2019 Spring Season
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A Tribute to Dave Valentin & the Debut of Bill O'connell's (A.C.E.) Afro
Press contact: John MacElwee - 718-518-6539, [email protected] Tom Pryor - 718-753-3321 [email protected] Hostos Center for the Arts & Culture presents A Tribute to Dave Valentin & the Debut of Bill O’Connell’s (A.C.E.) Afro-Caribbean Ensemble Saturday, April 6, 2019, 7:30 PM LINK TO HIGH RESOLUTION PHOTOS (Bronx, NY) – On Saturday, April 6, Hostos Center for the Arts & Culture presents a double bill of Latin jazz with a Tribute to Dave Valentin, featuring a quintet led by the late flutist’s musical director, pianist Bill O’Connell with virtuoso flutist Andrea Brachfeld, then following with the debut of Bill O’Connell’s most recent project A.C.E. (Afro-Caribbean Ensemble) featuring a nonet comprised of some of New York’s top jazz and Latin jazz artists. The concert will be in the Repertory Theater at Hostos Community College, beginning at 7:30 PM. Tickets are $20, with student tickets at $5, and can be purchased online at www.hostoscenter.org or by calling (718) 518-4455. The box office is open Monday to Friday, 1 PM to 4 PM and will be open two hours prior to performance. In addition to O’Connell, the quintet includes original Dave Valentin Quartet members -- bassist Lincoln Goines and drummer Robby Ameen. Percussionist Román Díaz has been added to the group, and in the title role will be flutist Andrea Brachfeld, well-known for her musical abilities in jazz and Latin Jazz. Valentin said of Brachfeld, “with all due respect, she plays her buns off; one of the first ladies to disprove the concept that only men can deal with the real deal…” The original quartet with Brachfeld have performed tributes to Valentin in different venues in New York and repeat engagements at the Blue Note in Tokyo. -
2013 Brian Lynch Full Press Kit(Bio-Discog
GRAMMY© AWARD WINNING TRUMPETER Brian Lynch “You can lose yourself in the pure energy of his playing, but at any moment you can switch your attention to the logic and craftsmanship of his music and find multiple rewards.” NEIL TESSER, Jazziz “Lynch demonstrates that a dedicated, knowledgeable jazzman can play a diversity of styles with telling authenticity, and make the renditions extremely appealing to both musician and neophyte...Lynch is simply first- rate.” ZAN STEWART, Downbeat “When you’re as dynamic and flexible a trumpeter as Lynch, everyone wants you.” THE NEW YORKER “ … a knife-blade articulation on his horn… his command of rhythm, sharpened by a long apprenticeship with Mr. Palmieri, lent impressive authority to his playing…” NATE CHINEN, The New York Times “Ranks in the top ten of current trumpeters.” SCOTT YANOW, Cadence Magazine “Brilliant… two steps ahead of the ordinary ear.” REUTERS NEWS TRUMPETER COMPOSER ARRANGER EDUCATOR BANDLEADER: Spheres Of Influence Unsung Heroes Project The Brian Lynch Quartet Brian Lynch "This is a new millennium, and a lot of music has gone down," Brian Lynch said several years ago. "I think that to be a jazz musician now means drawing on a wider variety of things than 30 or 40 years ago. Not to play a little bit of this or a little bit of that, but to blend everything together into something that has integrity and sounds good. Not to sound like a pastiche or shifting styles; but like someone with a lot of range and understanding." Trumpeter and Grammy© Award Winner Brian Lynch brings to his music an unparalleled depth and breadth of experience. -
June 2020 Volume 87 / Number 6
JUNE 2020 VOLUME 87 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
GRAMMY© AWARD WINNING TRUMPETER Brian Lynch
GRAMMY© AWARD WINNING TRUMPETER Brian Lynch “You can lose yourself in the pure energy of his playing, but at any moment you can switch your attention to the logic and craftsmanship of his music and find multiple rewards.” NEIL TESSER, Jazziz “Lynch demonstrates that a dedicated, knowledgeable jazzman can play a diversity of styles with telling authenticity, and make the renditions extremely appealing to both musician and neophyte...Lynch is simply first- rate.” ZAN STEWART, Downbeat “When youʼre as dynamic and flexible a trumpeter as Lynch, everyone wants you.” THE NEW YORKER “ … a knife-blade articulation on his horn… his command of rhythm, sharpened by a long apprenticeship with Mr. Palmieri, lent impressive authority to his playing…” NATE CHINEN, The New York Times “Ranks in the top ten of current trumpeters.” SCOTT YANOW, Cadence Magazine “Brilliant… two steps ahead of the ordinary ear.” REUTERS NEWS TRUMPETER COMPOSER ARRANGER EDUCATOR BANDLEADER: “Spheres Of Influence” “Unsung Heroes Project” The Brian Lynch Big Band Brian Lynch "This is a new millennium, and a lot of music has gone down," Brian Lynch said several years ago. "I think that to be a straight-ahead jazz musician now means drawing on a wider variety of things than 30 or 40 years ago. Not to play a little bit of this or a little bit of that, but to blend everything together into something that sounds good. It doesn't sound like pastiche or shifting styles; it's people with a lot of knowledge." Few musicians embody this 21st century credo as profoundly as the 48-year-old trumpet master. -
Pasic 2001 Marching Percussion Festival
TABLE OF CONTENTS 2 Welcome Messages 4 PASIC 2001 Planning Committee 5 Sponsors 8 Exhibitors by Name/Exhibitors by Booth Number 9 Exhibitors by Category 10 Exhibit Hall Map 12 Exhibitors 24 PASIC 2001 Map 26 PASIC 2001 Area Map 29 Wednesday, November 14/Schedule of Events 34 Thursday, November 15/Schedule of Events 43 Friday, November 16/Schedule of Events 52 Saturday, November 17/Schedule of Events 60 Artists and Clinicians 104 Percussive Arts Society History 2001 111 Special Thanks/PASIC 2001 Advertisers NASHVILLE NOVEMBER 14–17 2 PAS President’s Welcome It is a grim reminder of the chill- from this tragedy. However, in a happier world that lies ® ing events that shook the U.S. this land of diversity, we all deal ahead for all of us. on September 11. I am espe- with grief and healing in differ- cially grateful to all of our PAS ent ways. I’m in no way international members who sent trivializing this tragedy when I personal messages to me, tell you that I’m especially look- members of the Board of Direc- ing forward to seeing friends tors, and into the PAS office in and colleagues from around the www.pas.org Lawton, Oklahoma. Your out- globe at PASIC in Nashville. pouring of support and conso- Percussion is the passion that oday, as I sit to write my lation are deeply appreciated. binds us all and allows us to T“welcome to PASIC” I applaud those of you who come together in a common message, I realize that our have offered to use your re- place to see our friends, hear world has forever changed. -
Conrad Herwig - BIOGRAPHY
Jack Price Founding Partner / Managing Director Marc Parella Partner / Director of Operations Mailing Address: 520 Geary Street Suite 605 San Francisco CA 94102 Telephone: Toll-Free 1-866-PRI-RUBI (774-7824) 310-254-7149 / Los Angeles 415-504-3654 / San Francisco Email: [email protected] [email protected] Website: http://www.pricerubin.com Yahoo!Messenger pricerubin Contents: Biography Reviews Conrad Herwig - BIOGRAPHY New York jazz trombonist Conrad Herwig has recorded 20 albums as a leader. His newest CD release is The Latin Side of Herbie Hancock (Half Note; 2010). This is the follow-up project to The Latin Side of Wayne Shorter (Half Note; 2008), Another Kind of Blue: The Latin Side of Miles Davis (Half Note; 2004), and The Latin Side of John Coltrane (Astor Place; 1996), each nominated for a GRAMMY Award. Recorded live at the Blue Note Jazz Club in New York City these exciting and individualized projects feature an array of special guests including Eddie Palmieri, Paquito D’Rivera, Dave Valentin and Brian Lynch. Herwig is equally facile in a non-Latin arena. His most recent other recordings, all for theCrissCross label, include A Jones for Bones Tones, Obligation, Land of Shadow,Hieroglyphica, Unseen Universe, Osteology and Heart of Darkness, which received 4 1/2 stars in DownBeat Magazine. He has also been voted #1 Jazz Trombonist (Talent Deserving Wider Recognition) in the 2002 DownBeat “Jazz Critic’s Poll.” In constant demand as a sideman, Herwig has been a featured member in the Joe Henderson Sextet, Horace Silver Octet, Tom Harrell’s Septet and Big Band and the Joe Lovano Nonet(featured as a soloist on Lovano’s GRAMMY Award winning 52nd St Themes). -
A Benefit for Dave Valentin at the Hostos Center July 1 Concert to Feature Top Latin Jazz Artists Including Eddie Palmieri
A Benefit For Dave Valentin At The Hostos Center July 1 Concert To Feature Top Latin Jazz Artists Including Eddie Palmieri Para Ti: A Benefit For Dave Valentin At The Hostos Center July 1 Concert To Feature Top Latin Jazz Artists Including Eddie Palmieri Para Ti: A Benefit For Dave Valentin At The Hostos Center, Including Eddie Palmieri. Please Share this event. Thanks July 1 Concert To Feature Top Latin Jazz Artists.A benefit concert for the Grammy Award-winning Latin jazz flutist Dave Valentin will be presented in the Main Theater at the Hostos Center for the Arts and Culture on Tuesday, July 1, 7:30 PM. Entitled “Para Ti” (For You), the concert will feature an acclaimed array of Latin jazz artists including Eddie Palmieri, Arturo O’Farrill, Bobby Sanabria, Nicky Marrero, Pete Nater and others. A life-long resident of the Bronx, Valentin, who was known for donating his talents to many worthwhile causes and community organizations, suffered a stroke in March 2012 and has been unable to perform. Through the support of sponsors including the Bronx- Lebanon Hospital Center, Hostos Community College, Manhattan Parking Group and WBGO Jazz 88.3 FM, all the costs of the concert, which will help Valentin with medical and living expenses, have been covered. Tickets are $25 and $35, with VIP tickets beginning at $175 and are available through the Hostos Center Box Office and can be purchased by calling (718) 518-4455 or through www.hostos.cuny.edu/culturearts. Under the musical direction of Valentin’s music director, pianist Bill O’Connell, assisted by tres guitar master Nelson González, the concert will feature a trove of Latin jazz artists including ten- time Grammy winner and pianist Eddie Palmieri along with pianist and Afro-Latin Jazz Orchestra leader Arturo O’Farrill, renowned Bronx-based pianist Valerie Capers, legendary Latin jazz bassists Rubén Rodríguez and Andy González, trombonist and band leader Papo Vázquez, and flutist Eddy Zervigón of the popular Charanga group Orquesta Broadway. -
2008 Spring Season
BAMbill April 2008 2008 Spring Season Eddie Martinez, Intergalactic Go Fish, 2007 BAM 2008 Spring Season is sponsored by: 2008 Spring Season Brooklyn Academy of Music Alan H. Fishman William I. Campbell Chairman of the Board Vice Chairman of the Board Karen Brooks Hopkins Joseph V. Melillo President Executive Producer presents Paul Simon: Songs from The Capeman BAM Harvey Theater Apr 1—6 at 8pm Produced by BAM Oscar Hernández and The Spanish Harlem Orchestra Featuring performances by Claudette Sierra, Obie Bermudez, Steve Conte, Luba Mason, Jorge Maldonado, Nicole Lequerica, Danny Rivera, Ray De La Paz, Frankie Negrón, Paul Simon Special guest performance by Little Anthony & The Imperials Staging by Megan Williams Lighting by Roderick Murray Sound design by Elias Sotomayor Musical advisor Phil Ramone Stage manager Erica Schwartz Assistant stage manager Sarah Ford Production assistant Sean Thorne Costume consultant Kate Patterson BAM 2008 Spring Season is sponsored by Bloomberg. Leadership support for Songs from The Capeman is provided by The Andrew W. Mellon Foundation. Visa Signature is a major sponsor for Love in Hard Times: The Music of Paul Simon. Songs from The Capeman opening night reception will feature beer by Stella. Floral décor provided by Fleurs Bella. Who’s Who Photo of Paul Simon by Mark Seliger Photo of Paul Performers: LITTLE ANTHONY & THE IMPERIALS SPANISH HARLEM ORCHESTRA Oscar Hernández Featured vocalists: Edgardo Miranda Cuatro Ray De La Paz Nelson Gonzalez Tres Nicole Lequerica Paul Livant Guitar Claudette Sierra Mitchell -
January 2003 Modern Drummer January 2003 5 Contents Contentsvolume 27, Number 1 Cover Photo by Alex Solca Inset Photo by Paul La Raia PAUL MCCARTNEY’S ABE LABORIEL JR
RINGO’S TOP-15 • ADEMA • ALAN WHITE PLAYBACK ABE LABORIEL JR. MASTERFUL WITH MCCARTNEY PLUS, SIR PAUL CHATS WITH MD! ROBBY AMEEN MAKING HISTORY WITH ”EL NEGRO“ RASHIED ALI A CONVERSATION WITH BOB MOSES DAVE WECKL’S HOTTEST LATIN LICKS $4.99US $6.99CAN 01 IT’S SHOWTIME! OOKS T TICK WIRLING MD LOOKS AT STICK TWIRLING 0 74808 01203 9 For an Alan White poster, send $4.00 to Ludwig Industries, Alan White poster, P.O. Box 310, Elkhart, IN 46515 Web site: www.ludwig-drums.com CLASSIC MAPLE SERIES. THE BEST SOUNDING DRUMS. Alan White Photographed By Dennis J. Slagle 4 Modern Drummer January 2003 Modern Drummer January 2003 5 Contents ContentsVolume 27, Number 1 Cover photo by Alex Solca Inset photo by Paul La Raia PAUL MCCARTNEY’S ABE LABORIEL JR. One of drumming’s hottest stars of the studio and stage, Abe Laboriel Jr. seems to be everywhere these days—Paul McCartney, Vanessa Carlton, Sting…. One good listen, and you’ll know why. by Robyn Flans EXCLUSIVE! Sir Paul Talks Drums With MD 54 Alex Solca UPDATE 24 LATIN GREAT Def Leppard’s RICK ALLEN ROBBY AMEEN 74 Adema’s KRIS KOHLS Alex Solca As good a tutorial as Funkifying The Clave is, it Phish’s JON FISHMAN gives little indication of how powerful a drum- Counting Crows’ BEN MIZE mer its author is. A killer new album with the equally gifted Horacio “El Negro” Hernandez STEVE HOUGHTON gives us ample reason to pick this guy’s brain. Southside Johnny’s LOUIE APPEL by Ken Micallef NEW COLUMN! FREE-JAZZ TRAILBLAZER PLAYBACK 154 RASHIED ALI 90 ALAN WHITE When John Coltrane asks a drummer to join Before he joined one of the blazingest pro- his band—with Elvin Jones—it should come gressive bands ever, dynamic Yes stick man as no surprise when he’s soon acknowl- Alan White worked with British rock’s royal- edged as a player of enormous talent and ty. -
Ike Sturm John Clayton Ed Cherry Roseanna Vitro
165201_HH_Jan_0 12/24/15 9:04 AM Page 1 THE LATIN SIDE OF HOT HOUSE P39 January 2016 www.hothousejazz.com Jazz at Kitano Page 21 The 9th Note Page 25 Roseanna Vitro Ed Cherry John Clayton Ike Sturm APAP Page 10 Saint Peter's Church Page 10 Where To Go & Who To See Since 1982 165201_HH_Jan_0 12/24/15 9:04 AM Page 2 2 165201_HH_Jan_0 12/24/15 9:04 AM Page 3 3 165201_HH_Jan_0 12/24/15 9:04 AM Page 4 4 165201_HH_Jan_0 12/24/15 9:04 AM Page 5 5 165201_HH_Jan_0 12/24/15 9:04 AM Page 6 WWW.BLUENOTEJAZZ.COM 6 165201_HH_Jan_0 12/24/15 9:04 AM Page 7 7 165201_HH_Jan_0 12/24/15 9:30 AM Page 8 8 165201_HH_Jan_0 12/24/15 9:04 AM Page 9 9 165201_HH_Jan_0 12/24/15 9:04 AM Page 10 WINNING SPINS By George Kanzler ITH MANY WAYS TO APPROACH tional spiritual at all, but Jerome Kern's the spiritual impulse in music, two "Old Man River" from the Broadway musi - bWassists take very different routes to reli - cal Showboat. Jones fashions an impro - gion-based music on the albums compris - vised intro over a repeating high range ing this Winning Spins. One is quite litur - ostinato from Clayton's bass, easing into gical, the other more homespun and folksy, the familiar melody in octaves and chords; but both are rooted in jazz. then the two weave improvised lines John Clayton enlists the late pianist around the tune in a fast repartee, each Hank Jones for a duet session dominated soloing before returning for a more skeletal by traditional Negro Spirituals, while Ike rendering of the refrain. -
Episode 101 Robby Ameen Musician/Drummer Grade Level 9-12
Teacher/Viewing Guide Arab American Stories – Episode 101 Robby Ameen Musician/Drummer Grade Level 9-12 Episode Overview: Robby Ameen was born in New Haven, Connecticut and lives in New York City. His grandparents on both sides came to the United States from Lebanon. As a young boy he discovered a passion for the drums, and today he is a world renowned Afro-Cuban Jazz drummer. This episode examines what interests define a personal culture and explores how influences such as music, language and distinctive practices can develop into a unique American cultural experience for individuals of all backgrounds. Students should be challenged to think about their own notions of ethnic identity and the boundaries that we often draw around particular groups. Students should also think about their own unique cultural experience and what has influenced them in their community and life, and what other cultures they enjoy and/or identify with. Previewing Questions: 1. What is American culture? 2. What makes someone Latino, Arab American, African American or part of another group? 3. How is your community or culture unique? Vocabulary: 1. Afro-Cuban Jazz: The earliest form of Latin jazz. It mixes Afro-Cuban clave-based rhythms with jazz harmonies and techniques of improvisation. 2. Culture: The customary beliefs, social forms, and material traits of a racial, religious, or social group 3. Ancestry: One’s family or ethnic descent 4. Druze: Religion and group of people living primarily in Lebanon, Syria, Israel, and Jordan--and often in the mountainous regions of those countries. Lesson Overview/Review: After viewing the segment on Robby Ameen, students should be prepared to discuss the concept of ethnic and cultural identity. -
The Dizzy Gillespie™ Afro Cuban Experience Under the Direction of John Lee, Dizzy’S Long-Time Bassist, and the Director of the Dizzy Gillespie™ Big Band
THE DIZZY GILLESPIE™ AFRO CUBAN EXPERIENCE Featuring MACHITO JR. In 1947, Dizzy Gillespie was introduced to Chano Pozo by Mario Bauza. Both became life-long friends and Dizzy and Chano Pozo developed Afro-Cuban jazz, which became extremely successful, atrtracting people to dance to its unique rhythms. Gillespie's most famous contributions to Afro-Cuban music are the compositions “Manteca” and "Tin Tin Deo". Machito’s Afro Cubans (formed in 1940), the creators of Cu-Bop, were a major influence on musicians like Dizzy Gillespie. Dizzy loved it so much, that in 1975, he invited Machito’s son, Mario Grillo (known as Machito Jr.,) to join his band for the recording of ‘Afro-Cuban Jazz Moods’. So it only makes sense to have him join the Dizzy Gillespie™ Afro Cuban Experience under the direction of John Lee, Dizzy’s long-time bassist, and the director of the Dizzy Gillespie™ Big Band. LINE UP: John Lee – Bass Freddie Hendrix - Trumpet & Flugelhorn Sharel Cassity - Alto Sax, Soprano Sax & Flutes Yotam - Guitars Robby Ameen – Drums Special Guest: Machito Jr. – Percussion Machito Jr. Five-year-old Mario Grillo learned to play the timbales during the summer of 1961, with lessons from Uba Nieto, then returned to New York with his father's band and played his first gig, taking a single timbales solo at the Palladium Ballroom while standing on a chair next to Tito Puente. After his father’s death, Mario carried forward the legacy by leading The Machito Orchestra. He also brought to life The Big 3 Palladium Orchestra, an homage to the Mambo Kings – Machito, Tito Puente and Tito Rodríguez – the three legendary bandleaders who transformed the US music scene, featuring himself and Tito Rodríguez Jr.