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Cambridge University Press 978-0-521-51958-8 - Beckett and Contemporary Irish Writing Stephen Watt Index More information Index Abbott, H. Porter 100, 109, 118 disdain for allusion 145, 147 Adams, Gerry 92–93 embodied language in 50–52 Adigun, Bisi 205 as ghost in Banville 8 Adorno, Theodor H. 5, 6, 26, 101, 119 image on the Nobel stamp 203–04 coming to terms with the past, 93, 97 laughter in 27–28 reading of Endgame 41, 110, 111, 113–14 “mirlitonnades,” 140–42, 144 Albright, Daniel 24, 26 and King Lear 143 Alciati, Andrea 160 as “mystic writing pad” 7 Allusions, theories of 146–48 the pensum 20–21, 145 Altick, Richard D. 168 photographs of 203 Alvarez, A. 19 textual repetition in 23 Arden, John 62 and tourism 7 Arikha, Avigdor 203 All Strange Away 35–36 Atik, Anne 38, 39, 125, 126, 129, 149, 203 “Cascando” 53 Authorial adjectives 19–20, 24, 206 Catastrophe 40, 119 and the Holocaust 119 Bachelard, Gaston 28 and Shepard’s Kicking a Dead Horse 184 Badiou, Alain 5, 6, 9, 38, 45, 46, 47, 49, 50, 92, 101, Come and Go 175 110, 176 Company 34, 36–38, 39, 47, 54 on affirmation in Beckett, 41, 119, 130, 136 Dream of Fair to Middling Women 51, 52, 126 on the event, 41–42, 48, 136–37, 176–77 “Echo’s Bones” 49 on the turn in Beckett’s writing in the 1960s 25 Echo’s Bones and Other Precipitates 49 on Worstward Ho as “recapitulatory text” 25, 37, 52 Endgame 2, 4, 5, 6, 15, 26, 28, 30, 45, 48, 79, 81, Bahktin, Mikhail 20 87, 105, 177 Bair, Deirdre 49, 106, 199 and Muldoon’s “Incantata” 154 Banville, John 4, 5, 7, 22, 24, 49, 169, 198–99 and Shepard’s Kicking a Dead Horse 187 Athena 33 and The Tempest 30 Eclipse 8 language in 33, 113, 172–74 Ghosts 168, 177 “Eneug II” 53 Nightspawn 170, 182 “Expelled, The” 7 Shroud 16 First Love 42, 43 Untouchable, The 45 Fizzles 35 Barnes, Clive 70 Footfalls 34, 35, 38 Barthes, Roland 30, 79, 101 Happy Days 47, 79, 81, 87 Bateman, Colin 74 Memory and comic buoyancy in 28–30, 31 Baudrillard, Jean 43, 74 things in 43, 44 Beardsley, Monroe C. 127 “Home Olga” 53 Beckett Centenary Festival 197, 198 How It Is 9, 11, 25 Beckett, Samuel Ill Seen Ill Said 2, 3, 9, 22–23, 36, 39, 43, 46, and memory 33 48–49, 52–53, 81, 116, 125, 135, 140, 145 awarded the Nobel prize 199 and King Lear 126, 147 221 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-51958-8 - Beckett and Contemporary Irish Writing Stephen Watt Index More information 222 Index Beckett, Samuel (cont.) Breton, André 24 Imagination Dead Imagine 24, 36 Breuer, Lee 175 Krapp’s Last Tape 1, 7, 42 Brook, Peter 125, 192 and Muldoon’s “Incantata” 152 Brown, Bill 44, 45–46, 83 and Shepard’s Kicking a Dead Horse Burke, Patrick 82 186–87, 188 Bush, George Herbert Walker 183 Malone Dies 25, 37, 39, 98, 100, 110, 170, 179 Bush, George W. 189, 206 Mercier and Camier 44, 118 Molloy 20, 32, 43, 50, 75, 98, 179, 181 Carlson, Marvin 73 More Pricks Than Kicks 37, 49 Carr, Marina 8, 10, 19, 25, 168, 170–83 “Dante and the Lobster” 158 development as a playwright 168–69 “Yellow” 172 influence of Eugene O’Neill 170–71 Murphy 110, 192 influence of Tennessee Williams 170–71 Not I 9, 34–35, 37 Ariel 131, 171, 180–82 Piece of Monologue, A 176, 177 By the Bog of Cats … 8, 167, 178, 180, 181 Play 175 Low in the Dark 8, 169, 171, 172–78 Proust 17, 21, 22, 23, 24, 29, 31, 33, 39, 205 Mai, The 76, 131, 170, 171, 180 Rockaby 87 Meat and Salt 131 Rough for the Theatre I 45 On Raftery’s Hill 131, 178, 179–80 “Sanies I” 51 Portia Coughlan 167, 170, 180 “Sanies II” 51 Ullaloo 171 Stirrings Still 9 Woman and Scarecrow 9, 44, 169, 170, 171, 178, 182 Texts for Nothing 118 and Beckett 171–72 That Time 34, 38 Carson, Ciaran 78, 85–86, 99, 131 Unnamable, The 21, 40, 43, 51, 99, 175, 179 Casanova, Pascale 15, 18, 47, 134–35, 200 Waiting for Godot 3, 5, 8, 30, 32, 33, 47, 79, 87, Cavell, Stanley 26, 27, 33, 172, 180 107, 118, 158, 172, 176, 181 “Celtic Tiger, The” 193–94 and Mahon’s “An Image from Beckett” 137 Chandler, James 197–98 and Muldoon’s “Incantata” 158 Charnes, Linda 86, 206 comic devices in 174–75 Chekhov, Anton 61 New Orleans production after Hurricane Three Sisters 61 Katrina 3–4, 206 Uncle Vanya 61 New York production with Steve Martin Clancy, Tom 65 and Robin Williams 193 Cleary, Joe 14, 15–16 Watt 27, 43, 47, 54, 179, 181 Coleridge, Samuel Taylor 36 Whoroscope 9 Imagination v. Fancy in 36 Worstward Ho 9, 15, 36, 37, 48, 53, 111, 118, 130, Conlon, Gerry 66 135, 136, 140, 145, 156, 176 Connor, Steven 14, 17, 19, 23, 24, 30, 46, 50, 136 and King Lear 126 Cooper, Gary 185, 187 Beckett, William 196 Cotter, Holland 4 Benet, Juan 134 Cronin, Anthony, 7, 8, 37, 118 Bensaïd Daniel 177 Berkeley, George 45 Davis, Lydia 206 Bew, Paul 95 Deane, Seamus 72 Bloom, Harold 10 Debord, Guy 74 on influence 13–10 De Certeau, Michel 100 poetic misprision 17 Deleuze, Gilles 6 Boland, Eavan 72, 132 “The Exhausted” 53–54 Bond, Edward 68 Dentith, Simon 20 Boucicault, Dion 65 Derrida, Jacques 6, 180 Bourke, Bernadette 178 “The Law of Genre” 64–65 Boyd, John 62 Specters of Marx 166, 167–68 Brecht, Bertolt 72, 79 Devlin, Anne 67 Alienation effect 72 Ourselves Alone 69 Brennan, Rory 145 Dickinson, Emily 18, 148, 167 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-51958-8 - Beckett and Contemporary Irish Writing Stephen Watt Index More information Index 223 Dolar, Mladen 134 Grene, Nicholas 204 Donleavy, J. P. 44 Grimes, Conor, and Alan McKee 67 Donne, John 1 Guattari, Félix 6 Douglas, Kirk 185, 187 Doyle, Roddy 205 Haughton, Hugh 141 Dryden, John 22 Havel, Václav 119 Heaney, Seamus 148, 198 Eagleton, Terry 16, 130, 135, 136, 200 Defense of Friel’s Volunteers 71, 72, 75 Emblems and Powers’ Emblements 160 North 127 Esslin, Martin 14, 16, 17 “Punishment” 128 Everly Brothers, The 149 review of Muldoon’s The Annals of Chile 146 Higgins, Jack 65 Fallon, Brian 202 Hill, Leslie 110 Faulkner, Brian 95 Horne, Ned 4 Faulkner, William 134 Hughes, Robert 133 Fleming, Ian 167 Hynes, Garry 204 Fo, Dario 172 Ford, Harrison 65 Ibsen, Henrik 62 Foster, R. F. 95 Fouere, Olwen 184 Jackson, Michael 133 Frazier, Adrian 204 Jaffe, Aaron 19, 23 Freund, Gisèle 203 Jameson, Fredric 111 Friel, Brian 8, 11, 18, 26, 120, 125 Johnson, Mark 50 Aristocrats, The 61 Johnston, Jennifer 65, 99 Dancing at Lughnasa 76 Railway Station Man, The 109, 114 Faith Healer 76, 170 Jones, Marie 67 Freedom of the City, The 61, 62–63, 70–71, 72, Night in November, A 69 73, 79–80, 86, 99, 170 Joyce, James 10, 11, 79, 102, 138, 192 Home Front, The 61 Dubliners 7, 10 Lovers 87 “Boarding House, The” 103 Mundy Scheme, The 194 “Clay” 104 Performances 75–76 “Dead, The” 79–80, 103, 154 “Self-Portrait” 71 “Painful Case, A” 103 “Theatre of Hope and Despair, The” 62 “Sisters, The” 7, 104 This Hard House 131 Finnegans Wake 107, 112, 153 Volunteers 61, 62, 63, 70, 71, 76–79, 80–81, Portrait of the Artist As a Young Man, A 10, 83–85, 86, 99, 170 102, 104 Yalta Game, The 61 Ulysses 10, 18, 44, 192 Bloomsday (theatrical adaptation of Ulysses) 201 Galvin, Patrick 67 Joyce, May 202 Gardner, Lyn 9, 171 Garner, Stanton B., Jr. 35 Kane, Sarah 68 Gelber, Jack 62 Kavanagh, Patrick 11, 18 Genet, Jean 62 Kay, Jackie 102 Giacometti, Alberto 3 Keane, John B. 204 Gibbon, Peter 95 Kearney, Richard 24, 25, 61 Gibson, Andrew 110, 114, 119, 136 Keats, John 84 Gill, Peter 76 Keller, John Robert 42, 45 Glassie, Henry 40, 66 Kendall, Tim 153 Glendinning, Robin 67 Kennedy-Andrews, Elmer 63, 65, 135 Donny Boy 68–69 Kerkorian, Kirk 197 Summerhouse 69 Keyser, Arthur 142 Goldsmith, Oliver 18 Kiberd, Declan 6, 7, 10, 18, 25, 49, 111, 154 Gordon, Lois 106 Malone Dies as paradigmatic novel 26, 39, 75 Gregory, Lady Augusta 18 Kiely, Benedict 84, 114 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-51958-8 - Beckett and Contemporary Irish Writing Stephen Watt Index More information 224 Index Kilroy, Thomas 1, 87 Time to Dance and Other Stories, A 96, 109 Shape of Metal, The 3 Walking the Dog and Other Stories 8, 96, 100, Kincaid, Andrew 193 101, 106, 107–10, 120 on tourism and the Irish landscape 195–96 “At the Beach” 8, 107 Kingsley, Charles 155 “Visit to Norway, A” 109 Kingston, Jeremy 77 MacNeice, Louis 11 Knowlson, James 41, 119, 126, 144 McCafferty, Owen 67 Kott, Jan 4, 5, 6, 9, 16–17, 100 Mojo Mickeybo 68 on King Lear and Endgame 100 McDonagh, Martin 8, 67, 204 Kristeva, Julia 27, 101, 116, 118, 120 Cripple of Inishmaan, The 9 on depression 117 Lieutenant of Inishmore, The 67–68, 71 Kyd, Thomas 64 Pillowman, The 166–67, 179 “ghosted” by Franz Kafka 167 Lakoff, George 50 Skull in Connemara, A 8 La Mama E.
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  • The Beckett Collection Ruby Cohn Correspondence 1959-1989

    The Beckett Collection Ruby Cohn Correspondence 1959-1989

    The Beckett Collection Ruby Cohn correspondence 1959-1989 Summary description Held at: Beckett International Foundation, University of Reading Title: The Correspondence of Ruby Cohn Dates of creation: 1959 – 1989 Reference: Beckett Collection--Correspondence/COH Extent: 205 letters and postcards from Samuel Beckett to Ruby Cohn 1 telex message from Beckett to Cohn 1 telegram from Beckett to Cohn 1 postcard addressed to Georges Cravenne 5 letters from Cohn to Beckett (which include Beckett’s responses) 1 envelope containing a typescript of third section of Stirrings Still 2 empty envelopes addressed to Cohn Language of material English unless otherwise stated Administrative information Immediate source of acquisition The correspondence was donated to the Beckett International Foundation by Ruby Cohn in 2002. Copyright/Reproduction Permission to quote from, or reproduce, material from this correspondence collection is required from the Samuel Beckett Estate before publication. Preferred Citation Preferred citation: Correspondence of Samuel Beckett and Ruby Cohn, Beckett International Foundation, Reading University Library (RUL MS 5100) Access conditions Photocopies of the original materials are available for use in the Reading Room. Access to the original letters is restricted. Historical Note 1922, 13 Aug. Born Ruby Burman in Columbus, Ohio 1942 Awarded a BA degree from Hunter College of the City of New York 1946 Married Melvin Cohn (they divorced in 1961) 1952 Awarded a doctorate from the University of Paris 1960 Awarded a second doctorate from Washington University (Saint Louis, Mo.) 1961-1968 Professor of English and Comparative Literature at San Francisco State University 1969-1971 Fellow at the California Institute of the Arts 1972-1992 Professor of Comparative Drama at the University of California, Davis 1992-Present Professor Emerita of Comparative Drama at the University of California, Davis Ruby Cohn (née Burman) was born on 13 August 1922 in Columbus, Ohio, where her father, Peter Burman, was a veterinary student.