Ted Curson Cattin' Curson Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Ted Curson Cattin' Curson Mp3, Flac, Wma Ted Curson Cattin' Curson mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Cattin' Curson Country: France Released: 1993 Style: Post Bop MP3 version RAR size: 1190 mb FLAC version RAR size: 1417 mb WMA version RAR size: 1608 mb Rating: 4.6 Votes: 316 Other Formats: MP1 MP2 DMF AA AAC WAV AC3 Tracklist 1 Typical Ted (Cattin' Curson) 9:37 2 Searchin' The Blues 9:12 3 Flatted 5th / Marjo / Airi Tune 14:35 4 Flatted 5th 8:27 5 Marjo 6:01 6 Airi Tune 8:32 Companies, etc. Phonographic Copyright (p) – EPM Copyright (c) – Terrones Distributed By – Auvidis Distribution Recorded At – Studio Palm Credits Alto Saxophone, Flute – Chris Woods Bass – Jacky Samson Cover – Jean Buzelin Drums – Charles Saudrais Photography By – Marie Paule Nègre Piano – Georges Arvanitas Producer – Gérard Terronès Recorded By, Mixed By, Edited By – Jef Gilson Trumpet – Ted Curson Notes Different track sequence to original release. One additional track . Enregistré au Bilboquet à Paris le 26 Octobre 1973 Barcode and Other Identifiers Rights Society: SACEM Other versions Category Artist Title (Format) Label Category Country Year 01 Ted Curson Cattin' Curson (LP, Album) Marge 01 France 1975 TRS-503 Ted Curson (Typical Ted) (LP, Album) Trident TRS-503 US Unknown Related Music albums to Cattin' Curson by Ted Curson Ted Curson - Plenty of horn The Andrzej Trzaskowski Sextet Featuring Ted Curson - Seant Marjo - Provocante Georges Arvanitas Trio - Live Again Eric Dolphy - Stormy Weather Sahib Shihab + Gilson Unit - La Marche Dans Le Désert The Charlie Mingus Jazz Workshop - Stormy Weather Raymond Boni - L'oiseau, L'arbre, Le Béton Bill Barron, Ted Curson - Now, Hear This! Ted Curson Quintet - Live At La'Tete De L'Art.
Recommended publications
  • Victory and Sorrow: the Music & Life of Booker Little
    ii VICTORY AND SORROW: THE MUSIC & LIFE OF BOOKER LITTLE by DYLAN LAGAMMA A Dissertation submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History & Research written under the direction of Henry Martin and approved by _________________________ _________________________ Newark, New Jersey October 2017 i ©2017 Dylan LaGamma ALL RIGHTS RESERVED ABSTRACT OF THE DISSERTATION VICTORY AND SORROW: THE MUSICAL LIFE OF BOOKER LITTLE BY DYLAN LAGAMMA Dissertation Director: Henry Martin Booker Little, a masterful trumpeter and composer, passed away in 1961 at the age of twenty-three. Little's untimely death, and still yet extensive recording career,1 presents yet another example of early passing among innovative and influential trumpeters. Like Clifford Brown before him, Theodore “Fats” Navarro before him, Little's death left a gap the in jazz world as both a sophisticated technician and an inspiring composer. However, unlike his predecessors Little is hardly – if ever – mentioned in jazz texts and classrooms. His influence is all but non-existent except to those who have researched his work. More than likely he is the victim of too early a death: Brown passed away at twenty-five and Navarro, twenty-six. Bob Cranshaw, who is present on Little's first recording,2 remarks, “Nobody got a chance to really experience [him]...very few remember him because nobody got a chance to really hear him or see him.”3 Given this, and his later work with more avant-garde and dissonant harmonic/melodic structure as a writing partner with Eric Dolphy, it is no wonder that his remembered career has followed more the path of James P.
    [Show full text]
  • Lee Morgan and the Philadelphia Jazz Scene of the 1950S
    A Musical Education: Lee Morgan and the Philadelphia Jazz Scene of the 1950s Byjeffery S. McMillan The guys were just looking at him. They couldn't believe what was coming out of that horn! You know, ideas like . where would you get them? Michael LaVoe (1999) When Michael LaVoe observed Lee Morgan, a fellow freshman at Philadelphia's Mastbaum Vocational Technical High School, playing trumpet with members of the school's dance band in the first days of school in September 1953, he could not believe his ears. Morgan, who had just turned fifteen years old the previous July, had remarkable facility on his instrument and displayed a sophisticated understanding of music for someone so young. Other members of the ensemble, some of whom al- ready had three years of musical training and performing experience in the school's vocational music program, experienced similar feelings of dis- belief when they heard the newcomer's precocious ability. Lee Morgan had successfully auditioned into Mastbaum's music program, the strongest of its kind in Philadelphia from the 1930s through the 1960s, and demon- strated a rare ability that begged the title "prodigy." Almost exactly three years later, in November of 1956, Lee Morgan, now a member of die Dizzy Gillespie orchestra, elicited a similar response at the professional level after the band's New York opening at Birdland. Word spread, and as the Gillespie band embarked on its national tour, au- diences and critics nationwide took notice of the young soloist featured on what was often the leader's showcase number: "A Night in Tunisia." Nat Hentoff caught the band on their return to New York from the Midwest in 1957.
    [Show full text]
  • Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
    June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty.
    [Show full text]
  • Jazz at the Crossroads)
    MUSIC 127A: 1959 (Jazz at the Crossroads) Professor Anthony Davis Rather than present a chronological account of the development of Jazz, this course will focus on the year 1959 in Jazz, a year of profound change in the music and in our society. In 1959, Jazz is at a crossroads with musicians searching for new directions after the innovations of the late 1940s’ Bebop. Musical figures such as Miles Davis and John Coltrane begin to forge a new direction in music building on their previous success earlier in the fifties. The recording Kind of Blue debuts in 1959 documenting the work of Miles Davis’ legendary sextet with John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers and Jimmy Cobb and reflects a new direction in the music with the introduction of a modal approach to composition and improvisation. John Coltrane records Giant Steps the culmination of the harmonic intricacies of Bebop and at the same time the beginning of something new. Ornette Coleman arrives in New York and records The Shape of Jazz to Come, an LP that presents a radical departure from the orthodoxies of Be-Bop. Dave Brubeck records Time Out, a record featuring a new approach to rhythmic structure in the music. Charles Mingus records Mingus Ah Um, establishing Mingus as a pre-eminent composer in Jazz. Bill Evans forms his trio with Scott LaFaro and Paul Motian transforming the interaction and function of the rhythm section. The quiet revolution in music reflects a world that is profoundly changed. The movement for Civil Rights has begun. The Birmingham boycott and the Supreme Court decision Brown vs.
    [Show full text]
  • Eddie Preston: Texas Trumpeter Fallen Through the Cracks Dave Oliphant
    Eddie Preston: Texas Trumpeter Fallen Through the Cracks Dave Oliphant 8 Photo of Eddie Preston from the album Charles Mingus in Paris. Courtesy Christian Rose and Sunnyside Communications. Identifying a jazz musician’s place of birth has interested me ever since my parents gave me a copy of Leonard Feather’s 1962 The New Edition of The Encyclopedia of Jazz. Some thirty years later it became essential for me to know which musicians hailed from my home state of Texas, once I had taken on the task of writing about Texans in jazz history. As a result of this quest for knowledge, I discovered, among other things, that guitarist, trombonist, and 9 composer-arranger Eddie Durham was born and raised in San Marcos, home to Texas State University. Although I never worked my way systematically through the Feather encyclopedia or any subsequent volumes devoted to the identification of musicians’ places and dates of birth, I mistakenly felt confident that I had checked every musician on any album I had acquired over the years to see if he or she was a native Texan. Following the 1996 publication of Texan Jazz, my survey of Texas jazz musicians, I discovered a few Texans and their recordings that I had not been aware of previously. When the opportunity arose, I included them in other publications, such as my 2002 study The Early Swing Era, 1930 to 1941, and my essay “Texan Jazz, 1920- 1950,” included in The Roots of Texas Music. Despite my best efforts to trace the origins of the many jazz musicians I chronicled, it took years before I realized that Eddie Preston (a trumpeter who was born in Dallas in 1925 and died in Palm Coast, Florida, in 2009) was a native of the Lone Star State.
    [Show full text]
  • Creative Music Studio Norman Granz Glen Hall Khan Jamal David Lopato Bob Mintzer CD Reviews International Jazz News Jazz Stories Remembering Bert Wilson
    THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC Creative Music Studio Norman Granz Glen Hall Khan Jamal David Lopato Bob Mintzer CD Reviews International jazz news jazz stories Remembering bert wilson Volume 39 Number 3 July Aug Sept 2013 romhog records presents random access a retrospective BARRY ROMBERG’S RANDOM ACCESS parts 1 & 2 “FULL CIRCLE” coming soon www.barryromberg.com www.itunes “Leslie Lewis is all a good jazz singer should be. Her beautiful tone and classy phrasing evoke the sound of the classic jazz singers like Ella Fitzgerald and Sarah aughan.V Leslie Lewis’ vocals are complimented perfectly by her husband, Gerard Hagen ...” JAZZ TIMES MAGAZINE “...the background she brings contains some solid Jazz credentials; among the people she has worked with are the Cleveland Jazz Orchestra, members of the Ellington Orchestra, John Bunch, Britt Woodman, Joe Wilder, Norris Turney, Harry Allen, and Patrice Rushen. Lewis comes across as a mature artist.” CADENCE MAGAZINE “Leslie Lewis & Gerard Hagen in New York” is the latest recording by jazz vocalist Leslie Lewis and her husband pianist Gerard Hagen. While they were in New York to perform at the Lehman College Jazz Festival the opportunity to record presented itself. “Leslie Lewis & Gerard Hagen in New York” featuring their vocal/piano duo is the result those sessions. www.surfcovejazz.com Release date August 10, 2013. Surf Cove Jazz Productions ___ IC 1001 Doodlin’ - Archie Shepp ___ IC 1070 City Dreams - David Pritchard ___ IC 1002 European Rhythm Machine - ___ IC 1071 Tommy Flanagan/Harold Arlen Phil Woods ___ IC 1072 Roland Hanna - Alec Wilder Songs ___ IC 1004 Billie Remembered - S.
    [Show full text]
  • Old Guard in the Shadow of Free Jazz: Avant-Garde Jazz
    OLD GUARD IN THE SHADOW OF FREE JAZZ: AVANT-GARDE JAZZ AND THE POLITICS OF RACE FROM 1955 TO 1965 Master’s Thesis in North American Studies Leiden University By Milos Rojko S1599917 15 March 2016 Supervisor: Prof. dr. Adam Fairclough Second reader: Dr. Johanna C. Kardux Rojko 2 Contents Introduction......................................................................................................................................3 Chapter 1: The Old Guard..............................................................................................................13 Chapter 2: “We Insist!”: The Old Guard and Free Jazz Address the Politics of Race..................18 Chapter 3: The Causes of Change in Free Jazz’s Involvement in the Politics of Race................44 Conclusion.....................................................................................................................................54 Bibliography..................................................................................................................................58 Rojko 3 Introduction America, as a hub of many distinct cultures, brought together European and African music traditions to create something utterly different in the process. Following the Emancipation Proclamation of 1863, blues songs started to emerge from the Deep South. Blues was a cultural response to the newly-acquired freedom of African Americans. This music echoed the centuries of African American slavery and discrimination. Blues commonly referred to the topical events of the post-Reconstruction
    [Show full text]
  • Paul Blaney Joseph Bowie Alvin Cornista Milt Hinton Fred Van Hove Lyn Stanley
    THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC Paul blaney joseph bowie Alvin Cornista Milt Hinton Fred Van Hove Lyn Stanley M International Jazz News Photo jazz Stories CD Reviews Book Reviews DVD Reviews Obituaries Volume 40 Number 3 Jul Aug Sept 2014 THE DIFFERENT DRUMMER... IS ON OUR LABEL WWW.INNOVA.MU 2 | CADENCE MAGAZINE | JUL AUG SEPT 2014 CORINA BARTRA & HER AZÚ PROJECT TRIBUTE TO CHABUCA GRANDA AVAILABLE ON CDBABY 4 | CADENCE MAGAZINE | JUL AUG SEPT 2014 ___ IC 1001 Doodlin’ - Archie Shepp ___ IC 1070 City Dreams - David Pritchard ___ IC 1002 European Rhythm Machine - ___ IC 1071 Tommy Flanagan/Harold Arlen Phil Woods ___ IC 1072 Roland Hanna - Alec Wilder Songs ___ IC 1004 Billie Remembered - S. Nakasian ___ IC 1073 Music Of Jerome Kern - Al Haig ___ IC 1006 S. Nakasian - If I Ruled the World ___ IC 1075 Whale City - Dry Jack ___ IC 1012 Charles Sullivan - Genesis ___ IC 1078 The Judy Roberts Band ___ IC 1014 Boots Randolph - Favorite Songs ___ IC 1079 Cam Newton - Welcome Aliens ___ IC 1016 The Jazz Singer - Eddie Jefferson ___ IC 1082 Monica Zetterlund, Thad Jones/ ___ IC 1017 Jubilant Power - Ted Curson Mel Lewis Big Band ___ IC 1018 Last Sessions - Elmo Hope ___ IC 1083 The Glory Strut - Ernie Krivda ___ IC 1019 Star Dance - David Friesen ___ IC 1086 Other Mansions - Friesen/Stowell ___ IC 1020 Cosmos - Sun Ra ___ IC 1088 The Other World - Judy Roberts ___ IC 1025 Listen featuring Mel Martin ___ IC 1090 And In This Corner… - Tom Lellis ___ IC 1027 Waterfall Rainbow - David Friesen ___ IC 1094 NY State of Mind - Ann
    [Show full text]
  • Airwaves (1983-12 and 1984-01)
    AIR\XAVES A Service of Continuing Education and Extension University of Minnesota, Duluth Volume 4 Number 6 December 1983-January 1984 Tom .Paxton Thursday, Dec. 1 Marshall Performing Arts Center, UMD I\UMI) 103.Jfm Station Manager .... Tom Livingston Program Director ...... John Ziegler Asst. Program Director . Paul Schmitz Engineering ........... Kirk Kersten Re or¾ lo the Listener Producer/ Outreach .... Jean Johnson ~olunteer itaff By Tom Livingston, Station Manager Bill Agnew, Jay Anderson, Kath like " Bottle of Wine," "Ram bl in Boy, " Anderson, Mark Anderson, Bob "The Last Thing on My Mind," and Andresen, Leo Babeu, Chris Baker, Fall Fund Drive Concert Serles: Koko Taylor, Botto; "I'n:t Changing My Name to Chrysler" Todd Borstad, Dave Brygger, Jeff By just about every count our fall fund Paxton Coming Up . are just a few of the dozens he ha~ Cherne, Jan Cohen, Katrina drive was a great success. The Beatles Our second concert in the series that is written that are sung and p layed all over DeConcini, Bruce Eckland, Pat Eller, day and the Koko Taylor concert were funded in part by the Arrowhead the wor1d. We are proud to be Phil Enke, Doug Fifield, Susanna highlights and the hundreds of people Regional Arts Council featured Koko sponsoring this event, and hope you'll Frenkel, Matt Fust, Bev Garberg, Stan who called in with pledges made the Taylor and her Blues Machine. The join us December I, at the Marshall Goltz, Doug Greenwood, Jim Gruba, drive both emotionally and financially band was hot, and the large audience Performing Arts Center. Paul Hanson, Gordon Harris; Dean rewarding for the station and the staff.
    [Show full text]
  • Jazz in the Garden: the Ted Curson Quintet
    THE MUSEUM OF MODERN ART 11 WEST 53 STREET, NEW YORK 19, N. Y. TELEPHONE: CIRCLE 3-8900 Ho. 9T For Release Friday, September 1, I96I or after The Ted Curson Quintet, a newly-formed modern Jaaz group, will give the Jazz in the Garden concert at the Museum of Modern Art on Thursday, September 1, at 8:30 p.m. Curson, on trumpet, will be Joined by Bill Barron, tenor sax, Kenny Barron, piano, Bill Wood, base, and Walter Perkins, drums. Admission to the promenade concert, one of a Thursday evening series presented by the Museum and Metronome magazine, is 50 cents in addition to the regular $1.00 admission to galleries, open Thursdays until 10 p.m. Supper and light refreshments are served in the penthouse restaurant. In case of rain the concert will be canceled; tickets will be honored at the performance of Dick Wellstood and the Fats Waller Alumni on September Ik. The most youthful group to appear in the Jazz in the Garden series, the Ted Curson Quintet typifies the best of the new generation of jazz musicians. Trumpeter Curson, born In Philadelphia, attended the Mastbaum School of Music and has worked with such contemporary jazzmen as Red Garland, Max Roach, Charlie Ventura, and, most notably, Charlie Mlngus. His first album, recently released, received high critical praise. Bill Barron, also from Philadelphia, studied at the Mastbaum and Ornstein Schools of Music. Barron is an original stylist who has worked with Cecil Taylor, Philly Joe Jones and Red Garland. He, too, recently recorded his first album.
    [Show full text]
  • Charles Mingus Mingus Mp3, Flac, Wma
    Charles Mingus Mingus mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Mingus Country: US Released: 1972 Style: Hard Bop MP3 version RAR size: 1812 mb FLAC version RAR size: 1486 mb WMA version RAR size: 1350 mb Rating: 4.1 Votes: 371 Other Formats: XM ADX MP4 MMF AHX DTS MIDI Tracklist Hide Credits MDM A1 19:52 Composed By – Mingus* Stormy Weather B1 13:25 Written-By – Arlen*, Koehler* Lock 'Em Up B2 6:35 Composed By – Mingus* Companies, etc. Recorded At – Nola Recording Studios Phonographic Copyright (p) – Phonoco Copyright (c) – Phonoco Credits Alto Saxophone – Charlie McPherson* (tracks: A, B2), Eric Dolphy Bass Clarinet – Eric Dolphy (tracks: A) Design, Photography – Frank Gauna Double Bass – Charles Mingus Drums – Dannie Richmond Engineer – Bob D'Orleans Liner Notes, Supervised By – Nat Hentoff Piano – Nico Bunick* (tracks: A), Paul Bley (tracks: B2) Tenor Saxophone – Booker Ervin (tracks: A, B2) Trombone – Britt Woodman (tracks: A), Jimmy Knepper (tracks: A) Trumpet – Lonnie Hillyer (tracks: A1, B2), Ted Curson Notes All tracks were recorded at Nola Penthouse Sound Studios, New York, on October 20, 1960 (tracks A, B1) and on November 11, 1960 (track B2). This reissue © ℗ Phonoco 1985. Other versions Category Artist Title (Format) Label Category Country Year Charles Candid, 9021, CS 9021 Mingus (LP, Album) 9021, CS 9021 US 1960 Mingus Candid Charles Mingus (LP, RE, DOL920H DOL DOL920H Europe 2017 Mingus 180) Charles JAZ-5002 Mingus (LP, RE) Jazz Man JAZ-5002 US 1980 Mingus Charles Mingus (CD, KICJ 8372 Candid KICJ 8372
    [Show full text]
  • Graham Collier / Cuneiform Records 01/18/2007 11:09 Am
    GRAHAM COLLIER / CUNEIFORM RECORDS 01/18/2007 11:09 AM Graham Collier's site GRAHAM COLLIER Graham Collier is one of the best known and most important British jazz composers and over a 40 year career, his list of compositions and commissions has grown to encompass ensembles around the world. He is well-known as an author and educator, having written seven books on jazz. Hoarded Dreams is a previously unreleased long-form composition heard here in a powerful live performance from 1983 by an international all-star band that includes Tomasz Stanko, Conny Bauer, Malcolm Griffiths, Eje Thelin, Ed Speight, Roger Dean, Ted Curson, John Surman, Manfred Schoof, Kenny Wheeler, Art Themen and many others. " I came across the phrase “Hoarded Dreams” in a book...it seemed an ideal title for this commission, [which] is the realisation of the jazz composer’s constant dream: to be able to hand-pick a group of star musicians to perform a long composition written with absolutely no outside restrictions… . HOARDED Overall the piece inhabits (as indeed does most of my writing) that area DREAMS between the purely written and the purely improvised."-Graham Collier. The energy of the ensemble performing the piece in front of a large and enthusiastic RUNE 252 audience is very obvious on the recording and there's some great soloing as well as ensemble passages. "The instrumentation is that of the classic big jazz band, yet it is deployed in a highly untraditional way.… 70 minutes of dazzling solos and exchanges, what really could be described as musical fireworks." - The New Statesman "You couldn’t tell where improvisation ended and writing took over….
    [Show full text]