DOCSLIB.ORG

Claribel Cone and Etta Cone Papers, Series 1-6 MS.1 Including Material from the Cone Collection, Formed by Dr

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Claribel Cone and Etta Cone Papers, Series 1-6 MS.1 Including Material from the Cone Collection, Formed by Dr Claribel Cone and Etta Cone Papers, Series 1-6 MS.1 Including material from The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland and donations from Edward F. Cone, 1995, and Nancy Ramage, Roger Hirschland, and Edward Hirschland, 2007 Finding aid prepared by Emily Rafferty This finding aid was produced using the Archivists' Toolkit August 24, 2021 Describing Archives: A Content Standard Archives and Manuscripts Collections, The Baltimore Museum of Art 2008. 10 Art Museum Drive Baltimore, MD, 21032 (443) 573-1778 [email protected] Claribel Cone and Etta Cone Papers, Series 1-6 MS.1 Table of Contents Summary Information ................................................................................................................................. 3 Claribel Cone and Etta Cone........................................................................................................................ 4 Scope and Contents....................................................................................................................................... 5 Administrative Information .........................................................................................................................6 Controlled Access Headings..........................................................................................................................7 Other Finding Aids........................................................................................................................................8 Bibliography...................................................................................................................................................8 Collection Inventory.................................................................................................................................... 10 Series 1. Correspondence...................................................................................................................... 10 Series 2. Personal Papers.....................................................................................................................561 Series 3. Publications and Lectures.....................................................................................................602 Series 4. Cone Collection....................................................................................................................621 Series 5. Photographs.......................................................................................................................... 735 Series 6. Subject Files......................................................................................................................... 968 - Page 2 - Claribel Cone and Etta Cone Papers, Series 1-6 MS.1 Summary Information Repository Archives and Manuscripts Collections, The Baltimore Museum of Art Creator Cone, Claribel, 1864-1929 Creator Cone, Etta Creator Cone, Frederic, 1878-1944 Title Claribel Cone and Etta Cone Papers, Series 1-6 Date [inclusive] 1885-1949 Extent 30.7 Linear feet ; 60 boxes; 9 postcard albums Language English Abstract The Claribel Cone and Etta Cone Papers measure 30.7 linear feet and date from 1885 to 1949. They document the lives and collections of the prominent Baltimore art collectors, Etta Cone and Claribel Cone, through their correspondence, personal papers, materials relating to their art collection, photographs, subject files and a significant group of postcards. Also included are a small number of papers from other members of the Cone family. Preferred Citation Claribel Cone and Etta Cone Papers, Archives and Manuscripts Collections, The Baltimore Museum of Art - Page 3 - Claribel Cone and Etta Cone Papers, Series 1-6 MS.1 Claribel Cone and Etta Cone Biographical Timeline 1864 Claribel Cone born, November 14th. 1870 Etta Cone born, November 30th. 1871 Cone family moves to Baltimore and opens a wholesale grocery store. 1886 Claribel enrolls at the Woman’s Medical College in Baltimore. Claribel makes her first trip to Europe, a visit to Germany with her father. 1887 Etta graduates from Western Female High School. 1890 Claribel graduates from the Woman’s Medical College. 1892 Gertrude and Leo Stein move to Baltimore and meet Claribel and Etta. 1893 Claribel returns to Baltimore from Philadelphia where she did postgraduate work and a residency. 1895 Claribel begins a position as Lecturer on Hygiene at the Woman’s Medical College. 1898 Etta purchases five paintings by Theodore Robinson at an auction in New York. 1900 Claribel begins a position as President of the Woman’s Medical College. 1901 Etta travels to Europe for the first time with Hortense Guggenheimer and Harriet F. Clark. 1903 Claribel and Etta travel to Europe with Aimee Guggenheimer. 1904 Etta travels to Europe again and stays until 1907. 1905 Etta volunteers to type the manuscript of Three Lives for Gertrude Stein. - Page 4 - Claribel Cone and Etta Cone Papers, Series 1-6 MS.1 Etta and Claribel attend the Paris Salon d’Automne with the Steins. The Steins purchase their first Matisse, Woman with a Hat. Etta purchases two works on paper from Picasso, her first purchases of his work. 1906 Etta purchases two drawings from Matisse, her first purchases of his work. Etta and Claribel travel around the world with their brother Moses and his wife Bertha. 1908 Moses Cone dies. 1914 Claribel begins living in Munich and doesn’t leave until 1921. 1922 Etta and Claribel begin purchasing works for their collection again, beginning with Matisse’s The Pewter Jug and Etretat, The Beach among others. 1925 Claribel purchases Cezanne’s Mont Sainte-Victoire Seen from the Bibémus Quarry. 1926 Claribel purchases Blue Nude (“Souvenir de Biskra”) by Matisse at an auction in Paris. 1929 Claribel dies, September 20th. 1930 Matisse visits Etta in Baltimore. 1933 Etta purchases Matisse’s drawings for Poésies de Stéphane Mallarmé. 1934 Etta publishes The Cone Collection of Baltimore, Maryland: Catalogue of Paintings, Drawings, Sculpture of the Nineteenth and Twentieth Centuries. 1936 Etta purchases The Pink Nude by Matisse. 1944 Fred Cone dies, May 20th. 1949 Etta Cone dies, August 31st. Scope and Contents - Page 5 - Claribel Cone and Etta Cone Papers, Series 1-6 MS.1 The Claribel Cone and Etta Cone Papers contain the correspondence, personal papers, publications and lectures, art collection-related papers, photographs, subject files and postcards of Claribel Cone and Etta Cone as well as other members of their family. They document the Cones’ lives and collections of artwork, spanning the years 1885 – 1949. The Papers are housed in 60 boxes and 9 postcard albums and consist of seven series: Correspondence, Personal Papers, Publications and Lectures, Cone Collection, Photographs, Subject Files, and Postcards. Four boxes contain Oversize, Restricted Fragile, and Oversize Restricted Fragile material. While the original arrangement of the Cone Papers is unknown, at the time they were microfilmed by The Archives of American Art in 1987, they were organized into two series, Correspondence and Memorabilia. This arrangement was modified in 2003 to the seven series listed above to better reflect the varied nature of the papers. New additions of material from various relatives in 1995 and 2007 have been integrated into the finding aid. In general, materials are arranged first in alphabetic order by subject or correspondent and further by date. Exceptions are noted below. In most cases where there are two or fewer items from a particular correspondent or about a particular subject, the items have been filed alphabetically in General files. Where there are three or more items, the person or subject is given its own folder. For example, in the Correspondence Series, the single letter from the Baltimore Symphony Association has been filed in the B – Ba – General folder, but the 52 letters from the Baltimore Museum of Art have been filed in folders titled Baltimore Museum of Art. Administrative Information Publication Information Archives and Manuscripts Collections, The Baltimore Museum of Art 2008. Revision Description Revised to incorporate 1995 and 2007 additions in 2008. Title and provenance information revised in 2012. 2012. Restrictions The collection is open for research. Ownership and Copyright The Claribel Cone and Etta Cone Papers are the physical property of the Archives and Manuscripts Collections, The Baltimore Museum of Art. Copyright, except in cases where material has passed into the - Page 6 - Claribel Cone and Etta Cone Papers, Series 1-6 MS.1 public domain, belongs to the authors or their legal heirs and assigns. For further information, consult a Library staff member. Provenance Bequest of Etta Cone on her death in 1949 as part of The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland. Further donations of material were made in 1985, 1995 and 2001 by the Cones’ great-grandnephew, Edward F. Cone and great-grandniece Nancy Ramage, and great-grand nephews Edward Hirschland and Roger Hirschland in 2007. Donations incorporated into the Cone Papers also include Anonymous Gift in Memory of Robert and Marione Croxton, Ethel and Robert Berney, Mrs. Ralph A. Brunn, and Ferris Sands Hetherington. Processing Information Processed and microfilmed by the Archives of American Art in 1987. Reprocessed and rehoused by Emily Rafferty in 2004. Finding aid rewritten to include additions in 2008. Alternative Forms Avaialble Microfilm of Series 1, 2, 3, 4, and 6 is available at
Load more

  1036
Copy Link
Recommended publications
  • Henri Matisse
    Henri Matisse Henri Matisse Ảnh Henri Matisse chụp bởi Carl Van Vechten, 1933. Tên khai Henri Matisse sinh 31 tháng 12, 1869 Sinh Le Cateau-Cambrésis, Nord- Pas-de-Calais 3 tháng 11, 1954 (84 tuổi) Mất Nice, Pháp Quốc tịch Pháp Hội họa, Đồ họa in ấn, Điều Lĩnh vực khắc, Vẽ, Nghệ thuật cắt dán hoạt động ảnh Trường phái dã thú, Chủ nghĩa Trào lưu hiện đại Tác phẩm Harmony in Red, 1908 Henri Matisse (31 tháng 12 năm 1869 - 3 tháng 11 năm 1954) là một nghệ sĩ người Pháp, nổi tiếng với khả năng sử dụng màu sắc và chất lỏng cũng như khả năng hội họa tuyệt vời và nguyên sơ. Với tư cách là một họa sĩ, nhà điêu khắc, nhà làm đồ họa in ấn. Matisse được biết đến như là một trong những nghệ sĩ nổi tiếng nhất thế kỉ 20. Ông là nhân vật tiên phong của trường phái dã thú, vào thập niên 1920, ông được coi là một trong những người nâng tầm truyền thống cổ điển trong hội họa Pháp. Tài năng của ông trong việc sử dụng ngôn ngữ màu sắc biểu cảm và khả năng hội họa đặc trưng. Henri Matisse được coi là một trong những nhân vật đi đầu trong nghệ thuật hiện đại. Mục lục 1 Các tác phẩm nổi tiếng 2 Một vài bức tranh của Matisse 3 Sách 4 Chú thích 5 Liên kết ngoài Các tác phẩm nổi tiếng Woman Reading (1894), Museum of Modern Art, Paris [1] Notre-Dame, une fin d'après-midi (1902), Albright-Knox Art Gallery, Buffalo, New York [2] The green line (1905) [3] The Open Window (1905) [4] Woman with a Hat (1905) [5] Les toits de Collioure (1905) [6] Landscape at Collioure (1905) [7] Le bonheur de vivre (1906) [8] The Young Sailor II (1906) [9] Self-Portrait
    [Show full text]
  • Seeing Laure: Race and Modernity from Manet's Olympia to Matisse
    Seeing Laure: Race and Modernity from Manet’s Olympia to Matisse, Bearden and Beyond Denise M. Murrell Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2013 Denise M. Murrell All Rights Reserved ABSTRACT Seeing Laure: Race and Modernity from Manet’s Olympia to Matisse, Bearden and Beyond Denise M. Murrell During the 1860s in Paris, Edouard Manet and his circle transformed the style and content of art to reflect an emerging modernity in the social, political and economic life of the city. Manet’s Olympia (1863) was foundational to the new manner of painting that captured the changing realities of modern life in Paris. One readily observable development of the period was the emergence of a small but highly visible population of free blacks in the city, just fifteen years after the second and final French abolition of territorial slavery in 1848. The discourse around Olympia has centered almost exclusively on one of the two figures depicted: the eponymous prostitute whose portrayal constitutes a radical revision of conventional images of the courtesan. This dissertation will attempt to provide a sustained art-historical treatment of the second figure, the prostitute’s black maid, posed by a model whose name, as recorded by Manet, was Laure. It will first seek to establish that the maid figure of Olympia, in the context of precedent and Manet’s other images of Laure, can be seen as a focal point of interest, and as a representation of the complex racial dimension of modern life in post-abolition Paris.
    [Show full text]
  • American Paintings, 1900–1945
    National Gallery of Art NATIONAL GALLERY OF ART ONLINE EDITIONS American Paintings, 1900–1945 American Paintings, 1900–1945 Published September 29, 2016 Generated September 29, 2016 To cite: Nancy Anderson, Charles Brock, Sarah Cash, Harry Cooper, Ruth Fine, Adam Greenhalgh, Sarah Greenough, Franklin Kelly, Dorothy Moss, Robert Torchia, Jennifer Wingate, American Paintings, 1900–1945, NGA Online Editions, http://purl.org/nga/collection/catalogue/american-paintings-1900-1945/2016-09-29 (accessed September 29, 2016). American Paintings, 1900–1945 © National Gallery of Art, Washington National Gallery of Art NATIONAL GALLERY OF ART ONLINE EDITIONS American Paintings, 1900–1945 CONTENTS 01 American Modernism and the National Gallery of Art 40 Notes to the Reader 46 Credits and Acknowledgments 50 Bellows, George 53 Blue Morning 62 Both Members of This Club 76 Club Night 95 Forty-two Kids 114 Little Girl in White (Queenie Burnett) 121 The Lone Tenement 130 New York 141 Bluemner, Oscar F. 144 Imagination 152 Bruce, Patrick Henry 154 Peinture/Nature Morte 164 Davis, Stuart 167 Multiple Views 176 Study for "Swing Landscape" 186 Douglas, Aaron 190 Into Bondage 203 The Judgment Day 221 Dove, Arthur 224 Moon 235 Space Divided by Line Motive Contents © National Gallery of Art, Washington National Gallery of Art NATIONAL GALLERY OF ART ONLINE EDITIONS American Paintings, 1900–1945 244 Hartley, Marsden 248 The Aero 259 Berlin Abstraction 270 Maine Woods 278 Mount Katahdin, Maine 287 Henri, Robert 290 Snow in New York 299 Hopper, Edward 303 Cape Cod Evening 319 Ground Swell 336 Kent, Rockwell 340 Citadel 349 Kuniyoshi, Yasuo 352 Cows in Pasture 363 Marin, John 367 Grey Sea 374 The Written Sea 383 O'Keeffe, Georgia 386 Jack-in-Pulpit - No.
    [Show full text]
  • Autobiographical Journalism and the Spectrum of Self Donna Maree Kilby University of Wollongong, [email protected]
    University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2014 Autobiographical journalism and the spectrum of self Donna Maree Kilby University of Wollongong, [email protected] Recommended Citation Kilby, Donna Maree, Autobiographical journalism and the spectrum of self, Master of Arts - Research thesis, School of the Arts, English and Media, University of Wollongong, 2014. http://ro.uow.edu.au/theses/4185 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Autobiographical journalism and the spectrum of self A thesis submitted in fulfilment of the requirements for the award of the degree Master of Arts - Research from UNIVERSITY OF WOLLONGONG by Donna Maree Kilby (Bachelor Communication and Media Studies) School of The Arts, English and Media. 2014 Declaration I, Donna M. Kilby, declare that this thesis submitted in fulfilment of the requirements for the conferral of the degree Master of Arts - Research, from the University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. This document has not been submitted for qualifications at any other academic institution. ------------------------ Donna M. Kilby April 15, 2014 i ABSTRACT Autobiographical journalism is gaining momentum as a form, yet little literature currently exists on the topic. Ros Coward’s 2009/2010 work forms the beginning of wider conversation to be had about the function of the self in journalistic writing. This paper shifts that discussion from newspaper columns to contemporary book- length works of autobiographical journalism, drawing a theoretical framework from autobiographical theorists who argue that narrative forms an inextricable role in development of self.
    [Show full text]
  • MAY 8 2011 with REVISED REFERENCES.Pdf (8.975Mb)
    PLACE AS AN ELEMENTARY ART CONTENT DETERMINANT: ECOLOGICAL ASPECTS OF SUBJECTIVITY AND ADAPTIVITY A Dissertation Presented to the Faculty of the College of Education University of Houston In Partial Fulfillment of the Requirements for the Degree Doctor of Education by Ann Marie Hubbard Waltz April, 2011 TABLE OF CONTENTS Chapter Page I. INTRODUCTION …………………………………………………….. 1 Considering Place as Important ……………………………….. 1 Differences in Place ……………………………………. 3 My Place …………………………………........... 4 Their Places – Three Teachers ……………….. 8 Literature Areas Supporting Aspects of Place ………. 9 Art Education ……………………………………. 11 Object Importance ……………………………… 12 Architectural Environments ……………………. 13 Questions for this Study ……………………………………….. 16 Validating the Questions ……………………………………….. 18 Place Enables Activities ……………………………….. 18 Relationship to Place is Important ……………………. 20 Overview of the Methods ………………………………………. 21 Narrative Inquiry ………………………………………… 22 The Importance of Revealing Researcher Context ……………………………………. 23 Researcher and Teachers Together …………………. 28 Definition of Terms ……………………………………………… 31 II. LITERATURE REVIEW …………………………………………….. 33 Art Education: Objectives ………………………………………. 33 Theories ………………………………………………….. 35 Multiple Ideas ……………………………………. 36 Pedagogy: A Brief History of Art Education ...... 42 Representational Drawing ……………… 42 Formal Elements and Principles ………. 43 Creative Self-expression ………………. 44 Applied Design: Art in Daily Living …….. 45 Art as a Discipline: DBAE ………………. 46 Visual Culture and Integrated Curricula:
    [Show full text]
  • Picturing France 1830-1900
    Picturing France 1830 –1900 Picturing France 1830 – 1900 NATIONAL GALLERY OF ART, WASHIngTON CONTENTS 1 INTRODUCTION 5 SECTION 1 Paris and the Painters of Modern Life 11 A modern city 13 A most modern old bridge 14 Department stores 18 The Louvre and Tuileries 20 Montmartre 31 SECTION 2 Encounters with Nature in the Forest of Fontainebleau 37 The Barbizon school 39 A feel for light 41 The academic tradition and Salon painting 42 Photography and painting 43 Oaks, artists, and nature preserves 45 Monet in Fontainebleau 81 Courbet on realism 51 SECTION 3 Life and Leisure along the Rivers of the Île-de-France 83 SECTION 5 Painters and Tourists in Normandy 57 “Impressionism” 87 Plein-air painting 58 Monet’s dahlias 92 Channel resorts 61 River sports 93 Monet and the paintings of Rouen cathedral 65 Peasants 98 Neo-impressionism 98 Color and light 73 SECTION 4 Rugged Landscapes in Auvergne and Franche-Comté 103 SECTION 6 Seeking the “Primitive” in Brittany 106 Celtic culture: language, music, and religion 110 Synthétisme 121 SECTION 7 Effects of the Sun in Provence 124 Occitan and Languedoc 124 Pétanque 124 The mistral 127 Cézanne and modern art 132 The influence of Japanese art RESOURCES 138 Glossary 142 Notes 143 Bibliography 145 List of Images page 4 2 PARIS 1 3 4 5 6 1 BRITTANY 2 NORMANDY 3 ÎLE-DE-FRANCE 4 FRANCHE-COMTÉ 5 AUVERGNE 6 PROVENCE INTRODUCTION Picturing France From about 1830 to the end of the nineteenth century, a period of enormous political and social change, French landscape painting was transformed.
    [Show full text]
  • A Quantitative Approach to Painting Styles
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Elsevier - Publisher Connector Physica A 417 (2015) 110–129 Contents lists available at ScienceDirect Physica A journal homepage: www.elsevier.com/locate/physa A quantitative approach to painting styles Vilson Vieira ∗, Renato Fabbri, David Sbrissa, Luciano da Fontoura Costa, Gonzalo Travieso Instituto de Física de São Carlos, Universidade de São Paulo (IFSC/USP), Brazil h i g h l i g h t s • Applied statistical mechanics methods to the analysis of painting styles. • Philosophical concepts like dialectics were modeled as quantitative metrics. • Wider dispersion of characteristics for Modern Art while superposition for Baroque. • Confirms art history: Moderns are independent in style while Baroques share techniques. • Painting shows increasing innovation. High opposition in Baroque–Modern transition. article info a b s t r a c t Article history: This research extends a method previously applied to music and philosophy (Vilson Vieira Received 19 May 2014 et al., 2012), representing the evolution of art as a time-series where relations like dialectics Received in revised form 31 July 2014 are measured quantitatively. For that, a corpus of paintings of 12 well-known artists from Available online 20 September 2014 baroque and modern art is analyzed. A set of 99 features is extracted and the features which most contributed to the classification of painters are selected. The projection Keywords: space obtained provides the basis to the analysis of measurements. These quantitative Pattern recognition measures underlie revealing observations about the evolution of painting styles, specially Arts Painting when compared with other humanity fields already analyzed: while music evolved along Feature extraction a master–apprentice tradition (high dialectics) and philosophy by opposition, painting Creativity presents another pattern: constant increasing skewness, low opposition between members of the same movement and opposition peaks in the transition between movements.
    [Show full text]
  • Edvard Munch's Fatal Women
    3*0c EDVARD MUNCH'S FATAL WOMEN: A CRITICAL APPROACH THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Barbara Susan Travitz Bimer, B.A. Denton, Texas December 1985 @1986' BARBARA SUSAN TRAVITZ BIMER All Rights Reserved Bimer, Barbara Susan Travitz, Edvard Munch's Fatal Women: A Critical Approach. Master of Arts (Art History), December, 1985, 487 pp., 109 illustrations, bibliography, 212 titles. This study is the first comprehensive analysis of the fatal woman motif in the writings and art of Edvard Munch from the early 1890s to 1909. It uses a background of the women in the artist's life as well as the literary and artistic worlds in which Munch participated. Following separate ac- counts of Munch's relationships with five women, the manner in which the artist characterizes each as a fatal woman in his writings and art is dis- cussed and analyzed. Next, the study describes the fatal woman motif in late nineteenth century art and literature. It begins with a discussion of the origin of the Symbolist and Decadent Movements and an ideological exam- ination of the fatal woman motif as it is manifested in the writing and art of these two groups. In addition, it compares Munch's visual manifes- tations of the femme fatale with the manner in which the artist's contemporaries depicted her. Finally, this study describes two groups of men with whom Munch was particularly close: the Christiania Boheme and the Schwarzen Ferkel Circle.
    [Show full text]