Contents: Sound Blaster Live! Value Sound Card User's Guide
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Introduction Chapter 2 — Windows Software
UltraSound owners have a variety of sound needs. This is a guide to help you find the best way to use your new UltraSound for your own applications. Using your UltraSound with many games is as simple as selecting UltraSound from the list of sound cards in the game’s setup. You’ll hear extraordinary wavetable sound as soon as you begin the game. To use UltraSound with games that do not yet support the card directly, you may need some help getting started. UltraSound works with programs written for General MIDI, Sound Blaster, Ad Lib, Roland MT-32, and Roland SCC1. Read Chapter 6, “Game Sound Support,” for an explanation of the sound options available with UltraSound. Explore the file playing, recording, and mixing features of your UltraSound right away using the simple sound applets that come with Windows version 3.1 or later. Use Media Player to play sound files with your UltraSound. Or hook up a microphone and use Sound Recorder to record, mix, and play your own sounds. See the Windows manual or Sound Recorder’s on-line help for instructions. Open the UltraSound Mixer to enable inputs and outputs, set playback volume, and control CD and Microphone inputs. The settings you choose from the Mixer applet are only valid for the current Windows session until you save them. Once you have had a chance to explore your UltraSound’s features with these simple applications, try the great bonus software included in your UltraSound package. Advanced Gravis has included a number of terrific software applications for recording, playing, mixing, and composing sounds and music with your new UltraSound. -
Frequently Asked Questions About Sound Blaster X7 Ver
Frequently Asked Questions about the Sound Blaster X7 General 1. Why is the Sound Blaster X7 so light? The Sound Blaster X7 was designed with an external power adapter, as opposed to regular amplifiers with internal transformers, which greatly takes away the bulk and weight from the product itself. The combined weight of the Sound Blaster X7 unit together with the power adapter is approximately 1.1 kg. The Sound Blaster X7 was engineered and designed for power efficiency, heat management and component synergy, resulting in reduced overall weight. We also wanted to create a product with a small footprint that can easily placed next to a desktop computer or in a living room home audio setup. 2. How is heat being managed on the Sound Blaster X7? The Sound Blaster X7 uses an efficient power amplifier that only requires a small heat sink for heat dissipation. The Sound Blaster X7 also complies with ErP, the latest European Union Directive for energy management. 3. Do I need to upgrade to the 24V, 6A high power adapter? The Sound Blaster X7 comes bundled with a 24V, 2.91A power adapter, which should give you 20+20W – 27+27W (into 8 ohms speakers) and 35+35W – 38+38W (into 4 ohms speakers) in normal usage scenarios. Such output power is sufficient in an average room setup. You will only need an upgrade to the higher power adapter if you require more audio power. Connectivity to Audio/Video (AV) Systems 1. I currently have an AV system at home. How do I connect the Sound Blaster X7 to it? You can connect the Sound Blaster X7 to your home AV system via TOSLINK*. -
Sound Blaster Free Multifunction Portable Bluetooth® Speaker
Sound Blaster Free Multifunction Portable Bluetooth® Speaker SET YOUR MUSIC FREE. Play your favorite tunes wirelessly from your phone/tablet, from the built-in MP3 player or via USB from your PC/Mac, and fill your world with massive, full-bodied music ANYHOW, ANYWHERE. Massive, Full-Bodied Sound • The Sound Blaster Free delivers powerful audio and enhanced bass response, despite its diminutive size, with its two custom-tuned 40mm Neodymium drivers and dual passive radiator design. Fill your world with loud, vibrant and booming music. Effortless Mobility and Flexibility • Take the Sound Blaster Free wherever you go for awesome wireless music on the move. Its splash-proof, dual- orientation form factor gives you the flexibility to use it vertically for 360° sound, or horizontally for great direct stereo imaging. Multifunctional With Versatile Connectivity • The Sound Blaster Free was built to be a true companion. Blast your favourite tunes wirelessly through Bluetooth 4.0 or directly from a microSD card with the integrated music player. It even supports digital USB audio streaming from a PC or Mac with added SBX Pro Studio™ enhancements. Use it as a Bluetooth speakerphone too! You’ll never run out of ways to use the Sound Blaster Free. Technical Specifications Package Content • Power Output: 2 x 3.5 W • Sound Blaster Free Speaker • Drivers: 40mm neodymium drivers with dual passive radiators • USB cable • Discreet omni-directional microphone • Quick Start Leaflet • Bluetooth® 4.0 with SBC and FastStream • Warranty Leaflet • Bluetooth Profiles: -
Linux Sound Subsystem Documentation Release 4.13.0-Rc4+
Linux Sound Subsystem Documentation Release 4.13.0-rc4+ The kernel development community Sep 05, 2017 CONTENTS 1 ALSA Kernel API Documentation 1 1.1 The ALSA Driver API ............................................ 1 1.2 Writing an ALSA Driver ........................................... 89 2 Designs and Implementations 145 2.1 Standard ALSA Control Names ...................................... 145 2.2 ALSA PCM channel-mapping API ..................................... 147 2.3 ALSA Compress-Offload API ........................................ 149 2.4 ALSA PCM Timestamping ......................................... 152 2.5 ALSA Jack Controls ............................................. 155 2.6 Tracepoints in ALSA ............................................ 156 2.7 Proc Files of ALSA Drivers ......................................... 158 2.8 Notes on Power-Saving Mode ....................................... 161 2.9 Notes on Kernel OSS-Emulation ..................................... 161 2.10 OSS Sequencer Emulation on ALSA ................................... 165 3 ALSA SoC Layer 171 3.1 ALSA SoC Layer Overview ......................................... 171 3.2 ASoC Codec Class Driver ......................................... 172 3.3 ASoC Digital Audio Interface (DAI) .................................... 174 3.4 Dynamic Audio Power Management for Portable Devices ...................... 175 3.5 ASoC Platform Driver ............................................ 180 3.6 ASoC Machine Driver ............................................ 181 3.7 Audio Pops -
General MIDI 2 February 6, 2007
General MIDI 2 February 6, 2007 Version 1.2a Including PAN Formula, MIDI Tuning Changes and Mod Depth Range Recommendation Published By: The MIDI Manufacturers Association Los Angeles, CA PREFACE Abstract: General MIDI 2 is a group of extensions made to General MIDI (Level 1) allowing for expanded standardized control of MIDI devices. This increased functionality includes extended sounds sets and additional performance and control parameters. New MIDI Messages: Numerous new MIDI messages were defined specifically to support the desired performance features of General MIDI 2. The message syntax and details are published in the Complete MIDI 1.0 Detailed Specification version 1999 (and later): MIDI Tuning Bank/Dump Extensions (C/A-020) Scale/Octave Tuning (C/A-021) Controller Destination Setting (C/A-022) Key-Based Instrument Controll SysEx Messages (C/A-023) Global Parameter Control SysEx Message (C/A-024) Master Fine/Course Tuning SysEx Messages (C/A-025) Modulation Depth Range RPN (C/A-026) General MIDI 2 Message: Universal Non-Realtime System Exclusive sub-ID #2 under General MIDI sub-ID #1 is reserved for General MIDI 2 system messages (see page 21 herein). Changes from version 1.0 to version 1.1: o Section 3.3.5: changed PAN formula per RP-036 o Section 4.7: Added new recommendations per RP-037 Changes from version 1.1 to version 1.2: o Section 3.4.4: added recommendation for Mod Depth Range Response per RP-045 o V 1.2a is reformatted for PDF distribution General MIDI 2 Specification (Recommended Practice) RP-024 (incorporating changes per RP-036, RP-037, and RP-045) Copyright ©1999, 2003, and 2007 MIDI Manufacturers Association Incorporated ALL RIGHTS RESERVED. -
You Door Know Vvhor You've
The Independent l _. NewsletterNewslefter for Ensoniq Users r T You Don'tDoor Know vvhorWhat You've In This Issue .. Got Till It's Gone: Got Till l’r's Gone: Articles:Articles. : The MRD-lMRD-101 a1 MR Disk from Ensoniq ZR-76ZR-76 Specifications Pat FFinniganinnigan Ensoniq ................................................................................................. ........... 3 ~14-f-1'1-I-' :1.‘-:1.’-:i":!.'-2117:‘. :» ~ ~ _ _ August. Mac owners need Stuffitt to unun-binhex-binhex NNAMMAMM News: Ensoniq Makes Keyboards! ~¢. the file; PC’ersPC'ers need WinZip or other unZIP Sam Mims ....................................................... ............................................. 5 app to decompress these filesfiles.. Go to w3.en-w3.en soniq.com,soniq.corn, click on the "Download"“Download” link, The X Sounds select the "Musical“Musical Instrument Files"Files” link, and Garth HHjeltejelte .............................................................................................. 6 select the "MR61171"“MR6l/71” link. Click on the 1 MRDMRD-101-IOI link and specify a folder to save it'it in. Once you'veyou’ve pulled it down, decodeldecode/ decompress it, copy to a 1.4 Mb floppy, stuffsniff ReviewsRGVIGWSZ: it into your MR-61176MR-61/76 and press that load buttonbutton... ... Ensoniq MRDMRD-101-IO 1 For: MR-6I,MR-61, MRMR-76,-76, MR Rack. Pat FFinniganinnigan .............................................................................. cover Product: MRDMRD--l101 0 I Sound & Sequence Disk. The Roses Price: FreeFree.. This is -
13081.Pdf (3.208Mb)
ΠΑΝΕΠΙΣΤΗΜΙΟ ΘΕΣΣΑΛΙΑΣ ΠΟΛΥΤΕΧΝΙΚΗ ΣΧΟΛΗ ΤΜΗΜΑ ΗΛΕΚΤΡΟΛΟΓΩΝ ΜΗΧΑΝΙΚΩΝ ΚΑΙ ΜΗΧΑΝΙΚΩΝ ΥΠΟΛΟΓΙΣΤΩΝ Σύνθεση μουσικής με την χρήση της γλώσσας προγραμματισμού ChucK και μελέτη εφαρμογής στην εκμάθηση ηλεκτρικής κιθάρας Composition of music with the use of programming language ChucK and study of application in the learning of electric guitar Διπλωματική Εργασία Κουκάκης Γεώργιος Επιβλέποντες Καθηγητές : κ.Ακρίτας Αλκιβιάδης Καθηγητής κ.Δασκαλοπούλου Ασπασία Επίκουρος Καθηγήτρια Βόλος,Ιούνιος 2014 ΠΑΝΕΠΙΣΤΗΜΙΟ ΘΕΣΣΑΛΙΑΣ ΠΟΛΥΤΕΧΝΙΚΗ ΣΧΟΛΗ ΤΜΗΜΑ ΗΛΕΚΤΡΟΛΟΓΩΝ ΜΗΧΑΝΙΚΩΝ ΚΑΙ ΜΗΧΑΝΙΚΩΝ ΥΠΟΛΟΓΙΣΤΩΝ Σύνθεση μουσικής με την χρήση της γλώσσας προγραμματισμού ChucK και μελέτη εφαρμογής στην εκμάθηση ηλεκτρικής κιθάρας. Composition of music with the use of programming language ChucK and study of application in the learning of electric guitar Διπλωματική Εργασία Κουκάκης Γεώργιος Επιβλέποντες Καθηγητές : κ.Ακρίτας Αλκιβιάδης Καθηγητής κ.Δασκαλοπούλου Ασπασία Επίκουρος Καθηγήτρια Εγκρίθικε από την διμελή επιτροπή την .................. .............................. .................................... κ.Ακρίτας Αλκιβιάδης κ.Δασκαλοπούλου Ασπασία Καθηγητής Επίκουρος Καθηγήτρια Διπλωματική εργασία για την απόκτηση του πτυχίου Ηλεκτρολόγων Μηχανικών και Μηχανικών Η/Υ του Πανεπιστημίου Θεσσαλίας στα πλαίσια του Προγράμματος προπτυχιακών σπουδών του τμήματος Ηλεκτρολόγων Μηχανικών και Μηχανικών Η/Υ του Πανεπιστημίου Θεσσαλίας. ................................. Κουκάκης Γεώργιος Διπλωματούχος Ηλεκτρολόγος Μηχανικός και Μηχανικός Η/Υ , Πανεπιστημίου Θεσσαλίας Copyright -
Band-In-A-Box Version 8.0 Requires a MAC with a 68030 Or a Powermac with at Least 8.5MB of Available Memory (The Default Memory Setting Is 8500K)
Band-in-a-Box™ for Macintosh® Copyright PG Music Inc. 1999. All rights reserved. PG MUSIC INC. PG Music Inc. License Agreement Program License Agreement CAREFULLY READ THE FOLLOWING TERMS AND CONDITIONS BEFORE COMPLETING THE INSTALLATION OF THIS SOFTWARE. USAGE OF THE SOFTWARE INDICATES YOUR ACCEPTANCE OF THE FOLLOWING TERMS AND CONDITIONS. LICENSE A. The program may only be used on a single machine. B. You may transfer the program and license to another party if the other party agrees to accept the terms of this Agreement. If you transfer the program, you must either transfer all copies, whether in printed or machine readable form, to the same party, or, destroy all copies not transferred. This includes all modifications and/or portions of the program merged into other programs. C. You may receive the program in more than one media. Regardless of the type or size of media you receive, you may install or use the media on a single machine. D. The program (including any images, "applets", photographs, animations, video, audio, music and text incorporated into the program) is owned by PG Music Inc. or its suppliers, and is protected by international copyright laws and international treaty provisions. YOU MAY NOT USE, COPY OR TRANSFER THE PROGRAM, OR ANY COPY, MODIFICATION OR MERGED PORTION OF THE PROGRAM, IN WHOLE OR IN PART, EXCEPT AS EXPRESSLY PROVIDED FOR IN THIS LICENSE. IF YOU TRANSFER POSSESSION OF ANY COPY, MODIFICATION OR MERGED PORTION OF THE PROGRAM TO ANOTHER PARTY, YOUR LICENSE IS AUTOMATICALLY TERMINATED. LIMITATION OF REMEDIES PG Music Inc.'s entire liability, and your exclusive remedy shall be: A. -
Owner's Manual of the Software You Are Using
Information When you need repair service, call your nearest Roland/EDIROL Service Center or authorized Roland/EDIROL distributor in your country as shown below. SINGAPORE ROMANIA QATAR AFRICA CRISTOFORI MUSIC PTE EUROPE FBS LINES Badie Studio & Stores LTD Plata Libertatii 1. P.O. Box 62, RO-4200 Cheorgheni DOHA QATAR EGYPT Blk 3014, Bedok Industrial Park E, AUSTRIA Al Fanny Trading Office #02-2148, SINGAPORE 489980 TEL: (066) 164-609 TEL: 423554 Roland Austria GES.M.B.H. P.O. Box 2904, TEL: 243 9555 El Horrieh Heliopolos, Cairo, Siemensstrasse 4, P.O. Box 74, RUSSIA SAUDI ARABIA EGYPT TAIWAN A-6063 RUM, AUSTRIA aDawliah Universal TEL: (0512) 26 44 260 Slami Music Company TEL: (02) 4185531 ROLAND TAIWAN Sadojava-Triumfalnaja st., 16 Electronics APL ENTERPRISE CO., LTD. P.O. Box 2154 ALKHOBAR 31952, BELGIUM/HOLLAND/ 103006 Moscow, RUSSIA REUNION Room 5, 9fl. No. 112 Chung Shan TEL: 095 209 2193 SAUDI ARABIA Maison FO - YAM Marcel N.Road Sec.2, Taipei, TAIWAN, LUXEMBOURG TEL: (03) 898 2081 R.O.C. 25 Rue Jules Merman, ZL Roland Benelux N. V. SPAIN TEL: (02) 2561 3339 SYRIA Chaudron - BP79 97491 Houtstraat 3, B-2260, Oevel Roland Electronics (Westerlo) BELGIUM Technical Light & Sound Ste Clotilde REUNION THAILAND de España, S. A. TEL: 28 29 16 TEL: (014) 575811 Calle Bolivia 239, 08020 Center Theera Music Co. , Ltd. Barcelona, SPAIN Khaled Ibn Al Walid St. 330 Verng NakornKasem, Soi 2, P.O. Box 13520 Owner’s Manual SOUTH AFRICA DENMARK TEL: (93) 308 1000 That Other Music Shop Bangkok 10100, THAILAND Damascus - SYRIA TEL: (02) 2248821 Roland Scandinavia A/S TEL: (011) 2235 384 (PTY) Ltd. -
General Midi Specifications
General MIDI 11/5/03 8:28 AM GENERAL MIDI Not everyone becomes involved with MIDI and electronic instruments because they want to create all kinds of new sounds. Some of us are just musicians who want a palette of good sounds with which to compose and perform. A need arose in the computer world for better sounds in games and multimedia. Those needs were recognized, and a new part of the MIDI standard was born. Welcome to General MIDI. No, not a high ranking musical military officer, General MIDI (GM) is an unusual part of the MIDI specification called a recommended practice. It isn't a MIDI message or command. Instead, it is a description of a class of musical instruments that all share a consistent set of feature and capabilities. This means that music created for playback on a GM instrument will sound musically consistent on any GM instrument. A typical MIDI system is very personalized. You choose the instruments you want to use and the sounds that are in each instrument. Manufacturers developing new synthesizers are free to put any kind of sounds in teh machine as they wish, in any order. Sequences you record in your studio with your equipment will not automatically fit into other MIDI systems. You will need to put some amount of effort in to redirecting channels and changing pitch change messages to fit the new gear you are using. SPECIFICATIONS All of this extra noodling disappears with GM. Any instrument that bears the mighty GM logo must adhere to a predetermined list of feature and patch assignments. -
Soundfont Player™ 1.0 Operation Manual
SoundFont Player™ 1.0 Operation Manual E-MU World Headquarters E-MU / ENSONIQ P.O. Box 660015 Scotts Valley, CA 95067-0015 Telephone: (+1) 831-438-1921 Fax: (+1) 831-438-8612 www.soundfont.com www.emu.com SoundFont Player™ 1.0 Operation Manual E-MU World Headquarters E-MU / ENSONIQ P.O. Box 660015 Scotts Valley, CA 95067-0015 Telephone: (+1) 831-438-1921 Fax: (+1) 831-438-8612 Internet: www.soundfont.com www.emu.com SoundFont Player Operation Manual Page 1 This manual is © 2001 E-MU / ENSONIQ. All Rights Reserved Legal Information The following are worldwide trademarks, owned or exclusively licensed by E-mu Systems, Inc, dba E-MU / ENSONIQ, registered in the United States of America as indicated by ®, and in various other countries of the world: E-mu®, E-mu Systems®, the E-mu logo, Ensoniq®, the Ensoniq logo, the E-MU / ENSONIQ logo, Orbit The Dance Planet, Planet Phatt The Swing System, Proteus®, SoundFont®, the SoundFont logo, SoundFont Player,. Sound Blaster and Creative are registered trademarks of Creative Technology Ltd. Audigy, Environmental Audio, the Environmental Audio logo, and Environmental Audio Extensions are trademarks of Creative Technology Ltd. in the United States and/or other countries. Windows is a trademark of Microsoft Corporation in the United States and/or other countries. All other brand and product names are trademarks or registered trademarks of their respective holders. SoundFont Player Operation Manual Page 2 Table of Introduction ...................................................................................6 -
Sound Blaster AWE 32/64 HOWTO
Sound Blaster AWE 32/64 HOWTO di Marcus Brinkmann < [email protected] > v1.2, 11 gennaio 1998, tradotto il 2 agosto 1998 Questo documento descrive come installare e configurare una Soundblaster 32 (SB AWE 32, SB AWE 64) della Creative Labs inc. sotto Linux utilizzando l’Awe Sound Driver Extension scritto da Takashi Iwai. Viene trattato inoltre l’utilizzo di tools e player particolari per la serie AWE della SB. Il sistema operativo di riferimento utilizzato per questo HOWTO `eDebian GNU/Linux System, ma dovrebbe funzionare su ogni altra distribuzione Linux. Traduzione di Samuele Tonon< Samuele Tonon > Contents 1 Introduzione 2 1.1 Ringraziamenti ............................................ 2 1.2 Nota per la versione italiana ..................................... 2 1.3 Politica di distribuzione ....................................... 2 2 Prima di iniziare 3 2.1 Introduzione .............................................. 3 2.2 Note generali sulle schede SB AWE ................................. 3 2.3 Note sulle schede PnP (Plug and Play) ............................... 3 2.4 Note generali sul caricamento dei moduli del kernel ........................ 4 2.5 Note generali sui driver sonori del kernel .............................. 4 3 Come installare il supporto SB AWE per il suono 5 3.1 Requisiti ................................................ 5 3.2 Iniziamo ................................................ 5 3.3 Compilare il kernel .......................................... 6 3.4 Riavvio ...............................................