DOCSLIB.ORG

Investor Presentation May 2019 Disclaimer

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Investor Presentation May 2019 Disclaimer This presentation and the following discussion may contain “forward looking statements” by Inox Leisure Limited (“ILL” or “the Company”) that are not historical in nature. These forward looking statements, which may include statements relating to future state of affairs, results of operations, financial condition, business prospects, plans and objectives, are based on the current beliefs, assumptions, expectations, estimates, and projections of the management of ILL about the business, industry and markets in which ILL operates. These statements are not guarantees of future performance, and are subject to known and unknown risks, uncertainties, and other factors, some of which are beyond ILL’s control and difficult to predict, that could cause actual results, performance or achievements to differ materially from those in the forward looking statements. Such statements are not, and should not be construed, as a representation as to future performance or achievements of ILL. In particular, such statements should not be regarded as a projection of future performance of ILL. It should be noted that the actual performance or achievements of ILL may vary significantly from such statements. Due to rounding-off, figures presented throughout this document may not add up precisely to the totals provided and percentages may not precisely reflect the rounded-off figures. FY15 financial figures are as per IGAAP and for FY16 and thereafter are as per IND-AS. Revenues for FY15 are shown net of entertainment tax, to be consistent with the revenues under IND-AS for FY16 onwards 2 Forum Neighbourhood Mall, Bengaluru DISCUSSION SUMMARY . INDUSTRY OVERVIEW . COMPANY OVERVIEW . COMPETITIVE ADVANTAGE & O U T L O O K . ANNEXURE 3 CR2, Nariman Point, Mumbai INDUSTRY OVERVIEW 4 Strong Fundamentals & Huge Growth Potential Highest Number of Film P r o d u c e d i n t h e 2nd Highest Number Of Theatre Footfalls W o r l d in the World Footfalls in Million 2,000 2,178 2,100 1,930 1,600 1,364 1,100 791 686 581 600 300 298 269 255 226 185 208 197 176 171 169 156 146 100 India US China Japan France UK S. Korea Spain Germany Italy China India US France Mexico UK Japan S. Korea Germany Russia -400 However, India’s Screen Density is One of the Lowest Screens / Million population 125 95 80 60 57 40 37 26 25 12 10 8 US France Spain UK Germany South Korea China Japan Taiwan Thailand Brazil India Source: CRISIL Report, http://uis.unesco.org/en/news/cinema-data-release (2015), Industry sources and internal calculations 5 Steady Performance and Resilience Indian Film Industry Displays Steady Performance Trends In Rs. Billion 250.0 236.1 194.2 200.0 174.5 155.5 150.0 100.0 130.0 50.0 96.3 102.1 110.0 0.0 2017 2018 2019E 2021E Domestic Theatrical Overseas Theatrical Broadcast rights Digital/OTT rights In-cinema advertising Home Video D o m e s t i c Theatricals Constitutes 59% Of Total Film Industry 8% 4% 0% Domestic Theatrical 12% Overseas Theatrical 2018 Broadcast rights Digital/OTT rights 59% In-cinema advertising 17% Home Video Source: FICCI-EY 2019 Report 6 Multiplexes Witnessing Rapid Growth 16,000 FACTORS DRIVING GROWTH IN 14,000 Number of Screens MULTIPLEXES: 12,000 10,635 10,346 . Strong demographics, rising disposable 9,951 9,601 10,000 925 9,500 9,481 9,530 1,225 incomes and discretionary spends. 1,500 2,100 8,000 2,450 2,750 2,950 . Superior location, destination and 6,000 parking facilities. 9,710 9,121 4,000 8,451 7,400 7,031 6,780 6,651 . Multiple screens in one location offer a 2,000 wider variety of content to the patrons. - . Different screen sizes provide 2009 2011 2013 2015 2016 2017 2018 programming flexibility. This results in Single Screens Multiplexes higher occupancy ratios. Multiplexes currently account for . State of art equipment (high quality ~ 31% market share of the screens, video and audio), superior interiors, h o w e v e r they account f o r ambience and service. ~55% of box office collections Source: FICCI-EY Report 2018 & 2019 7 Increasing Number Of INR 1bn + Movies Wider Screen Releases 8,000 6,900 7,000 6,500 6,000 5,200 5,300 5,000 4,500 4,500 4,000 3,446 3,014 3,359 2,638 3,000 2,065 2,101 1,598 2,000 1,000 1,000 - 3 Idiots Dabaang Bodyguard Ek Tha Tiger Dabaang 2 Chennai Dhoom 3 Kick P.K Bajrangi Dangal Bahubali 2 - Tiger Zinda 2.0 (2018) (2009) (2010) (2011) (2012) (2012) Express (2013) (2014) (2014) Bhaijaan (2016) The Hai (2017) (2013) (2015) Conclusion (2017) INCREASING NUMBER OF Higher Number Of INR 1 Bn + Movies MOVIES ARE GENERATING 14 3 12 MORE THAN RS 1 BN IN NET 2 10 - 2 2 BOX OFFICE COLLECTIONS 8 - 1 - 2 1 1 6 1 - 1 10 1 DRIVEN BY WIDER SCREEN 4 9 8 1 1 6 7 7 2 - 5 5 - - 2 3 RELEASES AND FACILITATED BY - 1 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 May-19 DIGITISATION OF CONTENT INR 1Bn to 1.99Bn INR 2Bn to 2.99 Bn INR 3Bn and above DELIVERY Source: Industry 8 India’s Consumption Story 1,600 Population of India (Million) %Share of Population by Income Bracket 1,400 Lower Class Lower Middle Class Middle & Affluent Class 1,200 100 1 2 6 5 90 18 22 1,000 80 42 41 70 800 1,429 60 43 600 1,278 50 1,107 93 928 40 80 36 400 755 30 54 20 200 35 10 22 - 0 1985 1995 2005 2015 2025 1985 1995 2005 2015 2025 Based on Annual Household Income: Lower Class: < Rs.90,000 , Lower Middle Class: Rs.90,000 to Rs.199,999 , Middle & Affluent Class: > Rs.200,000 Share of Population by Income Bracket (Million) %Share of Average Annual Household Consumption Lower Class Lower Middle Class Middle & Affluent Class 1,200 Necessities Discretionary 281 55 600 1,000 19 800 8 167 454 39 45 550 52 61 600 70 514 400 702 742 598 61 200 447 48 314 39 30 - 1985 1995 2005 2015 2025 1995 2005 2015 2025 Source: Mckinsey - Tracking the growth of Indias Middle Class - 2017 9 INOX Nehru Place, Delhi Company Overview 10 Track Record of Aggressive Expansion Note: Includes Acquisition of 89 Cinemas in FY07, Fame in FY11 and Satyam in FY15 11 PAN India Presence ONE OF THE LARGEST MULTIPLEX CHAIN OPERATOR IN INDIA PUNJAB | 2 Property | 10 Screens UTTAR PRADESH | 8 Properties | 31 Screens 19 States DELHI | 5 Properties | 16 Screens JHARKHAND | 1 Property | 4 Screens HARYANA | 6 Properties | 19 Screens 67 Cities RAJASTHAN | 13 Properties | 47 Screens MADHYA PRADESH | 5 Properties | 22 Screens Assam | 1 Property | 2 Screens 141 Properties GUJARAT | 20 Properties | 81 Screens WEST BENGAL | 15 Properties | 59 Screens ODISHA | 4 Property | 14 Screens MAHARASHTRA | 28 Properties | 130 Screens 583 CHHATTISGARH | 2 Properties | 8 Screens Screens GOA | 4 Properties | 14 Screens TELANGANA | 2 Properties | 11 Screens KARNATAKA |11 Properties | 45 Screens ANDHRA PRADESH | 8 Properties | 33 Screens 137,365 Seats KERALA |1 Property | 6 Screens TAMIL NADU | 5 Properties | 31 Screens * Includes 8 management properties with 29 screens and 7,370 seats 12 R-City Ghatkopar, Mumbai INSIGNIA – LUXURY MOVIE WATCHING EXPERIENCE 13 Atria, Worli, Mumbai 14 CR2, Nariman Point, Mumbai 15 Atria, Worli, Mumbai 16 R-City, Ghatkopar, Mumbai 17 Palm Beach, Navi Mumbai 18 INOX Epicuria, Delhi 19 INOX Metro, Mumbai 20 INOX GT Central, Jaipur 21 INOX Malad, Mumbai 22 INOX Marina Mall, Chennai 23 Highest Ever New Screen Openings for First National Chain the Industry in a Year in the Industry to be 85 Screens Net Debt Free Highest Ad Revenue Growth Rate in the Highest “EBITDA to Industry for Capital Invested” Ratio 8 consecutive in the Industry for FY19 quarters 22% 24 HIGHEST YEARLY HIGHEST YEARLY HIGHEST YEARLY FOOTFALLS ATP SPH 6.25Crs Rs.197 Rs.74 HIGHEST YEARLY HIGHEST YEARLY HIGHEST YEARLY REVENUE EBITDA PAT Rs.1,692Crs Rs.309Crs Rs.133Crs 25 26 Revenue from Operations 600 500 400 48% 300 479 200 324 100 - Q4FY18 Q4FY19 1,692 1,348 1,161 1,221 1,800 895 1,600 1,400 1,200 26% 1,000 800 1,692 600 1,348 FY15 FY16 FY17 FY18 FY19 400 200 - FY18 FY19 All figures in INR Crs., unless specified 27 Earnings Before Interest, Tax, Depreciation and Amortization [EBITDA] 20% EBITDA EBITDA Margin 18% 120 25% 18% 20% 16% 100 122% 20% 16% 80 16% 14% 15% 60 14% 10% 14% 97 40 5% 12% 20 44 12% - 0% Q4FY18 Q4FY19 10% 309 8% 210 6% EBITDA EBITDA Margin 189 18% 350 20% 146 4% 16% 18% 123 300 47% 16% 250 14% 2% 12% 200 10% 150 309 8% 0% 100 210 6% 4% 50 FY15 FY16 FY17 FY18 FY19 2% - 0% EBITDA EBITDA Margin % FY18 FY19 All figures in INR Crs., unless specified Note: EBITDA excludes Other Income (non-operating) 28 Profit after tax [PAT] PAT PAT Margin 10.0% 8.5% 50.0 17.8% 20.0% 140 7.9% 45.0 18.0% 7.0% 8.0% 40.0 16.0% 35.0 10.0% 14.0% 30.0 #57.7 12.0% 25.0 120 6.0% 10.0% 20.0 # 48.1 8.0% 15.0 -17% 6.0% 10.0 4.0% 4.0% 5.0 2.0% 100 2.5% 2.2% - 0.0% 2.0% Q4FY18 Q4FY19 80 0.0% 133 60 -2.0% 115 PAT PAT Margin -4.0% 160.0 10.0% 40 81 7.9% 9.0% 140.0 8.5% 16% 8.0% -6.0% 120.0 7.0% 100.0 6.0% 20 80.0 5.0% -8.0% # 31 4.0% 60.0 # 133.5 20 114.6 3.0% 40.0 2.0% - -10.0% 20.0 1.0% FY15 FY16 FY17 FY18 FY19 - 0.0% FY18 FY19 PAT PAT Margin % All figures in INR Crs., unless specified # Includes tax write back of Rs.54crs (FY18) and Rs.5crs (FY19) 29 R e v e n u e s - Segment Breakup 600 479 500 28 43 400 22% 324 2,000 123 300 23 1,800 1,692 33 29% 78 1,600 105 200 1,348 176 59% 1,400 284 1,221 100 1,161 101 436 190 1,200 50% 91 92 139 96 0 1,000 895 91 306 284 71 266 Q4FY18 Q4FY19 800 81 2000 600 191 975 1800 1692 400 713 748 802 552 1600 105 200 1348 176 1400 - 3% 101 FY15 FY16 FY17 FY18 FY19 1200 139 436 1000 306 27% 800 600 42% 975 400 802 22% NBOC F & B Advertising Others 200 0 FY18 FY19 All figures in INR Crs., unless specified 30 Footfalls and Occupancy Rate 200 33% 31% 180 28% 800 30% 26% 28% 160 23% 700 29% 28% 25% 140 42% 18% 26% 180 600 25% 120 13% 20% 100 126 8% 500 80 3% 400 15% Q4FY18 Q4FY19 300 625 534 537 533 10% 700 33% 200 411 28% 600 5% 26% 28% 100 500 23% 400 0 0% 17% 18% 300 625 FY15 FY16 FY17 FY18 FY19 533 13% 200 Footfalls Occ% 8% 100 - 3% FY18 FY19 All figures in Lakhs, unless specified 31 Average Ticket Price [ATP] 200 180 160 140 120 100 193 189 80 60 40 -2% 20 - Q4FY18 Q4FY19 193 197 178 164 170 200 180 160 140 120 100 193 2% 197 FY15 FY16 FY17 FY18 FY19 80 60 40 20 - FY18 FY19 *W.e.f 1st Jan 2019, GST rate on tickets is reduced from 28%/18% to 18%/12%, thereby affecting the YoY ATP growth.
Recommended publications
  • MOVIE NAME SONG NAME Pal Pal Dil Ke Paas Radhe Radhe Dhagala

    MOVIE NAME SONG NAME Pal Pal Dil Ke Paas Radhe Radhe Dhagala

    MOVIE NAME SONG NAME Ho Jaa Awara Pal Pal Dil Ke Paas Pal Pal Dil Ke Paas Radhe Radhe Dream Girl Dhagala Lagali Dil Ka Telephone Tadka Khainch Le Qashh Dil Mein Mars Hai Mission Mangal Shaabaashiyaan Tota Udd Ek Siwa Tere Yun Hi Nahin Mushkil: Fear Behind You Naina Naina Ek Siwa Tere Reprise Mera Sufi Ishq Ya Khudara Maaf Kar Chicken Curry Law Aye Zindagi Isey Naam Doon Kya Fancy Thumke Family of Thakurganj Hum Teri Ore Chale Saturday Night Funk Love Jhootha Kahin Ka Jhootha Kahin Ka Munde Da Character Jugni The Wakhra Swag Judgementall Hai Kya Bardaasht Nahin Kar Sakta (Remake) Khadke Glassy Jabariya Jodi Zilla Hilela Naina Yeh Intezari Intezari" (Unplugged) Article 15 Intezari" (Asees Version) Kahab Toh Shuru Karein Kya Angrezi Luv Shuv The Extraordinary Journey of the Fakir Madaari Khamoshi Title Track Babli Sweety Baby Kissebaaz Teri Parchaayiaan 1 Kissebaaz Thiraktein Teri Parchaayiaan (Unplugged) The Jawaani Song Mumbai Dilli Di Kudiyaan The Hook Up Song Student Of The Year 2 Fakira Main Bhi Nahin Soya Jat Ludhiyane Da Kartootein Setters Boom Jawani" (music by Enbee) Ali Ali Ali Ali - Navraj Hans Version Blank Himmat Karja Tujhme Hai Aag Baki Warning Nahi Dunga Selfie Kudi Bhole Balma Hansa Ek Sanyog Main Hu Tera Tera Badhai Hansa Ek Sanyog Chhoti Si Umar Albela Holi Khele Ek Hakikat Ganga Kesariya Balam Ishq Hua The Maine Kyu Kuch Bhi Samaj The Tashkent Files Saare Jahan Se Acchha Yeh Raat Firangi Hai Chousar Firangi Haye Zamana Ulta Hai Ram Bhaag Bitwa Bhaag Bibi Dil Dhoondhata He Gone Kesh Me Udi Beimani Se Nuskha Tarana Ghar
  • Syria Air Defences Intercept Israeli Projectiles: State Media

    Syria Air Defences Intercept Israeli Projectiles: State Media

    TWITTER show @newsofbahrain BUSINESS 8 EU adopts powers to respond to cyberattacks INSTAGRAM Contract to Kill: /nobmedia 18 A movie about LINKEDIN SATURDAY newsofbahrain MAY 2019 stopping terrorism 200 FILS WHATSAPP ISSUE NO. 8115 before time runs 38444680 out FACEBOOK /nobmedia When Islamic terror- ists plot to enter the MAIL [email protected] United States through Mexican cartels’ tun- WEBSITE newsofbahrain.com nels| P13 Federer, Osaka pull out, Nadal advances 16 SPORTS WORLD 6 Indonesia arrests terror suspects head of results Internet legend Syria air defences intercept Israeli projectiles: state media AFP | Damascus, Syria yrian air defence batter- ies yesterday intercepted Sprojectiles coming from Israel and downed a number of them, the official news agency SANA reported. Trump delays “Our air defence systems intercepted luminous objects decision on auto coming from the occupied ter- tariffs ritories (Israel) and downed several of them,” SANA said Washington, United States quoting a military source. A later report described the resident Donald Trump projectiles as “hostile targets” Picture courtesy of Al Arabiya Pyesterday announced a which were fired “towards the servatory for Human Rights anese proxy) Hezbollah are lo- six-month delay in impos- province of Quneitra” near the war monitor said “three explo- cated,” Observatory head Rami ing steep tariffs on auto im- Grumpy Cat arrives on the red carpet for the 2014 MTV Movie Awards at the Golan Heights, parts of which sions” shook southwest Damas- Abdel Rahman said. ports, seeking to pressure Nokia Theater in Los Angeles, California. Internet star “Grumpy Cat” has are annexed by Israel. cus on Friday. Israel has carried out hun- died at the age of seven, her owners said.
  • Magazine1-4 Final.Qxd (Page 3)

    Magazine1-4 Final.Qxd (Page 3)

    SUNDAY, MAY 19, 2019 (PAGE 4) MOVIE-REVIEW NATURE A paisa vasool entertainer Rehabilitation of the Wild Animals at DE DE PYAAR DE is an unusual love story. Ashish (Ajay audiences for the fact that the film is not a laugh-a-minute Manda Deer Park Devgn), 50, is based in London. He is separated from his caper. The intermission point is clapworthy and comes at an wife, Manju (Tabu). At a common friend’s wedding, he excellent point as one knows that from hereon, it’s going to Amit Sharma The animals in Manda Deer Park do fall sick, the treat- comes across Aisha (Rakul Preet Singh) who is 26 years old. be all fireworks. And that’s what happens in the second half. ment is given to the animals and as such there has been She is free-spirited and carefree and both she and Ashish get The madness goes on another level as Ashish gets attacked On 6th May 2014, an injured leopard was no epidemics in thePark because of the cleanliness of the attracted to each other. In no time, she moves into his place. from all quarters. At the same time, it will also make view- rescued from the Rajouri area, with both enclosures and regular monitoring of the animals kept in When the topic of marriage comes up, Ashish hesitates but ers teary-eyed. The sequence where Ashish bats for live-in the Deer Park. At times the animals do get injured during realizing how much he loves Aisha, he agrees. He takes her relationships and the effect it has on others is too good.
  • Lebanese Artist Sara Abou Mrad Finds Life to Be Very Dynamic and Art in All Its Manifestations to Be a Reflection of Life. P4-5

    Lebanese Artist Sara Abou Mrad Finds Life to Be Very Dynamic and Art in All Its Manifestations to Be a Reflection of Life. P4-5

    YOUR PAGE, YOUR STAGE! There’s probably a photographer hidden in each of us, looking out for a platform. Community invites you to grab your chance and send your contributions with contact details and complete description of the images to [email protected] — PHOTO ESSAY, Page 10 Sunday, May 19, 2019 Ramadan 14, 1440 AH Doha today 290 - 360 Art in the family Lebanese artist Sara Abou Mrad finds life to be very dynamic and art in all its manifestations to be a reflection of life. P4-5 QUIZ BACK PAGE Celebrating fi lms a la mode. Maintaining health at home. Page 11 Page 16 2 GULF TIMES Sunday, May 19, 2019 COMMUNITY ROUND & ABOUT PRAYER TIME Fajr 3.20am Shorooq (sunrise) 4.49am Zuhr (noon) 11.32am Asr (afternoon) 2.58pm Maghreb (sunset) 6.15pm Isha (night) 7.45pm USEFUL NUMBERS Emergency 999 De De Pyaar De from his family and his ex-wife when he falls in love with a Worldwide Emergency Number 112 DIRECTION: Akiv Ali 26-year-old woman. Kahramaa – Electricity and Water 991 CAST: Ajay Devgn, Tabu, Rakul Preet Singh Local Directory 180 SYNOPSIS: A 50-year-old single father faces disapproval THEATRES: Royal Plaza, Landmark, The Mall International Calls Enquires 150 Hamad International Airport 40106666 Labor Department 44508111, 44406537 A Dog’s Journey Mowasalat Taxi 44588888 DIRECTION: Gail Qatar Airways 44496000 Mancuso Hamad Medical Corporation 44392222, 44393333 CAST: Dennis Quaid, Qatar General Electricity and Abby Ryder Fortson, Betty Water Corporation 44845555, 44845464 Gilpin Primary Health Care Corporation 44593333 SYNOPSIS: A dog fi nds 44593363 the meaning of his own Qatar Assistive Technology existence through the lives Centre 44594050 of the humans he meets.
  • 'Shazam!' Proves a Compelling Superhero Movie

    'Shazam!' Proves a Compelling Superhero Movie

    13 FRIDAY, MAY 24, 2019 TURE) 4-ISHQ (PG-15) (MALAYALAM) NEW OASIS JUFFAIR *- EMMA ROBERTS, KELLY CLARKSON, GABRIEL IGLESIAS *- SHANE NIGAM, ANN SHEETAL DAILY AT: 10.30 AM + 12.30 + 2.30 + 4.30 PM DAILY AT: 1.00 + 3.45 + 6.30 + 9.15 + 12.00 MN 1-ALADDIN (PG) (ADVENTURE) NEW *- WILL SMITH, NAOMI SCOTT, MENA MASSOUD 10-THE CONVENT (PG-13) (HORROR) 5-LISAA ( ) (TAMIL) NEW DAILY AT (KIDS CINEMA): 12.45 + 5.30 + 8.15 + 11.00 PM *- MICHAEL IRONSIDE, ROSIE DAY, CLARE HIGGINS *- ANJALI, MAKARAND DESHPANDE AND YOGI BABU DAILY AT (ATMOS): 10.30 AM + 1.15 + 4.00 + 6.45 + 9.30 + DAILY AT: 1.30 + 6.30 + 11.30 PM 12.15 MN D AIL Y AT: 12.00 + 4.00 + 8.00 + 12.00 MN DAILY AT (3D): 12.30 + 3.15 + 6.00 + 8.45 + 11.30 PM 11-CONTRACT TO KILL (PG-15) (ACTION/THRILLER) 6-DE DE PYAAR DE (15+) (HINDI/COMEDY/ROMAN- DAILY AT (VIP): 12.45 + 3.30 + 6.15 + 9.00 + 11.45 PM *- STEVEN SEAGAL, RUSSELL WONG, JEMMA DALLENDER TIC/DRAMA) DAILY AT: 2.00 + 6.00 + 10.00 PM *- AJAY DEVGN, TABU, RAKUL PREET SINGH 2-ISHQ (PG-15) (MALAYALAM) NEW DAILY AT: 12.15 + 3.00 + 5.45 + 8.30 + 11.15 PM *- SHANE NIGAM, ANN SHEETAL 12- STUDENT OF THE YEAR 2 (PG-15) (HINDI/ROMAN- DAILY AT: 12.30 + 3.15 + 6.00 + 8.45 + 11.30 PM TIC/COMEDY/DRAMA) 7-UYARE (PG-15) (MALAYALAM) *- TIGER SHROFF, TARA SUTARIA, ANANYA PANDEY *- PARVATHY THIRUVOTH, ASIF ALI, TOVINO THOMAS 3-AVENGERS: ENDGAME (PG-15) (ACTION/ADVEN- DAILY AT: 10.45 AM + 3.45 + 8.45 PM DAILY AT: 11.00 AM + 1.30 + 4.00 + 6.30 + 9.00 + 11.30 PM TURE) *- BRIE LARSON, ROBERT DOWNEY JR., KAREN GILLAN 13-MR.
  • Download Movie Mp4 Student of the Year

    Download Movie Mp4 Student of the Year

    Download Movie Mp4 Student Of The Year Download Movie Mp4 Student Of The Year 1 / 3 2 / 3 11 Apr 2018 . Student Of The Year 2012 Full Movie Free Download In Mp4.. Download youtube video as your favorite formats, MP4, MP3, Webm, 3GP and FLV for free on . Student of the year movie best dialogue WhatsApp status video.. 4 May 2018 . New Delhi: Highlights. Karan Johar shared a SOTY 2 teaser of sorts on Instagram; Only Tiger Shroff is a part of the video from the film; SOTY 2.. 12 Aug 2014 . movies. Student Of The Year. Topics ee. 2012. Identifier StudentOfTheYear. Scanner Internet Archive HTML5 Uploader 1.5.2.. Several alumni reminisce about their final year at St. Theresa's College and the events that shaped their lives. Sidharth Malhotra and Varun Dhawan in Student of the Year (2012) Alia Bhatt, Sidharth Malhotra, . songs squeezed into the movie, on top of that half these songs are remake of old Hindi songs. .. Download Student Of The Year movie Full HD Video Songs. You can download Student Of The Year p & p High Definition MP4. Shop for free download.. 23 Oct 2012 . Abhimanyu Singh a.k.a Abhi (Sidharth Malhotra) comes from a middle-class family and wants to achieve great heights of success and.. It seems that the fans of Karan Johar's 'Student Of The Year 2' have to wait a little longer for the film as the film that was supposed to release on November 23,.. Download content more than once with an active subscription! Anything you download is yours to keep and use forever.
  • 65Th Amazan Filmfame Awards

    65Th Amazan Filmfame Awards

    1 65th Amazan Filmfame Awards 1. Best Film – ‘Gully Boy’ 2. Best Director – Zoya Akhtar for ‘Gully Boy’ 3. Best Film (Critics) – ‘Article 15’ (Anubhav Sinha) and ‘Sonchiriya’ (Abhishek Chaubey) 4. Best Actor In A Leading Role (Male) – Ranveer Singh for ‘Gully Boy’ 5. Best Actor (Critics) – Ayushmann Khurrana for ‘Article 15’ 6. Best Actor In A Leading Role (Female) – Alia Bhatt for ‘Gully Boy’ 7. Best Actress (Critics) – Bhumi Pednekar and Taapsee Pannu for ‘Saand ki Annkh’ 8. Best Actor In A Supporting Role (Role) – Amruta 9. Best Actor In A Supporting Role (Male) – Siddhant Chaturvedi For ‘Gully Boy’ 10. Best Music Album – ‘Gully Boy’ Zoya Akhtar-Ankur Tewari and ‘Kabir Singh’: Mithoon, Amaal Mallik, Vishal Mishra, Sachet-Parampara and Akhil Sachdeva 11. Best Lyrics- Divine and Ankur Tewari for “Apna Time Aayega” (Gully Boy) WWW.NAUKRIASPIRANT.COM 1 2 12. Best Playback Singer (Male) – Arijit Singh for “Kalank Nahi Ishq Hai kajal Piya” (Kalank) 13. Best Playback Singer (Female) – Shilpa Rao for ke Ghungroo Toot Gaye (War) 14. Best Debut Director – Aditya Dhar for ‘Uri: The Surgical Strike’ 15. Best Debut Actor – Abhimanyu Dassani for ‘Mard ko Dard Nahi Hota’ 16. Best Debut Actress – Ananya Pendey for ‘Student of The year 2’ and ‘Pati patni Aur Who’ 17. Best Original Story – ‘Article 15’ (Anubhav Sinha and Gaurav Solanki) 18. Best Screenplay – ‘Gully Boy’ (Reema Kagti and Zoya Akhtar) 19. Best Dialogue – ‘Gully Boy’ (Vijay Mauya) 20. Lifeline Achievement Award – Ramesh Sippy 21. Excellence In Cinema – Govinda 22. RD Burman Award for Upcoming Music Talent – Sashwat Sachdev for URI WWW.NAUKRIASPIRANT.COM 2 3 ग के नोट्स TELEGRAM पर चिलेगे।ﴂ कोच Telegram Channel कैसे Join करᴂ। 1.
  • Queer Ho Naa Ho: the Hindi Gay Film in the Twenty-First Century

    Queer Ho Naa Ho: the Hindi Gay Film in the Twenty-First Century

    Queer Ho Naa Ho: The Hindi Gay Film In the 11. twenty-first century sahir avik d'souza Edited by: ishika chatterjee In the last two decades, mainstream Hindi films have evolved significantly from the traditional family-values pictures of the 1990s and before. When specifically looking at LGBTQ+ representation, we find, in the twenty-first century, a growing acceptance in the first ten years or so, followed by an understanding and recognition of queer identity in the next ten years. In the years since, however, mainstream Hindi films have made “an effort to understand the cultural phenomena of the queer movement” (Joseph, 2016). This paper will examine this evolution of queer themes in Hindi films of the twenty-first century. I will discuss the films mentioned above in greater detail to understand how Hindi queer cinema, still in its nascent stages, is grappling and coming to terms with being gay in India. In the early 1990s, film critic B. Ruby Rich coined the to be hesitant in filming the stories of queer people. term “New Queer Cinema” to describe a movement However, in the twenty-first century, India as a society amongst independent filmmakers in North America to is slowly coming to terms with the gay lived experience, make films foregrounding queer people and identities. which is therefore gradually finding expression within Rich first noticed (and revelled in) this new development the erstwhile inflexibly heteronormative confines of the in 1991 at the Toronto International Film Festival; she mainstream Hindi film. wrote in Sight & Sound the next year that “[m]usic was in the air in Toronto in September 1991” (Rich, 1992).

  • PM Announces New Supports to Businesses to Save Jobs, Economy

    www.WeeklyVoice.com FRONT PAGE Friday, May 15, 2020 | A-1 Canada’s Leading South Asian Newspaper - Tel: 905-795-0639 Friday, MayJune 15, 2, 20172020 www.WeeklyVoice.com VolVol 26, 23, No. No. 20 22 PM: 40025701 All Provincial Parks & Reserves Are Now Open, page 5 Make Use Of The Precious Resource Called Time, page 6 Peel Capsule To Capture COVID-19 Moments, page 8 PM Announces New Feds Making Special Payment For Seniors Supports To Businesses OTTAWA: The Prime Minister, We stand ready to take additional Justin Trudeau, has announced a actions as needed to support all series of additional measures to Canadians, including seniors, and help Canadian seniors and pro- stabilize the economy. vide them with greater financial Trudeau said: “As workers, To Save Jobs, Economy security in this time of crisis. neighbours, parents, grandpar- These measures include: ents, spouses, caregivers, and • Providing additional finan- volunteers, Canada’s seniors have Financing Assured To Firms Through Various Agencies cial support of $2.5 billion for shaped this country and contrib- a one-time tax-free payment of ute to our communities every day. $300 for seniors eligible for the They are among the most threat- Old Age Security (OAS) pen- ened by COVID-19, and we will sion, with an additional $200 for support them and work to keep seniors eligible for the Guaran- them safe.” teed Income Supplement (GIS). Bill Morneau, Minister of Fi- This measure would give a total nance, said: “Protecting the most of $500 to individuals who are vulnerable remains at the core of eligible to receive both the OAS our response to COVID-19, and and the GIS, and will help them seniors are particularly feeling cover increased costs caused by the impacts of the COVID-19 COVID-19.
  • Mohammad Salman Abedini, Aka Romeo, Uses Words, Colours and Music to Share Philosophy of Life

    Mohammad Salman Abedini, Aka Romeo, Uses Words, Colours and Music to Share Philosophy of Life

    Community Community BUQ GM of Katara organises inaugurates P6Tarahi P16 painting Mushaira exhibition at Skills ‘Reverence of Development Tranquility’ by Centre. Zarmik Haladjian. Thursday, April 4, 2019 Rajab 28, 1440 AH Doha today: 220 - 290 All-rounder Mohammad Salman Abedini, aka Romeo, uses words, colours and music to share philosophy of life. P4-5 COVER STORY REVIEW SHOWBIZ A mix of excitement with De De Pyaar De is Ajay’s emotional connection. new venture. Page 14 Page 15 2 GULF TIMES Thursday, April 4, 2019 COMMUNITY ROUND & ABOUT PRAYER TIME Fajr 4.04am Shorooq (sunrise) 5.24am Zuhr (noon) 11.38am Asr (afternoon) 3.07pm Maghreb (sunset) 5.53pm Isha (night) 7.23pm USEFUL NUMBERS Project Ghazi team of dedicated scientist Zara Iftikhar (Syra Shehroz) and DIRECTION: Nadir Shah distinguished soldiers Major Zain (Sheheryar Munawar) and CAST: Sheheryar Munawar, Humayun Saeed, Syra Shehroz Salaar Salahuddin (Humayun Saeed) along with other people, SYNOPSIS: The fi lm revolves around a team of scientists they try to stop the rogue men, little do they know that a and soldiers aiming to produce a new breed of advanced major disaster is headed their way. weaponised soldiers code named Project Ghazi, until a Emergency 999 group of rogue men try to seize the project. United with a THEATRES: Royal Plaza, The Mall Worldwide Emergency Number 112 Kahramaa – Electricity and Water 991 Local Directory 180 International Calls Enquires 150 Hamad International Airport 40106666 Labor Department 44508111, 44406537 Mowasalat Taxi 44588888 Qatar Airways 44496000
  • Indian Film Exhibition Sector 5 October 2016

    Indian Film Exhibition Sector 5 October 2016

    Institutional Equities This page has been intentionally left blank Institutional Equities Indian Film Exhibition Sector 5 October 2016 Oligopolistic Business In Its Infancy; GST To Lift Margins And RoIC View: Positive We initiate coverage on Indian film exhibition sector (multiplexes) with a positive view and market capitalisation-weighted return expectation of 21% till September 2017. We believe PVR and Inox Leisure (the two largest players) can deliver in the next 10 years at least 5%-10% volume/footfall Girish Pai growth (new screen-driven, attracting both single-screen and new generation customers) with rise [email protected] in realisation of 4%-5%. This will result in revenue CAGR of 10%-15% with PAT growing a tad faster. +91-22-3926 8017 Structurally, we expect increase in relevant customer households which can afford this type of entertainment (currently at 8%-11% of total, in our view) will drive demand. Same store/screen sales growth (SSG), in our view, will be realisation-led at 4%-6%. Over FY16-FY19E, we expect PVR and Inox (in aggregate) revenue/EBITDA/PAT CAGR of 18%/25%/29%. There will be a margin kicker provided by implementation of Goods and Services Tax or GST in FY18 (we assume 22% neutral rate). This industry, a highly taxed one, will benefit if GST rate is in the 18%-22% band. GST would have raised RoIC by ~300-350bps at 22% rate had it been implemented in FY16, ceteris paribus. What excites us is that, in its infancy itself, it is an oligopoly (top four players control ~70% of screens) and will remain so as entry barriers are quite formidable and there are no substitutes.
  • Institutional Equities June 2019 Quarter Result Preview

    Institutional Equities June 2019 Quarter Result Preview

    Institutional Equities Film Exhibition Sector 4 July 2019 World-Cup And Weak Content To Result In Subdued Quarter Girish Pai Head of Research 1Q is typically a strong quarter for the multiplex industry. However, the on-going 2019 Cricket World Cup [email protected] and relatively weak content vis-à-vis 1QFY19 have acted as dampeners on footfalls and advertising +91-22-6273 8017 revenue growth, leading to what we estimate a subdued performance. This was factored in by the market with Inox Leisure and PVR delivering only 0.6%/1.46% QoQ stock return in 1QFY20. Given that both 1QFY19 and 4QFY19 were very strong quarters, the QoQ and YoY growth and margins will look weak in 1QFY20. The reported 1QFY20 numbers will be under INDAS116, which will result in expanding EBITDA margins while putting mild pressure on PBT. On a reported basis, PVR will benefit from the acquisition of SPI Cinemas as it was not in the base quarter (1QFY19). It was acquired in mid 2QFY19. EBITDA margins (ex-AS116) will come off both on a QoQ and a YoY basis due to modest footfall growth, muted advertising revenue growth and costs connected with the aggressive opening of new screens over the last 12 months. Inox and PVR opened 21 and 27 screens respectively in 1QFY20. While footfalls were adversely impacted because of the World Cup, large corporate customers spent their advertising budgets elsewhere during the quarter because of it. Though the quarter looks subdued, we are positive on the sector. The sector is riding on industry tailwinds such as: (1) Lower Goods and Services Tax (GST) rates leading to higher ticket volumes, (2) Waning F&B controversy.