“Ellen with Will Smith Full Interview” Talk Show: Emotive Language Functions
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Politeness Strategies Between Ellen Degeneres and Barrack Obama in the Ellen Talk Show a Thesis By
POLITENESS STRATEGIES BETWEEN ELLEN DEGENERES AND BARRACK OBAMA IN THE ELLEN TALK SHOW A THESIS BY: MUHAMMAD ALI SAKTI NASUTION NIM: 167052015 ENGLISH POSGRDUATE STUDY PROGRAM FACULTY CULTURAL SCIENCES UNIVERSITY OF SUMATRA UTARA MEDAN 2019 UNIVERSITAS SUMATERA UTARA 1 POLITENESS STRATEGIES BETWEEN ELLEN DEGENERES AND BARRACK OBAMA IN THE ELLEN TALK SHOW A THESIS Submitted to English Department Posgraduate Program, Faculty of Cultural Sciences, University of Sumatera Utara in Partial Fulfilment of Requirement for the Degree of Master of Art(M.A.) in English BY: MUHAMMAD ALI SAKTI NASUTION NIM: 167052015 ENGLISH POSGRDUATE STUDY PROGRAM FACULTY CULTURAL SCIENCES UNIVERSITY OF SUMATRA UTARA MEDAN 2019 UNIVERSITAS SUMATERA UTARA 2 UNIVERSITAS SUMATERA UTARA 3 UNIVERSITAS SUMATERA UTARA 4 UNIVERSITAS SUMATERA UTARA 5 ABSTRACT This research entitles politenes Strategies Betweeb Ellen Degeneres and Barrack Obama in Ellen Talk Show, This research is about pragmatic politeness from the interview between Ellen DeGeneres and President of the United States, Barrack Obama on Ellen DeGeneres, episode 12 February 2016. The main data source of the research is a script of interview between presenter Ellen Degeneres and Barrack Obama. This is qualitative research that uses politeness strategies Brown and Levinson‟s Politenes Strategy (1978), supported by J.L. Austin speech act theory ( 1962 ). By applying theories, the authors found that Ellen and Obama were observed politenes strategies. This research is done to find kinds of Politenes Strategies used by Ellen Degeneres as the host of Ellen Degeneres Show and Barrack Obama when communicate which implied to save the speaker‟s and interlocutor face from face Threatening Act caused by their speech. -
Read Ebook {PDF EPUB} a Serio...Estou a Brincar by Ellen
Read Ebook {PDF EPUB} A Sério...Estou a Brincar by Ellen DeGeneres Where Has Ellen DeGeneres Been? Why the Daytime Host Keeps Missing Her Show. If you’ve tuned in to The Ellen DeGeneres Show lately and noticed that the charismatic host is nowhere to be found, you’re not alone. Guest hosts including Howie Mandel, Justin Hartley, and tWitch have recently filled in for the 61-year-old, leaving fans wondering what’s happened to her. “Why has Ellen missed so many shows? Every time I turn it on, there’s a guest host,” one fan tweeted, while another asked, “I s Ellen actually still hosting The Ellen Show ? She has a guest host like every other day.” So, where has Ellen been these days? Well, she’s likely just taking a couple of days off from work just like everyone else. Back in September, the comedian addressed why she’s been having guest hosts temporarily take her place. 9 Celebrities You Forgot Had Daytime TV Talk Shows. “Throughout the season, I’ve had wonderful people filling in for me as guest hosts. It’s a tradition that dates back to Johnny Carson, he would have guest hosts all the time. And I like to follow tradition, especially if it involves me missing work,” she joked. “You know how you can call in sick to work if you don’t feel well? I can’t do that,” she continued. “So for 15 seasons, I have been here everyday, even when I’m sick or have a bad back or get a paper cut. -
America's Closet Door: an Investigation of Television and Its Effects on Perceptions of Homosexuality
University of Tennessee at Chattanooga UTC Scholar Student Research, Creative Works, and Honors Theses Publications 12-2014 America's closet door: an investigation of television and its effects on perceptions of homosexuality Sara Moroni University of Tennessee at Chattanooga, [email protected] Follow this and additional works at: https://scholar.utc.edu/honors-theses Part of the English Language and Literature Commons Recommended Citation Moroni, Sara, "America's closet door: an investigation of television and its effects on perceptions of homosexuality" (2014). Honors Theses. This Theses is brought to you for free and open access by the Student Research, Creative Works, and Publications at UTC Scholar. It has been accepted for inclusion in Honors Theses by an authorized administrator of UTC Scholar. For more information, please contact [email protected]. America’s Closet Door An Investigation of Television and Its Effects on Perceptions of Homosexuality Sara Moroni Departmental Thesis The University of Tennessee at Chattanooga English Project Director: Rebecca Jones, PhD. 31 October 2014 Christopher Stuart, PhD. Heather Palmer, PhD. Joanie Sompayrac, J.D., M. Acc. Signatures: ______________________________________________ Project Director ______________________________________________ Department Examiner ____________________________________________ Department Examiner ____________________________________________ Liaison, Departmental Honors Committee ____________________________________________ Chair, Departmental Honors Committee 2 Preface The 2013 “American Time Use Survey” conducted by the Bureau of Labor Statistics calculated that, “watching TV was the leisure activity that occupied the most time…, accounting for more than half of leisure time” for Americans 15 years old and over. Of the 647 actors that are series regulars on the five television broadcast networks (ABC, CBS, The CW, Fox, and NBC) 2.9% were LGBT (Lesbian, Gay, Bisexual, Transgender) in the 2011-2012 season (GLAAD). -
Actors Anonymous of Legion the Watching from Thrill Different a Be Will That Me, for But, Audience
NOTES FROM THE DREAM FACTORY BY TOM ROSTON he first met when they were both in the 2002 Broadway play Burn This. And although we’re talking about Burrell, Norton might as well be speaking about his own brilliant debut in 1996’s Primal Fear, when he, seemingly out of nowhere, rocketed to recognition. “It is a very particular kind of excitement,” he says. “There is no sense of the artifice. That’s what’s really thrilling.” I am always hoping for pure moments when I watch a movie: those times when my disbelief is so entirely suspended that I forget that I’m watching one. Going into a theater, I often feel overwhelmed with baggage—who the main actor slept with last week, how the director mortgaged his house to get the movie made, and how the production designer only used three shades of green on the set. It even bugs me that once I like a director or an actor, I expect something from him or her, and so the work has an added layer of self-consciousness. When the lights go down, it’s hard to wash the slate entirely clean and just watch. That’s why my eyes tend to drift toward the margins for something surprising. And, often, I see it in an actor whom I know nothing about, and who brings something deeper and richer to his character even though he may have just two minutes of screen time. This may seem random (and that’s the point), but do you remember in the Will Smith movie Hitch, which I just caught on DVD, that there’s this misogynist asshole who is, well, such an asshole? Actor Jeffrey Donovan gets it just right. -
THE NATIONAL ACADEMY of TELEVISION ARTS & SCIENCES ANNOUNCES NOMINATIONS for the 44Th ANNUAL DAYTIME EMMY® AWARDS
THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES ANNOUNCES NOMINATIONS FOR THE 44th ANNUAL DAYTIME EMMY® AWARDS Daytime Emmy Awards to be held on Sunday, April 30th Daytime Creative Arts Emmy® Awards Gala on Friday, April 28th New York – March 22nd, 2017 – The National Academy of Television Arts & Sciences (NATAS) today announced the nominees for the 44th Annual Daytime Emmy® Awards. The awards ceremony will be held at the Pasadena Civic Auditorium on Sunday, April 30th, 2017. The Daytime Creative Arts Emmy Awards will also be held at the Pasadena Civic Auditorium on Friday, April 28th, 2017. The 44th Annual Daytime Emmy Award Nominations were revealed today on the Emmy Award-winning show, “The Talk,” on CBS. “The National Academy of Television Arts & Sciences is excited to be presenting the 44th Annual Daytime Emmy Awards in the historic Pasadena Civic Auditorium,” said Bob Mauro, President, NATAS. “With an outstanding roster of nominees, we are looking forward to an extraordinary celebration honoring the craft and talent that represent the best of Daytime television.” “After receiving a record number of submissions, we are thrilled by this talented and gifted list of nominees that will be honored at this year’s Daytime Emmy Awards,” said David Michaels, SVP, Daytime Emmy Awards. “I am very excited that Michael Levitt is with us as Executive Producer, and that David Parks and I will be serving as Executive Producers as well. With the added grandeur of the Pasadena Civic Auditorium, it will be a spectacular gala that celebrates everything we love about Daytime television!” The Daytime Emmy Awards recognize outstanding achievement in all fields of daytime television production and are presented to individuals and programs broadcast from 2:00 a.m.-6:00 p.m. -
News Release
NEWS RELEASE NOMINEES ANNOUNCED FOR THE 47TH ANNUAL DAYTIME EMMY® AWARDS 2-Hour CBS Special Airs Friday, June 26 at 8p ET / PT NEW YORK (May 21, 2020) — The National Academy of Television Arts & Sciences (NATAS) today announced the nominees for the 47th Annual Daytime Emmy® Awards, which will be presented in a two-hour special on Friday, June 26 (8:00-10:00 PM, ET/PT) on the CBS Television Network. The full list of nominees is available at https://theemmys.tv/daytime. “Now more than ever, daytime television provides a source of comfort and continuity made possible by these nominees’ dedicated efforts and sense of community,” said Adam Sharp, President & CEO of NATAS. “Their commitment to excellence and demonstrated love for their audience never cease to brighten our days, and we are delighted to join with CBS in celebrating their talents.” “As a leader in Daytime, we are thrilled to welcome back the Daytime Emmy Awards,” said Jack Sussman, Executive Vice President, Specials, Music and Live Events for CBS. “Daytime television has been keeping viewers engaged and entertained for many years, so it is with great pride that we look forward to celebrating the best of the genre here on CBS.” The Daytime Emmy® Awards have recognized outstanding achievement in daytime television programming since 1974. The awards are presented to individuals and programs broadcast between 2:00 am and 6:00 pm, as well as certain categories of digital and syndicated programming of similar content. This year’s awards honor content from more than 2,700 submissions that originally premiered in calendar-year 2019. -
Silence and Face-Work in Two Chinese TV Talk Shows
Discourse, Context & Media 2 (2013) 52–74 Contents lists available at SciVerse ScienceDirect Discourse, Context & Media journal homepage: www.elsevier.com/locate/dcm Silence and face-work in two chinese TV talk shows Lee Cher Lengn, Chen Yao, Tan Gek Leng National University of Singapore, Singapore article info abstract Article history: This study examines the phenomenon of silence and face-work in Chinese TV talk shows. In general, TV Received 31 October 2011 talk shows aim at entertaining the audience by interviewing celebrities either about their work or their Received in revised form personal life, subjects that will interest the audience. Since air time is limited, silence in such TV talk 14 January 2013 shows is not preferred. However, our study shows that there are many instances of silences in these Accepted 25 January 2013 talk shows. Silences are seen as meaningful turns in the conversations. The data is taken from two Available online 11 February 2013 Chinese TV talk shows: Lu Yu You Yue (A Date with Lu Yu, henceforth LY) which is a popular information Keywords: talk show in China and Kang Xi Lai Le (Here Comes Kang Xi, henceforth KX) from Taiwan. This study Silence explores how the frame or expectations of the type of a talk show will determine how the silences are Face-work used in relation to face-work given the media specificity and cultural expectations. Politeness & 2013 Elsevier Ltd. All rights reserved. Chinese Talk shows Frame 1. Introduction Since the nineties, there have been more and more studies on English media talk (Fairclough, 1995; Hutchby, 2006; Scannell, 1991) including radio talk (Hutchby, 1991, 1992, 1995, 1996a, 1996b), TV talk shows (Carbaugh, 1988; Gregori-Signes, 2000; Ilie, 2001; Livingstone and Lunt, 1994; Martinez, 2003; Tolson, 1991, 2001), and quiz shows (Culpeper, 2005). -
Women in Comedy
WOMEN IN COMEDY BACKGROUND: MAKERS: Women In Comedy tracks the rise of women in the world of comedy, from the “dangerous” comedy of 70s sitcoms like Norman Lear’s Maude to the groundbreaking women of the 1980s American comedy club boom and building to today’s multifaceted landscape. Today, movies like Bridesmaids break box office records and the women of Saturday Night Live are often more famous than their male counterparts, but it didn’t start out that way. Early breakout female comics had to keep their jokes within the safe context of marriage, motherhood, and a man’s world. But they still found a way to be subversive. As Joan Rivers puts it, “I was furious about having to get married… It all comes out on stage. So that’s what I do onstage. I really tell them the truth.” Soon comedy became a vehicle for women to take on some of the most sensitive and controversial issues of the day. On television in the 1960s, entertainers like Carol Burnett and Mary Tyler Moore illuminated the core issues of feminism with humor that was both sly and truthful. But it took a powerful male producer to bring the most provocative feminist characters onto the screen. Maude, who Lear introduced to audiences in 1971, was a feminist firebrand on her fourth husband, strong and independent with a razor sharp wit. “When Maude was on the air,” Lear tells us, “I used to get letters from the First Lady, Betty Ford…. And she always signed every letter ‘Maude’s #1 fan’.” When Maude chose to have an abortion at 47, religious groups protested, but the episode was watched by 65 million Americans. -
Magician Rick Smith Jr. Joins Dude Perfect for Youtube Card Throwing
Magician Rick Smith Jr. Joins Dude Perfect for YouTube Card Throwing Tricks Showcase Video Well known for his card throwing, magician and Guinness World Records holder Rick Smith Jr. now demonstrates his skills in a new video for Dude Perfect, a popular YouTube channel that highlights exceptional stunts. Card throwing phenomenon Rick Smith Jr. just teamed up with Dude Perfect for his first Card Throwing Trick Shots Video with the online juggernaut. The trick shots video captures Rick’s speed, distance, and precision. Rick, an award-winning magician, holds three Guinness World Records for fastest, highest, and farthest throws. Dude Perfect has 21 million subscribers and is among the fastest growing and popular YouTube channels in the world. Dude Perfect videos have generated more views than any other trick shot group. View the new video: https://www.youtube.com/watch?v=TvNTcB6c-V8 "I'm so honored to work with this great group of guys on this video," Rick says. "We used U.S. playing cards along with customized De'vo Chrome Kings and Banshee Throwing Cards." A Slow Motion Phantom Camera recorded all of the action at about 20,000 frames per second in the ultra-high precision arena. Rick’s many feats include slicing a flying olive in half, striking targets behind him with pinpoint accuracy, and hitting a distant hoop raised 25 feet. His Dude Perfect throwing card appearance also includes several tricks that he performs for audiences around the world. “We plan on updating my YouTube channel with new content to keep things exciting,” Rick says, noting that his channel will have more magic, card throwing stunts, and tutorials. -
Ellen Degeneres' Tulane Commencement Speech: Is She Getting Through to Anybody? Ashley V
PURE Insights Volume 4 Article 6 2015 Ellen DeGeneres' Tulane Commencement Speech: Is She Getting Through to Anybody? Ashley V. Sigl Western Oregon University, [email protected] Follow this and additional works at: https://digitalcommons.wou.edu/pure Part of the Gender, Race, Sexuality, and Ethnicity in Communication Commons, and the Rhetoric Commons Recommended Citation Sigl, Ashley V. (2015) "Ellen DeGeneres' Tulane Commencement Speech: Is She Getting Through to Anybody?," PURE Insights: Vol. 4 , Article 6. Available at: https://digitalcommons.wou.edu/pure/vol4/iss1/6 This Article is brought to you for free and open access by the Student Scholarship at Digital Commons@WOU. It has been accepted for inclusion in PURE Insights by an authorized editor of Digital Commons@WOU. For more information, please contact [email protected]. Ellen DeGeneres' Tulane Commencement Speech: Is She Getting Through to Anybody? Abstract In this paper, I analyze the commencement speech given by Ellen DeGeneres at Tulane University in 2009. I argue that through identifying with her audience and employing a rhetorical style consisting of a careful balance between humor and tragedy as an additional factor to her use of the commencement genre style presented in Margaret LaWare’s essay, "Redefining The Good' Life': Life Lessons And Virtues In Commencement Speeches By Women,” DeGeneres is able to establish enough ethos to be seen as a highly credible source on the subject of life, and is able to resonate with her audience and make a point they perceive to be widely reasonable and sound. Keywords Ellen DeGeneres, Commencement speech, epideictic rhetoric, commencement genre, humor, tragedy, constraints, identification, ethos This article is available in PURE Insights: https://digitalcommons.wou.edu/pure/vol4/iss1/6 A publication of the Program for Undergraduate Research Experiences at Western Oregon University Ellen DeGeneres' Tulane Commencement Speech: Is She Getting Through to Anybody? Ashley V. -
The New Year!
Welcome to the New Year! Can you believe we have already been back in school for almost a month? We’re looking forward to another exciting school year her at Cherry Tree ESE. We have a quite a few returning counselors and some new faces too. Those returning are Mrs. Haddock(Site Supervisor), Ms. Lucero(Assistant Site Supervisor), Mrs. Garg(Head Kid Counselor), Mr. Niemiec, Miss Bartley, Miss Saunders and Mr. Ford(AM program). Our new counselors are Mr. Short, Miss Eacret and Mr. Arbogast. Mr.Short was with us for a few days at the end of last school year and worked all summer at our summer camps. He is a junior at Carmel. Mr Arbogast also worked all summer at our summer camps and he will be subbing for us at Cherry Tree this year so you will see him here and there. He is a senior at Carmel and looking forward to college next year. Miss Eacret is just joining us this year and is enrolled at a local charter school. We are all looking forward to getting to know your kids and making it a great year! CHERRY TREE ELEMENTARY Monica Haddock, Site Supervisor [email protected] | 317.698.6579 July and August Birthdays Happy birthday to those students that celebrated birthdays in July, August and September. Throughout the year our students will receive a coloring birthday card signed by the counselors, a birthday slap bracelet and a sticker around their birthday. Here are some fun facts for each month we’re celebrating this edition. July- July is National Ice Cream month, the birth flower is the water lily, and you share a birthday month with J.K. -
Aoir2018 TLCA-Identified
Selected Papers of #AoIR2018: The 19th Annual Conference of the Association of Internet Researchers Montréal, Canada / 10-13 October 2018 FROM YOUTUBE TO TV, AND BACK AGAIN: VIRAL VIDEO CHILD STARS AND MEDIA FLOWS IN THE ERA OF SOCIAL MEDIA A/Prof Tama Leaver Curtin University Dr Crystal Abidin Jönköping University / Deakin University Introduction While talk shows and reality TV are often considered launching pads for ordinary people seeking to become celebrities, we argue that where children are concerned, especially when those children have had viral success on YouTube or other platforms, their subsequent appearance(s) on television highlight far more complex media flows. At the very least, these flows are increasingly symbiotic, where television networks harness preexisting viral interest online to bolster ratings. However, the networks might also be considered parasitic, exploiting viral children for ratings in a fashion they and their carers may not have been prepared for. In tracing the trajectory of Sophia Grace and Rosie from viral success to The Ellen Show we highlight these complexities, whilst simultaneously raising concerns about the long-term impact of these trajectories on the children being made increasingly and inescapably visible across a range of networks and platforms. Methodology This paper is an extension of two overlapping projects: one based in traditional anthropological fieldwork with microcelebrities and Influencers and how some of these actors eventually groomed their own children as micro-microcelebrities (Abidin, 2015); and the second, a long-term cultural studies and media analysis of how tracking devices used by parents among infants and young children impact wellbeing and notions of privacy (Leaver, 2017).