DOCSLIB.ORG

Rendez-Vous with French Cinema March 5–15

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Rendez-Vous with French Cinema March 5–15 Film at Lincoln Center and UniFrance present Rendez-Vous with French Cinema March 5–15 Tickets: filmlinc.org “A treasure trove.” — OPENING NIGHT The Truth Alice and the Mayor Rendez-Vous with French Cinema returns with another New York Premiere New York Premiere Hirokazu Kore-eda, Nicolas Pariser, France/Belgium, edition that exemplifies the variety and vitality of France/Japan, 2019, 106m 2019, 103m contemporary French filmmaking. The films on display, In his follow-up to the Palme Alice (Anaïs Demoustier) leaves by emerging talents and established masters, raise ideas d’Or–winning Shoplifters, her Oxford philosophy professor- Hirokazu Kore-eda casts ship for a new communications both topical and eternal, and take audiences to entirely Catherine Deneuve and Juliette post at the mayor’s office in her unexpected places. Highlights from recent editions of Binoche in a film about the hometown of Lyon. But when the Rendez-Vous with French Cinema include Patricia Mazuy’s rippling tensions underlying a mayor (Fabrice Luchini) confides family gathering. Deneuve plays in her that he’s having trouble Paul Sanchez Is Back!, Mia Hansen-Løve’s Maya, Mikhaël Fabienne, a screen icon preparing generating ideas to improve the Hers’s Amanda, Bertrand Bonello’s Nocturama, Justine to publish her memoirs. The ver- city, Alice realizes that her true sion of her life as presented on the task is to reawaken his progres- Triet’s In Bed with Victoria, and Mathieu Amalric’s Barbara. page, however, is critiqued by her sive spirit. Alice and the Mayor Co-presented with UniFrance, the 25th edition of Rendez- daughter Lumir (Binoche), visiting finds an unsentimental urgency in Fabienne’s secluded home with idealism. A selection of the 2019 Vous will demonstrate that the landscape of French cinema her American TV actor husband Cannes Film Festival Directors’ is as fertile, inspiring, and distinct as ever. (Ethan Hawke) and their young Fortnight. daughter. Resentments seep out, and eventually explode. Opening Saturday, March 7 1:00pm Organized by Florence Almozini with UniFrance. Night of the 2019 Venice Film Q&A with Nicolas Pariser Festival. An IFC Films release. Wednesday, March 11 9:30pm Thursday, March 5 6:30pm Introduced by Juliette Binoche and Ethan Hawke Thursday, March 5 9:15pm #rendezvous Tickets: filmlinc.org The Best Years of a Life Burning Ghost Cuties The Dazzled New York Premiere U.S. Premiere New York Premiere New York Premiere Claude Lelouch, France, 2019, Stéphane Batut, France, 2019, Maïmouna Doucouré, France, Sarah Suco, France, 2019, 99m 90m 104m 2020, 95m Actress-turned-director Sarah Jean-Louis Trintignant and Winner of the prestigious Prix Shy 11-year-old Amy (Fathia Suco’s debut feature is a mes- Anouk Aimée reprise their roles Jean Vigo, this smoldering feature Youssouf Abdillahi) discovers merizing slow burn set in an in this stirring sequel to Claude debut from Stéphane Batut is an that her neighbor Anjelica is part insular Catholic community. When Lelouch’s classic 1966 Palme entrancing tale of love and loss. of a hip-hop dance troupe, the promising 12-year-old acrobat d’Or–winner A Man and a Woman. Juste (Thimotée Robart) drifts “Cuties.” She soon finds she fits in Camille (a breakout Céleste Jean-Louis (Trintignant) now through a liminal Paris: able to with the group, who are in training Brunnquell) performs in a sketch struggles with dementia in a see spirits of the dead, he guides for a local competition. However, that seems to make light of prayer, nursing home, unable to recall them into the afterlife, while at Amy’s newfound talents conflict the church’s leader—known only his glory days as a racecar the same time he’s unsettled in his with her family’s traditional as “The Shepherd” (Jean-Pierre driver. His son (Antoine Sire) own personal purgatory. When, expectations for her. This vibrant Darroussin)—asks her parents to seeks out his former lover Anne entirely by chance, he runs into debut feature, which screened withdraw her from circus training. (Aimée), retired from producing long-lost acquaintance Agathe at both Sundance and the Berlin Her mother has become emo- films to maintain a fabric shop (Judith Chemla), he falls into an Film Festival, is exceptionally tionally dependent on the parish, in Normandy, to remind his now entanglement that’s not quite attuned to the internal yearnings while her father (Éric Caravaca) prickly and standoffish father of compatible with his ethereal and external pressures of adoles- seems brainwashed; amidst this, the affair that once brought him so world. cence. A Netflix release. covertly secular Camille and her much joy. younger brothers must come into Tuesday, March 10 1:45pm Tuesday, March 10 6:30pm their own. Saturday, March 7 3:45pm Friday, March 13 6:30pm Q&A with Maïmouna Doucouré Q&A with Claude Lelouch and Q&A with Stéphane Batut Thursday, March 12 2:00pm Sunday, March 8 6:30pm screenwriter Valérie Perrin Q&A with Sarah Suco Friday, March 13 4:15pm #rendezvous Tickets: filmlinc.org Deerskin An Easy Girl Happy Birthday Isadora’s Children New York Premiere North American Premiere New York Premiere North American Premiere Quentin Dupieux, France, 2019, Rebecca Zlotowski, France, 2019, Cédric Kahn, France/Belgium, Damien Manivel, France/South 77m 92m 2019, 101m Korea, 2019, 84m Oscar-winner Jean Dujardin (The Sixteen-year-old Naïma (Mina This buoyant and bittersweet Dance legend Isadora Duncan Artist) stars in this rollicking, Farid) passes languid summer ensemble piece directed by Cédric responded to the tragic death of lightly surrealist take on the days on the beaches of Cannes Kahn and headlined by Catherine her children by choreographing midlife crisis movie, directed by working in a restaurant and Deneuve tests the ties that bind a three-part piece called Mother. Rendez-Vous mainstay Quentin preparing for acting auditions. a family. Deneuve is matriarch In Isadora’s Children, Damien Dupieux (Keep an Eye Out!). When her glamorous cousin Andréa, whose family comes Manivel depicts a trio of char- Georges (Dujardin) drops sev- Sofia (Zahia Dehar) arrives for an together to celebrate her 70th acters engaging with Duncan’s eral thousand Euros on an Easy extended stay, Naïma begins to birthday. Everything seems in work: an introspective choreog- Rider–style, 100%-deerskin shadow her seemingly thrilling order until her mentally unstable rapher (Agathe Bonitzer) feeling jacket, then absconds to a country lifestyle, which gets complicated daughter Claire (Emmanuelle her way through the piece’s inn in a sleepy town far away when Sofia becomes entangled Bercot) reappears and old resent- movements; a dance teacher from his wife. There, he starts with two art dealers (Nuno Lopes ments surface, not least from and her student rehearsing for experimenting with a mini-DV and Benoît Magimel). Rebecca the teenager (Portrait of a Lady a recital; and a member of the camcorder, enlisting the help of Zlotowski’s fourth feature taps on Fire’s Luàna Bajrami) Claire audience (renowned dancer and an aspiring film editor (Portrait of into the universal hunger of abandoned. Kahn coaxes mood choreographer Elsa Wolliaston), a Lady on Fire’s Adèle Haenel) to adolescence, and imbues an swings of warmth and vitriol from who carries the memory of the assemble a most unusual docufic- empathetic coming-of-age story his cast in a film that takes place performance through a solitary tion. A Greenwich Entertainment with a sharp class critique. A over the course of one hectic day. evening. release. Netflix release. Thursday, March 12 9:15pm Friday, March 6 4:00pm Sunday, March 8 9:15pm Saturday, March 7 9:00pm Sunday, March 15 6:15pm Saturday, March 14 2:00pm Saturday, March 14 9:00pm Q&A with Rebecca Zlotowski Thursday, March 12 4:00pm #rendezvous Tickets: filmlinc.org Joan of Arc On a Magical Night Papicha Perfect Nanny U.S. Premiere New York Premiere New York Premiere New York Premiere Bruno Dumont, France, 2019, Christophe Honoré, France/ Mounia Meddour, France/Algeria/ Lucie Borleteau, France, 2019, 137m Belgium/Luxembourg, 2019, 87m Belgium/Qatar, 2019, 106m 100m Ten-year-old Lise Leplat Chiara Mastroianni won Best Nedjma (Lyna Khoudri) is a Young parents Myriam (Leïla Prudhomme commands the Actress in the Cannes Film university student during the Bekhti) and Paul (Antoine center of Bruno Dumont’s Festival’s Un Certain Regard Algerian Civil War. Although she’s Reinartz) think they’ve found the inventive reimagining of the section for her fierce perfor- studying French, her passion is perfect nanny in Louise (Karin story of Joan of Arc, a sequel to mance in this playful, fantastical fashion design: defying religious Viard). She comes with glowing Dumont’s musical Jeannette: The latest from Christophe Honoré. conservatism, she custom-makes references from multiple families, Childhood of Joan of Arc (2017) Mastroianni is a law professor dresses for her peers that are and she immediately takes a shine that’s singular and entrancing whose 25-year marriage to examples of individual expres- to their two young children. But as enough to stand on its own. Joan, Richard (singer-songwriter sion. Attacks on civilians are on Myriam reimmerses herself in her compelled by visions of God, Benjamin Biolay) is ruptured the rise from fundamentalist legal job, Louise entrenches her- leads the French charge against when he discovers texts from Islamist sects, and a shocking self deeper and deeper into their invading English forces, and is her younger lover on her phone. incident drives Nedjma to stage family life, her behavior growing later captured and put on trial for Honoré’s stylish and sensual a unique protest: a fashion show ever stranger. This adaptation heresy. Although this chapter is aesthetic makes for a swooning centered around repurposing of Leïla Slimani’s best-seller cinematically well-trod, Dumont reflection on love and memory the haik, a traditional veil, into is a vividly detailed, unsettling turns it into an uncanny, absurdist that becomes even more heart- secular garments.
Load more

Recommended publications
  • Before the Forties
    Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY
    [Show full text]
  • ZOOM- Press Kit.Docx
    PRESENTS ZOOM PRODUCTION NOTES A film by Pedro Morelli Starring Gael García Bernal, Alison Pill, Mariana Ximenes, Don McKellar Tyler Labine, Jennifer Irwin and Jason Priestley Theatrical Release Date: September 2, 2016 Run Time: 96 Minutes Rating: Not Rated Official Website: www.zoomthefilm.com Facebook: www.facebook.com/screenmediafilm Twitter: @screenmediafilm Instagram: @screenmediafilms Theater List: http://screenmediafilms.net/productions/details/1782/Zoom Trailer: www.youtube.com/watch?v=M80fAF0IU3o Publicity Contact: Prodigy PR, 310-857-2020 Alex Klenert, [email protected] Rob Fleming, [email protected] Screen Media Films, Elevation Pictures, Paris Filmes,and WTFilms present a Rhombus Media and O2 Filmes production, directed by Pedro Morelli and starring Gael García Bernal, Alison Pill, Mariana Ximenes, Don McKellar, Tyler Labine, Jennifer Irwin and Jason Priestley in the feature film ZOOM. ZOOM is a fast-paced, pop-art inspired, multi-plot contemporary comedy. The film consists of three seemingly separate but ultimately interlinked storylines about a comic book artist, a novelist, and a film director. Each character lives in a separate world but authors a story about the life of another. The comic book artist, Emma, works by day at an artificial love doll factory, and is hoping to undergo a secret cosmetic procedure. Emma’s comic tells the story of Edward, a cocky film director with a debilitating secret about his anatomy. The director, Edward, creates a film that features Michelle, an aspiring novelist who escapes to Brazil and abandons her former life as a model. Michelle, pens a novel that tells the tale of Emma, who works at an artificial love doll factory… And so it goes..
    [Show full text]
  • The Cutting Edge of French Cinema
    BACKWASH: THE CUTTING EDGE OF FRENCH CINEMA J’IRAI AU PARADIS CAR L’ENFER EST ICI , Xavier Durringer ( France, 1997 ) MA 6T VA CRACK-ER , Jean-Francois Richet ( France, 1997 ) LE PETIT VOLEUR , Érick Zonca ( France, 1998 ) L’HUMANITÉ , Bruno Dumont ( France, 1999 ) POLA X , Leos Carax ( France, 1999 ) RESSOURCES HUMAINES (Human Resources), Laurent Cantet ( France, 1999 ) À MA SOEUR! , Catherine Breillat ( France-Italy, 2000 ) PARIA , Nicolas Klotz ( France, 2000 ) SAINT-CYR , Patricia Mazuy ( France-Belgium, 2000 ) SELON MATTHIEU , Xavier Beauvois ( France, 2000 ) SOUS LE SABLE , François Ozon ( France-Belgium-Italy-Japan, 2000 ) ÊTRE ET AVOIR , Nicolas Philibert ( France, 2001 ) IRRÉVERSIBLE (Irreversible), Gaspar Noé ( France, 2001 ) LA CHATTE À DEUX TÊTES , Jacques Nolot ( France, 2001 ) LA VIE NOUVELLE , Philippe Grandrieux ( France, 2001 ) LE PACTE DES LOUPS , Christophe Gans ( France, 2001 ) LE STADE DE WIMBLEDON , Mathieu Amalric ( France, 2001 ) ROBERTO SUCCO , Cédric Kahn ( France-Switzerland, 2001 ) TROUBLE EVERY DAY , Claire Denis ( France-Japan, 2001 ) DANS MA PEAU , Marina De Van ( France, 2002 ) UN HOMME, UN VRAI , Jean-Marie Larrieu, Arnaud Larrieu ( France, 2002 ) CLEAN , Olivier Assayas ( France-UK-Canada, 2003 ) INNOCENCE , Lucile Hadzihalilovic ( France-UK-Belgium, 2003 ) L’ESQUIVE , Abdellatif Kechiche ( France, 2003 ) LE CONVOYEUR , Nicolas Boukhrief ( France, 2003 ) LES CORPS IMPATIENTS , Xavier Giannoli ( France, 2003 ) ROIS ET REINE , Arnaud Desplechin ( France-Belgium, 2003 ) TIRESIA , Bertrand Bonello ( France, 2003 ) DE BATTRE MON COEUR S’EST ARRÊTÉ (The Beat That My Heart Skipped), Jacques Audiard ( France, 2004 ) LES REVENANTS , Robin Campillo ( France, 2004 ) LES ANGES EXTERMINATEURS , Jean-Claude Brisseau ( France, 2005 ) VOICI VENU LE TEMPS , Alain Guiraudie ( France, 2005 ) À L’INTERIEUR , Alexandre Bustillo, Julien Maury ( France, 2006 ) AVIDA , Benoît Delépine, Gustave Kervern ( France, 2006 ) LES CHANSONS D’AMOUR , Christophe Honoré ( France, 2006 ) 24 MESURES , Jalil Lespert ( France-Canada, 2007 ) L’HISTOIRE DE RICHARD O.
    [Show full text]
  • A Dangerous Method
    A David Cronenberg Film A DANGEROUS METHOD Starring Keira Knightley Viggo Mortensen Michael Fassbender Sarah Gadon and Vincent Cassel Directed by David Cronenberg Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Official Selection 2011 Venice Film Festival 2011 Toronto International Film Festival, Gala Presentation 2011 New York Film Festival, Gala Presentation www.adangerousmethodfilm.com 99min | Rated R | Release Date (NY & LA): 11/23/11 East Coast Publicity West Coast Publicity Distributor Donna Daniels PR Block Korenbrot Sony Pictures Classics Donna Daniels Ziggy Kozlowski Carmelo Pirrone 77 Park Ave, #12A Jennifer Malone Lindsay Macik New York, NY 10016 Rebecca Fisher 550 Madison Ave 347-254-7054, ext 101 110 S. Fairfax Ave, #310 New York, NY 10022 Los Angeles, CA 90036 212-833-8833 tel 323-634-7001 tel 212-833-8844 fax 323-634-7030 fax A DANGEROUS METHOD Directed by David Cronenberg Produced by Jeremy Thomas Co-Produced by Marco Mehlitz Martin Katz Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Executive Producers Thomas Sterchi Matthias Zimmermann Karl Spoerri Stephan Mallmann Peter Watson Associate Producer Richard Mansell Tiana Alexandra-Silliphant Director of Photography Peter Suschitzky, ASC Edited by Ronald Sanders, CCE, ACE Production Designer James McAteer Costume Designer Denise Cronenberg Music Composed and Adapted by Howard Shore Supervising Sound Editors Wayne Griffin Michael O’Farrell Casting by Deirdre Bowen 2 CAST Sabina Spielrein Keira Knightley Sigmund Freud Viggo Mortensen Carl Jung Michael Fassbender Otto Gross Vincent Cassel Emma Jung Sarah Gadon Professor Eugen Bleuler André M.
    [Show full text]
  • MY KING (MON ROI) a Film by Maïwenn
    LES PRODUCTIONS DU TRESOR PRESENTS MY KING (MON ROI) A film by Maïwenn “Bercot is heartbreaking, and Cassel has never been better… it’s clear that Maïwenn has something to say — and a clear, strong style with which to express it.” – Peter Debruge, Variety France / 2015 / Drama, Romance / French 125 min / 2.40:1 / Stereo and 5.1 Surround Sound Opens in New York on August 12 at Lincoln Plaza Cinemas Opens in Los Angeles on August 26 at Laemmle Royal New York Press Contacts: Ryan Werner | Cinetic | (212) 204-7951 | [email protected] Emilie Spiegel | Cinetic | (646) 230-6847 | [email protected] Los Angeles Press Contact: Sasha Berman | Shotwell Media | (310) 450-5571 | [email protected] Film Movement Contacts: Genevieve Villaflor | PR & Promotion | (212) 941-7744 x215 | [email protected] Clemence Taillandier | Theatrical | (212) 941-7744 x301 | [email protected] SYNOPSIS Tony (Emmanuelle Bercot) is admitted to a rehabilitation center after a serious ski accident. Dependent on the medical staff and pain relievers, she takes time to look back on the turbulent ten-year relationship she experienced with Georgio (Vincent Cassel). Why did they love each other? Who is this man whom she loved so deeply? How did she allow herself to submit to this suffocating and destructive passion? For Tony, a difficult process of healing is in front of her, physical work which may finally set her free. LOGLINE Acclaimed auteur Maïwenn’s magnum opus about the real and metaphysical pain endured by a woman (Emmanuelle Bercot) who struggles to leave a destructive co-dependent relationship with a charming, yet extremely self-centered lothario (Vincent Cassel).
    [Show full text]
  • It's Only the End of the World
    IT’S ONLY THE END OF THE WORLD Director’s Note It was in 2010, or perhaps 2011 already, I can’t Four years later, right after Mommy, I caught myself remember. But shortly after I Killed My Mother, I was thinking about the big document with the blue cover, at Anne Dorval’s, sitting at her perennial kitchen island. stored in the living room’s library - on the top shelf, It’s become, over the years, the inescapable hangout naturally. It was so tall it largely peeked out from the where we so often end up to catch up, confide and stack of books it was flanked with, its head high, as confess, look at photos, read stuff or, most of the though it knew it couldn’t be enduringly ignored. time, linger on silently. That’s about where and when she mentioned an extraordinary play she had had the Early that summer, I reread - or read, really - It’s Only indescribable pleasure of doing in the early 2000’s. the End of the World. Around page 6, I knew it was “Never had I had the opportunity of saying and acting going to be my next film. things written and thought in such way, in a vernacular so exhaustively particular” she told me. What’s more, And my first as a man. I could finally understand the she was convinced I had the dire obligation of reading words, the emotions, the silences, the hesitations, the it. She’d even give me her own personal script, left insecurity, the heartbreakingly-real flaws of Jean-Luc as is, scribbled all over a decade earlier ; cues, stage Lagarce’s characters.
    [Show full text]
  • Film Reference Guide
    REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld.
    [Show full text]
  • Film at Lincoln Center New Releases Series & Festivals March 2020
    Film at Lincoln Center March 2020 New Releases The Whistlers Bacurau The Truth The Traitor Series & Festivals Rendez-Vous with French Cinema Mapping Bacurau New Directors/ New Films Members save $5 Tickets: filmlinc.org Elinor Bunin Munroe Film Center 144 West 65th Street, New York, NY Walter Reade Theater 165 West 65th Street, New York, NY FESTIVAL Rendez-Vous with French Cinema MARCH 5–15 Co-presented with UniFrance, the 25th edition of Rendez-Vous demonstrates that the landscape of French cinema is as fertile, inspiring, and distinct as ever. Organized by Florence Almozini with UniFrance. ( In-Person Appearance) Special Student Savings! $50 All-Access Pass NEW YORK PREMIERE Deerskin Quentin Dupieux, France, 2019, 77m Oscar- winner Jean Dujardin and Adèle Haenel star in a rollicking take on the midlife crisis movie, directed by Rendez-Vous mainstay Quentin Dupieux. A Greenwich Entertainment release. Sunday, March 8, 9:15pm Saturday, March 14, 9:00pm NORTH AMERICAN PREMIERE An Easy Girl Rebecca Zlotowski, France, 2019, 92m Cuties Rebecca Zlotowski’s fourth feature taps into the universal hunger of adolescence, and OPENING NIGHT • NEW YORK PREMIERE U.S. PREMIERE imbues an empathetic coming-of-age story The Truth Burning Ghost with a sharp class critique. A Netflix release. Hirokazu Kore-eda, France/Japan, 2019, 106m Stéphane Batut, France, 2019, 104m Winner of Saturday, March 7, 9:00pm In his follow-up to the Palme d’Or–winning the prestigious Prix Jean Vigo, this smoldering Thursday, March 12, 4:00pm Shoplifters, Hirokazu Kore-eda casts two titans feature debut from Stéphane Batut is an of French cinema, Catherine Deneuve and entrancing tale of aching romanticism on the NEW YORK PREMIERE Juliette Binoche, in a film structured around the precipice of life and death.
    [Show full text]
  • 2021-02-12 FY2021 Grant List by Region.Xlsx
    New York State Council on the Arts ‐ FY2021 New Grant Awards Region Grantee Base County Program Category Project Title Grant Amount Western New African Cultural Center of Special Arts Erie General Support General $49,500 York Buffalo, Inc. Services Western New Experimental Project Residency: Alfred University Allegany Visual Arts Workspace $15,000 York Visual Arts Western New Alleyway Theatre, Inc. Erie Theatre General Support General Operating Support $8,000 York Western New Special Arts Instruction and Art Studio of WNY, Inc. Erie Jump Start $13,000 York Services Training Western New Arts Services Initiative of State & Local Erie General Support ASI General Operating Support $49,500 York Western NY, Inc. Partnership Western New Arts Services Initiative of State & Local Erie Regrants ASI SLP Decentralization $175,000 York Western NY, Inc. Partnership Western New Buffalo and Erie County Erie Museum General Support General Operating Support $20,000 York Historical Society Western New Buffalo Arts and Technology Community‐Based BCAT Youth Arts Summer Program Erie Arts Education $10,000 York Center Inc. Learning 2021 Western New BUFFALO INNER CITY BALLET Special Arts Erie General Support SAS $20,000 York CO Services Western New BUFFALO INTERNATIONAL Electronic Media & Film Festivals and Erie Buffalo International Film Festival $12,000 York FILM FESTIVAL, INC. Film Screenings Western New Buffalo Opera Unlimited Inc Erie Music Project Support 2021 Season $15,000 York Western New Buffalo Society of Natural Erie Museum General Support General Operating Support $20,000 York Sciences Western New Burchfield Penney Art Center Erie Museum General Support General Operating Support $35,000 York Western New Camerta di Sant'Antonio Chamber Camerata Buffalo, Inc.
    [Show full text]
  • To Download The
    FREE EXAM Complete Physical Exam Included New Clients Only Must present coupon. Offers cannot be combined Wellness Plans Extended Hours Multiple Locations www.forevervets.com4 x 2” ad Your Community Voice for 50 Years PONTEYour Community Voice VED for 50 YearsRA RRecorecorPONTE VEDRA dderer entertainment EEXXTRATRA! ! Featuring TV listings, streaming information, sports schedules, puzzles and more! December 3 - 9, 2020 Sample sale: INSIDE: Offering: 1/2 off Hydrafacials Venus Legacy What’s new on • Treatments Netflix, Hulu & • BOTOX Call for details Amazon Prime • DYSPORT Pages 3, 17 & 22 • RF Microneedling • Body Contouring • B12 Complex • Lipolean Injections • Colorscience Products • Alastin Skincare Judge him if you must: Bryan Cranston Get Skinny with it! (904) 999-0977 plays a troubled ‘Your Honor’ www.SkinnyJax.comwww.SkinnyJax.com Bryan Cranston stars in the Showtime drama series “Your Honor,” premiering Sunday. 1361 13th Ave., Ste.1 x140 5” ad Jacksonville Beach NowTOP 7 is REASONS a great timeTO LIST to YOUR HOMEIt will WITH provide KATHLEEN your home: FLORYAN List Your Home for Sale • YOUComplimentary ALWAYS coverage RECEIVE: while the home is listed 1) MY UNDIVIDED ATTENTION – • An edge in the local market Kathleen Floryan LIST IT becauseno delegating buyers toprefer a “team to purchase member” a Broker Associate home2) A that FREE a HOMEseller stands SELLER behind WARRANTY • whileReduced Listed post-sale for Sale liability with [email protected] UNDER CONTRACT - DAY 1 ListSecure® 904-687-5146 WITH ME! 3) A FREE IN-HOME STAGING https://www.kathleenfloryan.exprealty.com PROFESSIONAL Evaluation BK3167010 I will provide you a FREE https://expressoffers.com/exp/kathleen-floryan 4) ACCESS to my Preferred Professional America’s Preferred Services List Ask me how to get cash offers on your home! 5) AHome 75 Point SELLERS Warranty CHECKLIST for for Preparing Your Home for Sale 6) ALWAYSyour Professionalhome when Photography we put– 3D, Drone, Floor Plans & More 7) Ait Comprehensive on the market.
    [Show full text]
  • Inquiry: the University of Arkansas Undergraduate Research Journal
    Inquiry: The University of Arkansas Undergraduate Research Journal Volume 7 Article 1 Fall 2006 Inquiry: The niU versity of Arkansas Undergraduate Research Journal - Volume 7 - Fall 2006 Inquiry Editors Follow this and additional works at: http://scholarworks.uark.edu/inquiry Recommended Citation Editors, Inquiry (2006) "Inquiry: The nivU ersity of Arkansas Undergraduate Research Journal - Volume 7 - Fall 2006," Inquiry: The University of Arkansas Undergraduate Research Journal: Vol. 7 , Article 1. Available at: http://scholarworks.uark.edu/inquiry/vol7/iss1/1 This Entire Issue is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Inquiry: The nivU ersity of Arkansas Undergraduate Research Journal by an authorized editor of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Editors: Inquiry: The University of Arkansas Undergraduate Research Journa University libraries, MAIN 7 Received on: 09-29-06 Inquiry : the University of Arkansas undergraduate research journal Published by ScholarWorks@UARK, 2006 1 Inquiry: The University of Arkansas Undergraduate Research Journal, Vol. 7 [2006], Art. 1 ' INQUIRY: The Undergraduate Research Joumal of the UNIVERSITY OF ARKANSAS, FAYETTEVILLE Volume 7 - 2006 2 Editor's Foreword, Publication Board Section 1: Arts and Humanities 4 ARCHITECTURAL HISTORY AND THEORY: Callie Williams. Development of Gendered Space: The Archaic and Classical Greek Temple 10 ART: jennifer Pease. Lucas van Leyden's Dance Around the Golden Calf The Northern Triptych in the Age of the Reformation (Note: This work was recognized as one of the three best undergraduate research projects completed in 2005-06.) 18 FOREIGN LANGUAGES: Lauran Elam.
    [Show full text]
  • Ruth Prawer Jhabvala's Adapted Screenplays
    Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone.
    [Show full text]