A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/79572 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at:
[email protected] warwick.ac.uk/lib-publications HORACE IN THE ITALIAN RENAISSANCE (1498-1600) BY GIACOMO COMIATI A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Italian Studies University of Warwick, School of Modern Languages and Cultures, Italian Studies September 2015 TABLE OF CONTENTS Acknowledgments page 4 Abstract 5 List of Abbreviations 6 INTRODUCTION 8 1. RENAISSANCE BIOGRAPHERS OF HORACE 27 1.1 Fifteenth-Century Biographers 30 1.2 The First Printed Biographies 43 1.3 Biographies in the Sixteenth Century 53 Conclusion 66 2. RENAISSANCE COMMENTATORS OF HORACE 69 2.1 The Exegetical Fortune of Horace in the Late Quattrocento 71 2.2 Horatian Commentators: from Beroaldo the Elder to Girolamo Scoto 84 2.3 Horatian Exegesis 1550-1600 103 2.4 The Art of Poetry and its Exegesis 114 Conclusion 129 3. RENAISSANCE TRANSLATORS OF HORACE 133 3.1 Translating Horace’s Hexametrical Works 134 3.2 Translating Horace’s Lyrical Production 148 Conclusion 166 4. RENAISSANCE ITALIAN IMITATORS OF HORACE 169 4.1 The Satirical Genre 171 4.2 Vernacular Odes 188 4.3 The Founding Fathers of Petrarchism 210 2 4.4 Petrarchism After Bembo 220 4.4.1 Naples 220 4.4.2 Tuscany 230 4.4.3 Venetian Region 238 Conclusion 250 5.