University of Hawai‘i at Hilo · Hawai‘i Community College HOHONU 2013 Vol. 11 Shadow” (1847) by Hans Christian Andersen is the most The Shadow in the notable example, with J. M. Barrie’s Peter Pan following in a close second. Both stories approach the topic of Contemporary Fairy Tale shadows severed from their lighter, or original, halves. Robin K. Belcher,
[email protected] In Salman Rushdie’s more contemporary take on the ENG 466, UH Hilo severed and autonomous shadow in Haroun and the Sea of Stories, Rushdie incorporates Indian culture to create The shadow wedges itself comfortably into the the character Mudra, the Shadow Warrior from the land contemporary fairy tale. Taking on many forms within of Chup, and the villain Kattam-Shud. the traditional and contemporary fairy tale the shadow “[I]n the Land of Chup, a Shadow very often expresses itself as the doppelgänger, the amorphic has a stronger personality than the Person, or Self, presence, the refection, the ghost, and a host of other incarnations. The shadow in the fairy tale is not only or Substance to whom or to which it is joined! comprised of the overt shadow that is seen in the physical So often the Shadow leads, and it is the Person world of the fairy tale, but also the covert psychological or Self or Substance that follows. And of course shadow described by Carl Jung as an aspect of the there can be quarrels between the Shadow and unconscious mind and the intertextual shadow formed the Substance or Self or Person; they can pull in by the creation of the contemporary fairy tale.