In SE1 February 2006
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Sarah Esdaile Director
Sarah Esdaile Director Sarah graduated in English and Drama from Goldsmiths College in 1991. Whilst at London University and subsequently, she worked with many producers and theatres including Bill Kenwright, Robert Fox and Theatre Royal Brighton. In 1996 she was one of twelve invited on the first Directors’ Course run by the National Theatre Studio. She was previously Associate Director at the West Yorkshire Playhouse. Agents Nicki Stoddart [email protected] +44 (0) 20 3214 0869 Dan Usztan Assistant [email protected] Charlotte Edwards 0203 214 0873 [email protected] 0203 214 0924 Credits In Development Production Company Notes CALL THE MIDWIFE 11 BBC 1 / Neal Street Productions 1 episode 2021 Television Production Company Notes EASTENDERS BBC Continuing Drama 20 episodes and strands in a 16-episode silo 2019 - 2021 block United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Theatre Production Company Notes ABIGAIL’S PARTY ATG UK tour by Mike Leigh; starring Jodie Prenger 2019 DESIGN FOR LIVING LAMDA by Noel Coward 2018 SCRATCH NIGHT & FERTILITY Bush Theatre As part of Fertility Fest 2018 FIGHT CLUB TALK 2018 DANCING AT LUGHNASA BADA 2018 LAMDA SHOWCASE Trafalgar Studios 2018 THE SPOTLIGHT PRIZE The Under Globe Director 2017 ABIGAIL'S PARTY by Mike Leigh Theatre Royal Bath Tour 2017 Productions WALKING ON EGG SHELLS by as part of Fertility Fest Curated by Jessica Hepburn at Amy Rosenthal Birmingham Repertory Theatre and 2016 Park Theatre - May/June 2016 FIVE WOMEN WEARING THE LAMDA Linbury Studio SAME DRESS by Alan Ball 2016 TESTING THE ECHO by David Show curated by Director of David Edgar piece with Edgar Emma Manton Juliet Stevenson & Zubin Varla for 2016 MOVING STORIES Charity event at the National Theatre 14th Feb 2016 fundraiser for the United Nations Refugee Agency THE BFG adapted by David Octagon Theatre. -
War Horse Bill Maher Tennessee Performing Arts Center » TPAC
COMING SOON: The official playbill and performing arts magazine of the War Horse Bill Maher Tennessee Performing Arts Center » TPAC. o r g June 3-8, 2014 July 13, 2014 HCA/TriStar Health Broadway at TPAC • TPAC Presents CENTER STAgE About the SHOW: beginning on page 17 Exciting news from TPAC Education pages 13-16 Coming SOON to TPAC page 33 Grand Avenue takes me everywhere. — DON MACLACHLAN Tennessee Titans, Executive Vice President One Contact. 450 Cities Worldwide. Download OUR APP Call us today at 615.714.5466 or toll-free at 866.455.2823 to book on the go! or visit G RANDA VENUEW ORLDWIDE.COM GAT 127.13 | NA&E 7/13 GAT •3rdGAT127.13-NashvilleArtsAd_7.125x10.875_FINAL.indd Prnt 2013-2014 TPAC.indd 2 1 3/12/147/2/13 9:429:24 AM EVOLVED ESSENTIAL EPIC APPLE • ATHLETA • BURBERRY • THE CHEESECAKE FACTORY DAVID YURMAN • FREE PEOPLE • GUS MAYER • JIMMY CHOO KATE SPADE NEW YORK • LOUIS VUITTON • MAC COSMETICS MICHAEL KORS • OMEGA • RESTORATION HARDWARE • SEPHORA STUART WEITZMAN • TIFFANY & CO. • TORY BURCH NORDSTROM • DILLARD’S • MACY’S OVER 100 SPECIALTY SHOPS & RESTAURANTS HILLSBORO PIKE, I-440 EXIT 3 • NASHVILLE, TN • SHOPGREENHILLS.COM •3rd Prnt 2013-2014 TPAC.indd 1 3/12/14 9:24 AM GH170.PlaybillFullPage.indd 1 6/12/13 12:42 PM Just for the record, we’re proud to call Nashville home. You’ll fi nd more than 2,300 Bridgestone teammates hard at work and play in Nashville’s communities. Being involved is an important part of our business. It’s our passion. -
-
Annual Report 2010–2011 Annual Report 2010–2011 ‘…The National Theatre Must… Bulk Large in the Social and Intellectual Life of London
National Theatre Theatre National Annual Report 2010–2011 Report Annual Annual Report 2010–2011 ‘…theNationalTheatremust…bulklargeinthesocial andintellectuallifeofLondon...Itmustnotevenhave theairofappealingtoaspeciallyliteraryandculturedclass. Itmustbevisiblyandunmistakablyapopularinstitution, makingalargeappealtothewholecommunity. ItwillbeseenthattheTheatreweproposewouldbe aNationalTheatreinthissense,thatitwouldbefrom thefirstconditionally–and,intheeventofsuccess, wouldbecomeabsolutely–thepropertyofthenation.’ Preface(1904)to A National Theatre: Scheme and Estimates byWilliamArcherandHarleyGranvilleBarker,London1907 ‘It’sagreattimetobeanationaltheatre,andtorisetothe challengeoflivinguptoourname.Wewanttotellthestories thatchartthewaythenationischanging.Wewanttobring front-linereportsfromnewcommunitiesandgenerations, andwewanttoseethepresentredefinedinthecontext ofthepast.’ NicholasHytner,DirectoroftheNationalTheatre,2010 Annual Report For the 52 weeks ended 27 March 2011 03 Board and Advisers 05 Purpose, Vision and Objectives 06 John Makinson, Chairman 09 Nicholas Hytner, Director 10 Introduction 12 National Theatre Future 16 Artistic Review 19 National Theatre Productions 2010–11 23 Awards 24 NT Studio 26 Audiences 29 National Theatre Live 30 Public Engagement 34 NT Learning 38 Digital Innovation 41 Leadership 42 Sustainability 44 Development and Fundraising 46 Supporters 2010-11 56 Performers 2010-11 59 NT Associates and Committee Membership 60 NT Heads of Department; photograph captions In this document, The Royal National Theatre -
LOCANTRO Theatre
Tony Locantro Programmes – Theatre MSS 792 T3743.L Theatre Date Performance Details Albery Theatre 1997 Pygmalion Bernard Shaw Dir: Ray Cooney Roy Marsden, Carli Norris, Michael Elphick 2004 Endgame Samuel Beckett Dir: Matthew Warchus Michael Gambon, Lee Evans, Liz Smith, Geoffrey Hutchins Suddenly Last Summer Tennessee Williams Dir: Michael Grandage Diana Rigg, Victoria Hamilton 2006 Blackbird Dir: Peter Stein Roger Allam, Jodhi May Theatre Date Performance Details Aldwych Theatre 1966 Belcher’s Luck by David Mercer Dir: David Jones Helen Fraser, Sebastian Shaw, John Hurt Royal Shakespeare Company 1964 (The) Birds by Aristophanes Dir: Karolos Koun Greek Art Theatre Company 1983 Charley’s Aunt by Brandon Thomas Dir: Peter James & Peter Wilson Griff Rhys Jones, Maxine Audley, Bernard Bresslaw 1961(?) Comedy of Errors by W. Shakespeare Christmas Season R.S.C. Diana Rigg 1966 Compagna dei Giovani World Theatre Season Rules of the Game & Six Characters in Search of an Author by Luigi Pirandello Dir: Giorgio de Lullo (in Italian) 1964-67 Royal Shakespeare Company World Theatre Season Brochures 1964-69 Royal Shakespeare Company Repertoire Brochures 1964 Royal Shakespeare Theatre Club Repertoire Brochure Theatre Date Performance Details Ambassadors 1960 (The) Mousetrap Agatha Christie Dir: Peter Saunders Anthony Oliver, David Aylmer 1983 Theatre of Comedy Company Repertoire Brochure (including the Shaftesbury Theatre) Theatre Date Performance Details Alexandra – Undated (The) Platinum Cat Birmingham Roger Longrigg Dir: Beverley Cross Kenneth -
Annual Report for the 52 Weeks Ended 30 March 2014
Annual Report For the 52 weeks ended 30 March 2014 2 Board and Advisers 4 Purpose, Vision and Objectives 6 John Makinson, Chairman 8 Nicholas Hytner, Director 12 Nick Starr, Executive Director 15 he National heatre on tour 16 Plays and Artists 21 National heatre Productions 25 Awards 26 National heatre 50th Anniversary celebrations 30 Audiences 33 National heatre Live, Digital Innovation and Broadcast 37 Learning 40 Public Engagement 42 National heatre Future 44 NT Studio 46 Leadership 48 Finance and Sustainability 55 Fundraising 56 Supporters 64 Performers 68 NT Associates, Committee Membership and Heads of Departments 69 Photo captions In this document, he Royal National heatre is referred to as If you would like to receive it in large print, “the NT”, “the National”, and “the National heatre”. or you are visually impaired and would he full Financial Review and Financial Statements (and this like a member of staf to talk through the Annual Report) are available to download at www.nationaltheatre. org.uk/annualreport he Trustees’ Report comprises those items publication with you, please contact the on pages 2 – 5 and12 – 69 of the Annual Report and pages Board Secretary at the National heatre. 1 – 20 of the Financial Statements. National Theatre Annual Report 2013–2014 1 Board and Advisers Board Members Executive Chairman John Makinson Director* Peter Bennett-Jones Nicholas Hytner Dame Ursula Brennan DCB Executive Director Dominic Casserley Nick Starr CBE Susan Chinn CBE Chief Operating Oicer Lisa Burger Tim Clark Chief Executive Designate -
Financial Statements 31 July 2011
Financial Statements 31 July 2011 The Conservatoire for Dance and Drama Tavistock House Tavistock Square London WC1H 9JJ Company number: 4170092 Charity number: 1095623 2 Contents Company Information 5 Report of the Board of Governors 6 Conservatoire Student Public Performances 2010-11 17 Statement of Responsibilities of the Board Of Governors 21 Corporate Governance Statement 22 Independent Auditors’ Report to the Members of the Conservatoire for Dance and Drama 26 Income and Expenditure Account 28 Balance Sheet 29 Cash Flow Statement 30 Statement of Principal Accounting Policies 31 Notes to the Financial Statements 33 Copies of these financial statements can be obtained from the registered office overleaf and are available in large print and other formats on request. 3 4 Company Information Governors James Smith CBE (Chairman) Nicholas Karelis (These are all company directors, Prof Christopher Bannerman Sir Tim Lankester charity trustees and members of Kim Brandstrup Susannah Marsden the company.) Dr Virginia Brooke Richard Maxwell Sharon Coleman Stephanie Post Richard Cooper Luke Rittner Christopher de Pury Siân Rowlands Ryan Densham Anthony Smith Katherine Farr Andrew Summers Paul Holloway Kathleen Tattersall Melanie Johnson Joint Principal Veronica Lewis MBE Edward Kemp (also Governors and Directors) (Accountable Officer) Clerk to the Board of Governors and John Myerscough Company Secretary Registered Address Tavistock House Tavistock Square London, WC1H 9JJ Affiliates founding London Contemporary Dance School (LCDS) Royal Academy -
Matt Wolf Meets a Hollywood Superstar
August 1997 Issue 11 £2.50 Matt Wolf meets a Hollywood Superstar The thinking man's actor Prolific, precocious, provocative Making his mark Also in this issue... 08 9771364763009 i EDITOR'S LETTER n the very first imre of Applause , Matt Wolf wrote a piece in which he com/Jared the 'softne ss' of London's theatre critics to their more bmtal New York cmm ter/Jam. As CI gro up (or 'scathe ', if yo u like ) of critics , our tolerance ratio, Wolf maintained, WdS felr highe r than Broadway's bwchers who, at the risk of reducing the number of Brnw:ltuF siln us, m any seas on, to single figure s, would blast to oblivion the equivalent of the maJ1\ h<' luw-par /nodlfctions that find their way into the Wes t End. Well, if the last re i< mrdlths are an),thing to go by, London's reviewers wmrld a/Jpear to hal'e taken \CU/,;"5oh'C'T!'llt/ons to heart. The majority of them gave the thumbs down to Terrence ,'vfc.'\'alh s mmrd-lvinninf,; Mas[er C lass, Neil Simon's The Goodbye Girl, and to the 10hn Dem p,c\-I)ana Rowe musical The Fi x - all American in ori?;in, incidentally. Marlene also hl1d 11 rOI/!;h ride from some of the more disceminf,; reviewers bw, ~mlike the first two, it has manl1!;.;:,j 0 hong in on the strength of Sian Phillips' marve llous central performance. Blood has also recentl)' bee n drawn from Always, whose critical reception was the jO/tnwlistic eqHit>aient of Rese n'Olr Dogs. -
From: Samuel Adamson
-----Original Message----- From: Samuel Adamson [mailto:[email protected]] Sent: Thursday, March 29, 2018 12:19 PM To: Monica Bakken; [email protected]; [email protected] Subject: [postmottak] Centre for Ibsen Studies To the Members of the Faculty of Humanities Board, University of Oslo I am a playwright in the UK. I have written several English-language Ibsen versions for major theatres here, including a new version of A DOLL’S HOUSE for Southwark Playhouse, a new version of PILLARS OF THE COMMUNITY for the National Theatre of Great Britain, and an adaptation of LITTLE EYOLF (re-titled MRS AFFLECK) also for the National Theatre. A new original play of mine, WIFE, will soon be announced as part of the opening season of the newly renovated Tricycle Theatre here in London. This play is inspired by A DOLL’S HOUSE and looks at the impact of that play on one family across four generations. It’s come to my attention that the Centre for Ibsen Studies at the University of Oslo is again at risk of having its funding cut, and I write to you to express concern at this unfortunate development. I have in the past approached the staff at the Centre and have been delighted by their response to my queries, and I have often accessed the Centre’s digital resources. My understanding is that this kind of support for artists working on international Ibsen productions will no longer be possible if the funding is cut. I urge the Board to recognise the importance of the Centre’s work in supporting artists like myself, for whom Ibsen and his work are abiding inspirations. -
'The Last Confession' Starring David Suchet Touring Australia in 2014
MEDIA RELEASE: MONDAY 3RD FEBRUARY 2014 ‘THE LAST CONFESSION’ STARRING DAVID SUCHET TOURING AUSTRALIA IN 2014 ADELAIDE AND MELBOURNE SEASONS JUST ANNOUNCED Internationally acclaimed British actor David Suchet will reprise his role on stage in the conspiracy thriller, ‘THE LAST CONFESSION’, in Australia in 2014. The international production will play in Toronto and Los Angeles before arriving in Australia in August. Seasons in Perth and Brisbane were announced late last year and now dates have been confirmed for seasons at Adelaide’s Her Majesty’s Theatre from August 27 and Melbourne’s Comedy Theatre from September 3. Tickets on sale from Friday February 7. Making his Australian stage debut, David Suchet is an Olivier and Emmy Award winner, BAFTA and Tony Award nominee. He is best known for playing Agatha Christie’s Hercule Poirot having starred in all 74 television movies over 25 years. This is an iconic role that has taken him into the lounge room of millions around the world. Further to his role in Agatha Christie’s renowned series, Suchet has starred in numerous films and television series internationally whilst also maintaining an impressive theatre career. In ‘THE LAST CONFESSION’ he will play the role of Cardinal Giovanni Benelli. Sure to ignite controversial debate, ‘THE LAST CONFESSION’ is set within the corridors of power in the Vatican and explores the circumstances surrounding the sudden death of Pope John Paul I in 1978. He died only 33 days after being elected and before he could set his liberal reforms into place. Suspicions are aroused when it is revealed that the new Pope had warned three of his most influential but hostile Cardinals that they would be replaced on the evening before his death. -
Clare Lizzimore 6.10.15
Clare Lizzimore Writer and Director Clare is a writer and an Olivier Award winning director with her production of 'Bull' by Mike Bartlett, winning 'Outstanding Achievement in an Affiliate Theatre' at the Olivier Awards 2015. Other Awards include the Channel 4 Theatre Directors Award 2005 (also known as the Regional Theatre Young Directors Scheme), and the Arts Foundation Theatre Directing Fellowship for Innovation 2009. Clare has been resident director at the Citizens Theatre, Glasgow, and staff director at the Royal National Theatre. Clare has directed numerous international plays and has travelled extensively for the Royal Court's International Programme, developing new plays with artists in Africa and The Middle East. Clare is currently under commission to the Almeida Theatre. Writing 2017 Animal, Atlantic Theater Company, New York Nominated for Drama League Award 2018 for Outstanding Production of a Broadway or off-Broadway play 2016 The Rage, BBC Radio 4 Shortlisted for Best Single Drama BBC Audio Drama Awards 2017 2015 Animal, Studio Theatre, Washington D.C Nominated for The Charles MacArthur Award for Outstanding New Play or Musical. 2014 Missing In Action, BBC Radio 4 2013 Mint, 'Open Court: Weekly Rep' Jerwood Theatre, Royal Court. Directing 2015/6 Bull, by Mike Bartlett, Young Vic Theatre / Supporting Wall Olivier Award for Outstanding Achievement in an Affiliate Theatre 2013 Bull, by Mike Bartlett (Transfer) ‘Brits off Broadway’, 59E59 Theatres, NY 2013 Bull by Mike Bartlett, Crucible Studio, Sheffield. 2012 One Day When We Were Young by Nick Payne Paines Plough 'Roundabout Season', (Transfer) Shoreditch Town Hall, London. 2012 Lay Down Your Cross by Nick Payne, Michael Frayn Studio, Hampstead Theatre. -
Chekhov in English 1998 • • • 2008
Chekhov in English 1998 • • • 2008 logo Northgate Books Oxford, 2008 i Anton Chekhov in English 1998 • 2004 • 2008 Compiled and edited by Peter Henry This bibliography was prepared for publication in association with Robert Reid and Joe Andrew, joint editors of Essays in Poetics, which was published at the University of Keele, Keele, UK, from 1976 to 2006. Northgate Books. Oxford 2008 i Also published by Northgate Books: Vsevolod Garshin at the Turn of the Century. An International Symposium in Three Volumes. Edited by Peter Henry, Vladimir Porudominsky and Mikhail Girshman (2000). This bibliography is accessible on the Neo-Formalist Circle page of the BASEES (British Association for Slavonic and East European Studies at http://www.basees.org.uk/sgnfc.html This is a private publication. Free copies are available from Northgate Books, 50 Collinwood Road, Risinghurst, Oxford OX3 8HL UK, or from Professor Peter Henry at the same address. Free copies are also obtainable by telephone: 44 (0) 1865 744 602 or by e-mail: [email protected] ii This modest publication is dedicated to the memory of Georgette Lewinson-Donchin, a renowned authority on Russian literature, an inspiring and supportive teacher and generous friend, who sadly passed away in February 2008. Georgette will always be remembered with much affection, admiration and deep gratitude. iii Acknowledgements It is my pleasant task to record my gratitude to the many people who have helped me with this bibliography: in the first place to Gordon McVay, Senior Research Fellow at Bristol University and a Chekhov specialist; likewise to Harvey Pitcher, Chekhov scholar and translator.