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Altea Gallery Ltd. 35 Saint George St,London W1S 2FN [email protected] - www.alteagallery.com Tel : +44(0) 20 7491 0010 One of the earliest printed maps of North America BORDONE, Benedetto. Terra de Lavoratore. [&] Norbegia. Venice, c.1540. Woodcut, printed area 80 x 145mm, set in a page of Italian text. Second woodcut, 140 x 145mm, on reverse. £1,600 An early miniature map of North America, based on the discoveries of João Fernandés, published in the First Book of the 'Libro di Benedetto Bordone', better known as his 'Isolario'. The continent is given the name of 'Terra de Lavatore' after Fernandés's nickname ('farm labourer' in Portuguese), a term now limited to Labrador in Canada. A label 'Stretto' marks a strait between 'Terra'Terra dede Lavatore'Lavatore' andand 'Pte'Pte deldel ModoModo Nuovo'Nuovo' (at(at thethe timetime 'New'New World'World' onlyonly referredreferred toto SouthSouth America), the hoped-for route to China. Also marked are the Azores (Fernandés's birthplace) and the mythical islands of Brazil and Asmaide. At first glance the 'island' more resembles Greenland (also visited by Fernandés); however, on the 'Isolario's' world map, 'Terra del Laboratore' is obviously North America, being located mostly on or below the same latitude as the British Isles and above South America. On the reverse is a map of Scandinavia and the Baltic. Despite the six editions between 1528-1562 these maps seldom appear on the market. BURDEN 8, edition of c.1540; GINSBURG: Scandinavia 7.,EC14 Altea Gallery Ltd. 35 Saint George St,London W1S 2FN [email protected]@alteagallery.com -- www.alteagallery.comwww.alteagallery.com Tel : +44(0) 20 7491 0010 Stock ID :20065 Powered by TCPDF (www.tcpdf.org) Powered by TCPDF (www.tcpdf.org).

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Cambridge University Press 978-1-316-60684-1 — The Venetian Discovery of America Elizabeth Horodowich Frontmatter More Information THE VENETIAN DISCOVERY OF AMERICA Few Renaissance Venetians saw the New World with their own eyes. As the print capital of early modern Europe, however, Venice developed a unique relationship with the Americas. Venetian editors, mapmakers, trans- lators, writers, and cosmographers represented the New World at times as a place that the city’s mariners had discovered before the Spanish, a world linked to Marco Polo’s China, or another version of Venice, especially in the case of Tenochtitlan. Elizabeth Horodowich explores these various and distinctive modes of imagining the New World, including Venetian rheto- rics of “ﬁrstness,” similitude, othering, comparison, and simultaneity gen- erated through forms of textual and visual pastiche that linked the wider world to the Venetian lagoon. These wide-ranging stances allowed Ven- etians to argue for their different but equivalent participation in the Age of Encounters. Whereas historians have traditionally focused on the Spanish conquest and colonization of the New World, and the Dutch and English mapping of it, they have ignored the wide circulation of Venetian Ameri- cana. Horodowich demonstrates how with their printed texts and maps, Venetian newsmongers embraced a fertile tension between the distant and the close. In doing so, they played a crucial yet heretofore unrecognized role in the invention of America. Elizabeth Horodowich is Professor of History at New Mexico State Uni- versity. She is the author of Language and Statecraft in Early Modern Venice (2008) and A Brief History of Venice (2009), and is the recipient of awards and fellowships from a variety of institutions, including Harvard University’s Villa I Tatti, the American Historical Association, and the National Endow- ment for the Humanities.
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