IMPERIAL COLLEGE LONDON FELIX This Week’S Issue

Total Page:16

File Type:pdf, Size:1020Kb

IMPERIAL COLLEGE LONDON FELIX This Week’S Issue www.felixonline.co.uk @felixImperial /FelixImperial [email protected] Keeping the cat free since 1949 Issue No. 1585 October 24th 2014 2 24.10.2014 THE STUDENT PAPER OF IMPERIAL COLLEGE LONDON FELIX This week’s issue... [email protected] Felix Editor Philippa Skett EDITORIAL TEAM CONTENTS Editor-In-Chief A poorly captioned photo of PHILIPPA SKETT News 3–6 Deputy Editor a man sweeping in Metric PHILIP KENT Comment 7–8 Treasurer THOMAS LIM Features 9–10 speaks a thousand words Technical Hero Science 11 LUKE GRANGER-BROWN ast week we ran two stories the night when the newspaper layout News Editors Technology 12 that we were worried (or did gets too much. If anyone needs any AEMUN REZA Lwe hope?) would cause a storm. post-it notes, give us a shout. CECILE BORKHATARIA Music 15 One was covering the amenities funds Finally, we saw the launch of our KUNAL WAGLE cut, and the other was looking at the amazing, brand new website last first non-alocoholic bar night ran by week. Personally, I was dozing in the Comment Editors Television 16–17 TESSA DAVEY Imperial College Union. Surprisingly, corner after a particularly stressful Film 22–23 the latter story is the one that is submission of the paper the night Technology Editors seemingly kicking up a storm. before, but I heard that it all went JAMIE DUTTON Arts 24–27 We are running a whole page this smoothly and was launched on time. OSAMA AWARA week dedicated to the news story that We are still uploading articles onto Science Editors Food 28–29 only warrented about 200 words in the site a few batches at a time. The LAUREN RATCLIFFE the first place, most of which were entire pdfs of each issue are still JAMES BEZER Travel 30–31 tounge in cheek. there to have a scroll through, in case Our journalistic prowess has come you want to relive the shadow-dick Games Editors under attack, with a lot of it to do THIS WEEK’S EDITORIAL phenomenon from Issue 1583. MAX EGGL Fashion 32 CALUM SKENE with the “illustrative” photo we used If you want to see it in all its glory Welfare 33 to accompany the article. Apparently too (the centrefold itself, not the Arts Editors our credit (or lack of, as it were, for the Office congratulating friends and actual penis shadow), come down FRED FYLES Hangman 34–35 the front page thumbnail version) trying to help my Section Editors at to the Office. You might as well ask KAMIL McCLELLAND was not enough to explain how the the same time. Credit to them, we us how you can get involved whilst Music Editors Puzzles 36–37 photo was not a completely correct actually managed to make this issue you're here. GRACE RAHMAN representation of the entirity of the with time to spare, a rare occurance PHILIPPA SKETT AMNA ASKARI Sports 38–40 night. in the production of the Felix FELIX EDITOR Honestly, I thought it was hilarious, newspaper. Television Editors and I am sure that at some point they In other news from the Felix Office, GIULIA GABRIELLI JOHN PARK What’s on this week: did indeed sweep Metric that night. we are so, so close to completion. We Let’s use this as the lesson that taught are just waiting for the infamous Film Editors us that photos may be louder than semi-circular desk to appear, which ELLEN MATHIESON ACC Night words, and also that we love to rub the should arrive Monday. We have a JACK STEADMAN JOHN PARK 20:00 - 02:00, Oct 29th, All Union up the wrong way every now dictophone now, so can start running and then. wire taps into the office of Chris Kaye, Union bars Book Editor As I actually graduated last year Deputy President (Betrayal). We also DIANA LUCACI With a theme of S&M and (picture related), this Wednesday I have lots of stationary that we have M&S, come dressed as an spent the day popping in and out of stolen from the Union in the dead of Fashion Editor old lady or bring your best CECILE BORKHATARIA ball gag. Or do both. I am Food Editors planning to turn up rocking CURRENT FELIX VACANCIES CAROL ANN CHEAH my whips and a zimmer We are looking for a new team of If you enjoy website management, Don’t know how computers work? MICHAEL CHUNG have used the internet before or just We don’t either, so don’t worry about frame. Web Editors, to manage online Coffee break Editors content, approve comments, keep our really want some free stationary, having any prior experience. TESSA DAVEY Tickets: £8.50 online, £9.50 on site in check and get everything onto come down to the Office or get in Email us if you are keen: ELLEN MATHIESON touch and we can show you the ropes. [email protected] the door the website by Friday afternoon. Travel Editor Tickets include four beers or YUNG NAM CHEAH bombs Welfare Editors DIBA ESBATI CHANON WONGSATAYANONT SKETT’S BOX OF SHAME Clubs and Societies Editor Apologies for some mistakes in Issue BEN HOWITT 1584. These were: Sport Editor - Missing some copy editors off the KUNAL WAGLE roll call on the editorial page due to a formatting hitch COPY EDIT TEAM - The DramSoc advert, the iPOP advert and the photo in Televion Copy Chiefs STEPHEN BALL were of a terrible quality, due to ELLEN MATHIESON a technical diffi culty that occured as we sent the issue to print. We Copy Editors ANNINA SARTOR apologise. TOM RIVLIN - Losing the font for Diary of a BEN HOWITT Fresher and having to use one that JUNE GAN MICHAEL FAGGETTER is more akin to a secondary school MATTIN MIR-TAHMASEBI homework piece then a satire section JASPER MENKUS of a newspaper. CECILY JOHNSON FELIX THE STUDENT PAPER OF IMPERIAL COLLEGE LONDON 24.10.2014 3 News [email protected] News Editors Kunal Wagle & Carol Ann Cheah Imperial graduands flock to Royal Albert Hall for graduation Philippa Skett reports on the main events from Commemoration Day t was Imperial’s favourite day Medals for Outstanding off this week, as graduands came Contributions to Teaching Excellence Iback to touch the Gast hand and were presented to to Professor Mary finally graduate completely. More Morrell from Faculty of Medicine than 2200 undergraduates passed and Dr William Knottenbelt from through the Royal Albert Hall to the Department of Computing. Dr receive their degrees in three separate John Gibbons from the Department ceremonies that took part during of Mathematics and Dr Rudiger Commemoration Day. Woscholski from the Department of This was the first Commemoration Chemistry will both receive Medals day for Imperial’s new President, for Excellence in Pastoral Care. Professor Alice Gast, who told Medals for Supporting the Student students to “Take all that you have Experience were presented to Dr learned and put it to work,” during Maria Toro-Troconis, School of her speech. Medicine, and Mr Ian Gillett from “The demands of the world are the Safety Department. daunting. We need well-educated But why is it called leaders like you who can develop the Commemoration Day? The day new approaches, the clever solutions is named in honour of a visit to and the compelling ideas that will Imperial by King George VI and guide us in the future.” Queen Elizabeth in 1945, on the The ceremonies also included centenary of the foundation of the presentation of the Awards the Royal College of Chemistry, for Outstanding Achievement, Imperial’s oldest forerunner. which went to Caroline Wood Chris Kaye, Deputy President from the Department of Chemistry (Welfare), said he was impressed when (a former Felix editor) and they played God save the Queen, Alireza Tahmasebzadeh from the although he said he got emotional Department of Bioengineering. “due to a separate matter.” I know that this day happens every year, but for some reason it makes me all teary and proud. Photo: T. Lim A-level results can’t be finalised “until October” KUNAL WAGLE sure if the increases were as a result SECTION EDITOR of “fundamental weaknesses in marking”, but did point out that there is now a “lack of confidence in the exam system”. niversities have been told that Richard Harman, who is the they shouldn’t view exam Chairman of the Headmasters’ and Uresults as “finalised” until the Headmistresses’ Conference said that end of October. OCR, a leading exam “The college or university places of results board, added to the statement tens of thousands of students have saying that all results “remain been needlessly jeopardised this provisional” until all re-marks are autumn and the exam boards must be complete. Re-marks aren’t fully made to do much better.” finished until the end of October, UCAS, who run the admissions which is a month after most degree platform for most UK universities, courses start. released a statement in which it said, Universities don’t want to wait “We strongly advise students who until October to make their final have requested a remark to contact decisions, which means that many the university or college immediately students could miss out on their and explain their situation. university places due to human error “Institutions guarantee students in the marking of papers. who have requested a remark that The news comes as it emerged their offer remains open until 31 that more than 45,000 exam grades August. were changed this year on appeal, an “After this point universities will increase of 15%on last year.
Recommended publications
  • Breaking Down Breaking Bad 35
    The MelodRama of the UnkNown MaN A Genre of Ethics and Poetics Timna Rauch – 5971942 Research Master Media Studies Final Thesis February 11 2015 Supervisor: G.W. van der Pol Second Reader: J. W. Kooijman Third Reader: W. Staat The Melodrama of the Unknown Man A Genre of Ethics and Poetics Timna Rauch – 5971942 Weberstraat 32 1223 JT Hilversum 06 28 88 99 12 [email protected] February 11 2015 Final Thesis Research Master Media Studies Supervisor: G. W. van der Pol Second Reader: J. W. Kooijman Third Reader: W. Staat University of Amsterdam, Amsterdam Table of Contents INTRODUCTION – COOKING GENRE 4 CHAPTER 1 – TOWARDS A POETICS OF SERIAL DRAMA 8 §1 STUDYING SERIAL DRAMA 8 §2 A POETICS BASED APPROACH 11 §3 (NEO-) FORMALISM 14 CHAPTER 2 – GENRE, MELODRAMA AND TV 16 §1 GENRE AND ‘CLASSIC’ MELODRAMA 17 §2 MELODRAMA ON TV 21 CHAPTER 3 – GENRE AS MORAL REGISTER 25 §1 MORAL PERFECTIONISM 26 §2 THE MELODRAMA OF THE UNKNOWN WOMAN 31 § 3 FROM MAN TO WOMAN 33 CHAPTER 4 – BREAKING DOWN BREAKING BAD 35 §1 A STORY OF CHANGE 38 §2 THE TRANSFORMATION OF MR. WHITE 46 §3 FELINA 54 CONCLUSION – THE MELODRAMA OF THE UNKNOWN MAN 59 FINAL THOUGHTS – MY OWN FELINA 62 BIBLIOGRAPHY 64 APPENDIX I 69 APPENDIX II 70 Introduction – Cooking Genre Introduction – Cooking Genre “Some straight like you, giant stick up his ass, all of a sudden at age like what, sixty, he's just gonna break bad?” (‘Breaking Bad’ 1.01 TC: 36:21) When Breaking Bad’s (AMC 2008-2013) creator Vince Gilligan stumbled upon a newspaper article about a man who was caught cooking methamphetamine in the back of his recreational vehicle, he couldn’t stop wondering what happened.
    [Show full text]
  • MEDIA RESOURCE NEWS Suffolk County Community College Libraries August 2014
    MEDIA RESOURCE NEWS Suffolk County Community College Libraries August 2014 Ammerman Grant Eastern Rosalie Muccio Lynn McCloat Paul Turano 451-4189 851-6742 548-2542 [email protected] [email protected] [email protected] 8 Women/8 Femmes. A wealthy industrialist is found murdered in his home while his family gathers for the holiday season. The house is isolated and the phone lines have been found to be cut. Eight women are his potential murderers. Each is a suspect and each has a motive. Only one is guilty. In French with subtitles in English or Spanish and English captions for the hearing impaired. DVD 1051 (111 min.) Eastern A La Mar. "Jorge has only a few weeks before his five-year-old son Natan leaves to live with his mother in Rome. Intent on teaching Natan about their Mayan heritage, Jorge takes him to the pristine Chinchorro reef, and eases him into the rhythms of a fisherman's life. As the bond between father and son grows stronger, Natan learns to live in harmony with life above and below the surface of the sea."--Container. In Spanish, with optional English subtitles; closed-captioned in English. DVD 1059 (73 min.) Eastern Adored, The. "Maia is a struggling model. After suffering a major loss, her relationship with her husband is thrown into turmoil. She holds high hopes that a session with the prolific celebrity photographer, Francesca Allman, will rejuvenate her career and bring her out of her depression. However, Francesca suffers from severe OCD and has isolated herself in remote North West Wales in a house with an intriguing past.
    [Show full text]
  • How to Get Away with Colour: Colour-Blindness and the Myth of a Postracial America in American Television Series
    UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title How to get away with colour: colour-blindness and the myth of a postracial America in American television series Author(s) Martens, Emiel; Póvoa, Débora Publication date 2017 Original citation Martens, E. and Póvoa, D. (2017) 'How to get away with colour: colour- blindness and the myth of a postracial America in American television series', Alphaville: Journal of Film and Screen Media, 13, 117-134. Type of publication Article (peer-reviewed) Link to publisher's http://www.alphavillejournal.com/Issue13/13_7Article_MartensPovoa.p version df Access to the full text of the published version may require a subscription. Rights © 2017, The Author(s) https://creativecommons.org/licenses/by-nc-nd/4.0/ Item downloaded http://hdl.handle.net/10468/6032 from Downloaded on 2021-09-24T05:10:11Z How to Get Away with Colour: Colour- Blindness and the Myth of a Postracial America in American Television Series Emiel Martens and Débora Povoa Abstract: The popular American television series How to Get Away with Murder (2014) seems to challenge the long history of stereotypical roles assigned to racial minorities in American media by choosing a multiracial cast to impersonate characters that, while having different racial backgrounds, share a similar socio-economic status and have multidimensional personalities that distance them from the common stereotypes. However, although it has been praised for its portrayal of racial diversity, the series operates within a problematic logic of racial colour-blindness, disconnecting the main characters from any sign of racial specificity and creating a fictional world in which racism is no longer part of American society.
    [Show full text]
  • A Monomyth Analysis of Breaking Bad
    Breaking Myths: A monomyth analysis of Breaking Bad. Treball de Fi de Grau Grau d’Estudis d’Anglès i Espanyol Supervised by Jéssica Faciabén Lago Iván Cirilo Ramos 2019-2020 TABLE OF CONTENTS 1. Introduction: a working definition of monomyth .................................................................... 1 2. Methodology ............................................................................................................................ 2 3. The monomyth in Literary Criticism: The Good, the Bad, the Ugly. ......................................... 4 4. Hypothesis and challenges .......................................................................................................... 7 5. Monomyth Archetypes in Breaking Bad .................................................................................... 8 5.1 Heroes ................................................................................................................................ 8 5.2 Shapeshifters .................................................................................................................... 10 5.3Trickster ............................................................................................................................ 12 5.4 Threshold Guardian ......................................................................................................... 13 5.5 Mentors ............................................................................................................................ 14 5.6 Shadows ..........................................................................................................................
    [Show full text]
  • Better Call Saul
    BETTER CALL SAUL "Chicanery" Episode #305 Written by Gordon Smith Directed by Daniel Sackheim Production Draft FINAL - 11/21/16 SONY PICTURES TELEVISION INC. All Rights Reserved © 2016 No portion of this script may be performed, or reproduced by any means, or quoted, or published in any medium without prior written consent of SONY PICTURES TELEVISION INC. * 10202 West Washington Boulevard * Culver City, CA 90232* BETTER CALL SAUL "Chicanery" 11/21/16 Cast List JIMMY CHUCK KIM HAMLIN LABORER #1 REBECCA DOCTOR CALDERA BANK COMMISSIONER KEVIN PAIGE ALLEY CHAIRMAN COMMITTEE MEMBER #1 COMMITTEE MEMBER #2 PRIVATE INVESTIGATOR FRANCESCA CLERK HUELL COURT REPORTER Non-speaking DAY LABORER OWNER KID MAN ONLOOKERS ASSISTANT SECURITY GUARD OMITTED AUDIO TECH BETTER CALL SAUL "Chicanery" 11/21/16 Set List Interiors: CHUCK'S HOUSE KITCHEN DINING ROOM GREAT ROOM MUD ROOM VET'S OFFICE LOBBY EXAM ROOM STATE GOV'T BUILDING LOBBY STATE BAR BUILDING HEARING ROOM HALLWAY STAIRWAY KIM'S CONDO BATHROOM LIVING ROOM OMITTED: STATE GOV'T BUILDING HEARING ROOM STATE BAR BUILDING SIDE ROOM ELEVATOR LOBBY KIM'S CAR Exteriors: STATE BAR BUILDING FRONT CHUCK'S HOUSE OMITTED: CHUCK'S HOUSE GARAGE KIM'S CAR TEASER WHIRRR! CLOSE ON: the blade of a LAWNMOWER, spinning. Chewing its way through the lawn of... EXT. CHUCK’S HOUSE - DAY Pushing the mower, a DAY LABORER has already cleared the shaggy green grass from more than half the lawn in nice clean rows. Why is Chuck giving his house a makeover? In the b.g., JIMMY crosses from the direction of the garage, something small and black in hand.
    [Show full text]
  • Transcription of the Spoken Dialogue and Audio, with Time-Code Reference, Provided Without Cost by 8Flix.Com for Your Entertainment, Convenience, and Study
    CREATED BY Vince Gilligan EPISODE 4.06 “Cornered” Skyler adopts an aloof approach when she suspects that Walt isn't telling her the truth. Meanwhile, Jesse proves his worth to Mike and Gus. WRITTEN BY: Gennifer Hutchison DIRECTED BY: Michael Slovis ORIGINAL BROADCAST: August 21, 2011 NOTE: This is a transcription of the spoken dialogue and audio, with time-code reference, provided without cost by 8FLiX.com for your entertainment, convenience, and study. This version may not be exactly as written in the original script; however, the intellectual property is still reserved by the original source and may be subject to copyright. MAIN EPISODE CAST Bryan Cranston ... Walter White Anna Gunn ... Skyler White Aaron Paul ... Jesse Pinkman Dean Norris ... Hank Schrader (credit only) Betsy Brandt ... Marie Schrader (credit only) RJ Mitte ... Walter White, Jr. Bob Odenkirk ... Saul Goodman (credit only) Giancarlo Esposito ... Gustavo 'Gus' Fring Jonathan Banks ... Mike Ehrmantraut Maurice Compte ... Gaff Damon Herriman ... Scary Skell Blake Berris ... Tucker Ray Campbell ... Tyrus Kitt Marius Stan ... Bogdan Wolynetz Jason E. Hill ... Truck Guard 1 Henry Herman ... Truck Guard 2 Lou Pimber ... Cartel Henchman Celia Anaya ... Laundry Woman 1 Maria L. Pardo ... Laundry Woman 2 Veronica Jaquez ... Laundry Woman 3 1 00:00:49,299 --> 00:00:51,093 No, no, no! 2 00:02:12,299 --> 00:02:13,800 Hey. 3 00:03:43,849 --> 00:03:45,559 It's me. 4 00:03:45,767 --> 00:03:48,895 I wanted to say that I was thinking about you and the kids. 5 00:03:53,567 --> 00:03:55,318 I love you.
    [Show full text]
  • Why We Should Spare Walter White: Breaking Bad and the True Power of Mitigation
    Volume 45 Issue 2 Breaking Bad and the Law Spring 2015 Why We Should Spare Walter White: Breaking Bad and the True Power of Mitigation Bidish J. Sarma Recommended Citation Bidish J. Sarma, Why We Should Spare Walter White: Breaking Bad and the True Power of Mitigation, 45 N.M. L. Rev. 429 (2015). Available at: https://digitalrepository.unm.edu/nmlr/vol45/iss2/4 This Article is brought to you for free and open access by The University of New Mexico School of Law. For more information, please visit the New Mexico Law Review website: www.lawschool.unm.edu/nmlr \\jciprod01\productn\N\NMX\45-2\NMX207.txt unknown Seq: 1 7-MAY-15 13:45 WHY WE WOULD SPARE WALTER WHITE: BREAKING BAD AND THE TRUE POWER OF MITIGATION Bidish J. Sarma* INTRODUCTION What if federal authorities captured Walter White? Considering that he committed the murders of many individuals and orchestrated many more in the course of building and running his global meth trade, the prosecution would be able to seek the ultimate punishment against him. But, would a jury give him the death penalty? Walter’s gripping journey stirred within viewers a range of complex emotions, but even those re- volted by his actions must concede that it is extraordinarily difficult to envision a random collection of twelve people unanimously agreeing that he deserves a state-sanctioned execution. Indeed, it seems that many of us actually rooted for Walter throughout the series, even when we strug- gled to understand why. This Essay explores the answer to the question of why we would spare Walter White from the death penalty.
    [Show full text]
  • “I Am the One Who Knocks!”: What It Means to Be a Man in Breaking Bad. by Stephanie Wille Submitted to the Graduate Degree P
    “I am the one who knocks!”: What It Means to Be a Man in Breaking Bad. By Stephanie Wille Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John C. Tibbetts ________________________________ Dr. Ron Wilson ________________________________ Dr. Germaine Halegoua Date Defended: August 18, 2014 ii The Dissertation Committee for Stephanie Wille certifies that this is the approved version of the following dissertation: “I am the one who knocks!”: What It Means to Be a Man in Breaking Bad. ________________________________ Chairperson Dr. John C. Tibbetts Date approved: October 30, 2014 iii Abstract Breaking Bad (AMC, 2008-2013) dramatizes the rise and fall of Walter White, a mild- mannered high school chemistry teacher who, through a series of misfortunes and freak opportunities, is transformed into a notorious, brutal drug kingpin -- a trajectory described as "Mr. Chips" to "Scarface." I contextualize and conduct a textual analysis of this acclaimed television series as a case study that demonstrates the increasingly complex construction of masculine identity in contemporary television. This study examines the reception of specific characters among critics and audiences, as well as investigates the ways in which the setting and depiction of ethnicities influence representations of masculinity. Calling for attention to the apparent lack in masculinity studies on television, the complex male representation in Breaking Bad suggests that men are not merely experiencing a crisis of their masculinity in contemporary society, but demonstrates that there is a problem with uniform white, hetero-normative representation of masculinity on TV.
    [Show full text]
  • Tap, Tap, Click Empathy As Craft Our Cornered Culture
    The Authors Guild, Inc. SPRING-SUMMER 2018 31 East 32nd Street, 7th Floor PRST STD US POSTAGE PAID New York, NY 10016 PHILADELPHIA, PA PERMIT #164 11 Tap, Tap, Click 20 Empathy as Craft 41 Our Cornered Culture Articles THE AUTHORS GUILD OFFICERS TURNING PAGES BULLETIN 5 President Annual Benefit Executive Director James Gleick An exciting season of new 8 Audiobooks Ascending Mary Rasenberger Vice President programming and initiatives is General Counsel Richard Russo underway at the Guild—including 11 Cheryl L. Davis Monique Truong Tap, Tap, Click our Regional Chapters and Editor Treasurer 16 Q&A: Representative Hakeem Jeffries Martha Fay Peter Petre enhanced author websites— 18 Making the Copyright System Work Assistant Editor Secretary on top of the services we already Nicole Vazquez Daniel Okrent offer our members. But as for Creators Copy Editors Members of the Council Heather Rodino Deirdre Bair we all know, this takes funding. 20 Empathy as Craft Hallie Einhorn Rich Benjamin So, in our seasonal Bulletin, 23 Art Direction Amy Bloom we are going to start accepting Connecting Our Members: Studio Elana Schlenker Alexander Chee The Guild Launches Regional Chapters Pat Cummings paid advertising to offset our costs Cover Art + Illustration Sylvia Day and devote greater resources Ariel Davis Matt de la Peña 24 An Author’s Guide to the New Tax Code All non-staff contributors Peter Gethers to your membership benefits. 32 American Writers Museum Wants You to the Bulletin retain Annette Gordon-Reed But our new ad policy copyright to the articles Tayari Jones is not merely for the benefit of that appear in these pages.
    [Show full text]
  • 1144 05/16 Issue One Thousand One Hundred Forty-Four Thursday, May Sixteen, Mmxix
    #1144 05/16 issue one thousand one hundred forty-four thursday, may sixteen, mmxix “9-1-1: LONE STAR” Series / FOX TWENTIETH CENTURY FOX TELEVISION 10201 W. Pico Blvd, Bldg. 1, Los Angeles, CA 90064 [email protected] PHONE: 310-969-5511 FAX: 310-969-4886 STATUS: Summer 2019 PRODUCER: Ryan Murphy - Brad Falchuk - Tim Minear CAST: Rob Lowe RYAN MURPHY PRODUCTIONS 10201 W. Pico Blvd., Bldg. 12, The Loft, Los Angeles, CA 90035 310-369-3970 Follows a sophisticated New York cop (Lowe) who, along with his son, re-locates to Austin, and must try to balance saving those who are at their most vulnerable with solving the problems in his own life. “355” Feature Film 05-09-19 ê GENRE FILMS 10201 West Pico Boulevard Building 49, Los Angeles, CA 90035 PHONE: 310-369-2842 STATUS: July 8 LOCATION: Paris - London - Morocco PRODUCER: Kelly Carmichael WRITER: Theresa Rebeck DIRECTOR: Simon Kinberg LP: Richard Hewitt PM: Jennifer Wynne DP: Roger Deakins CAST: Jessica Chastain - Penelope Cruz - Lupita Nyong’o - Fan Bingbing - Sebastian Stan - Edgar Ramirez FRECKLE FILMS 205 West 57th St., New York, NY 10019 646-830-3365 [email protected] FILMNATION ENTERTAINMENT 150 W. 22nd Street, Suite 1025, New York, NY 10011 917-484-8900 [email protected] GOLDEN TITLE 29 Austin Road, 11/F, Tsim Sha Tsui, Kowloon, Hong Kong, China UNIVERSAL PICTURES 100 Universal City Plaza Universal City, CA 91608 818-777-1000 A large-scale espionage film about international agents in a grounded, edgy action thriller. The film involves these top agents from organizations around the world uniting to stop a global organization from acquiring a weapon that could plunge an already unstable world into total chaos.
    [Show full text]
  • Network Telivision
    NETWORK TELIVISION NETWORK SHOWS: ABC AMERICAN HOUSEWIFE Comedy ABC Studios Kapital Entertainment Wednesdays, 9:30 - 10:00 p.m., returns Sept. 27 Cast: Katy Mixon as Katie Otto, Meg Donnelly as Taylor Otto, Diedrich Bader as Jeff Otto, Ali Wong as Doris, Julia Butters as Anna-Kat Otto, Daniel DiMaggio as Harrison Otto, Carly Hughes as Angela Executive producers: Sarah Dunn, Aaron Kaplan, Rick Weiner, Kenny Schwartz, Ruben Fleischer Casting: Brett Greenstein, Collin Daniel, Greenstein/Daniel Casting, 1030 Cole Ave., Los Angeles, CA 90038 Shoots in Los Angeles. BLACK-ISH Comedy ABC Studios Tuesdays, 9:00 - 9:30 p.m., returns Oct. 3 Cast: Anthony Anderson as Andre “Dre” Johnson, Tracee Ellis Ross as Rainbow Johnson, Yara Shahidi as Zoey Johnson, Marcus Scribner as Andre Johnson, Jr., Miles Brown as Jack Johnson, Marsai Martin as Diane Johnson, Laurence Fishburne as Pops, and Peter Mackenzie as Mr. Stevens Executive producers: Kenya Barris, Stacy Traub, Anthony Anderson, Laurence Fishburne, Helen Sugland, E. Brian Dobbins, Corey Nickerson Casting: Alexis Frank Koczaraand Christine Smith Shevchenko, Koczara/Shevchenko Casting, Disney Lot, 500 S. Buena Vista St., Shorts Bldg. 147, Burbank, CA 91521 Shoots in Los Angeles DESIGNATED SURVIVOR Drama ABC Studios The Mark Gordon Company Wednesdays, 10:00 - 11:00 p.m., returns Sept. 27 Cast: Kiefer Sutherland as Tom Kirkman, Natascha McElhone as Alex Kirkman, Adan Canto as Aaron Shore, Italia Ricci as Emily Rhodes, LaMonica Garrett as Mike Ritter, Kal Pennas Seth Wright, Maggie Q as Hannah Wells, Zoe McLellan as Kendra Daynes, Ben Lawson as Damian Rennett, and Paulo Costanzo as Lyor Boone Executive producers: David Guggenheim, Simon Kinberg, Mark Gordon, Keith Eisner, Jeff Melvoin, Nick Pepper, Suzan Bymel, Aditya Sood, Kiefer Sutherland Casting: Liz Dean, Ulrich/Dawson/Kritzer Casting, 4705 Laurel Canyon Blvd., Ste.
    [Show full text]
  • 4. Representatie Van Ras En Etniciteit in Televisie
    Masterproef voorgelegd tot het behalen van de graad van Master in Gender en Diversiteit REPRESENTATION MATTERS! EEN INTERSECTIONELE TEKSTUELE ANALYSE VAN DE TV-SERIE ‘HOW TO GET AWAY WITH MURDER’ Manou Ballyn - 201380754 Promotor: Sofie van Bauwel Academiejaar 2017-2018 Master of Arts in Gender en Diversiteit Klassieke masterproef: 23 761 woorden “Deze masterproef is een examendocument dat niet werd gecorrigeerd voor eventueel vastgestelde fouten. In publicaties mag naar dit werk worden gerefereerd, mits schriftelijke toelating van de promotor(en) die met naam op de titelpagina is vermeld.” Abstract De Amerikaanse televisieserie How To Get Away With Murder volgt Annalise Keating, advocate en professor strafrecht. De serie kent een enorme populariteit en is ondertussen al aan het vierde seizoen toe. Toen het eerste seizoen gelanceerd werd in het najaar van 2014, haalde het een record met meer dan 20 miljoen kijkers in drie dagen tijd (Maloney, 2014). In 2015 won hoofdrolspeelster Viola Davis, die de rol van Annalise Keating vertolkt, een Emmy en werd zo de eerste Afro-Amerikaanse vrouw ooit die een prijs voor Leading Actress in a Drama won (Wieselman, 2016). Heel wat journalisten schrijven dan ook lovend over de serie en argumenteren dat het diversiteitsbarrières doorbreekt. De serie zou progressieve representaties wat betreft vrouwen, minderheden en de LGBTQ-gemeenschap naar voren schuiven, aldus Cohen (2016) en Fallon (2015). Dit inspireerde om te onderzoeken in hoeverre deze veronderstellingen correct zijn. Daarom werd in dit onderzoek de representatie van gender, etniciteit en seksualiteit in de Amerikaanse televisieserie How To Get Away With Murder onderzocht. Dit werd gedaan via een kwalitatieve tekstuele analyse.
    [Show full text]