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Record Group 6
Special Collections in Performing Arts MUSIC LIBRARY ASSOCIATION ARCHIVES Michelle Smith Performing Arts Library Record Group VI. Notes University of Maryland, College Park, MD Finding Aid by Melissa E. Wertheimer, MLA Archivist, 2018 MUSIC LIBRARY ASSOCIATION ARCHIVES: COLLECTION SUMMARY INFORMATION Finding Aid created with Describing Archives: A Content Standard, 2nd Edition Repository Special Collections in Performing Arts, Michelle Smith Performing Arts Library, Clarice Smith Performing Arts Center, University of Maryland, College Park, MD 20742 Creator Music Library Association Title Music Library Association Archives Date 1931 – 2017 [ongoing] Extent Approximately 300 linear feet of paper records; 5GB of digital materials; sound recordings Languages English with additional documents in French, German, Italian, Portuguese, Russian, and Spanish. Preferred Citation Music Library Association Archives, Special Collections in Performing Arts, University of Maryland, College Park, MD COLLECTION SCOPE & CONTENTS The Music Library Association Archives contains the official records of the Music Library Association (MLA) that document the history, activities, and publications of the organization since its founding in 1931. MLA is the professional association for music libraries and librarianship in the United States with the mission to provide a professional forum for librarians, archivists, and others who support and preserve musical heritage. Formats in the records include manuscripts, financial ledgers, printed publications, sound recordings, oral histories, photographs, scrapbooks, microfilm, realia, born-digital files, musical scores, and artwork. The collection also contains records of select current and former regional chapters, including the Atlantic, Greater New York, Mountain-Plains, and New England Chapters. Records of the California, Midwest, New York State-Ontario, Pacific Northwest, Southeast, and Texas Chapters are housed in repositories within their geographic areas. -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams. -
Mccormick Magazine | Spring 2011
McCormick magazine | spring 2011 Robert R. McCormick School of Engineering and Applied Science ARCHITECTURE IN BERLIN Northwestern University STUDenTS Learn FROM THE masTers FROM THE DEAN Greetings from McCormick. McCormick prides itself on providing its students a well-rounded education that encourages both analysis and creativity, a concept that we call “whole-brain engineering.” Nowhere is this more apparent than in two of our major initiatives: the Farley Center for Entrepreneurship and Innovation and the Segal Design Institute. These two initiatives have established a culture of innovation that infuses every part of the school. From undergraduate and graduate design education, where students develop solutions to a wide range of problems (including, as highlighted in this issue, devices for patients at the Rehabilitation Institute of Chicago) to entrepreneurship courses, funding, and incubator space, both faculty and students are provided the knowledge and support they need to innovate solutions for the world’s most pressing problems. In this issue we chart the course of these initiatives and show you some success stories. We also highlight how our research and education is making a local impact. Our Infrastructure Technology Institute is working with the Chicago Transit Authority to determine strain on a century-old bridge. They are using state-of-the-art sensors that provide insight into the structural health of the bridge. On our cover you can see a photo from our Architectural Engineering and McCormick magazine is published by the Robert R. McCormick School of Engineering Design Program’s recent study abroad trip to Berlin. Students spent a week there in and Applied Science, Northwestern University, for its alumni and friends. -
Shifts in Protestant Worship and Doctrine – J
Shifts in Protestant Worship and Doctrine – J. Stockton Shifts in Protestant Worship and Doctrine Pastor Jonathan Stockton 2017 BBTS Fall Lecture Series " Baptists and the Reformation" Protestant philosophy with respect to worship has been in flux for the past seventy years. Because of that, and in order to address shifts, a baseline must be established. A church's and a Christian's philosophy of music and worship should be doctrinal. That is, they should be sifted through the Scriptures just as any other dogma. For instance, the tongues movement, as a pneumatology, is contrasted to Scripture, and cast out. Calvinism, as a soteriology, is thrown against the castle wall of Scripture, and repelled. So there should be a "doctrine" of music! This is not "hymnology," which studies primarily the music used in worship, but a doctrine of music in its general use in the world, with or without lyrics. It might be called "psallology." It should be a Scriptural musicology. Perhaps to say that a philosophy of music and worship should be doctrinal is a misnomer – they seem to be so inherently, so that a church can often be identified by its music, and its music usually identified by its doctrine. Many would contest that statement, but even casual observation overwhelmingly supports it. I. Should Baptist churches be musical? God's churches are musical. A. Prophecy fulfilled shows that they were musical: 1. Romans 15:9-11 explains that Psalm 18:49-50 is a prophecy of the fact that Gentiles would sing the praises of God along with God's chosen people, because of His great mercy. -
Negus MQ 3 FINAL For
Narrative, Interpretation and the Popular Song Keith Negus FINAL VERSION submitted to Musical Quarterly February 2012 (prior to editing for publication). This text includes a minor amendment to acknowledge the passing of Walter Becker. For the published version go here – https://academic.oup.com/mq/article-abstract/95/2- 3/368/1009964?redirectedFrom=fulltext The text includes lyrics from Kid Charlemagne Words and Music by Walter Becker and Donald Fagen Copyright © 1976 UNIVERSAL MUSIC CORP. Copyright Renewed. All Rights Reserved. Used by Permission. Narrative, Interpretation and the Popular Song The value of narratives in human understanding of the world is widely recognized. The importance of narrative is apparent in varieties of everyday storytelling as well is in written fiction, drama, spectacle and ritual, visual art and film, architecture, legal proceedings, scientific reports and political theory, to provide a only partial list indicative of the range. Yet, the popular song - one of the most pervasive narrative forms that people encounter in their daily lives - has been almost entirely ignored in the vast literature on narrative.1 Whilst narratological methods have often featured in the interpretation of western art music2 and film music3, and although literary approaches to lyrics have sometimes emphasized a poetics of storytelling4, theories of narrative have rarely been foregrounded in the study of popular songs.5 In this article I will focus on narrative to explore practices of interpretation in both scholarship and everyday discussion about popular songs. I will emphasize the intersubjective interpretation of song meanings and advocate an “intercontextual” approach to the understanding of song narratives, drawing from research which emphasizes how our knowledge of the world is cumulative and always in a process of becoming through time. -
The Bear’S Words of Wisdom
2 The Bear’s Words of Wisdom Owsley "The Bear" Stanley ii Contents 1 Diet and Exercise 1 2 Low Carber Forum Posts 7 3 Interview with an Alchemist (1998) 285 4 Q&A with igibike on RawPaleoDietForum.com 291 5 The Bear’s Discussion with Rob From ZeroCarbPath 295 5.1 Advice .............................. 296 5.2 Diet ............................... 297 5.3 The basics ............................ 299 5.4 The “Meat is Toxic” Myth ................... 301 5.5 The “Good” Carb Myth ..................... 303 5.6 The “Fiber is Healthy” Myth .................. 303 5.7 On Diet Social Evolution-Acculturation ............ 305 5.8 On Anthropology ........................ 306 5.9 Bear’s Stats ........................... 307 5.10 Bear’s Meat Tips ........................ 308 5.11 Reflections on Long Term Vegetarianism ............ 309 6 The Bear’s Response to Jimmy Moore Wanting an Interview 311 iii iv CONTENTS Chapter 1 Diet and Exercise Source: http://thebear.org/essays1.html#anchor496162 One of the problems of modern living is the way in which we have departed from the things we did as we evolved. Diet is one of those things, and I be- lieve that diet and the lack of the right exercise are the main reasons for the widespead prevalence of obesity, diabetes and heart disease. I have always liked meat the best of all foods, and as a child I never wanted to eat my vegetables, other than the usual starchy things like bread and potatoes. As I grew out of my teens my weight suddenly shot up from 125 pounds to 186 in about six months. I was out on my own and trying to eat on the cheap, which naturally resulted in a rather carbohydrate-rich diet. -
Gifted Idea- Cheeses Or Candies
"p " •' r.'PT.PTnp'P'R'r? 1503 SAN CARLOS BAY DR. SANIBEL-CAPTIVA ISLANDER DEVOTED TO THE INTERESTS OF SANIBEL AND 10* CAPTIVA ISLANDS TheFlnest shelling Beaches In The Western Hemisphere photos by huston VOLUME 11 NUMBER 50 PUBLISHED EVERY THURSDAY DECEMBER 16, 1971 Duane White in a medley of traditional Christmas carols with the popular and able accompaniment of Mrs. Frank Culpepper at the piano. A fitting climax to the evening festivities came in the appearance (not quite CHRISTMAS down the chimney) of Santa himself (realistically portrayed by Fred Bunnell) who to the delight of the youngsters forthwith passed out appropriate gifts to all the well PROGRAM STARTED deserving children of the chorus. Association president, Marty Holtz, thanked the hosts and hostesses of the evening for an excellent repast and the festive Christmas decorations in the persons The Sanibel Community Association launched the spirit of the Christmas season of Mr. & Mrs. Salemi, Mr. & Mrs. Tenney, Mr. & Mrs. Robson, Mr. & Mrs. Mueller, in song, good will, good food and an overflow audience at its annual Christmas and Mr. & Mrs. Arnold. program held at the Community-House on December 7. After a brief business meeting John Shepherd's entertainment committee, surpassing an already superb series of programs, presented Mr. R. Runnels as emcee for the evening. Mr. Runnels introduced a chorus of some forty youngsters from the CONSERVATION Sanibel Elementary School under the musical direction of Mrs. Phillips and accompanied by Mr. George Dissette on the guitar. In the group rendition of "I'm Joel Kuperberg, executive Director of the Florida Trustees of the Internal Dreaming of a White Christmas" the solo part was ably performed by Christine Improvement Fund, assured members of the Sanibel-Captiva Conservation Stokes. -
Miley Cyrus Breakout Mp3, Flac, Wma
Miley Cyrus Breakout mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Breakout Country: Canada Released: 2008 Style: Pop Rock MP3 version RAR size: 1715 mb FLAC version RAR size: 1489 mb WMA version RAR size: 1442 mb Rating: 4.7 Votes: 502 Other Formats: MIDI AA WMA MP3 AIFF DXD DTS Tracklist Hide Credits Breakout Backing Vocals – Gina Schock, Katy PerryBass – Paul BushnellDrums – Josh 1 FreeseEngineer – Gavin MackillopGuitar – Rusty AndersonKeyboards – Zac RaeMixed By – 3:26 Clif Norell*Producer – Anne Preven, Scott CutlerWritten-By – Gina Schock, Ted Bruner, Trey Vittetoe 7 Things Arranged By [Strings], Keyboards – Stephen LuBass, Guitar, Keyboards, Programmed By, Vocals – John FieldsDrums – Michael BlandEngineer [Additional] – Heather Sturm, Peter 2 3:33 AndersonGuitar – Tim PierceGuitar, Mandolin, Vocals – Will Owsley*Keyboards – Tommy BarbarellaMixed By – Chris Lord-AlgePercussion – Ken ChastainProducer, Recorded By – John FieldsVocals – Jon LindWritten-By – Antonina Armato, Miley Cyrus, Tim James The Driveway Backing Vocals – Katy Perry, Ryan StarBass – Paul BushnellDrums – Josh FreeseGuitar – 3 3:43 Rusty AndersonKeyboards – Zac RaeMixed By – Chris Lord-AlgeProducer – Anne Preven, Scott CutlerWritten-By – Anne Preven, Miley Cyrus, Scott Cutler Girls Just Wanna Have Fun Backing Vocals – GiGi Worth, Miley Cyrus, Regina Williams, Terry WoodBass – Paul 4 BushnellDrums – Abe Laboriel, Jr.*Guitar – James HarrahKeyboards, Programmed By – 3:06 Matthew WilderMixed By, Producer – Matthew WilderRecorded By – Matthew Wilder, -
Medeski, Blackman Santana, Reid & Bruce Explore the Music of Tony
DOWNBEAT Steve Turre Preservation Hall Jazz Band @ 50 SPECTRUM R OA D // STEVE STEVE T URRE // P RE S ERVATION HALL JAZZ BAN D // Spectrum Road M ARY HALVOR ARY MEDESKI, BLACKMAN SANTANA, REID & BRUCE S ON EXPLORE THE MUSIC OF TONY WILLIAMS Guitar School Mary Halvorson John McLaughlin TRANSCRIBED JULY 2012 U.K. £3.50 Neil Haverstick MASTER CLASS J ULY Eric Revis 2012 BLINDFOLDED DOWNBEAT.COM JULY 2012 VOLUme 79 – NUMBER 7 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
We Are Allstudents, We Are Allteachers
We are all students, we are all teachers e are all students. Right now I’m of Hollow (hollowdocumentary.com), an interactive learning what Appalachia looks like documentary and community participatory project that Wfrom the perspective of Berea, which she produced. Hollow is about McDowell County, one rests on the bluegrass cusp of eastern Kentucky. of the hardest hit boom-and-bust coal counties in West The pieces in this issue of our newsletter are about Virginia, that uses cutting-edge web technology to learning too, about ways to sustain it, about ways render “a hybrid community participatory project and to share it, about ways to act on it. interactive documentary where content is created 'for Recently I was contacted by Alexandra Bradner, the community, by the community.’” an old friend who was writing to ask my thoughts on So here are a few of my answers to Alexandra’s “the challenges for poets, filmmakers, writers, question about challenges that media makers face in playwrights, etc., in representing Appalachian regions representing Appalachia. As with any representation, and their populations.” Alexandra had written an the goal is to see and say what is there. The difficulty excellent critique of MTV’s Buckwild (a “reality” TV is selecting a particular something or someone to show about young adults living in Sissonville, WV) represent an idea, or group of people, or place—in that appeared in the online magazine Salon, and she this case, Appalachia. Reality is much more complex had been approached by the New York Times and varied than any single representation could hope Magazine about broadening that vision. -
The Social and (Counter)Cultural 1960S in the USA, Transatlantically
CORE Metadata, citation and similar papers at core.ac.uk Provided by University of Salford Institutional Repository The social and (counter)cultural 1960s in the USA, transatlantically George McKay The movement was a loose coalition, and alliances often defined it. Students, clergy, intellectuals often marched first, and later they were joined by many others, from ecologists to hippies to women’s liberationists.… [W]hen cultural activists in Ann Arbor, Michigan, met [in 1969] to discuss drugs in the city representatives appeared from the White Panthers, Black Berets, God’s Children Motorcycle Club, the Sunnygoode Street Commune, and Congolian Maulers, a ‘commune of art, music, and general freaks’. Terry H. Anderson, The Movement and the Sixties (1995, xi) Hippies … constituted themselves as walking critiques of bureaucratic rationality.… By the late 1960s ‘freakified’ youth were exploring new aspects of self-hood which they had never previously thought existed. Indulgence in drug experiences, sex, communal activities, be-ins, sit-ins, demonstrations, riots, busts, trips with no destination in particular, not only gave subculture members a set of common experiences, but also opened up vast new capacities of self-hood for exploration. Daniel A. Foss and Ralph W. Larkin (1976, 47-50) In this chapter I want to look at the counterculture of the 1960s, primarily at the American phenomenon, with specific reference to political, social and cultural questions. I am conscious that these are not so easily distinguished—that, in fact, for many involved in the movement, it was a project precisely to blur or merge these categories. I hope to illustrate and interrogate some of those connections and tensions. -
23 Notes on Studs Terkel's Oral History of the Depression, "Hard Times" James Jones West Chester University of Pennsylvania, [email protected]
West Chester University Digital Commons @ West Chester University History of West Chester, Pennsylvania History 2006 23 Notes on Studs Terkel's oral history of the Depression, "Hard Times" James Jones West Chester University of Pennsylvania, [email protected] Follow this and additional works at: http://digitalcommons.wcupa.edu/hist_wchest Part of the Public History Commons Recommended Citation Jones, J. (2006). 23 Notes on Studs Terkel's oral history of the Depression, "Hard Times". Retrieved from http://digitalcommons.wcupa.edu/hist_wchest/76 This The eD pression of the 1930s is brought to you for free and open access by the History at Digital Commons @ West Chester University. It has been accepted for inclusion in History of West Chester, Pennsylvania by an authorized administrator of Digital Commons @ West Chester University. For more information, please contact [email protected]. Notes on Studs Terkel's oral history of the Depression Hard Times by Jim Jones, copyright 2006 ======== REFERENCE NOTE ======= [This first section contains a complete reference note for the book.] Studs Terkel, Hard Times: An Oral History of the Great Depression (New York: Pantheon Books, 1970), 462pp. Location: WCU#309.173 T318. 4th floor. To read a brief biography of Studs Terkel, visit www.studsterkel.org/bio.php. ======== TABLE OF CONTENTS ======= [This second section is a reproduction of the table of contents. It provides a framework into which you can "plug in" additional notes.] Contents A Personal Memoir (and parenthetical comment) BOOK ONE THE MARCH Jim Sheridan p13 A. Everette Mclntyre p17 Edward C. Schalk p18 THE SONG E. Y. (Yip) Harburg p19 SGT.