch, schwestern. die vier königinnen des einen königs... ... und eure blackbane von krieger. DIE der lichtbrigade grüsst ebensodeine LICHTBRIGADE krieger, verehrte und medusa. deinen leib- sklaven. das gefällt mir gar nicht. nicht von ihm. und der kraftdämpfer ist übertrieben! diplomatie, maximus. bleib charmant. immerhin hängt dein leben davon ab. und wir grüssendich , medusa. es ist lange her, seit wir dich gesehen haben... ... seit der katastrophe. als thanos die erde angriff... attilan zerstörte... und uns zum rückzug zwang. unsere eigenen welten lehnen unsere rückkehr ab. das zwang uns. ein neues new hala zu erschaffen... hier auf dem territorium der ungläubigen akuun. willst du uns im exil gesellschaft leisten? dass sich etwas bei dir verändert hat, spüre ich selbst ohne höhere sinne. du bist keine... ... königin mehr. wo issst der könig, nicht-königin medusssa? wo issst unssser ehemann? wo issst black bolt? fort. angekettet und verbannt in eine hölle, aus der es kein zurück gibt. seine krone ist zer- stört. er war und ich mal könig. tat es... ... schwes- tern. ja, ich. und ich... {hust}... was? {räusper} {hhhaaaacchh} {khhahhh} ... ich bezahle seinetwegen deshalb dafür. hier. er hat mich gehört er nun mir. getäuscht. sterbe ich... bald rrk-- werde ich ... stirbt tot sein. auch er. du hassst... den mitter- nachtssskönig verbannt? was? nein. aber da s noh-varr? so rette hier. ich dir das leben. still. ein tod? und einer in aussicht ? und du glaubst, das genügt, nicht- königin?.
Recommended publications
  • Batman Takes Parade by Storm (Thesis by Jared Goodrich)
    Jared Goodrich Batman Takes Parade By Storm (How Comic Book Culture Shaped a Small City’s Halloween parade) History Research Seminar Spring 2020 1 On Saturday, October 26th, 2019, the participants lined up to begin of the Rutland Halloween Parade. 10,000 people came to the small city of Rutland to view the famed Halloween parade for its 60th year. Over 72 floats had participated and 1700 people led by the Skelly Dancers. School floats with specific themes to the Star Wars non-profit organization the 501st Legion to droves and rows of different Batman themed floats marched throughout the city to celebrate this joyous occasion. There have been many narratives told about this historic Halloween parade. One specific example can be found on the Rutland Historical Society’s website, which is the documentary called Rutland Halloween Parade Hijinks and History by B. Burge. The standard narrative told is that on Halloween night in 1959, the Rutland area was host to its first Halloween parade, and it was a grand show in its first year. The story continues that a man by the name of Tom Fagan loved what he saw and went to his friend John Cioffredi, who was the superintendent of the Rutland Recreation Department, and offered to make the parade better the next year. When planning for the next year, Fagan suggested that Batman be a part of the parade. By Halloween of 1961, Batman was running the parade in Rutland, and this would be the start to exciting times for the Rutland Halloween parade.1 Five years into the parade, the parade was the most popular it had ever been, and by 1970 had been featured in Marvel comics Avengers Number 83, which would start a major event later in comic book history.
    [Show full text]
  • Click Above for a Preview, Or Download
    JACK KIRBY COLLECTOR THIRTY-NINE $9 95 IN THE US . c n I , s r e t c a r a h C l e v r a M 3 0 0 2 © & M T t l o B k c a l B FAN FAVORITES! THE NEW COPYRIGHTS: Angry Charlie, Batman, Ben Boxer, Big Barda, Darkseid, Dr. Fate, Green Lantern, RETROSPECTIVE . .68 Guardian, Joker, Justice League of America, Kalibak, Kamandi, Lightray, Losers, Manhunter, (the real Silver Surfer—Jack’s, that is) New Gods, Newsboy Legion, OMAC, Orion, Super Powers, Superman, True Divorce, Wonder Woman COLLECTOR COMMENTS . .78 TM & ©2003 DC Comics • 2001 characters, (some very artful letters on #37-38) Ardina, Blastaar, Bucky, Captain America, Dr. Doom, Fantastic Four (Mr. Fantastic, Human #39, FALL 2003 Collector PARTING SHOT . .80 Torch, Thing, Invisible Girl), Frightful Four (Medusa, Wizard, Sandman, Trapster), Galactus, (we’ve got a Thing for you) Gargoyle, hercules, Hulk, Ikaris, Inhumans (Black OPENING SHOT . .2 KIRBY OBSCURA . .21 Bolt, Crystal, Lockjaw, Gorgon, Medusa, Karnak, C Front cover inks: MIKE ALLRED (where the editor lists his favorite things) (Barry Forshaw has more rare Kirby stuff) Triton, Maximus), Iron Man, Leader, Loki, Machine Front cover colors: LAURA ALLRED Man, Nick Fury, Rawhide Kid, Rick Jones, o Sentinels, Sgt. Fury, Shalla Bal, Silver Surfer, Sub- UNDER THE COVERS . .3 GALLERY (GUEST EDITED!) . .22 Back cover inks: P. CRAIG RUSSELL Mariner, Thor, Two-Gun Kid, Tyrannus, Watcher, (Jerry Boyd asks nearly everyone what (congrats Chris Beneke!) Back cover colors: TOM ZIUKO Wyatt Wingfoot, X-Men (Angel, Cyclops, Beast, n their fave Kirby cover is) Iceman, Marvel Girl) TM & ©2003 Marvel Photocopies of Jack’s uninked pencils from Characters, Inc.
    [Show full text]
  • Fantastic Four Compendium
    MA4 6889 Advanced Game Official Accessory The FANTASTIC FOUR™ Compendium by David E. Martin All Marvel characters and the distinctive likenesses thereof The names of characters used herein are fictitious and do are trademarks of the Marvel Entertainment Group, Inc. not refer to any person living or dead. Any descriptions MARVEL SUPER HEROES and MARVEL SUPER VILLAINS including similarities to persons living or dead are merely co- are trademarks of the Marvel Entertainment Group, Inc. incidental. PRODUCTS OF YOUR IMAGINATION and the ©Copyright 1987 Marvel Entertainment Group, Inc. All TSR logo are trademarks owned by TSR, Inc. Game Design Rights Reserved. Printed in USA. PDF version 1.0, 2000. ©1987 TSR, Inc. All Rights Reserved. Table of Contents Introduction . 2 A Brief History of the FANTASTIC FOUR . 2 The Fantastic Four . 3 Friends of the FF. 11 Races and Organizations . 25 Fiends and Foes . 38 Travel Guide . 76 Vehicles . 93 “From The Beginning Comes the End!” — A Fantastic Four Adventure . 96 Index. 102 This book is protected under the copyright laws of the United States of America. Any reproduction or other unauthorized use of the material or artwork contained herein is prohibited without the express written consent of TSR, Inc., and Marvel Entertainment Group, Inc. Distributed to the book trade in the United States by Random House, Inc., and in Canada by Random House of Canada, Ltd. Distributed to the toy and hobby trade by regional distributors. All characters appearing in this gamebook and the distinctive likenesses thereof are trademarks of the Marvel Entertainment Group, Inc. MARVEL SUPER HEROES and MARVEL SUPER VILLAINS are trademarks of the Marvel Entertainment Group, Inc.
    [Show full text]
  • Aaron Ewing Cafu Aburtov
    AARON ABURTOV CAFU EWING RATED RATED 0 0 2 1 1 $3.99 2 US T+ 7 59606 09515 5 BONUS DIGITAL EDITION – DETAILS INSIDE! ONCE SHE WAS THE MIGHTY THOR. NOW DR. JANE FOSTER WIELDS NOT THUNDER, BUT DEATH. AND LIFE. AND EVERYTHING IN BETWEEN. SHE IS THE LAST OF THE VALKYRIES—WARRIOR GODDESSES WHO FERRY THE SOULS OF THOSE WHO FALL IN BATTLE TO VALHALLA, THE LAND OF THE HONORED DEAD. WIELDER OF UNDRJARN THE ALL-WEAPON, DEFENDER OF MIDGARD AND ASGARD ALIKE, SHE IS… IN THE AFTERMATH OF THE WAR OF THE REALMS, EARTH’S VILLAINS ARE OUT TO OBTAIN THE MAGICAL WEAPONS LEFT BEHIND—INCLUDING DRAGONFANG, THE SWORD OF THE LATE LEADER OF THE VALKYRIES, BRUNNHILDE. JANE HAS SWORN TO RECOVER THE SWORD, BUT HER NEW ROLE AS VALKYRIE IS COMPLICATING HER MORTAL LIFE: DUE TO HER REPEATED UNEXPLAINED ABSENCES FROM THE HOSPITAL WHERE SHE WORKS, JANE HAS BEEN DEMOTED TO WORKING IN THE MORGUE. STILL, THERE ARE WORSE PLACES FOR A VALKYRIE TO BE. WHEN A DEAD BODY PROVIDES A CLUE TO DRAGONFANG’S WHEREABOUTS, JANE CALLS ON HEIMDALL THE ALL-SEEING, WHO HELPS HER ACTIVATE HER “VALKYRIE VISION,” WHICH REVEALS THE URGENCY OF ANY INDIVIDUAL’S DEATH. BUT BY THE TIME SHE TURNS THIS SIGHT ON HEIMDALL HIMSELF, SHE IS ALREADY TOO LATE TO STOP THE ASSASSIN KNOWN AS BULLSEYE FROM RUNNING DRAGONFANG THROUGH HEIMDALL’S CHEST. “THE SACRED AND THE PROFANE” PART II WRITERS: ARTIST: COLOR ARTIST: LETTERER & PRODUCTION: JASON AARON & AL EWING CAFU JESUS ABURTOV VC’S JOE SABINO COVER ARTISTS: VARIANT COVER ARTISTS: MAHMUD ASRAR & MATTHEW WILSON KIM JACINTO & DAVID CURIEL LOGO: ASSOC.
    [Show full text]
  • The Portrayal of Women in American Superhero Comics By: Esmé Smith Junior Research Project Seminar
    Hidden Heroines: The Portrayal of Women in American Superhero Comics By: Esmé Smith Junior Research Project Seminar Introduction The first comic books came out in the 1930s. Superhero comics quickly became one of the most popular genres. Today, they remain incredibly popular and influential. I have been interested in superhero comics for several years now, but one thing I often noticed was that women generally had much smaller roles than men and were also usually not as powerful. Female characters got significantly less time in the story devoted to them than men, and most superhero teams only had one woman, if they had any at all. Because there were so few female characters it was harder for me to find a way to relate to these stories and characters. If I wanted to read a comic that centered around a female hero I had to spend a lot more time looking for it than if I wanted to read about a male hero. Another thing that I noticed was that when people talk about the history of superhero comics, and the most important and influential superheroes, they almost only talk about male heroes. Wonder Woman was the only exception to this. This made me curious about other influential women in comics and their stories. Whenever I read about the history of comics I got plenty of information on how the portrayal of superheroes changed over time, but it always focused on male heroes, so I was interested in learning how women were portrayed in comics and how that has changed.
    [Show full text]
  • Kirby: the Wonderthe Wonderyears Years Lee & Kirby: the Wonder Years (A.K.A
    Kirby: The WonderThe WonderYears Years Lee & Kirby: The Wonder Years (a.k.a. Jack Kirby Collector #58) Written by Mark Alexander (1955-2011) Edited, designed, and proofread by John Morrow, publisher Softcover ISBN: 978-1-60549-038-0 First Printing • December 2011 • Printed in the USA The Jack Kirby Collector, Vol. 18, No. 58, Winter 2011 (hey, it’s Dec. 3 as I type this!). Published quarterly by and ©2011 TwoMorrows Publishing, 10407 Bedfordtown Drive, Raleigh, NC 27614. 919-449-0344. John Morrow, Editor/Publisher. Four-issue subscriptions: $50 US, $65 Canada, $72 elsewhere. Editorial package ©2011 TwoMorrows Publishing, a division of TwoMorrows Inc. All characters are trademarks of their respective companies. All artwork is ©2011 Jack Kirby Estate unless otherwise noted. Editorial matter ©2011 the respective authors. ISSN 1932-6912 Visit us on the web at: www.twomorrows.com • e-mail: [email protected] All rights reserved. No portion of this publication may be reproduced in any manner without permission from the publisher. (above and title page) Kirby pencils from What If? #11 (Oct. 1978). (opposite) Original Kirby collage for Fantastic Four #51, page 14. Acknowledgements First and foremost, thanks to my Aunt June for buying my first Marvel comic, and for everything else. Next, big thanks to my son Nicholas for endless research. From the age of three, the kid had the good taste to request the Marvel Masterworks for bedtime stories over Mother Goose. He still holds the record as the youngest contributor to The Jack Kirby Collector (see issue #21). Shout-out to my partners in rock ’n’ roll, the incomparable Hitmen—the best band and best pals I’ve ever had.
    [Show full text]
  • Limits, Malice and the Immortal Hulk
    https://lthj.qut.edu.au/ LAW, TECHNOLOGY AND HUMANS Volume 2 (2) 2020 https://doi.org/10.5204/lthj.1581 Before the Law: Limits, Malice and The Immortal Hulk Neal Curtis The University of Auckland, New Zealand Abstract This article uses Kafka's short story 'Before the Law' to offer a reading of Al Ewing's The Immortal Hulk. This is in turn used to explore our desire to encounter the Law understood as a form of completeness. The article differentiates between 'the Law' as completeness or limitlessness and 'the law' understood as limitation. The article also examines this desire to experience completeness or limitlessness in the work of George Bataille who argued such an experience was the path to sovereignty. In response it also considers Francois Flahault's critique of Bataille who argued Bataille failed to understand limitlessness is split between a 'good infinite' and a 'bad infinite', and that it is only the latter that can ultimately satisfy us. The article then proposes The Hulk, especially as presented in Al Ewing's The Immortal Hulk, is a study in where our desire for limitlessness can take us. Ultimately it proposes we turn ourselves away from the Law and towards the law that preserves and protects our incompleteness. Keywords: Law; sovereignty; comics; superheroes; The Hulk Introduction From Jean Bodin to Carl Schmitt, the foundation of the law, or what we more readily understand as sovereignty, is marked by a significant division. The law is a limit in the sense of determining what is permitted and what is proscribed, but the authority for this limit is often said to derive from something unlimited.
    [Show full text]
  • Ultimates: Omniversal Vol. 2: Civil War II: Vol. 2 Free Ebook
    FREEULTIMATES: OMNIVERSAL VOL. 2: CIVIL WAR II: VOL. 2 EBOOK Al Ewing,Christian Ward,Kenneth Rocafort | 136 pages | 31 Jan 2017 | Marvel Comics | 9780785196716 | English | New York, United States Ultimates: Omniversal Vol. 2: Civil War II Ultimates: Omniversal Vol. 2 - Civil War II TP Released December 21st, by Marvel Comics. Search Comics, Titles, Creators & More. Search. X. X Prev. Continued from Ultimates Vol 2 Renumbered to Ultimates 2# Ultimates 2 Vol 2 #6 "War in Heaven" Release date: April 26, Cover date: June, Ultimates: Omniversal Vol. 2: Civil War II by Al Ewing (Text by), Christian Ward (Illustrator) CIVIL WAR II's main player takes center stage, and its seismic. Ultimates: Omniversal Vol. 2 - Civil War II (Trade Paperback) CIVIL WAR II TIE-IN! • The Ultimates are at war – with each other! FANDOM. Games Movies TV Video. Wikis. Explore Wikis Ultimates Vol 2. Civil War II. T+ ( The Ultimates is a fictional group of superheroes appearing in Ultimates: Omniversal Vol. 2: Civil War II: Vol. 2 comic books published by Marvel Comics. Although the team takes its name from the unrelated team Ultimateswhich was the Ultimate Marvel version of the Avengersit is set in the. Get this from a library! The Ultimates. Omniversal. Vol. 2, Civil War II. [Al Ewing; Kenneth Rocafort; Djibril Morissette-Phan; Christian Ward; Dan Brown, (Colorist); Joe Sabino; Marvel Comics Group,] -- "The Ultimates vs. Thanos in a fight that kicks off Civil War II!. Ultimates - Omniversal Vol. 2: Civil War II TP Title Material collected ISBN Publication date Ultimates: Omniversal Volume 1: Start With the Impossible: Ultimates Vol.2 #, Avengers #0: July 19, Ultimates: Omniversal Volume 2: Civil War II.
    [Show full text]
  • Read Book A-Force Vol. 1: Hypertime
    A-FORCE VOL. 1: HYPERTIME PDF, EPUB, EBOOK Jorge Molina,G. Willow Wilson | 144 pages | 28 Jul 2016 | Marvel Comics | 9780785196051 | English | New York, United States A-Force Vol. 1: Hypertime PDF Book Related Products. The main story is lots of fun -- Singularity comes to the newly established "normal" whatever that means at this point universe from the Battleworlds one, and is incredibly cute. Before she is brought to justice, she asks She-Hulk to tell Nico how much she loved her, and that she is going to see America again. Yay, superhero ladies! Good art, neat characters. You stay far away from this book , and Laura Martin's colours are gorgeous, especially her star-fields inside Singularity and Antimatter. This time around, the A-Force team is actually just the core members from the last volume so no one feels sidelined. Young Adult. Sort order. These are good stories; just as good is the reprint, included here, of Avengers 83, which I bought from the newsstand in October, , featuring the introduction of The Valkyrie and the Lady Liberators! Submit Review. This is a gorgeous volume of sequential art in trade paperback format. For the best experience on our site, be sure to turn on Javascript in your browser. Forgot Password. She's more than just a magic user. The artwork is gorgeous, and the story is focused on just a few of the heavy hitters. This story is a reprint of the comic A-Force Vol 2 2. With a new Thor in town it has very close ties to one of the team members, and realm-crossing dragons, Volume 2 should be a blast.
    [Show full text]
  • The Phoenix/Jean Grey Across Time and Media Lenise Prater Films
    Gender and Power: The Phoenix/Jean Grey across Time and Media Lenise Prater Films based on comic books have been box-office successes in recent years, particularly the X-Men franchise, which is comprised of a trilogy and two prequels,1 and the X-Men trilogy. Through the characters of Jean Grey and Rogue these films represent women as largely unable to control their powers, and subsequently as significantly dangerous to men.2 Unfortunate- ly, these problematic representations of women are often explained, or even justified, by audience members who tacitly assume, given these films are based on comics of the 1960s, 1970s and 1980s, that these films will feature more conservative representations of gender. Even bloggers and journalists familiar with comic books offhandedly argue that the sexism in the movies is based on the sexism in the original comics. Journalist Jeff Al- exander, for example, argues that the inclusion of strong women in comic book movies is “an uphill battle,” because “so much of the original comic- book source material is inherently sexist and objectifying to begin with.”3 Similarly, blogger Wraith24, in a discussion of promotional poster for The Avengers, concludes “that even in 2012, the influences of old sexist comics is still quite prevalent.”4 Indeed, it would not, for example, be readily ac- ceptable to name a group of men and women “X-Men” in the year 2001, as is the case with the first movie, because using “man” to describe a group that is partly comprised of women does not make sense as it did in the COLLOQUY text theory critique 24 (2012).
    [Show full text]
  • Batwoman and Catwoman: Treatment of Women in DC Comics
    Wright State University CORE Scholar Browse all Theses and Dissertations Theses and Dissertations 2013 Batwoman and Catwoman: Treatment of Women in DC Comics Kristen Coppess Race Wright State University Follow this and additional works at: https://corescholar.libraries.wright.edu/etd_all Part of the English Language and Literature Commons Repository Citation Race, Kristen Coppess, "Batwoman and Catwoman: Treatment of Women in DC Comics" (2013). Browse all Theses and Dissertations. 793. https://corescholar.libraries.wright.edu/etd_all/793 This Thesis is brought to you for free and open access by the Theses and Dissertations at CORE Scholar. It has been accepted for inclusion in Browse all Theses and Dissertations by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. BATWOMAN AND CATWOMAN: TREATMENT OF WOMEN IN DC COMICS A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts By KRISTEN COPPESS RACE B.A., Wright State University, 2004 M.Ed., Xavier University, 2007 2013 Wright State University WRIGHT STATE UNIVERSITY GRADUATE SCHOOL Date: June 4, 2013 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Kristen Coppess Race ENTITLED Batwoman and Catwoman: Treatment of Women in DC Comics . BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts. _____________________________ Kelli Zaytoun, Ph.D. Thesis Director _____________________________ Carol Loranger, Ph.D. Chair, Department of English Language and Literature Committee on Final Examination _____________________________ Kelli Zaytoun, Ph.D. _____________________________ Carol Mejia-LaPerle, Ph.D. _____________________________ Crystal Lake, Ph.D. _____________________________ R. William Ayres, Ph.D.
    [Show full text]
  • King in Black 1
    Anteprima » Panini Comics KING IN BLACK 1 VARIANT DISPONIBILE ANCHE CON VARIANT METAL E T-SHIRT! (TAGLIE S-M-L-XL-XXL) EURO 25,00 • Knull, il Signore dell’Abisso, è arrivato sulla Terra! Comincia l’invasione MARVEL MINISERIE 244 dei simbionti! Autori: Donny Cates, Ryan Stegman • L’allucinante punto di arrivo delle trame di Venom concepite da Donny 15 aprile • 17x26, S., Cates! 48 pp., col. • Euro 5,00 • Eddie Brock prende il suo posto tra gli Eroi più potenti della Terra! Contiene: King in Black (2020) #1 • Ma sarà sufficiente per Capitan America gridare… Avengers uniti?! 57 Anteprima » Panini Comics VENOM 33 VARIANT DISPONIBILE ANCHE CON CLASSIC VARIANT DI ALEX ROSS EURO 6,00 VENOM 50 • Un tie-in di King in Black! Autori: Donny Cates, Iban Coello, • Il dio dei simbionti Knull è giunto sulla Terra, ma Eddie Brock sarà Clay McLeod Chapman, all’altezza del nemico? Chris Mooneyham • E se non lo sarà, a chi spetterà la difesa del nostro mondo? 15 aprile • 17x26, S., • Inoltre, torna Scream per una storia inquietante con il Punisher 56 pp., col. • Euro 6,00 e l’Uomo Sabbia! Contiene: Venom (2018) #31, Scream: Curse of Carnage (2020) #6 58 Anteprima » Panini Comics AMAZING SPIDER-MAN 59 • Un tie-in di King in Black! • Torniamo nel passato con un’altra storia inedita del Simbionte Spider-Man! • Ricordate quando Peter Parker utilizzava come costume il simbionte alieno? • Ospiti speciali a non finire, tra cui il solo e unico Cavaliere Nero! SPIDER-MAN 768 Autori: Peter David, Greg Land 15 aprile • 17x26, S., 56 pp., col.
    [Show full text]