Sexuality and Its Discontents
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Asexuality 101
BY THE NUMBERS Asexual people (or aces) experience little or no 28% sexual attraction. While most asexual people desire emotionally intimate relationships, they are not drawn to sex as a way to express that intimacy. of the community is 18 or younger ASEXUALITY ISN’T ACES MIGHT 32% Abstinence because of Want friendship, a bad relationship understanding, and Abstinence because of empathy religious reasons Fall in love of the community are between 19 and 21 Celibacy Experience arousal and Sexual repression, orgasm aversion, or Masturbate 19% dysfunction Have sex Loss of libido due to Not have sex age or circumstance Be of any gender, age, Fear of intimacy or background of the community are currently Inability to find a Have a spouse and/or in high school partner children 40% of the community are in college Aromantic – people who experience little or no romantic 20% attraction and are content with close friendships and other non-romantic relationships. Demisexual – people who only experience sexual attraction of the community identify as once they form a strong emotional connection with the person. transgender or are questioning Grey-A – people who identify somewhere between sexual and their gender identity asexual on the sexuality spectrum. 41% Queerplatonic – One type of non-romantic relationship where there is an intense emotional connection going beyond what is traditionally thought of as friendship. Romantic orientations – Aces commonly use hetero-, homo-, of the community identify as part of the LGBT community bi-, and pan- in front of the word romantic to describe who they experience romantic attraction to. Source: Asexy Community Census http://www.tinyurl.com/AsexyCensusResults Asexual Awareness Week Community Engagement Series – Trevor Project | Last Updated April 2012 ACE SPECIFIC Feeling e mpty, isolated, Some aces voice a fear of ISSUES and/or alone. -
My Beloved Is a Bass Line: Musical, De-Colonial Interventions in Song Criticism and Sacred Erotic Discourse
THE BIBLE & CRITICAL THEORY My Beloved is a Bass Line: Musical, De-colonial Interventions in Song Criticism and Sacred Erotic Discourse Heidi Epstein, University of Saskatchewan Abstract How might musical settings of the Song of Songs provide critical interventions in the politics of love? This case study builds a womanist intertextual matrix for the Song such that its amatory and horticultural language can be reinterpreted as irreducibly “de-colonial.” Reread through Chela Sandoval’s model of love, Alice Walker’s search for her foremothers’ and foresisters’ gardens, and Toni Morrison’s “commentary” on the Song (Beloved), the biblical text circulates de-colonial energies. And, given that music figures centrally in these womanists’ genealogies of love, a de-colonial reading of the Song mandates deconstruction of a subaltern musical archive within the Eurocentric discourse of sacred eroticism, a discourse that the Song sustains as an Ur-text. If the biblical female protagonist’s longing and seeking are reread as de-colonial and trickster-esque, she begets a subaltern musical family tree—audible today in the “Shulammitic” bass playing and protest singing of Meshell Ndegeocello. Key words Meshell Ndegeocello; Song of Songs; Bible and music; love; de-colonial theory; Toni Morrison; Alice Walker Introduction What meanings might be produced from the Song of Song’s amatory and horticultural language if it is read with a sense of love as irreducibly “de-colonial”? Some of these meanings shall emerge over the course of this article as I re-read the Song of Song’s imagery and its musicality in four phases through womanist intertexts by Chela Sandoval, Toni Morrison, Alice Walker, and Meshell Ndegeocello. -
Michel Foucault and the History of Sexuality
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Research Repository The Sexual Experience: Michel Foucault and The History of Sexuality Julie Faith O’Callaghan BA in Sociology and English and Creative Arts Murdoch University Thesis for Bachelor of Arts in Sociology with Honours Murdoch University 2013 i DECLARATION I declare that this thesis is my own account of research and contains as its main content work which has not previously been submitted for a degree at any university or tertiary institution. ….................................................... …..................... ii COPYRIGHT ACKNOWLEDGEMENT I acknowledge that a copy of this thesis will be held at the Murdoch University Library. I understand that, under the provisions s51.2 of the Copyright Act 1968, all or part of this thesis may be copied without infringement of copyright where such a reproduction is for the purposes of study and research. This statement does not signal any transfer of copyright away from the author. Signed: .................................................................... Full Name of Degree: Bachelor of Arts in Sociology with Honours Thesis Title: The Sexual Experience: Michel Foucault and The History of Sexuality Author: Julie Faith O'Callaghan Year: 2013 iii ABSTRACT This thesis offers a discussion of the central concepts informing Michel Foucault's The History of Sexuality project. Through his analysis, Foucault develops concepts in a bid to understand individual experiences of sexuality in different historical periods. His project investigates the repressive and productive effects of power in determining the sexual self. He argues that power and knowledge created new types of sexualities from the seventeen-century onward. -
Sex and Disability
Sex and diSability Sex and diSability RobeRt McRueR and anna Mollow, editoRs duke univerSity PreSS duRhaM and london 201 2 © 2012 Duke University Press All rights reserved Printed in the United States of America on acid-free paper ♾ Designed by Nicole Hayward Typeset in Minion Pro by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data and republication acknowledgments appear on the last printed page of this book. ContentS Acknowledgments / ix Introduction / 1 AnnA Mollow And RobeRt McRueR Part i: aCCeSS 1 A Sexual Culture for Disabled People / 37 tobin SiebeRS 2 Bridging Theory and Experience: A Critical- Interpretive Ethnography of Sexuality and Disability / 54 RuSSell ShuttlewoRth 3 The Sexualized Body of the Child: Parents and the Politics of “Voluntary” Sterilization of People Labeled Intellectually Disabled / 69 Michel deSjARdinS Part ii: HiStorieS 4 Dismembering the Lynch Mob: Intersecting Narratives of Disability, Race, and Sexual Menace / 89 Michelle jARMAn 5 “That Cruel Spectacle”: The Extraordinary Body Eroticized in Lucas Malet’s The History of Sir Richard Calmady / 108 RAchel o’connell 6 Pregnant Men: Modernism, Disability, and Biofuturity / 123 MichAel dAvidSon 7 Touching Histories: Personality, Disability, and Sex in the 1930s / 145 dAvid SeRlin Part iii: SPaCeS 8 Leading with Your Head: On the Borders of Disability, Sexuality, and the Nation / 165 nicole MARkotiĆ And RobeRt McRueR 9 Normate Sex and Its Discontents / 183 Abby l. wilkeRSon 10 I’m Not the Man I Used to Be: Sex, hiv, and Cultural “Responsibility” / 208 chRiS bell Part iv: liveS 11 Golem Girl Gets Lucky / 231 RivA lehReR 12 Fingered / 256 lezlie FRye 13 Sex as “Spock”: Autism, Sexuality, and Autobiographical Narrative / 263 RAchAel GRoneR Part v: deSireS 14 Is Sex Disability? Queer Theory and the Disability Drive / 285 AnnA Mollow 15 An Excess of Sex: Sex Addiction as Disability / 313 lennARd j. -
The Manifestation of Sexual Repression, Gender in Popular Music: a Case Study on Katy Perry
ISSN 1712-8056[Print] Canadian Social Science ISSN 1923-6697[Online] Vol. 10, No. 2, 2014, pp. 44-49 www.cscanada.net DOI:10.3968/4460 www.cscanada.org The Manifestation of Sexual Repression, Gender in Popular Music: A Case Study on Katy Perry Jia Fei[a],* [a]The Edward R. Murrow College of Communication, Washington State University, WA, USA. INTRODUCTION *Corresponding author. The idea of the repression of sexuality was originally raised by the French social theorist Michel Foucault. It is, Received 8 January 2014; accepted 16 March 2014 in short, a theory stating that sexuality has been repressed Pulished online 15 April 2014 among people, but then a bigger need for pleasure emerged. In contemporary arts, sexuality is always an Abstract unavoidable topic, no matter it is in films, music or Michel Foucault had discussed that the repression of artworks such as paintings and sculptures. In addition, arts sexuality was a manipulation of ideology by dominant such as music are always the communicative organ that group. He stated that sexual repression was nothing connects social structures with musical form (Whiteley, but a hypothesis that allowed the agencies of power 2000, p.36). In this case, my central argument is, how this (bourgeoisies, or males) to verbalize sexuality to satisfy repression of sexuality was transferred to an art formas the their pleasures and desires. On the other hand, women discourses that everyone is so obsessed with. This critical repression has been long existed in popular music paper only focuses on popular music especially in pop culture. The empowerment and independence of women, genre, to see how sexuality is manifested in both lyrics therefore, became a breakthrough in the history of and music videos by connecting with the theory from popular music. -
A Year in the Life of the Royal Society of Literature Contents
A year in the life of The Royal Society of Literature Contents “ If you love reading, we are your A year in review 2 Governance 3 Society – uniquely devoted to A society of, and for, writers 4 promoting and extending the Awards and prizes 5 knowledge and love of literature, its A society for all who love literature 6 Public events 7 rich past and its vibrant present.” A day in the life of the RSL team 8 Spreading the word 9 Colin Thubron CBE FRSL, President A year at the RSL in figures 10 Aims and objectives 11 The RSL in the classroom 12 Finance 14 Thank you 15 2 A year in review Governance The Royal Society of Literature was founded in 1820 by King George IV “ This Annual Review and incorporated by Royal Charter in 1825. As a Society, we are governed by our Charter and byelaws, and are registered with the Charity celebrates just some Commission under the number 213962. Our Council, Chair and President are responsible for direction and governance, and are drawn from our of the hundreds of Fellowship of writers. “ This has been a year people who contribute Patron Treasurer of dynamic change to and benefit from Her Majesty The Queen Colin Chisholm and promise.” the RSL.” President Council Members Colin Thubron CBE FRSL Imtiaz Dharker FRSL (appointed 2015) Maggie Fergusson, our much-loved director of In my first months here, I have been impressed, Aminatta Forna FRSL (retired 2015) over 20 years, has moved into the part-time role moved and exhilarated to experience the quality President Emeritus Lavinia Greenlaw FRSL of Literary Advisor. -
The Evolution of Darwinian Sexualities
BJHS Themes (2021), 1–23 doi:10.1017/bjt.2021.7 RESEARCH ARTICLE The evolution of Darwinian sexualities Erika Lorraine Milam* History Department, Princeton University *Corresponding author: Erika Milam, Email: [email protected] Abstract Charles Darwin’s Descent of Man was suffused with questions of courtship, mating and sex. Following in his footsteps, biologists throughout the twentieth century interrogated the sexual behaviour of humans and animals. This paper charts the fate of evolutionary theories of sexuality to argue that – despite legal and social gains of the past century – when biologists used sexual selection as a tool for theorizing the evolution of homosexual behaviour (which happened only rarely), the effect of their theories was to continuously reinscribe normative heterosexuality. If, at the end of the nineteenth century, certain sex theorists viewed homosexuality as a marker of intermediate sex, by the late twentieth a new generation of evolutionary theorists idealized gay men as hyper- masculine biological males whose sexual behaviours were uncompromised by the necessity of accommodating women’s sexual preferences. In both cases, normative assumptions about gender were interwoven with those about sexuality. By the twenty-first century, animal exemplars were again mobilized alongside data gathered about human sexual practices in defence of gay rights, but this time by creating the opportunity for naturalization without recourse to biological determinism. Charles Darwin’s Descent of Man and Selection in Relation to Sex was suffused with questions of courtship, mating and sex.1 Darwin’s reconstruction of animal history positioned ani- mals as vital sources of information on the development of the sexes and the mechanisms of courtship. -
Liberation of Women: Sexual Repression and the Family
University of Central Florida STARS PRISM: Political & Rights Issues & Social Movements 1-1-1960 Liberation of women: Sexual repression and the family Laurel Limpus Find similar works at: https://stars.library.ucf.edu/prism University of Central Florida Libraries http://library.ucf.edu This Book is brought to you for free and open access by STARS. It has been accepted for inclusion in PRISM: Political & Rights Issues & Social Movements by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Limpus, Laurel, "Liberation of women: Sexual repression and the family" (1960). PRISM: Political & Rights Issues & Social Movements. 37. https://stars.library.ucf.edu/prism/37 Laurel Limpus -. Laurel himpu? fsqa graduate student in , rociolag$ai 'fheW niuersity of Toronto. She ii o member of the Woman's Li- beratirrn group in Toronto. L TmI AN ATTEMPT to deilit$ith some of the theoretical prob?ems of the liberation oftw omeq paiticularly as tky %late to' sexuality and*mnal repression. Obviobsly the problem of sexuality; Is a dual one:! when I speak of 'female liberation, 1 mean liberation from the ' myths that,hive enslaved and confined women in their own minds as well as in the minds'of others; I don't mean liberation from men. Men and women are. .t. mutually opprbssed by a culture and a heritage that2 mutilaies the relationships possible hetween them.r* * -. I One of the reasbns we find it difficuli-to deal with.'lhe problem of female liberation is because the problem is .. so pervasive, so all encompassing; it involves the total realm of bourgeois consciousness. -
+ Ambivalent Views Toward Woman's
w«. ft» / + AMBIVALENT VIEWS TOWARD WOMAN’S ROLE IN THE NOVELS OF CHARLOTTE BRONTE Shari Barefoot Eason A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 1977 visor ;lish ABSTRACT Several studies have explored feminism in Charlotte Bronte's fiction, but few have focused on the ambivalence of her views toward the "woman question." The purpose of this study is to demonstrate that the attitudes expressed toward the role of women in her novels cannot be neatly categorized as either feminist or anti-feminist but, rather, should be recognized as ambivalent. The terms "feminism" and "anti-feminism" have acquired political connotations that have little to do with the problems encountered by Charlotte Bronte and her heroines. Therefore, one aim of this paper is to make a distinction between the views of the activists of today's women's liberation move ment and the perspectives of the early Victorian feminists. In the l8UO's and l85O's, the established view of the nature of woman and her proper sphere was the traditional one. It was held that the ideal lady should be intellectually and sexually passive; her behavior toward her male superior should be submissive; her sphere should not extend outside the home. The traditionalists far out numbered the feminists, whose views were largely unsanctioned by the respectable Victorian middle-classes. The heroines of Jane Eyre, Shirley and Villette are all torn between the Imperatives of convention and the desire to fulfill individual needs. -
No Sex Please, We're British!
Hera Cook. The Long Sexual Revolution: English Women, Sex, and Contraception, 1800-1975. Oxford: Oxford University Press, 2004. 412 pp. $55.00, cloth, ISBN 978-0-19-925239-8. Reviewed by Harry Cocks Published on H-Albion (December, 2005) Until quite recently, the history of nineteenth- more deeply in systems of knowledge that ulti‐ century sexuality was one of total repression. As mately seek to govern our subjectivity. We seek the excesses of the aristocracy gave way to the pleasure, Foucault says, but fnd only the ready- domination of the bourgeoisie, women, it was ar‐ made rules of "normality," or the demanding stric‐ gued, became cloistered and corseted, while men-- tures of consumerism. The Victorian bourgeoisie when they were not whoring after the double may not have actually had that much sex, but standard--were stuffy, inflexible patriarchs. Very were they not happier with all that longing? few people had sex outside marriage, and those Hera Cook's book argues that there was a lot that did usually came to a sticky end. Women, it more in the original story than has been conced‐ was assumed, knew little of their bodies, and even ed. First of all, she takes issue with Foucault's in‐ what they did know they found rather distasteful. terpreters. Foucault said that at the level of insti‐ Even worse, the Victorians bequeathed this stulti‐ tutions and domains, the Victorians were voluble fying state of affairs to their children and grand‐ about sex, but he said little about actual behavior. children, who only managed to throw off their op‐ The result of this has been, Cook suggests, that pressive yoke by participating in the sexual revo‐ historians of sexuality have tended to bracket be‐ lution of the 1960s. -
1: Introduction
Leicester Galleries, along with an image of the painting and an explanation of the hoax. Horizon and Encounter Complete runs of the periodicals Horizon and Encounter are available at http://www.unz.org, along with various other books, periodicals, videos, and films. Evelyn Waugh contributed to both periodicals, notably in February 1948, when Horizon devoted an entire issue to The Loved One, and in December 1955, when Encounter published “An Open Letter to the Hon. Mrs. Peter Rodd (Nancy Mitford).” Online Catalog of Evelyn Waugh’s Library The web site LibraryThing has posted an online catalog of 2752 works in Evelyn Waugh’s library. Peter Waugh on Alec and Evelyn In “My life as a Waugh,” published in The Guardian on 25 November 2011, Peter Waugh recalls his father, Alec, and his uncle, Evelyn. Fathers & Sons on Video The televised version of Alexander Waugh’s book Fathers & Sons: The Autobiography of a Family (2004) is available on YouTube, along with links to many other videos related to his grandfather, Evelyn. The Quest for Alastair Graham In “Nobody turns up,” published in The Spectator for 17 September 2011, Byron Rogers reviews How to Disappear by Duncan Fallowell. The book is partly about Fallowell’s quest to find Alastair Graham, the reclusive friend of Evelyn Waugh. How to Disappear was also reviewed, along with the new Penguin edition of Waugh’s Labels, in “How to write about travel” by Toby Lichtig, published in the Times Literary Supplement on 7 December 2011. Brideshead Day at Castle Howard Sunday, 25 September 2011 was Brideshead Day at Castle Howard in Yorkshire. -
University of Warwick Institutional Repository: a Thesis Submitted for the Degree of Phd at The
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/35511 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. REPRESENTATIONS OF SCREEN HETEROSEXUALITY IN THE MUSICALS OF FRED' ASTAIRE AND VINCENTE MINNELLI JEFFREY DENNIS CROUSE Ph. D. in Film and Television Studies University of Warwick November 1997 ABSTRACT This thesis examines the ways in which heterosexuality is rendered in the Hollywood genre where its existence is most privileged: musicals of the studio era (c. 1930 - c. 1960). In this popular film category, heterosexuality is expressed in a framework of "boy-meets-girl" amatory coupling that is remarkably amplified and insistent. In analysis that is at once sympathetic and critical of the subject matter, I show that heterosexuality in the Hollywood musical is constructed in a way that is far from monolithic. On the contrary, I find that there are in fact varieties of heterosexual identity that exist in the genre, and that they are most succinctly revealed through romantic engagement. Yet heterosexuality is depicted along divergent formulations owing to contrasting relational aims and assumptions. Building on Richard Dyer's 1993 essay, 'III Seem to Find the Happiness I Seek': Heterosexuality and Dance in the Musical, " I will discuss how the basis of these separate models is traceable to different approaches related to power distributions between men and women.