UC Berkeley Dissertations, Department of Linguistics
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Characteristics of Chinese Poetic-Musical Creations
Characteristics of Chinese Poetic-Musical Creations Yan GENG1 Abstract: The present study intoduces a series of characteristics related to Chinese poetry. It shows that, together with rhythmical structure and intonation (which has a crucial role in conveying meaning), an additional, fundamental aspect of Chinese poetry lies in the latent, pictorial effect of the writing. Various genres and forms of Chinese poetry are touched upon, as well as a series of figures of speech, themes (nature, love, sadness, mythology etc.) and symbols (particularly of vegetal and animal origin), which are frequently encountered in the poems. Key-words: rhythm, intonation, system of tones, rhyme, system of writing, figures of speech 1. Introduction In his Advanced Music Theory course, &RQVWDQWLQ 5kSă VKRZV WKDW ³we can differentiate between two levels of the phenomenon of rhythm: the first, a general philosophical one, meaning, within the context of music, the ensemble of movements perceived, thus the macrostructural level; the second, the micro-VWUXFWXUH ZKHUH UK\WKP PHDQV GXUDWLRQV « LQWHQVLWLHVDQGWHPSR « 0RUHRYHUZHFDQVD\WKDWUK\WKPGRHVQRWH[LVWEXWUDWKHUMXVW the succession of sounds in time [does].´2 Studies on rhythm, carried out by ethno- musicology researchers, can guide us to its genesis. A first fact that these studies point towards is the indissoluble unity of the birth process of artistic creation: poetry, music (rhythm-melody) and dance, which manifested syncretically for a very lengthy period of time. These aspects are not singular or characteristic for just one culture, as it appears that they have manifested everywhere from the very beginning of mankind. There is proof both in Chinese culture, as well as in ancient Romanian culture, that certifies the existence of a syncretic development of the arts and language. -
Vietnamese Accent
Vietnamese English Erik Singer Vietnamese is spoken by about 86 million people, which makes it the 17th largest language community in the world. It is part of the Austro-Asiatic language family, and is by far the most widely spoken of these languages. It has borrowed a large portion of its vocabulary from Chinese, thanks to an early period of Chinese domination, but it is otherwise linguistically unrelated. It is generally described as having three dialects: Hanoi in the North, Ho Chi Minh in the South, and Hue in the center. The three dialects are mostly mutually intelligible, though Hue is said to be difficult for speakers of the other two dialects to understand. The northern speech…is marked by sharpness, or choppiness, with greater attention to the precise distinction of tones. The southern speech, in addition to certain uniform differences from northern speech in the pronunciation of consonants, does not distinguish between the hoi and nga tones; and, it is felt by some to sound more laconic and musical. The speech of the Center, on the other hand, is often described as being heavy because of its emphasis on low tones.1 Vietnamese uses the Latin alphabet, with additional diacritics to indicate tones. Vietnam itself is the world’s 13th most populous country, and the 8th most populous in Asia. It became independent from Imperial China in 938 BCE. Since 2000, it has been one of the fastest-growing economies in the world. Oral Posture Oral or vocal tract posture is the characteristic pattern of muscular engagement and relaxation inherent to a given language or accent. -
Consonant Cluster Acquisition by L2 Thai Speakers
English Language Teaching; Vol. 10, No. 7; 2017 ISSN 1916-4742 E-ISSN 1916-4750 Published by Canadian Center of Science and Education Consonant Cluster Acquisition by L2 Thai Speakers Apichai Rungruang1 1 Faculty of Humanities, Naresuan University, Phitsanulok, Thailand Correspondence: Apichai Rungruang, Faculty of Humanities, Naresuan University, Phitsanulok, Thailand. E-mail: [email protected] Received: April 29, 2017 Accepted: June 10, 2017 Online Published: June 13, 2017 doi: 10.5539/elt.v10n7p216 URL: http://doi.org/10.5539/elt.v10n7p216 Abstract Attempts to account for consonant cluster acquisition are always made into two aspects. One is transfer of the first language (L1), and another is markedness effects on the developmental processes in second language acquisition. This study has continued these attempts by finding out how well Thai university students were able to perceive English onset and coda clusters when they were second year and fourth year students. This paper also aims to investigate Thai speakers’ opinions about their listening and speaking skills, and whether their course subjects enhanced their performance. To fulfil the first objective, a pretest and posttest were launched to measure how the 34 Thai participants were able to identify 40 onset and 120 coda clusters at different periods of time. The statistical findings show that even though their overall scores in the fourth year were higher than those in the second year, there was no statistically significant difference in both major types of clusters [t = -1.29; p value >0.05 in onsets; t = -0.28; p value >0.05 in codas]. The Thai participants performed slightly better in onset (84% / 86%) than in coda (70% / 71%). -
Syllabus 1 Lín Táo 林燾 and Gêng Zhènshëng 耿振生
CHINESE 542 Introduction to Chinese Historical Phonology Spring 2005 This course is a basic introduction at the graduate level to methods and materials in Chinese historical phonology. Reading ability in Chinese is required. It is assumed that students have taken Chinese 342, 442, or the equivalent, and are familiar with articulatory phonetics concepts and terminology, including the International Phonetic Alphabet, and with general notions of historical sound change. Topics covered include the periodization of the Chinese language; the source materials for reconstructing earlier stages of the language; traditional Chinese phonological categories and terminology; fânqiè spellings; major reconstruction systems; the use of reference materials to determine reconstructions in these systems. The focus of the course is on Middle Chinese. Class: Mondays & Fridays 3:30 - 5:20, Savery 335 Web: http://courses.washington.edu/chin532/ Instructor: Zev Handel 245 Gowen, 543-4863 [email protected] Office hours: MF 2-3pm Grading: homework exercises 30% quiz 5% comprehensive test 25% short translations 15% annotated translation 25% Readings: Readings are available on e-reserves or in the East Asian library. Items below marked with a call number are on reserve in the East Asian Library or (if the call number starts with REF) on the reference shelves. Items marked eres are on course e-reserves. Baxter, William H. 1992. A handbook of Old Chinese phonology. (Trends in linguistics: studies and monographs, 64.) Berlin and New York: Mouton de Gruyter. PL1201.B38 1992 [eres: chapters 2, 8, 9] Baxter, William H. and Laurent Sagart. 1998 . “Word formation in Old Chinese” . In New approaches to Chinese word formation: morphology, phonology and the lexicon in modern and ancient Chinese. -
On the Theoretical Implications of Cypriot Greek Initial Geminates
<LINK "mul-n*">"mul-r16">"mul-r8">"mul-r19">"mul-r14">"mul-r27">"mul-r7">"mul-r6">"mul-r17">"mul-r2">"mul-r9">"mul-r24"> <TARGET "mul" DOCINFO AUTHOR "Jennifer S. Muller"TITLE "On the theoretical implications of Cypriot Greek initial geminates"SUBJECT "JGL, Volume 3"KEYWORDS "geminates, representation, phonology, Cypriot Greek"SIZE HEIGHT "220"WIDTH "150"VOFFSET "4"> On the theoretical implications of Cypriot Greek initial geminates* Jennifer S. Muller The Ohio State University Cypriot Greek contrasts singleton and geminate consonants in word-initial position. These segments are of particular interest to phonologists since two divergent representational frameworks, moraic theory (Hayes 1989) and timing-based frameworks, including CV or X-slot theory (Clements and Keyser 1983, Levin 1985), account for the behavior of initial geminates in substantially different ways. The investigation of geminates in Cypriot Greek allows these differences to be explored. As will be demonstrated in a formal analysis of the facts, the patterning of geminates in Cypriot is best accounted for by assuming that the segments are dominated by abstract timing units such as X- or C-slots, rather than by a unit of prosodic weight such as the mora. Keywords: geminates, representation, phonology, Cypriot Greek 1. Introduction Cypriot Greek is of particular interest, not only because it is one of the few varieties of Modern Greek maintaining a consonant length contrast, but more importantly because it exhibits this contrast in word-initial position: péfti ‘Thursday’ vs. ppéfti ‘he falls’.Although word-initial geminates are less common than their word-medial counterparts, they are attested in dozens of the world’s languages in addition to Cypriot Greek. -
Mechanisms of Vowel Epenthesis in Consonant Clusters: an EMA Study Seiya Funatsu, Masako Fujimoto
Mechanisms of vowel epenthesis in consonant clusters: an EMA study Seiya Funatsu, Masako Fujimoto To cite this version: Seiya Funatsu, Masako Fujimoto. Mechanisms of vowel epenthesis in consonant clusters: an EMA study. Acoustics 2012, Apr 2012, Nantes, France. hal-00810613 HAL Id: hal-00810613 https://hal.archives-ouvertes.fr/hal-00810613 Submitted on 23 Apr 2012 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Proceedings of the Acoustics 2012 Nantes Conference 23-27 April 2012, Nantes, France Mechanisms of vowel epenthesis in consonant clusters: an EMA study S. Funatsua and M. Fujimotob aPrefectural University of Hiroshima, 1-1-71 Ujinahigashi Minami-ku, 734-8558 Hiroshima, Japan bNational Institute for Japanese Language and Linguistics, 10-2 Midori-machi, 190-8561 Tachikawa, Japan [email protected] 341 23-27 April 2012, Nantes, France Proceedings of the Acoustics 2012 Nantes Conference The mechanisms of vowel epenthesis in consonant clusters were investigated using an electromagnetic articulograph (EMA). The target languages were Japanese and German. Japanese does not allow consonant clusters, while German does. Two Japanese speakers and two German speakers participated in this experiment. For Japanese speakers, normalized tongue tip displacements from the first consonant to the second consonant in clusters (/bn/, /pn/) were significantly larger than those of German speakers (p<0.001). -
The Chinese Script T � * 'L
Norman, Jerry, Chinese, Cambridge: Cambridge University Press, 1988. 1 3.1 Th e beginnings of Chinese writing 59 3 FISH HORSE ELEPHANT cow (yu) (m ii) (xiimg) (niu) " The Chinese script t � * 'l Figure 3.1. Pictographs in early Chinese writing 3.1 The beginnings of Chinese writing1 The Chinese script appears as a fully developed writing system in the late Shang .dynasty (fourteenth to eleventh centuries BC). From this period we have copious examples of the script inscribed or written on bones and tortoise shells, for the most part in the form of short divinatory texts. From the same period there also Figure 3.2. The graph fo r quiin'dog' exist a number of inscriptions on bronze vessels of various sorts. The former type of graphic record is referred to as the oracle bone script while the latter is com of this sort of graph are shown in Figure 3.1. The more truly representational a monly known· as the bronze script. The script of this period is already a fully graph is, the more difficult and time-consuming it is to depict. There is a natural developed writing system, capable of recording the contemporary Chinese lan tendency for such graphs to become progressively simplified and stylized as a guage in a complete and unambiguous manner. The maturity of this early script writing system matures and becomes more widely used. As a result, pictographs has suggested to many scholars that it must have passed through a fairly long gradually tend to lose their obvious pictorial quality. The graph for qui'in 'dog' period of development before reaching this stage, but the few examples of writing shown in Figure 3.2 can serve as a good illustration of this sort of development. -
Japanization in the Field of Classical Chinese Dictionaries
Title Japanization in the Field of Classical Chinese Dictionaries Author(s) Ikeda, Shoju Citation Journal of the Graduate School of Letters, 6, 15-25 Issue Date 2011-03 Doc URL http://hdl.handle.net/2115/44945 Type bulletin (article) File Information JGSL6-2.pdf Instructions for use Hokkaido University Collection of Scholarly and Academic Papers : HUSCAP Journal of the Graduate School of Letters,Hokkaido University Vol.6;pp.15-25,March 2011 15 Japanization in the Field of Classical Chinese Dictionaries Shoju IKEDA Abstract:How did dictionaries arranged by radical undergo Japanization?In the following I shall take up for consideration the Tenrei bansh썚omeigi,Shinsenjiky썚o,and Ruiju my썚ogi sh썚oand consider this question by examining in particular their relationship with the original version of the Chinese Yupian,compiled in 543 by Gu Yewang of the Liang.There is much that needs to be said about early Japanese dictionaries.In this paper I have focused on their relationship with the Yupian and have discussed questions such as its position as a source among Buddhist monks and its connections with questions pertaining to radicals,in particular the manner in which the arrangement of characters under individual radicals in the Yupian was modified. (Received on December 7,2010) 1.Dictionaries Arranged According to the Shape,Sound and Meaning of Chinese Characters and the Compilation of Early Dictionaries in Japan When considered in light of extant dictionaries,it would seem that dictionaries arranged by radical or classifier(shape)appeared first,followed by dictionaries arranged by meaning,and that dictionaries arranged by pronunciation(sound)came some time later. -
Suggestions for the ISO/IEC 14651 CTT Part for Hangul
SC22/WG20 N891R ISO/IEC JTC 1/SC2/WG2 N2405R L2/01-469 (formerly L2/01-405) Universal Multiple-Octet Coded Character Set International Organization for Standardization Organisation internationale de normalisation Title: Ordering rules for Hangul Source: Kent Karlsson Date: 2001-11-29 Status: Expert Contribution Document Type: Working Group Document Action: For consideration by the UTC, JTC 1/SC 2/WG 2’s ad hoc on Korean, and JTC 1/SC 22/WG 20 1 Introduction The Hangul script as such is very elegantly designed. However, its incarnation in 10646/Unicode is far from elegant. This paper is about restoring the elegance of Hangul, as much as it can be restored, for the process of string ordering. 1.1 Hangul syllables A lot of Hangul syllables have a character of their own in the range AC00-D7A3. They each have a canonical decomposition into two (choseong, jungseong) or three (choseong, jungseong, jongseong) Hangul Jamo characters in the ranges 1100-1112, 1161-1175, and 11A8-11C2. The choseong are leading consonants, one of which is mute. The jungseong are vowels. And the jongseong are trailing consonants. A Hangul Jamo character is either a letter or letter cluster. The Hangul syllable characters alone can represent most modern Hangul words. They cannot represent historic Hangul words (Middle Korean), nor modern/future Hangul words using syllables not preallocated. However, all Hangul words can elegantly be represented by sequences of single-letter Hangul Jamo characters plus optional tone mark. 1 1.2 Single-letter and cluster Hangul Jamo characters Cluster Hangul Jamo characters represent either clusters of two or three consonants, or clusters of two or three vowels. -
The Fundamentals of Chinese Historical Phonology
ChinHistPhon – MA 1st yr Basics/ 1 Bartos The fundamentals of Chinese historical phonology 1. Old Mandarin (early modern Chinese; 14th c.) − 中原音韵 Zhongyuan Yinyun “Rhymes of the Central Plain”, written in 1324 by 周德清 Zhou Deqing: A pronunciation guide for writers and performers of 北曲 beiqu-verse in vernacular plays. − Arrangement: o 19 rhyme categories, each named with two characters, e.g. 真文, 江阳, 先天, 鱼模. o Within each rhyme category, words are divided according to tone category: 平声阴 平声阳 上声 去声 入声作 X 声 o Within each tone, words are divided into homophone groups separated by circles. o An appendix lists pairs of characters whose pronunciation is frequently confused, e.g.: 死有史 米有美 因有英 The 19 Zhongyuan Yinyun rhyme categories: Old Mandarin tones: The tone categories were the same as for modern standard Mandarin, except: − The former 入-tone words joined the other tone categories in a more regular fashion. ChinHistPhon – MA 1st yr Basics/ 2 Bartos 2. The reconstruction of the Middle Chinese sound system 2.1. Main sources 2.1.1. Primary – rhyme dictionaries, rhyme tables (Qieyun 切韵, Guangyun 广韵, …, Jiyun 集韵, Yunjing 韵镜, Qiyinlüe 七音略) – a comparison of modern Chinese dialects – shape of Chinese loanwords in ’sinoxenic’ languages (Japanese, Korean, Vietnamese) 2.1.2. Secondary – use of poetic devices (rhyming words, metric (= tonal patterns)) – transcriptions: - contemporary alphabetic transcription of Chinese names/words, e.g. Brahmi, Tibetan, … - contemporary Chinese transcription of foreign words/names of known origin ChinHistPhon – MA 1st yr Basics/ 3 Bartos – the content problem of the Qieyun: Is it some ‘reconstructed’ pre-Tang variety, or the language of the capital (Chang’an 长安), or a newly created norm, based on certain ‘compromises’? – the classic problem of ‘time-span’: Qieyun: 601 … Yunjing: 1161 → Pulleyblank: the Qieyun and the rhyme tables ( 等韵图) reflect different varieties (both geographically, and diachronically) → Early vs. -
Writing Taiwanese: the Development of Modern Written Taiwanese
SINO-PLATONIC PAPERS Number 89 January, 1999 Writing Taiwanese: The Development of Modern Written Taiwanese by Alvin Lin Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS is an occasional series edited by Victor H. Mair. The purpose of the series is to make available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including Romanized Modern Standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino-Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. The only style-sheet we honor is that of consistency. Where possible, we prefer the usages of the Journal of Asian Studies. Sinographs (hanzi, also called tetragraphs [fangkuaizi]) and other unusual symbols should be kept to an absolute minimum. Sino-Platonic Papers emphasizes substance over form. -
3. Pronunciation & Phonetic Letters Guide
หน้า ๒๙ : Nâa 29 PRONUNCIATION GUIDE It is important to read this section thoroughly if your aim is to learn to speak Thai using phonetic letters or transliteration. Skip this only if you can read Thai script. What are Phonetic Letters? There are many different practices for learning to speak a language without learning the scripts of the language. Romanisation is the conversion of writing from a different writing system to the Roman (Latin) script, or a system for doing so. Methods of romanisation include transliteration, for representing written text, and transcription, for representing the spoken word, and combinations of both. Phonetic transcription (also known as Phonetic Script or Phonetic Notation) is the visual representation of speech sounds (or phones). The most common type of phonetic transcription use a phonetic alphabet such as the International Phonetic Alphabet (IPA). Transliteration is the practice of converting a text from one script into another by writing or printing (a letter or word) using the closest corresponding letters of a different alphabet or language. Royal Thai Phonetic Alphabet (RPA) is a system used as a standard for transcribing Thai words, names of a person, place, thing, into English. Romanisation In Thai is called ทับศัพท์ : Túb~Sùb or ทับเสียง : Túb~Sĕarng and colloquially called ภาษาคาราโอเกะ : Paa-săa Kaa-raa-o-ge’ = Karaoke language. (ทับ : Túb = place on top of, ศัพท์ : Sùb = vocabulary, เสียง : Sĕang = sound, คาราโอเกะ : Kaa- raa-o-ge’ = karaoke) At Thai Style, we have developed our own system using the English alphabet as phonetic letters. This is because we would like to compare the sounds in English and Thai by using the English alphabet, like if you are a native English speaker learning French which uses the same alphabet but some letters are pronounced with completely different sounds.