Issue 08 Summer 2013 Contributions
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A Study on Lisbeth Salander's Fear of Intimacy in Steig
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI A STUDY ON LISBETH SALANDER’S FEAR OF INTIMACY IN STEIG LARSSON’S THE GIRL WITH THE DRAGON TATTOO A SARJANA PENDIDIKAN RESEARCH PAPER Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Fertunata Monica Darsono Student Number: 111214029 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2018 i PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ABSTRACT Darsono, Fertunata Monica. (2018). A Study on Lisbeth Salander’s Fear of Intimacy in Stieg Larsson’s The Girl with the Dragon Tattoo. English Language Education Study Program, Department of Language and Arts Education, Faculty of Teachers Training and Education, Yogyakarta: Sanata Dharma University. Intimacy exists in human relationship. It happens between two individuals or more. However, intimacy is feared by some people. In literary works, fear of intimacy can be experienced by the character. This study discusses the fear of intimacy on Lisbeth Salander from a novel entitled The Girl with the Dragon Tattoo, written by Stieg Larsson. Lisbeth Salander, a pale, very skinny young woman who experts in internet hack culture but awkward in common social situation, is involved in a mystery disclosure. Salander traumatic experiences with other people result in her rejection towards relationship and human intimacy. The problem formulation is “How does Salander overcome her fear of intimacy?”. The objective of the study is to describe how Salander overcome her fear of intimacy using MacAdams’ theory. -
Hottest Couple Downey
DeceMber 2011 | VOLUME 12 | NUMBER 12 Inside Steven Spielberg peter JackSon viggo MortenSen DaviD cronenberg Michael FaSSbenDer Holidays Hottest’ Couple , S Downey piring S ea n iD law i t F talk sHerloCk 26 i PUBLICATIONS MAIL AGREEMENT NO. 41619533 g page 45! SnapS: blake lively, hugh JackMan, Scarlett Johansson, orlanDo blooM COntents dECEMBEr 2011 | Vol 12 | nº12 COVer STOrY 38 JOllY GOOd time Sherlock Holmes stars Robert Downey Jr. and Jude Law had a blast making the first film, so it’s no surprise when they reveal during an on-set interview for Sherlock Holmes: A Game of Shadows that the good times continued with the sequel By Mark Pilkington reGulars 6 Editor’s notE 8 SnaPs 10 In BriEf 14 Spotlight Holiday 16 All drEssEd UP 18 In thEatrEs 54 Casting Call Gift 56 RetUrn EngagEMEnt Guide 58 At hoME GREaT lasT-Minu TE 62 Finally... GoodiEs! Page 45 features 24 analYze this 28 What a shame 32 dream team 36 merYl streep X 5 Viggo Mortensen plays Michael Fassbender bares all director Steven Spielberg and in honour of Meryl Streep’s freud in David Cronenberg’s playing a sex addict in Shame, producer Peter Jackson on turn as Margaret thatcher A Dangerous Method. find but he admits it isn’t the first being drawn together to bring in The Iron Lady, we present out why the pair was psyched time he’s gone commando in a comic book hero to life in our five favourite streep to work together yet again front of the camera The Adventures of Tintin transformations By ingrid randoja By MathiEU ChantElois By Mark Pilkington By Marni WEisz 4 | CINEPLEX MAGAZINE | DECEMBER 2011 EDITOR’S NOTE PUBLISHER SALAH BACHIR EDITOR MARNI WEISZ DEPUTY EDITOR INGRID RANDOJA ART DIRECTOR TREVOR STEWART ASSISTANT ART DIRECTOR STEVIE SHIPMAN DIRECTOR, PRODUCTION SHEILA GREGORY CONTRIBUTORS MATHIEU CHANTELOIS, MARK PILKINGTON ADVERTISING SALES FOR CINEPLEX MAGAZINE AND LE MAGAZINE CINEPLEX IS HANDLED BY CINEPLEX MEDIA. -
Setting Fires: Literary Women Blazing Trails for Contemporary Women Laura Salinas University of Rhode Island, [email protected]
University of Rhode Island DigitalCommons@URI Senior Honors Projects Honors Program at the University of Rhode Island 2015 Setting Fires: Literary Women Blazing Trails for Contemporary Women Laura Salinas University of Rhode Island, [email protected] Follow this and additional works at: http://digitalcommons.uri.edu/srhonorsprog Part of the Literature in English, Anglophone outside British Isles and North America Commons, Literature in English, North America Commons, Modern Literature Commons, Other Feminist, Gender, and Sexuality Studies Commons, and the Women's Studies Commons Recommended Citation Salinas, Laura, "Setting Fires: Literary Women Blazing Trails for Contemporary Women" (2015). Senior Honors Projects. Paper 428. http://digitalcommons.uri.edu/srhonorsprog/428http://digitalcommons.uri.edu/srhonorsprog/428 This Article is brought to you for free and open access by the Honors Program at the University of Rhode Island at DigitalCommons@URI. It has been accepted for inclusion in Senior Honors Projects by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. Setting Fires: Literary Women Blazing Trails for Contemporary Women Laura Salinas May 11, 2015 2 Literature consistently provides an unapologetic and relentless commentary on society and societal standards. Authors bring to life relatable characters that become symbols and icons for readers because they embody the fierce prowess, determination and strength of a hero, in a time when society lacks individuals with the energetic force of a hero. Stieg Larsson’s Lisbeth Salander is a non-hetero-normative empowered female character that breaks the gender roles and stereotypes that are generally placed upon female characters and women in society. -
Conventionally Unconventional: Lisbeth Salander's Sisters in Crime Barbara Fister Stieg Larsson and Scandinavian Crime Fiction
1 Conventionally Unconventional: Lisbeth Salander's Sisters in Crime Barbara Fister Stieg Larsson and Scandinavian Crime Fiction: An International Symposium May 20-21, 2011, UCLA Abstract: The enthusiasm with which the world has embraced Stieg Larsson's Millennium Trilogy and its non-conformist heroine is genuinely puzzling. Why do audiences in so many cultures cheer the exploits of a left-wing journalist and a female hacker misfit? Where did these characters come from and what makes their adventures appeal so widely? This talk will examine the way in which Larsson drew on crime fiction's traditional story types and on feminist contributions to the genre to explore the reception of the Millennium Trilogy and, in particular, Lisbeth Salander's international popularity. When I was sent an advanced reading copy of Knopf’s American edition of The Girl With the Dragon Tattoo to review for Mystery Scene, I was excited to finally discover what all the fuss was about. I had been following the UK reception of the book and had heard from French readers about the sensational series that everyone was reading compulsively. But I have to admit that, when I put it down, I wondered why it was such a hit and whether the book would work for an American audience. As I wrote in the review, “unlike the typical American bestseller, it is long, complex, and not paced with a stopwatch in hand.” Luckily, I didn’t predict it would flop or I would have been badly embarrassed. But I was—and still am—amazed that an audience that routinely elects to the bestseller list thrillers with two- page chapters, non-stop action, sexualized violence, and villains who are monstrously alien and come by their villainy by being either psychotic, Islamic, or Russian (and psychotic), would warm to a story that not only lacks a single, constantly accelerating arc, but is (even more alarmingly) leftist, feminist, and foreign—none of which have previously been predictors of success in the American book market. -
The Influence of Post Traumatic Experience on the Personality Development of Lisbeth Salander in Stieg Larrson's the Girl W
THE INFLUENCE OF POST TRAUMATIC EXPERIENCE ON THE PERSONALITY DEVELOPMENT OF LISBETH SALANDER IN STIEG LARRSON’S THE GIRL WITH THE DRAGON TATTOO NOVEL (2008): A PSYCHOANALYTIC CRITICISM PUBLICATION ARTICLES Submitted as a Partial Fulfillment of the Requirements for Getting Bachelor Degree of Education in English Education Department Proposed by: EfiyantiPuspita Sari A 320 100 036 SCHOOL OF TEACHER TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2014 SURAT PERNYATAAN PUBLIKASI KARYA ILMIAH Bismillahirrahmanirrohim Yang bertanda tangan dibawah ini, saya Nama : EfiyantiPuspita Sari NIM : A 320 100 036 Fakultas/Jurusan : KIP / Bahasa Inggris Jenis : Research Paper Judul : THE INFLUENCE OF POST TRAUMATIC EXPERIENCE ON THE PERSONALITY DEVELOPMENT OF LISBETH SALANDER IN STIEG LARRSON’S THE GIRL WITH THE DRAGON TATTOO NOVEL (2008):A PSYCHOANALYTIC CRITICISM Dengan ini menyatakan bahwa saya menyetujui untuk 1. Memberikan hak bebas royalti kepada Perpustakaan UMS atas penulisan karya ilmiah saya, demi pengembangan ilmu pengetahuan. 2. Memberikan hak menyimpan, mengalih mediakan/mengalih formatkan, mengelola dalam bentuk pangkalan data (database), mendistribusikannya, serta menampilkannya dalam bentuk softcopy untuk kepentingan akademis kepada Perpustakaan UMS, tanpa perlu meminta ijin dari saya selama tetap mencantumkan nama saya sebagai penulis/pencipta. 3. Bersedia dan menjamin untuk menanggung secara pribadi tanpa melibatkan pihak Perpustakaan UMS, dari semua bentuk tuntutan hukum yang timbul atas pelanggaran hak cipta dalam karya -
Page 01 Dec 31.Indd
TUESDAY 31 DECEMBER 2013 • [email protected] • www.thepeninsulaqatar.com • 4455 7741 Hobbit blasts inside past newcomers CAMPUS • BFPIS Junior to claim third box Wing rocks office crown Annual Show P | 4 P | 8-9 FOOD • How to make the perfect: White Bean Soup From Katniss P | 6 Everdeen to Lisbeth RECIPE CONTEST Salander, today’s film • Send in your best heroines kick and recipe and win a slash. But are violent dinner voucher on-screen women P | 7 empowering or oppressive? HEALTH • When it comes to walking, more is better P | 11 TECHNOLOGY • Bitcoin buys burgers to music as stores FUTURE embrace currency P | 12 OF FEMALE Learn Arabic • Learn commonly used Arabic words ACTION HERO and their meanings P | 13 2 PLUS | TUESDAY 31 DECEMBER 2013 COVER STORY Are female By David Cox such as Buffy and Xena, and their many sisters in the world of gaming. atniss Everdeen’s tri- By fairly common consent, the god- action heroes umphs extend beyond the mother of the bunch rose out of the Quarter Quell and the pitiless crucible of 1970s blaxploita- global box office: she has tion. Today, Pam Grier is remembered guaranteed the future of mainly as Tarantino’s Jackie Brown, good role Kthe female action hero. Not that this but it was forgotten films such as Coffy, was in much doubt, even before The Friday Foster and Sheba, Baby that Hunger Games: Catching Fire swept all made her “the biggest, baddest and before it. On the big screen, women most beautiful of all female heroes in have been successfully kicking and popular culture”, according to Rikke models for slashing for some time now. -
Remake: Eficacia Del Cine Comercial La Creatividad Y El Dinero
PROYECTO DE GRADUACION Trabajo Final de Grado Remake: eficacia del cine comercial La creatividad y el dinero Sara Herrera Cuerpo B del PG 23/07/2013 Cine y TV Ensayo Historia y tendencias 0 Indice Indice de figuras 3 Introducción 4 Antecedentes 8 Capítulo 1: El cine comercial 13-25 1.1. Reseña histórica 14-16 1.2. El cine comercial 16-17 1.2.1. Los estudios 17-18 1.2.2. Hollywood 19-20 1.2.3. El lenguaje cinematográfico 20-24 1.2.3.1. La puesta en escena 20-22 1.2.3.2. El montaje 22-23 1.2.3.3. El cine sonoro 23-24 1.3. Los géneros 24-25 Capítulo 2: El Remake 26-41 2.1. Como se entiende y lo que es 26-30 2.2. Tipos de Remake 30-52 2.2.1. Una historia dos filmes 32-33 2.2.1.1. La Secuela 33-35 2.2.2. Una historia una renovación 35-41 2.2.2.1. La Precuela 35-37 2.2.2.2. El Spin-off 37-38 2.2.2.3. Diferentes formatos 38-39 2.2.2.4. Diferentes cortes 39-41 1 Capítulo 3: El espectador 42-54 3.1. Espectador de la historia original 44-45 3.1.1. El espectador y la percepción audiovisual 45-48 3.2. Espectador del Remake 48-50 3.2.1. Espectador por primera vez 50-54 Capítulo 4: Análisis de Remakes 55-78 4.1. El hombre que no quería a las mujeres 55-56 4.1.1. -
Could Investors Fund City's Transportation Future?
Out to launch over Moffett IN BUSINESS | P.13 APRIL 2, 2010 VOLUME 18, NO. 13 INSIDE: WEEKEND | PAGE 17 650.964.6300 MountainViewOnline.com Water use flowing downward, city finds ECONOMIC RECESSION, LOCAL INITIATIVES AND OTHER CHANGES LEAD TO INCREASED CONSERVATION By Daniel DeBolt use are in the works as well: As reported last week, the city is he economic recession proposing to require water-effi- appears to have been good cient landscaping on new devel- Tfor water conservation, opments. City staffers hosted a with total water use in 2009 public hearing on the issue last reported to be the lowest in Wednesday evening, and a hand- Mountain View since the mid- ful of residents attended to put 1990s. forth, among other concerns, the The city used about a billion question of who exactly would be gallons less in 2009 than in 1997, subjected to the ordinance. when water use peaked at 13.25 Flegel said it would only apply million gallons per day. Last year, to major new development proj- an average of 11 million gallons ects which require planning per day were used. permits — typical homeowners There are several reasons for the downturn, said Elizabeth See WATER, page 10 Flegel, the city’s water conserva- MICHELLE LE Robert Baertsch, vice president of software engineering for Unimodal, shows off a SkyTran pod prototype tion coordinator. A declining at NASA Ames on Tuesday. economy causes businesses to cut water costs. Drought-tolerant landscaping has become popular, Crash victim as have water-efficient faucets, Could investors fund city’s shower heads and toilets. -
Lisbeth Salander Lost in Translation - an Exploration of the English Version of the Girl with the Dragon Tattoo
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Fall 12-18-2014 Lisbeth Salander Lost In Translation - An Exploration of the English Version of The Girl With The Dragon Tattoo Kajsa Paludan University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Comparative Literature Commons, Ethics and Political Philosophy Commons, European Languages and Societies Commons, Feminist Philosophy Commons, Literature in English, British Isles Commons, Literature in English, North America Commons, Modern Literature Commons, Other English Language and Literature Commons, Other Feminist, Gender, and Sexuality Studies Commons, Other Languages, Societies, and Cultures Commons, Philosophy of Language Commons, Rhetoric and Composition Commons, Scandinavian Studies Commons, and the Women's Studies Commons Recommended Citation Paludan, Kajsa, "Lisbeth Salander Lost In Translation - An Exploration of the English Version of The Girl With The Dragon Tattoo" (2014). University of New Orleans Theses and Dissertations. 1935. https://scholarworks.uno.edu/td/1935 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. -
Feb–Apr 2012
SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY MAR 5 (7:00 & 9:00) MAR 7 & 8 (7:10 & 9:00) KIDS MATINEE SUN 1PM THE SEVENTH SEAL MAR 9 & 10 KIDS MATINEE SAT 1PM Director: Ingmar Bergman CRAZY WISDOM: THE LIFE AND TIMES (3:00 matinee, 7:00 & 10:00) PUSS IN BOOTS BABE Sweden, 1957, 96 min; Swedish with sub- titles; Blu-ray OF CHOGYAM TRUNGPA, RINPOCHE MAR 4 (3:00 matinee, 7:00 & 9:15) THE GIRL WITH “ ! EXTRAORDINARY!” –The Guardian ***** Director: Johanna Demetrakas DOLBY STEREO Canada/USA, 2011, 89 min; Blu-ray PEOPLE OF Ingmar Bergman’s masterpiece centres on a THE DRAGON meeting between a knight (Max Von Sydow) A FEATHER For most of us, the image of a Tibetan lama is that returning from the Crusades and Death (Bengt MAR 6 (7:10 & 9:00) TATTOO Director: Joel Heath Canada, 2011, 90 Ekerot). Cowled, pasty-faced and vaguely sar- of a serene monk with a shaven head; not that of Director: David Fincher USA, 2011, min; English Inuktitut with subtitles donic, Death is tricked into staying his scythe SON OF THE SUNSHINE a man with a modern haircut, dressed in an admi- 159 minutes; 18A ral’s uniform, smoking a cigar. Yet that was one of NOMINATED FOR 5 when Block challenges him to a game of chess. Director: Ryan Ward Cast: Rooney Mara, Daniel Craig, the many guises of Chogyam Trungpa Rinpoche, WINNER! Environmental Film Audience Award – Full of haunting, iconic images and a touch of Canada, 2009, 88 min; Blu-ray Christopher Plummer, Robin Wright, ACADEMY AWARDS CINEMAGIC MEMBERSHIP FEB–APR 2012 Vancouver International Film Festival hopeful humanity, The Seventh Seal is cinema the most memorable Tibetan teacher to leave his Stellan Skarsgard country in the 1950s after the Chinese occupation. -
Listado De Películas Y Series De La E.O.I De Luarca
LISTADO DE PELÍCULAS Y SERIES DE LA E.O.I DE LUARCA TITULO TITULO ORIGINAL DIRECTOR INFO. 12 AÑOS DE ESCLAVITUD 12 Years a Slave Steve McQueen Basada en un hecho real ocurrido en 1850, narra la historia de Solomon Northup, un culto músico negro que vivía con su familia en Nueva York. Tras tomar una copa con dos hombres, Solomon descubre que ha sido drogado y secuestrado para ser vendido como esclavo en una plantación de Louisiana. Solomon contempla cómo todos a su alrededor sucumben a la violencia y a la desesperación. Pero él decide no rendirse y esperar a que llegue el momento oportuno para recuperar la libertad y volver con su familia. 15 MINUTOS 15 Minutes John Herzfeld Dos asesinos de la Europa del Este, Oleg y Emil, llegan a Nueva York y deciden hacerse famosos grabando en vídeo sus asesinatos. El detective de homicidios Eddie Flemming y el investigador de incendios Jordy Warsaw, perteneciente al cuerpo de bomberos, seguirán el rastro de asesinatos e incendios realizados por los criminales con ansias de fama, que son emitidos en un conocido programa televisivo. 54 54 Mark Christopher Nueva York, 1979. Shane O'Shea, un joven que lleva una vida monótona y anodina, sueña con poder entrar una noche en la discoteca Studio 54 de Manhattan. Se trata de un local muy exclusivo, donde sólo admiten a famosos. Una noche, el propietario del negocio, ve a Shane en la cola y ordena al portero que lo deje entrar. A continuación, le ofrece un trabajo en el local. Allí, se iniciará Shane en el mundo de las drogas, el sexo y la música disco. -
'Men Who Hate Women': Masculinities, Violence and the Gender Politics
Volume 2 Issue 3 INTERNATIONAL JOURNAL OF HUMANITIES AND December 2015 CULTURAL STUDIES ISSN 2356-5926 ‘Men Who Hate Women’: Masculinities, Violence and the Gender Politics of Nordic Noir Katy Shaw Leeds Beckett University, UK Abstract Gender politics is at the heart of what crime novelist Hakan Nesser called ‘the strange genre of Nordic Noir’ (quoted in Foreshaw 2012: Preface), a contemporary body of writings with historical roots in a heavy political subtext that betrays a wider dissatisfaction with both the demise of the welfare state and the ideal of post-war utopianism in contemporary Scandinavia. Steig Larsson's The Girl With The Dragon Tattoo (2005) quickly became regarded as a key example of the emerging new genre of Nordic Noir and one of the biggest global publishing phenomena of the twenty-first century. As a result of its popular female protagonist, Lisbeth Salander and section headings featuring damning statistical data about male violence against women in Sweden, the novel has been celebrated as a vessel for Larsson’s ‘deep feminist sympathies’ (Whitelaw 2010). Challenging claims that the novel offers a vision of female empowerment, this article instead suggests that Larsson uses his first fiction, and the wider Millennium Trilogy of which it is a part, to create and cull female characters using the men who ‘hate’ them as representations of the competing tensions between masculinity and violence in the new genre of Nordic Noir. Nordic Noir is the product of claustrophobia, of small countries in the midst of population crises, frustrated at a lack of safety promised in the post-war years and experiencing a growing lack of faith in the authorities governing them.