DOCSLIB.ORG

Capitol Ensemble Phillip Levy Violin Lucia Micarelli Violin Ben Ullery Viola Eric Byers Cello

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Capitol Ensemble Phillip Levy Violin Lucia Micarelli Violin Ben Ullery Viola Eric Byers Cello CAPITOL ENSEMBLE PHILLIP LEVY VIOLIN LUCIA MICARELLI VIOLIN BEN ULLERY VIOLA ERIC BYERS CELLO St. James in-the-City October 6, 2019 6:00 PM FROM THE ARTISTIC DIRECTOR Welcome to this inaugural broadcast of LACMA Sundays Live from St. James in-the-City. Thank you for joining us as we celebrate both the history and the future of Sundays Live – and begin an off-site adventure in our new home, building a partnership with Great Music at Saint James during LACMA’s transformation. Sundays Live could not have endured and prospered without the help and devotion of so many benefactors, foundations, individuals, and audiences who have supported us through the years; we extend to you our heartfelt thanks and look forward to seeing you here often – just a little further east on Wilshire Boulevard. We wish to express our special thanks to the Colburn Foundation for underwriting these programs at St. James in-the-City and to our most gracious hosts – the Rev. Dr. Kate Cress and Organist and Director of Music, Canon James Buonemani – who have so warmly welcomed us. -Bill Vestal Phillip Levy violin Ben Ullery viola Lucia Micarelli violin Eric Byers cello PROGRAM This concert is streamed live. Please silence mobile devices. Robert Schumann (1810-1856) String Quartet No. 1 in A minor, Opus 41 Andante espressivo — Allegro Scherzo: Presto Adagio Allegro Maurice Ravel (1875-1937) String Quartet in F major Allegro moderato – très doux Assez vif – très rythmé Très lent Vif et agité Sundays Live is made possible by the Colburn Foundation in memory of Ed Edelman and by the Sidney Stern Memorial Trust. For weekly downloads of Sundays Live, please visit our broadcast partner www.kusc.org and go to Radio/On Demand. Unauthorized audio recording or photography is strictly prohibited. ABOUT THE ARTISTS Noted for a sound which is “richly upholstered and well balanced,” the Capitol Ensemble is a unique group of musicians dedicated to the live performance of an eclectic range of repertoire, ranging from the Baroque to the 21st century. The members have collaborated with some of the world’s most renowned artists, including Mstislav Rostropovich, Sir Neville Marriner, Michael Tilson Thomas, Sir Yehudi Menuhin, Janos Starker, and Leonard Bernstein. The ensemble has given live broadcasts on National Public Radio, and has premiered and recorded new works by several California composers. Appearing regularly in L.A.’s concert halls and recording stages, and teaching at Southern California universities, they also perform as soloists and chamber musicians in many international festivals. The ensemble is celebrating its 18th season as Artists in Residence for LACMA’s Sundays Live, and is featured on the program’s theme music. Hailed by the San Francisco Chronicle as the top classical performer of 1995, violinist Phillip Levy has received worldwide critical acclaim at festivals in Spoleto, Bayreuth, Edinburgh, Israel, Tokyo, Hong Kong, Ojai, Seattle, and Aspen. He has received many prestigious awards and prizes and has collaborated with renowned artists including Sir Yehudi Menuhin, Iona Brown, Sir Neville Marriner, Dawn Upshaw, John O’Conor, Ralf Gothoni, and Lynn Harrell. Currently residing in Los Angeles, Levy leads the Capitol Ensemble, artists in residence for Sundays Live and featured on the program’s theme music. His numerous solo performances have been broadcast on Israel Television and Radio, NPR, and the BBC. Lucia Micarelli is an American violinist and actress. Born in Queens, New York, she began playing the violin at the age of three. At age 6, she made her debut as a soloist with the Honolulu Symphony Orchestra. She was accepted into The Juilliard School at age 11, where she studied with Dorothy DeLay, and later continued her studies at The Manhattan School of Music with Pinchas Zukerman. She has toured extensively as a featured soloist with Josh Groban, Chris Botti and Barbra Streisand. In 2009, she was cast in the starring role of “Annie” in HBO’s critically acclaimed series, “Treme”, which won a Peabody Award as well a Primetime Emmy Award. Assistant Principal Viola of the Los Angeles Philharmonic, Ben Ullery has been featured in chamber music performances on NPR’s Performance Today as well as local broadcasts on KUSC in Los Angeles and Minnesota Public Radio. He has recorded chamber works for Bridge and Albany records. Recent summer festival appearances include the Aspen, Grand Teton, Mozaic, and Music in the Vineyards festivals. Ullery is a graduate of the Oberlin Conservatory, where he studied violin with Gregory Fulkerson and received numerous honors upon graduation. He later attended New England Conservatory and the Colburn School, studying with James Buswell and Paul Coletti, respectively. He has also studied chamber music with members of the Guarneri, Takács, Vermeer, Borromeo, Miró, and St. Petersburg Quartets Praised as “ideally eloquent” by the Los Angeles Times, cellist Eric Byers captivates audiences as a soloist, chamber musician, and composer. At 18, he made his solo debut with the Cincinnati Symphony Orchestra. In 2018 he debuted with the Los Angeles Philharmonic. As a founding member of the Calder Quartet, Byers has appeared at Carnegie Hall, Avery Fisher Hall, Wigmore Hall, Royal Stockholm Philharmonic, Salzburg Festival, Edinburgh Festival, Melbourne Festival, Ojai Festival, Kennedy Center, Disney Hall, Mozarteum, Esterházy Palace, and the Sydney Opera House. He holds a Bachelor of Music degree from USC Thornton School of Music, a Professional Studies Certificate from Colburn Conservatory, and an Artist Diploma from The Juilliard School. Friends of LACMA Sundays Live Business/Corporate/Foundation/ as of January, 2020 Government Friends $1,000 American Youth Symphony Anonymous Dave Berges Productions Classical KUSC, 91.5 The Clickable Chamber Music Newsletter The Colburn Foundation $500 The Colburn School Jane & Henry Goichman, Bette & Jeffrey Nagin, Edmund D. Edelman Foundation Lance & Rochelle Sieger Grand Performances The Hind Foundation iPalpiti Artists International $300+ Paul & Jeanette Manaster Memorial Shahrzad Khonsari, Dr. & Mrs. Wesley S. Moore, Foundation Mark Saltzman, Anonymous in memory of Helen The Elizabeth Mandell Music Institute of Vestal Perse, Georgeann Wyatt Crossroads School Pasadena Showcase House for the Arts Performing Arts Live The Sidney Stern Memorial Trust $200+ Dennis Bade, Herb & Ellen Groelinger, Hendrina & Stan Lisiewicz, Adrienne & Oscar Mandel, Marianne Sinram & William Miller, LACMA Music Department Penny Plotkin, Jan Westman, Anonymous Mitch Glickman — Director of Music Programs Bill Vestal — Artistic Director, Sundays Live Stephanie Katt — Music Programs Coordinator $100+ Dennis Bade — Broadcast Host George & Helen Abe, Jane Burrell, Marilyn M. & Roger A. Browning, Elizabeth Carter, Freilich Family Trust - Dr. Robert & Carole Freilich - Trustees, Audio Engineering Edith & Jay Gralla, Atticus Grant, Susan Greenberg & Michael Norman, Irving Artero Herman & Rose Kattlove, Patricia Oliansky, Christopher Greaney John G. Paton & Joan M. Thompson, Jun Tiangco Tao Radoczy, Ken & Wendy Ruby, Michael L. Sandler, Don & Kathleen Scott, Charles & Terri Stern, Bonnie Taff & Roger Leib, Cover Photo Asher Waxman Chris Burden, Urban Light, 2008, Los Angeles County Museum of Art, Urban Light is made $50+ possible by Willow Bay and Bob lger, and is open Murray J. Aronson, Bert Ayers, Peter Basmaji, 24 hours a day thanks to their generosity. Special Daniel Brodsley & Rosemarie Pfinder, thanks to the Brandon-Gordon family for their Sidney Diamond, BL Gantsweg, founding support of the 2008 installation, © Janice Feinstein & Paul Donnenfield, Chris Burden/licensed by The Chris Burden Israel & Rachel Gorinstein, Jeffrey Nagler, Estate and Artists Rights Society (ARS), New Jay Lichtman & J. Consolo, Rebecca Owen, York, photo © Museum Associates/LACMA Leni I. & Pauline B. Posner Ttee, Carli Rogers, Georgia J. Roiz, Will & Joanne Ross, Corbin Russell, Estelle Sakabinos, Esther & Norman Sklarewitz, Margaret Tsow Please notify us of any errors or omissions at [email protected]. .
Load more

Recommended publications
  • Spring/Summer 2016
    News for Friends of Leonard Bernstein Spring/Summer 2016 High-brow, Low-brow, All-brow Bernstein, Gershwin, Ellington, and the Richness of American Music © VICTOR © VICTOR KRAFT by Michael Barrett uch of my professional life has been spent on convincing music lovers Mthat categorizing music as “classical” or “popular” is a fool’s errand. I’m not surprised that people s t i l l c l i n g t o t h e s e d i v i s i o n s . S o m e w h o love classical masterpieces may need to feel reassured by their sophistication, looking down on popular culture as dis- posable and inferior. Meanwhile, pop music fans can dismiss classical music lovers as elitist snobs, out of touch with reality and hopelessly “square.” Fortunately, music isn’t so black and white, and such classifications, especially of new music, are becoming ever more anachronistic. With the benefit of time, much of our country’s greatest music, once thought to be merely “popular,” is now taking its rightful place in the category of “American Classics.” I was educated in an environment that was dismissive of much of our great American music. Wanting to be regarded as a “serious” musician, I found myself going along with the thinking of the times, propagated by our most rigid conservatory student in the 1970’s, I grew work that studiously avoided melody or key academic composers and scholars of up convinced that Aaron Copland was a signature. the 1950’s -1970’s. These wise men (and “Pops” composer, useful for light story This was the environment in American yes, they were all men) had constructed ballets, but not much else.
    [Show full text]
  • Bath Festival Orchestra Programme 2021
    Bath Festival Orchestra photo credit: Nick Spratling Peter Manning Conductor Rowan Pierce Soprano Monday 17 May 7:30pm Bath Abbey Programme Carl Maria von Weber Overture: Der Freischütz Weber Der Freischütz (Op.77, The Marksman) is a German Overture to Der Freischütz opera in three acts which premiered in 1821 at the Schauspielhaus, Berlin. Many have suggested that it was the first important German Romantic opera, Strauss with the plot based around August Apel’s tale of the same name. Upon its premiere, the opera quickly 5 Orchestral Songs became an international success, with the work translated and rearranged by Hector Berlioz for a French audience. In creating Der Freischütz Weber Brentano Lieder Op.68 embodied the ideal of the Romantic artist, inspired Ich wollt ein Sträuẞlein binden by poetry, history, folklore and myths to create a national opera that would reflect the uniqueness of Säusle, liebe Myrthe German culture. Amor Weber is considered, alongside Beethoven, one of the true founders of the Romantic Movement in Morgen! Op.27 music. He lived a creative life and worked as both a pianist and music critic before making significant contributions to the operatic genre from his appointment at the Dresden Staatskapelle in 1817, Das Rosenband Op.36 where he realised that the opera-goers were hearing almost nothing other than Italian works. His three German operas acted as a remedy to this situation, Brahms with Weber hoping to embody the youthful Serenade No.1 in D, Op.11 Romantic movement of Germany on the operatic stage. These works not only established Weber as a long-lasting Romantic composer, but served to define German Romanticism and make its name as an important musical force in Europe throughout the 19th century.
    [Show full text]
  • Join Homegrown American Roots Band Mandolin Orange in Celebration of 20 Years of Yep Roc Records, Thursday, March 8, at 9 PM. C
    03/2018 Lara Downes: Sounds like America • GIRL Power! • Trust Me, I’m a Doctor Join homegrown American roots band Mandolin Orange in celebration of 20 years of Yep Roc Records, Thursday, March 8, Morgan Wootten: at 9 PM. Catch more exciting, The Godfather of Basketball new shows during UNC-TV’s premieres Sunday, March 11, at 9 AM. Spring Fundraiser, March 3–18! aboutUNC-TV CenterPiece is the monthly program guide of UNC-TV, North Carolina’s public media network and broadcast service licensed to the University We Are Listening To You! of North Carolina. Contributions are tax deduct- ible to the extent permitted by law. UNC-TV’s central offices and studios are housed in the Members like you enable us to bring new ideas, Joseph and Kathleen Bryan Communications discoveries and perspectives to our communities. Center in Research Triangle Park. Thanks to your support, we serve millions of viewers each month through our four broadcast channels, and 10 UNC-TV Drive PO Box 14900 provide thousands of programs for on-demand viewing Research Triangle Park, NC 27709-4900 with UNC-TV Passport. 1-919-549-7000 or 1-800-906-5050 UNC-TV network stations are: We appreciate that you turn to UNC-TV for many Asheville WUNF-TV Canton/Waynesville WUNW-TV reasons. So, when you see this envelope in your Chapel Hill/Raleigh/Durham WUNC-TV mailbox, please let us know which programs you Charlotte/Concord WUNG-TV Edenton/Columbia WUND-TV enjoy most by completing our 2018 Member Survey. Greenville WUNK-TV Then, please help keep those programs on the air Jacksonville WUNM-TV with your tax-deductible gift today.
    [Show full text]
  • International Viola Congress
    CONNECTING CULTURES AND GENERATIONS rd 43 International Viola Congress concerts workshops| masterclasses | lectures | viola orchestra Cremona, October 4 - 8, 2016 Calendar of Events Tuesday October 4 8:30 am Competition Registration, Sala Mercanti 4:00 pm Tymendorf-Zamarra Recital, Sala Maffei 9:30 am-12:30 pm Competition Semifinal,Teatro Filo 4:00 pm Stanisławska, Guzowska, Maliszewski 10:00 am Congress Registration, Sala Mercanti Recital, Auditorium 12:30 pm Openinig Ceremony, Auditorium 5:10 pm Bruno Giuranna Lecture-Recital, Auditorium 1:00 pm Russo Rossi Opening Recital, Auditorium 6:10 pm Ettore Causa Recital, Sala Maffei 2:00 pm-5:00 pm Competition Semifinal,Teatro Filo 8:30 pm Competition Final, S.Agostino Church 2:00 pm Dalton Lecture, Sala Maffei Post-concert Café Viola, Locanda il Bissone 3:00 pm AIV General Meeting, Sala Mercanti 5:10 pm Tabea Zimmermann Master Class, Sala Maffei Friday October 7 6:10 pm Alfonso Ghedin Discuss Viola Set-Up, Sala Maffei 9:00 am ESMAE, Sala Maffei 8:30 pm Opening Concert, Auditorium 9:00 am Shore Workshop, Auditorium Post-concert Café Viola, Locanda il Bissone 10:00 am Giallombardo, Kipelainen Recital, Auditorium Wednesday October 5 11:10 am Palmizio Recital, Sala Maffei 12:10 pm Eckert Recital, Sala Maffei 9:00 am Kosmala Workshop, Sala Maffei 9:00 am Cuneo Workshop, Auditorium 12:10 pm Rotterdam/The Hague Recital, Auditorium 10:00 am Alvarez, Richman, Gerling Recital, Sala Maffei 1:00 pm Street Concerts, Various Locations 11:10 am Tabea Zimmermann Recital, Museo del Violino 2:00 pm Viola Orchestra
    [Show full text]
  • Season 2017-2018
    23 Season 2017-2018 Wednesday, November 1, at 7:30 China’s National Centre for the Performing Arts Orchestra Lü Jia Conductor Ning Feng Violin Gautier Capuçon Cello Zhao Jiping Violin Concerto No. 1 (in one movement) Chen Qigang Reflection of a Vanished Time, for cello and orchestra United States premiere Intermission Brahms Symphony No. 4 in E minor, Op. 98 I. Allegro non troppo II. Andante moderato III. Allegro giocoso—Poco meno presto—Tempo I IV. Allegro energico e passionato—Più allegro This program runs approximately 1 hour, 50 minutes. China’s National Centre for the Performing Arts Orchestra’s 2017 US Tour is proudly supported by China National Arts Fund. International Flight Sponsor: Hainan Airlines Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit www.wrti.org to listen live or for more details. 24 Conductor Lü Jia is artistic director of music of the National Centre for the Performing Arts (NCPA) in Beijing, China, as well as music director and chief conductor of the NCPA Orchestra. He is also music director and chief conductor of the Macao Orchestra. He has served as music director of Verona Opera in Italy and artistic director of the Tenerife Symphony in Spain. Born into a musical family in Shanghai, he began studying piano and cello at a very young age. He later studied conducting at the Central Conservatory of Music in Beijing, under the tutelage of Zheng Xiaoying. At the age of 24 Mr. Lü entered the University of Arts in Berlin, where he continued his studies under Hans- Martin Rabenstein and Robert Wolf.
    [Show full text]
  • May Festival
    1960 Eighty-second Season 1961 UNIVERSITY MUSICAL SOCIETY THE UNIVERSITY OF MICHIGAN Charles A. Sink, President Gail W. Rector, Executive Director Lester McCoy, Conductor Fourth Concert Complete Series 3322 Sixty-eighth Annual MAY FESTIVAL THE PHILADELPHIA ORCHESTRA EUGENE ORMANDY, Conductor SOLOISTS ROBERT NOEHREN, Organist JOHN BROWNING, Pianist SATURDAY EVENING, MAY 6, 1961, AT 8:30 HILL AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Compositions of American composers "Toccata Festiva" for Organ and Orchestra BARBER ROBERT NOEHREN Symphony No.7. PISTON Con moto Adagio Allegro festevole INTERMISSION Concerto No.2 in D minor for Piano and Orchestra MACDoWELL Larghetto calmato Presto giocoso Largo; molto allegro J OHN BROWNING "Rhapsody in Blue" GERSHWIN MR. BROWNING The Steinway is the official piano of the University Mu.sical Society. The Baldwilt Piano is the officia l piano of the Philadelphia Orchestra. A R S LON G A V I T A BREVIS 1961 - UNIVERSITY MUSICAL SOCIETY CONCERTS - 1962 Choral Union Series GEORGE LoNDON, Bass Wednesday, October 4 THE ROGER WAGNER CHORALE Thursday, October 19 BOSTON SYMPHONY ORCHESTRA 2:30, Sunday, October 22 CHARLES MUNCH, Conductor BERLIN PHILHARMONIC ORCHESTRA Friday, November 3 HERBERT VON KARAJAN, Conductor *BAYANIHAN (Philippine Songs and Dances) Monday, November 6 YEHUDI MENUHIN, Violinist 2:30, Sunday, November 12 GALINA VISHNEVSKAYA, Sopmno . Tuesday, November 21 EMIL GILELS, Pianist . Tuesday, February 13 MINNEAPOLIS SYMPHONY ORCHESTRA 2 :30, Sunday, March 4 STANISLAW SKROWACZEWSKI, Conductor *AMERICAN BALLET THEATRE Saturday, March 24 Season Tickets: $20.00--$17.00--$15.00--$12.00-$10.00 Extra Series *MAZOWSZE (Polish Songs and Dances) Tuesday, October 24 THE CLEVELAND ORCHESTRA Thursday, November 16 GEORGE SZELL, Conductor RUDOLF SERKIN, Pianist .
    [Show full text]
  • Facts & Figures Het Concertgebouw
    Factsheet of The Royal Concertgebouw The Concertgebouw Built in 1886. First concert April 11, 1888; One of the most famous concert halls in the world with unparalleled acoustics; Two famous concert halls within the Concertgebouw: the Main Hall (1974 seats) and the Recital Hall (437), as well as the recently opened Choir Hall (150 seats); Mission: The Royal Concertgebouw connects and enriches people by offering them a sublime musical experience Vision: The Royal Concertgebouw uses its unique concert hall building and high level of artistic programming to connect people of all ages and to enrich them with a sublime musical experience. All staff members are fully engaged with this mission. It is our daily ambition to write music history and to continue to be in the world’s top league of concert halls. We cherish the private nature of our business – we are responsible for 95% of our own income and our building. We aim to preserve the Concertgebouw in its highest possible state for the following generations. The Concertgebouw has a great tradition of legendary concerts with illustrious names in classical, jazz and world music, such as Gustav Mahler, Richard Strauss, Bernard Haitink, Yehudi Menuhin, Jessye Norman, Vladimir Horowitz, Cecilia Bartoli, Louis Armstrong, Sting, and many more. Together with its house orchestra, the Royal Concertgebouw Orchestra, which has been voted the best orchestra in the world, it has reached the absolute top during its years of existence; With over 900 events (80% concerts) and over 700.000 visitors a year the Concertgebouw is one of the best visited concert halls of the world; The Concertgebouw Café attracts over 100.000 guests a year.
    [Show full text]
  • Journal of the American Viola Society Volume 14 No. 2, 1998
    JOURNAL ofthe AfrfERICAN ViOLA SOCIETY Section of THE INTERNATIONAL VIOI.A SOCIETY Association for the Promotion ofViola Performance and Research Vol. 14 No.2 1998 FEATURES 19 The Violin Making School of America Interview of Peter Paul Prier By David Dalton Viola Pedagogy: The Art and Value of Warming-Up By Christine Rutledge Music Insert: "Invocation for Violin and Viola" by Robert Mann AVS Chapters OFFICERS Peter Slowik President School of Music Northwestern University Evanston, IL 60201 (847) 491-3826 [email protected] William Preucil Vice President 317 Windsor Dr. Iowa City, IA 52245 Catherine Forbes Secretary 1128 Woodland Dr. Arlington, TX 76012 Ellen Rose Treasurer 2807 Lawtherwood Pl. Dallas, TX 75214 Thomas Tafton Past President 7511 Parkwoods Dr. Stockton, CA 95207 BOARD Victoria Chiang Donna Lively Clark Paul Coletti Ralph Fielding Pamela Goldsmith Lisa Hirschmugl John Graham Jerzy Kosmala Jeffrey Irvine Karen Ritscher Christine Rutledge Pamela Ryan Juliet White-Smith EDITOR, JAVS David Dalton Brigham Young University Provo, UT 84602 PAST PRESIDENTS Myron Rosenblum (1971-1981) Maurice W. Riley (1981-1986) David Dalton (1986-1990) Alan de Veritch (1990-1994) HONORARY PRESIDENT William Primrose ~Section of the International£ Viola-Gesellschaft The journal ofthe American Viola Society is a peer-reviewed publication of that organization and is produced at Brigham Young University, ©1985, ISSN 0898-5987. ]AVSwelcomes letters and articles from its readers. Editorial Office: School of Music Harris Fine Arts Center Brigham Young University Provo, UT 84602 (801) 378-4953 Fax: (801) 378-5973 [email protected] Editor: David Dalton Associate Editor: David Day Assistant Editor for Viola Pedagogy: Jeffrey Irvine Assistant Editor for Interviews: Thomas Tatton Production: Ben Dunford Advertising: Jeanette Anderson Advertising Office: Crandall House West (CRWH) Brigham Young University Provo, UT 84602 (801) 378-4455 [email protected] ]AVS appears three times yearly.
    [Show full text]
  • Read Full Fanfare Review…
    CD Review by R​ obert McColley NIELSEN ​V​ iolin Concerto. Flute Concerto ​•​ ​D​ orrit Matson, cond; New York Scandia SO; Adele Anthony (vn); Lisa Hansen (fl) •​ ​C​ ENTAUR CRC 2442 (53:03) Carl Nielsen's Violin Concerto (1911) begins with an outburst from the orchestra, followed by a florid cadenza for the solo violin. It then settles into four highly original and effective movements, slow­fast, slow­fast, in the style of Baroque sonatas. By turns lyrical and virtuosic, the concerto is charged with the earthy vitality also represented in the great Dane's Third Symphony, "Sinfonia Espansiva," also of 1911. Yehudi Menuhin was the first artist of international stature to record this wonderful concerto, some 45 years ago (on HMV, with Mogens Wøldike and the Danish State RSO). More recently it ​h​ as been presented in fine recordings by Cho­Liang Lin, with Esa­Pekka Salonen and the Swedish RSO (Sony), and an excellent one by Maxim Vengerov with the Chicago SO under Daniel Barenboim (Teldec). Over the years other fine recordings have come out of Scandinavia, two of them featuring Arve Tellefsen (EMI with Herbert Blomstedt, and Virgin Classics, with Yehudi Menuhin, here as a highly competent conductor). "Does this leave the new release from Centaur superfluous?" I wondered as I unpacked the disc and entrusted it to my Harmon­Kardon deck. Not in the least: The performance immediately captivated me, and held on firmly for its entire 34­plus minutes; so too the brilliant performance of the late (1926) Flute Concerto. That ending, I played the entire disc again, fascination and pleasure undiminished.
    [Show full text]
  • 2001-2002 Celebrating the Spirit of America
    I LYNN UNIVERSITY Conservatory of Music 4:00 p.m. November 4, 2001 Amarnick-Goldstein Concert Hall Celebrating the Spirit of America featuring SERGIU SCHWARTZ, violin PAUL GREEN, clarinet PAUL POSNAK, guest pianist Proceeds from this afternoon's concert benefit the Conservatory scholarship fund. Simply Grand Those who know ... choose Kretzer • Ballet Florida • Crest Theatre • Old School Square • • Colony Hotel • Florida Stage • Four Seasons Resort • • Governors Club • Kravis Center· Lynn University • • Palm Beach County Cultural Center • • Palm Beach County School of the Arts • • Palm Beach Opera • Renato's • • Tommy Smith • The Backstreet Boys • kretzer P A N 0 860 North Military Trail* West Palm Beach, FL* 33415 * (561)478-5320 www.kretzerpiano.com SERGIU SCHWARTZ violin Sergiu Schwartz's active international career has taken him to major music centers on 3 continents, including 20 European countries, Israel and over 40 U.S. states, as soloist with over 200 leading orchestras, in recitals and chamber music conce~ts. "Following in the footsteps ofhis fellow countrymen ltzhak Perlman and Pinchas Zukerman, he is a product of the best ofEuropean romantic interpretative style and 20th-Century American technical ~cuity," states New York's Newsday. Recent solo orchestral engagements include the Dresden Staatskapelle, Jerusalem Symphony, London Symphony, Sarajevo Philharmonic, Dresden Philharmonic, Slovak Philharmonic, European Community Chamber Orchestra, Florida Philharmonic, Chicago's Grant Park Festival Orchestra, among numerous other distinguished ensembles in the U.S. and worldwide. Mr. Schwartz has collaborated in performances with preeminent conductors, including Sergiu ComissionaJamesJudd, Peter Maag, Giuseppe Sinopoli, and Bruno Weil. He has performed in major concert halls, including Lincoln Center, Carnegie Recital Hall, and 92nd Street Y (New York); Kennedy Center (Washington, DC); Barbican Hall, Queen Elizabeth Hall and Wigmore Hall (London); Kravis, Broward and Gusman Centers for the Performing Arts in South Florida.
    [Show full text]
  • W Hite P Ine M Usic
    W H I T E P I N E M U S I C The Harlem Quartet The Harlem Quartet, comprised of First Place Laureates of the Sphinx Competition, has a unique and challenging mission: to advance diversity in classical music while engaging young and new audiences through the discovery and presentation of varied repertoire, highlighting works by minority composers. Dedicated to education, community engagement, as well as to superb classical performance, this innovative and daring all-Black and Latino string quartet serves as Principal Faculty at the Sphinx Performance Academy at Walnut Hill School in Massachusetts, one of the premier independent arts preparatory schools in the world, and as Visiting Faculty at the Sphinx Preparatory Music Institute at Wayne State University in Detroit. The Harlem Quartet made their acclaimed debut in the fall of 2006 at the Sphinx Organization’s Gala Concert at Carnegie Hall, earning rave reviews from The New York Times, as well as at the legendary Apollo Theatre in Harlem. In addition to being avid chamber musicians, each member of the Harlem Quartet is a seasoned solo artist, having appeared with the New York Philharmonic, the Atlanta, Cleveland, Detroit, Pittsburgh, Sinaloa de las Artes (Mexico) and Baltimore Symphonies and the Boston Pops, among others. They are co-managed by Sciolino Artist Management (SAM) of New York City. and the Sphinx Organization. WPM 207: TAKE THE ‘A’ TRAIN The latest release from Central Michigan University’s recording label recently made its debut at New York’s famed Carnegie Hall. As part of a partnership between CMU’s Center for Public Service through Music and the Arts and Detroit’s Sphinx Organization, the Harlem Quartet released “Take the ‘A’ Train” on the CMU School of Music’s White Pine Music label.
    [Show full text]
  • Parker Playhouse 2018-19 Calendar Listings
    July 27, 2018 Maria Pierson/Savannah Whaley Pierson Grant Public Relations 954.776.1999 ext. 225 Jan Goodheart, Broward Center for the Performing Arts 954.765.5814 Note: This season overview is being provided for your use in fall season previews which publish/post/broadcast on September 1 or later. Due to contractual arrangements, the announcement of one or more performances cannot be published by traditional or social media as of July 27, 2018. Embargo information is listed, in red, at the end of the briefs for those performances. Parker Playhouse 2018-19 Calendar Listings ParkerPlayhouse.com Facebook.com/TheParkerPlayhouse Instagram.com/ParkerPlayhouse #ParkerPlayhouse Parker Playhouse is located at 707 N.E. Eighth Street in Holiday Park in Fort Lauderdale. Ticketmaster is the only official ticketing service of Parker Playhouse. Buy tickets online at ParkerPlayhouse.com and Ticketmaster.com; by phone at 954.462.0222; in person at the Parker Playhouse box office Tuesday through Saturday from 12 p.m. to 5 p.m. and at the Broward Center’s AutoNation Box Office. Please note that not all shows scheduled for the 2018-19 season are currently on sale and additional performances will be added throughout the season. Print quality images of select performances from the upcoming season, representing all genres, may be downloaded at https://bit.ly/2mOUYII. The neo-classical Playhouse Parker is one of Fort Lauderdale’s first venues. Built by Dr. Louis Parker, the playhouse opened its doors on February 6, 1967 and is managed by the Broward Center for the Performing Arts. This 1,168-seat, fully equipped theater plays an important role in the community by fueling economic development, while also bringing the community together with performances, activities and educational programming.
    [Show full text]