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Film at Lincoln Center New Releases Series & Festivals March 2020
Film at Lincoln Center March 2020 New Releases The Whistlers Bacurau The Truth The Traitor Series & Festivals Rendez-Vous with French Cinema Mapping Bacurau New Directors/ New Films Members save $5 Tickets: filmlinc.org Elinor Bunin Munroe Film Center 144 West 65th Street, New York, NY Walter Reade Theater 165 West 65th Street, New York, NY FESTIVAL Rendez-Vous with French Cinema MARCH 5–15 Co-presented with UniFrance, the 25th edition of Rendez-Vous demonstrates that the landscape of French cinema is as fertile, inspiring, and distinct as ever. Organized by Florence Almozini with UniFrance. ( In-Person Appearance) Special Student Savings! $50 All-Access Pass NEW YORK PREMIERE Deerskin Quentin Dupieux, France, 2019, 77m Oscar- winner Jean Dujardin and Adèle Haenel star in a rollicking take on the midlife crisis movie, directed by Rendez-Vous mainstay Quentin Dupieux. A Greenwich Entertainment release. Sunday, March 8, 9:15pm Saturday, March 14, 9:00pm NORTH AMERICAN PREMIERE An Easy Girl Rebecca Zlotowski, France, 2019, 92m Cuties Rebecca Zlotowski’s fourth feature taps into the universal hunger of adolescence, and OPENING NIGHT • NEW YORK PREMIERE U.S. PREMIERE imbues an empathetic coming-of-age story The Truth Burning Ghost with a sharp class critique. A Netflix release. Hirokazu Kore-eda, France/Japan, 2019, 106m Stéphane Batut, France, 2019, 104m Winner of Saturday, March 7, 9:00pm In his follow-up to the Palme d’Or–winning the prestigious Prix Jean Vigo, this smoldering Thursday, March 12, 4:00pm Shoplifters, Hirokazu Kore-eda casts two titans feature debut from Stéphane Batut is an of French cinema, Catherine Deneuve and entrancing tale of aching romanticism on the NEW YORK PREMIERE Juliette Binoche, in a film structured around the precipice of life and death. -
2021-02-12 FY2021 Grant List by Region.Xlsx
New York State Council on the Arts ‐ FY2021 New Grant Awards Region Grantee Base County Program Category Project Title Grant Amount Western New African Cultural Center of Special Arts Erie General Support General $49,500 York Buffalo, Inc. Services Western New Experimental Project Residency: Alfred University Allegany Visual Arts Workspace $15,000 York Visual Arts Western New Alleyway Theatre, Inc. Erie Theatre General Support General Operating Support $8,000 York Western New Special Arts Instruction and Art Studio of WNY, Inc. Erie Jump Start $13,000 York Services Training Western New Arts Services Initiative of State & Local Erie General Support ASI General Operating Support $49,500 York Western NY, Inc. Partnership Western New Arts Services Initiative of State & Local Erie Regrants ASI SLP Decentralization $175,000 York Western NY, Inc. Partnership Western New Buffalo and Erie County Erie Museum General Support General Operating Support $20,000 York Historical Society Western New Buffalo Arts and Technology Community‐Based BCAT Youth Arts Summer Program Erie Arts Education $10,000 York Center Inc. Learning 2021 Western New BUFFALO INNER CITY BALLET Special Arts Erie General Support SAS $20,000 York CO Services Western New BUFFALO INTERNATIONAL Electronic Media & Film Festivals and Erie Buffalo International Film Festival $12,000 York FILM FESTIVAL, INC. Film Screenings Western New Buffalo Opera Unlimited Inc Erie Music Project Support 2021 Season $15,000 York Western New Buffalo Society of Natural Erie Museum General Support General Operating Support $20,000 York Sciences Western New Burchfield Penney Art Center Erie Museum General Support General Operating Support $35,000 York Western New Camerta di Sant'Antonio Chamber Camerata Buffalo, Inc. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
The Program Rachel Lee, Eric William Morris, Will Roland, Lance Rubin, Brent Stranathan, Jared Weiss, Jason Sweettooth Williams
Saturday, February 1, 2020 at 8:30 pm Joe Iconis The Family Nick Blaemire, Amara Brady, Liz Lark Brown, Betty Buckley, Dave Cinquegrana, Katrina Rose Dideriksen, Badia Farha, Alexandra Ferrara, Danielle Gimbal, Annie Golden, Molly Hager, Joe Iconis, Ian Kagey, Geoffrey Ko, The Program Rachel Lee, Eric William Morris, Will Roland, Lance Rubin, Brent Stranathan, Jared Weiss, Jason SweetTooth Williams This evening’s program is approximately 75 minutes long and will be performed without intermission. This performance is being livestreamed; cameras will be present. Please make certain all your electronic devices are switched off. Endowment support provided by Bank of America Corporate support provided by Morgan Stanley This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall American Songbook Additional support for Lincoln Center’s American Songbook is provided by Christina and Robert Baker, EY, Rita J. and Stanley H. Kaplan Family Foundation, The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Great Performers Circle, Lincoln Center Patrons and Lincoln Center Members Public support is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature NewYork-Presbyterian is the Official Hospital of Lincoln Center Artist catering provided by Zabar’s and Zabars.com UPCOMING AMERICAN SONGBOOK EVENTS IN THE APPEL ROOM: Wednesday, February 12 at 8:30 pm iLe Thursday, February 13 at 8:30 pm Roomful of Teeth Friday, February 14 at 8:30 pm Brandon Victor Dixon Saturday, February 15 at 8:30 pm Our Lady J Wednesday, February 26 at 8:30 pm An Evening with Natalie Merchant Thursday, February 27 at 8:30 pm Kalani Pe‘a Friday, February 28 at 8:30 pm Ali Stroker Saturday, February 29 at 8:30 pm Martin Sexton For tickets, call (212) 721-6500 or visit AmericanSongbook.org. -
[email protected]
1 Via Franchino Rusca 1, ch–6600 Locarno t +41 91 756 21 21 [email protected] www.locarnofestival.ch July 1 2021 PRESS KIT #Locarno74 This press kit is also available on the Locarno Film Festival website and contains all the information updated by the end of June. The complete and constantly updated information will be available on the Festival website, while the program with days and times of the screenings and activities will be available on the Festival website, official app, and its official channels from mid-July. The official Cat- alogue will be available by the end of July. Trailers, Excerpts and Photos* Press materials such as photographs, stills, excerpts, and trailers of the films selected for the 74th edition of the Locarno Film Festival are available at the following link. In general, photos, stills, excerpts, and trailers are freely available to journalists for editorial purpos- es. The commercial use of photographic and video material (for advertising and other commercial use) by third parties is strictly prohibited. All images are legally protected. Any use that is unlawful or that harms the image of the Locarno Film Festival is strictly prohibited. The publication is authorized only with the indication of the source when present (©). More information about the use of photographs and the Festival brand is available at locarnofestival.ch/brandmanual. If in doubt, contact [email protected] * Excerpts from some films in the official selection are available in broadcast quality and web quality. It is possible that we may not have received all materials in time. @LocarnoFilmFestival @FilmsFestLocarno @filmsfestlocarno LocarnoFilmFestival Road to Locarno74 #Locarno74 #Locarno74 #Locarno74 #Locarno74 FAQs 2 3 Contents Introduction by Marco Solari, President Introduction by Giona A. -
Emergenza Coronavirus: Le Proposte Di Confindustria 12 Cultura E Writers Guild Italia
Sommario Rassegna Stampa Pagina Testata Data Titolo Pag. Rubrica Anica Web BookCiakMagazine.it 30/03/2020 FILM IN QUARANTENA SALVATI DALLA DISTRIBUZIONE DIGITALE? 3 NE DISCUTONO GLI ADDETTI AI LAVORI Cineclandestino.it 30/03/2020 COVID-19: LA SALA CINEMATOGRAFICA 7 Policymakermag.it 30/03/2020 CORONAVIRUS, TUTTI I GUAI DEL SETTORE CULTURALE 9 Sentieriselvaggi.it 30/03/2020 EMERGENZA CORONAVIRUS: LE PROPOSTE DI CONFINDUSTRIA 12 CULTURA E WRITERS GUILD ITALIA Rubrica Cinema 31 Il Giornale 31/03/2020 TRA ANNULLAMENTI E RINVII, IL CINEMA HA GIA' PERSO OLTRE 4 15 MILIARDI DI EURO (C.Romani) 16/17 Il Secolo XIX 31/03/2020 CINEMA, VIA ALLA CASSA INTEGRAZIONE "TORNIAMO A PROIETTARE 16 ALL APERTO" (A.Col.) 23 Avvenire 31/03/2020 CINECITTA' HA SFRATTATO LE DONNE (A.De Luca) 17 15 Corriere della Sera - Ed. Roma 31/03/2020 VACANZE ROMANE" (MA ANCHE CINESI) IN ARRIVO IL REMAKE 18 17 La Gazzetta del Mezzogiorno 31/03/2020 CINEMA "CONTAGION", IL CAST SPIEGA SU INTERNET TUTTI I RISCHI 19 DEL VIRUS (F.Gallo) XVIII La Gazzetta del Mezzogiorno 31/03/2020 CON "TUTTE A CASA" LE DONNE DEL CINEMA SI RACCONTANO 20 1 La Repubblica - Cronaca di Roma 31/03/2020 Int. a E.Danco: ELEONORA DANCO: "CERCO LA REALTA' CHE MI 21 MANCA NEI VECCHI FILM" (R.Di Giammarco) 25 La Stampa 31/03/2020 II CINEMA RACCOGLIE L'APPELLO DI AVATI: "LA RAI FACCIA 23 CULTURA" 24 QN- Giorno/Carlino/Nazione 31/03/2020 LA MADRE DI TUTTE LE CENSURE FA 90 (R.Giardina) 24 Rubrica Audiovisivo & Multimedia 33 Corriere della Sera 31/03/2020 MEDIASET SALE AL 20,7% E SI RAFFORZA IN PROSIEBENSAT (F.De 25 Rosa) 40 Corriere della Sera 31/03/2020 Int. -
57Th New York Film Festival September 27- October 13, 2019
57th New York Film Festival September 27- October 13, 2019 filmlinc.org AT ATTHE THE 57 57TH NEWTH NEW YORK YORK FILM FILM FESTIVAL FESTIVAL AndAnd over over 40 40 more more NYFF NYFF alums alums for for your your digitaldigital viewing viewing pleasure pleasure on onthe the new new KINONOW.COM/NYFFKINONOW.COM/NYFF Table of Contents Ticket Information 2 Venue Information 3 Welcome 4 New York Film Festival Programmers 6 Main Slate 7 Talks 24 Spotlight on Documentary 28 Revivals 36 Special Events 44 Retrospective: The ASC at 100 48 Shorts 58 Projections 64 Convergence 76 Artist Initiatives 82 Film at Lincoln Center Board & Staff 84 Sponsors 88 Schedule 89 SHARE YOUR FESTIVAL EXPERIENCE Tag us in your posts with #NYFF filmlinc.org @FilmLinc and @TheNYFF /nyfilmfest /filmlinc Sign up for the latest NYFF news and ticket updates at filmlinc.org/news Ticket Information How to Buy Tickets Online filmlinc.org In Person Advance tickets are available exclusively at the Alice Tully Hall box office: Mon-Sat, 10am to 6pm • Sun, 12pm to 6pm Day-of tickets must be purchased at the corresponding venue’s box office. Ticket Prices Main Slate, Spotlight on Documentary, Special Events*, On Cinema Talks $25 Member & Student • $30 Public *Joker: $40 Member & Student • $50 Public Directors Dialogues, Master Class, Projections, Retrospective, Revivals, Shorts $12 Member & Student • $17 Public Convergence Programs One, Two, Three: $7 Member & Student • $10 Public The Raven: $70 Member & Student • $85 Public Gala Evenings Opening Night, ATH: $85 Member & Student • $120 Public Closing Night & Centerpiece, ATH: $60 Member & Student • $80 Public Non-ATH Venues: $35 Member & Student • $40 Public Projections All-Access Pass $140 Free Events NYFF Live Talks, American Trial: The Eric Garner Story, Holy Night All free talks are subject to availability. -
Putney Swope
THE FILM FOUNDATION 2019 ANNUAL REPORT OVERVIEW The Film Foundation supports the restoration of films from every genre, era, and region, and shares these treasures with audiences through hundreds of screenings every year at festivals, archives, repertory theatres, and other venues around the world. The foundation educates young people with The Story of Movies, its groundbreaking interdisciplinary curriculum that has taught visual literacy to over 10 million US students. In 2019, The Film Foundation welcomed Kathryn Bigelow, Sofia Coppola, Guillermo del Toro, Joanna Hogg, Barry Jenkins, Spike Lee, and Lynne Ramsay to its board of directors. Each has a deep understanding and knowledge of cinema and its history, and is a fierce advocate for its preservation and protection. Preservation and Restoration World Cinema Project Working in partnership with archives and studios, The Film Foundation’s World Cinema Project has The Film Foundation has helped save over 850 films restored 40 films from24 countries to date. to date. Completed projects in 2019 included: Completed projects in 2019 included: THE CLOUD– William Wyler’s beloved classic, DODSWORTH; CAPPED STAR (India, 1960, d. Ritwik Ghatak), EL Herbert Kline’s acclaimed documentary about FANTASMA DEL CONVENTO (Mexico, 1934, d. Czechoslovakia during the Nazi occupation, CRISIS: Fernando de Fuentes), LOS OLVIDADOS (Mexico, A FILM OF “THE NAZI WAY”; Arthur Ripley’s film 1950, d. Luis Buñuel), LA FEMME AU COUTEAU noir about a pianist suffering from amnesia, VOICE (Côte d’Ivoire, 1969, d. Timité Bassori), and MUNA IN THE WIND; and John Huston’s 3–strip Technicolor MOTO (Cameroon, 1975, d. Jean–Pierre Dikongué– biography of Toulouse–Lautrec, MOULIN ROUGE. -
How To: Nyff57 - Benefactors
HOW TO: NYFF57 - BENEFACTORS We are so excited about the 57th New York Film Festival! According to our records, you are currently with us as a Benefactor patron. To assist you in the weeks leading up to this cornerstone 17-day event, the Development Department has pulled together this handy document for you to reference. Included is a rundown of NYFF-related benefits for your Patron level, the date and time of your pre-sale access, single-ticket pricing and fees, confirmed gala dates, information about the Hauser Lounge and press screenings, and a general FAQ. This document can also be found on our website in the Member Corner. PATRON BENEFITS DURING NYFF Below, please find the break down of benefits for Benefactor Patrons during the New York Film Festival. Pre-sale dates can be found later in this document. BENEFACTOR ● Group 2 pre-sale access ● 2 tickets to Opening screening and after-party ● 2 tickets to Centerpiece ● 2 tickets to Closing Night ● 2 festival badges to Hauser Lounge and NYFF press screenings TICKET SALES & PRE-SALE DATES HOW TO ORDER TICKETS Online: You will be sent an email with a link to purchase tickets on the date and time of your pre-sale period. You do not need to wait for this link to order tickets, but you must be logged in to purchase tickets and get your member ticket discounts. Due to security reasons, we do not have your password, but we can send you a “forgot login” email that will prompt you to reset your password. It takes at least 10-15 minutes for the “forgot login” email to arrive so we strongly suggest logging in to your account prior to your pre-sale date to ensure you can access tickets as soon as they go on sale. -
The Museum of Modern Art and Film at Lincoln Center Announce the Complete Lineup for the 50Th Anniversary Edition of New Directors/New Films, April 28–May 8
THE MUSEUM OF MODERN ART AND FILM AT LINCOLN CENTER ANNOUNCE THE COMPLETE LINEUP FOR THE 50TH ANNIVERSARY EDITION OF NEW DIRECTORS/NEW FILMS, APRIL 28–MAY 8 New Directors/New Films, 2021 April 28–May 8, 2021 Virtual Cinema NEW YORK, April 1, 2021—The Museum of Modern Art and Film at Lincoln Center announce the 50th anniversary edition of New Directors/New Films (ND/NF), available April 28–May 8 via virtual cinema, with in-person screenings extending through May 14 at FLC. Throughout its rich, half-century history, the festival has celebrated filmmakers who represent the present and anticipate the future of cinema, and whose daring work pushes the envelope in unexpected ways. This year’s festival will introduce 27 features and 11 shorts to audiences nationwide in the MoMA and FLC virtual cinemas, and to New Yorkers at Film at Lincoln Center. Special to this year's festival is a free virtual retrospective celebrating 50 years of ND/NF, April 16–28. “From intimate, personal tales to political, metaphysical, and spiritual inquiries, the films in the 50th edition of New Directors/New Films embody an inexhaustible curiosity and a fearless desire for adventure,” said La Frances Hui, Curator of Film at The Museum of Modern Art and 2021 New Directors/New Films Co-Chair. “They prove that cinema will continue to illuminate and inspire the way we live, and make art.” Opening the festival is writer-director-star Amalia Ulman’s breakthrough El Planeta, a captivating portrait in miniature of a mother and daughter barely scraping by in Spain’s northwestern seaside town of Gijón. -
André De Shields: Old Dawg; New Tricks
Wednesday, January 29, 2020 at 8:30 pm André De Shields: Old Dawg; New Tricks Liam Robinson, Piano, Conductor, Vocal Arrangements Michael Chorney, Guitar Cody Owen Stine, Keyboard and Guitar Dan Rieser, Drums The Program Brad Christopher Jones, Bass Patience Higgins, Reeds Curtis Fowlkes, Trombone TheRhinestoneRockStarBoogieWoogieDollBabies Freida Williams, Vocals Marléne Danielle, Vocals Larry Spivack, Orchestrator Todd Sickafoose, Orchestrator This evening’s program is approximately 75 minutes long and will be performed without intermission. This performance is being livestreamed; cameras will be present. Please make certain all your electronic devices are switched off. Endowment support provided by Bank of America Corporate support provided by Morgan Stanley This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall American Songbook Additional support for Lincoln Center’s American Songbook is provided by Christina and Robert Baker, EY, Rita J. and Stanley H. Kaplan Family Foundation, The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Great Performers Circle, Lincoln Center Patrons and Lincoln Center Members Public support is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature NewYork-Presbyterian is the Official Hospital of Lincoln Center Artist catering provided by Zabar’s and Zabars.com UPCOMING AMERICAN SONGBOOK EVENTS -
Lincoln Center for the Performing Arts, Inc. Refunding Revenue Bonds, Series 2020 Official Statement
1 NEW ISSUE — BOOK-ENTRY ONLY Ratings: Moody’s: “A3” S&P: “A” In the opinion of Orrick, Herrington & Sutcliffe LLP, Bond Counsel, based on an analysis of existing laws, regulations, rulings and court decisions, and assuming, among other matters, the accuracy of certain representations and compliance with certain covenants, interest on the Series 2020A Bonds is excluded from gross income for federal income tax purposes under Section 103 of the Code. In the further opinion of Bond Counsel, interest on the Series 2020A Bonds is not a specific preference item for purposes of the federal alternative minimum tax. Bond Counsel is also of the opinion that interest on the Series 2020A Bonds is exempt from personal income taxes imposed by the State of New York and any political subdivision thereof (including The City of New York). Bond Counsel expresses no opinion regarding any other tax consequences related to the ownership or disposition of, or the amount, accrual or receipt of interest on, the Series 2020A Bonds. See “TAX MATTERS.” $125,220,000 THE TRUST FOR CULTURAL RESOURCES OF THE CITY OF NEW YORK Refunding Revenue Bonds, Series 2020A (Lincoln Center for the Performing Arts, Inc.) Dated: Date of Delivery Due: as shown on the inside cover page The Trust For Cultural Resources of The City of New York Refunding Revenue Bonds, Series 2020A (Lincoln Center for the Performing Arts, Inc.) (the “Series 2020A Bonds”) will be issued and secured under the Revenue Bond Resolution, adopted by The Trust for Cultural Resources of The City of New York (the “Trust”) on April 22, 2008, as supplemented by the Series 2020A Resolution, authorizing the issuance of the Series 2020A Bonds, adopted by the Trust on August 4, 2020.