Robert Zieger, 1938-2013
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Attack on Public Workers Forum Worthy
NOTE WORTHY Work History News Save the date! L H A Miriam Frank Book Talk: Out in the Union: A Labor History of Queer America New York Labor History Association, Inc. September 17, 6:00 p.m. Tamiment Library NYU A Bridge Between Past and Present Volume 31 No 2 Summer | Fall 2014 A joint event sponsored by Tamiment and the New York Labor History Association Attack on public workers forum By Joseph Lopez movement. Unions marched side-by-side PEOPle’s ClimaTE MARCH rganized labor is the enemy—or with Dr. Martin Luther King Jr. in the 1960s and were an essential partner in the so right-wing media outlets like battle for racial and economic equality. New York City Fox News and politicians like O Garrido mentioned the 2012 Chicago Wisconsin Governor Scott Walker tell Teacher’s strike, which succeeded because Sunday, September 21 us. Private sector workers are inundated the union reached out to parents and made with misinformation about unions being issues such as teacher evaluations based on greedy and self-serving institutions that THIS IS AN INVITATION TO CHANGE EVERytHING. student performance a public concern. cause cities to fall into financial ruin, like “Private sector workers buy into the lies In September, world leaders are coming to New York City for a UN summit on Lopez Joseph Detroit’s recent bankruptcy. How do we because they don’t have the benefits we do,” the climate crisis. UN Secretary General Ban Ki-moon is urging government change this image of public employee Emil Pietromonaco, UFT, and Henry said Emil Pietromonaco, secretary of the Garrido, DC 37 at May 8th conference. -
Why American History Is Not What They Say
WHY AMERICAN HISTORY IS NOT WHAT THEY SAY: AN INTRODUCTION TO REVISIONISM also by jeff riggenbach In Praise of Decadence WHY AMERICAN HISTORY IS NOT WHAT THEY SAY: AN INTRODUCTION TO REVISIONISM Jeff Riggenbach Ludwig von Mises Institute, 518 West Magnolia Avenue, Auburn, Alabama 36832; mises.org. Copyright 2009 © by Jeff Riggenbach Published under Creative Commons attribution license 3.0 ISBN: 978-1-933550-49-7 History, n. An account mostly false, of events mostly unimportant, which are brought about by rulers mostly knaves, and soldiers mostly fools. —ambrose bierce The Devil’s Dictionary (1906) This book is for Suzanne, who made it possible. ACKNOWLEDGEMENTS Portions of Chapter Three and Chapter Five appeared earlier, in somewhat different form, in Liberty magazine, on RationalReview. com, and on Antiwar.com. David J. Theroux of the Independent Institute, Andrea Millen Rich of the Center for Independent Thought, and Alexia Gilmore of the Randolph Bourne Institute were generous with their assistance during the researching and writing stages of this project. Ellen Stuttle was her usual indispensable self. And, of course, responsibility for any errors of fact, usage, or judgment in these pages is entirely my own. CONTENTS preface 15 one The Art of History 19 i. Objectivity in History 19 ii. History and Fiction 25 iii. Th e Historical Fiction of Kenneth Roberts 36 iv. Th e Historical Fiction of John Dos Passos 41 two The Historical Fiction of Gore Vidal: The “American Chronicle” Novels 49 i. Burr and Lincoln 49 ii. 1876, Empire, and Hollywood 59 iii. Hollywood and Th e Golden Age 65 three The Story of American Revisionism 71 i. -
1 Dof")'T Kf")Ow
d.sid.e #57 THE NATIONAL TOPICAL SONG MAGAZINE APRIL 10, 1965 PRICE -- 50 ¢ Copyright 1965 1 DOf")'t Kf")oW Why By SNCC 3 3 ~ j 1;; I QLftlJPJ J tiJ I f?] ~I 11 11 --#- -:::#': _ --e--.-"""-~ =F- '-' -e-__ ~ =iF- I don It know why- I have to cry sometimes, I don It know why - I have to piJ 19 rQ §?T I @ [j I I. 4 I 1 j ] 14 I r?f II ~'::;i= -r Bye an' bye. 2. "I don't know why I have to bow so 10w,etc ••• 1t 3. " ••• to moan sometimes, etc ••• 11 4. " ••• to march so long, etc ••• ft 5. " ••• to fight so hard, etc ••• 11 6. " ••• to go to jail, etc ..." 7. It .... have to die sometimes,etc ••• " (Note: Often the 111" becomes "well. This is another old hymn made into a freedom song. Here it is as sung by Cordell Reagon & Bill Harris.) . In This Issue: FREEDOM SONGS FROM THE MONTGOMERY MARCH. A1s~J Songs By: PHIL OCBS, LEN CHANDLER~_ JULIUS LESTER, CARL WATANABE, MALVINA REYNOLDS. ARTICLES Pete Seeger on Selma March Illustration fram Josh Dunson's new book "Freedom In The Air - Woody Guthrie the Man Song Movements of the 60's" to be published May 25, 1965. SOME SONGS OF THE SELMA MARCHERS By PETER SEEGER Montgomery, Alabama vlednesday, 11a.rch 24, 1965 Dear Broadside -- Herewith I send you a few songs heard during the past day and a half, sung by a very wonderful group of people. Yesterday their numbers were l~ited to 300. -
So Long, It's Been Good to Know You Pete Seeger, Legendary Troubadour for Was "America's Tuning Fork
So Long, It's Been Good to Know You PETE SEEGER, LEGENDARY TROUBADOUR for was "America's tuning fork. labor, died on January 27 at the age of 94, of natural causes. Seeger His songs capture the essence leaves behind a long history of social activism. Singer, songwriter, and beauty of this country." Work History News environmental activist, anti-war opponent, Seeger was blacklisted Seeger sang "So long," with from appearing on network TV for 17 years. He returned to the folk music group, The L H A appear on the Smothers Brothers Comedy Hour on CBS in Weavers, which he organized 1967, whereupon his anti-war anthem, "Knee Deep in the Big after World War II. For more Muddy," was censored. When it aired the following year, the song than five decades, Seeger's was credited with solidifying public opinion in opposition to the singing lifted spirits on picket New York Labor History Association, Inc. Vietnam War. lines, in migrant labor camps, Seeger was a member of the New York Labor History and all across the land. The A Bridge Between Past and Present Volume 31 No 1 Winter | Spring 2014 Association. In 2009, he played his five-string banjo and other words of the song that became his anthem, "The Hammer Song," instruments at the 90th birthday celebration of his friend and summed up his life and its commitments. He did indeed hammer comrade, Henry Foner. Oral historian Studs Terkel said that Seeger out a warning and he will be missed, but his legacy is strong. Historian Eric Foner and PSC President Working Group Profile: Courtney B. -
JEWS in the AMERICAN LABOR MOVEMENT: PAST, PRESENT and FUTURE by Bennett Muraskin
JEWS IN THE AMERICAN LABOR MOVEMENT: PAST, PRESENT AND FUTURE by Bennett Muraskin INTRODUCTION Think of the greatest strikes in US labor history. Apart from the garment workers' strikes in New York and Chicago before World War One, none come to mind in which Jews played a major role. The railroad workers' strike in 1877, the strikes for the eight-hour day in 1886, the Homestead Strike in 1892, the Pullman strike in 1894, the coalminers' strike in 1902, the steelworkers' strike in 1919, the general strike in San Francisco in 1934 and autoworkers' sit- down strike in 1936-1937 all occurred either before Jews immigrated to the US in large numbers or in industries where few Jews were employed. Among the “industrial proletariat” considered by Marxists to be the agency of social revolution, Jews were under-represented. Furthermore, apart from the WASP elite, only Jews, among all European immigrants to the US, have been over-represented in the world of business. But if you look a little closer, you will find Jews as the ferment for a great deal of radical labor activism. The only two Socialist Party candidates elected to the US Congress were Victor Berger and Meyer London. Bernie Sanders is the only US Senator to call himself a “socialist.” All three were Jews. (Ronald Dellums, a non-Jewish Black man who represented Berkeley CA in Congress as Democrat from 1970 to 1997, is the only other person to so identify.) The Jewish garment workers' unions pioneered social unionism and were among the founders of the CIO. -
Labor Archives in the United States and Canada
Labor Archives in the United States and Canada A Directory Prepared by the Labor Archives Roundtable of the Society of American Archivists This directory updates work done in the early 1990s by the Wagner Labor Archives in New York City. A survey then conducted identified "archivists, librarians, and labor union staff who are collecting manuscripts, audio-visual materials, and artifacts that document the history of the trade union movement in the United States." Similarly, this directory includes repositories with partial holdings relating to labor and workers, as well as repositories whose entire holdings pertain to labor. The most recent updates were made in 2011; previously known updates were made in 2002. The directory is organized by state, then by repository, with Canadian repositories listed last. Please contact officers of the Labor Archives Roundtable, Society of American Archivists, if you have additions, comments, corrections, or questions. Labor Archives in the United States and Canada 1 Alabama Alabama Labor Archives http://www.alabama-lah.org The Alabama Labor Archives and History is a private not-for-profit corporation that began in 2002 when the Alabama AFL-CIO recognized the need for a labor archives and history museum that showed the progress of organized labor in Alabama. The mission of the Alabama Labor Archives and History is to identify, evaluate, collect, preserve, and provide access to material of labor significance in Alabama. Birmingham Public Library, Archives Department http://www.bplonline.org/locations/central/archives/ The collection includes charters, records, scrapbooks and other material relating to various Birmingham, Alabama, labor unions, papers of individuals involved in the labor movement, oral history interviews, research files, and photographs. -
NYLHA's Youth Advisory Board
NYLHA’s Youth Advisory Board Work History News L H A New York Labor History Association, Inc. A Bridge Between Past and Present Volume 30 No 2 Summer | Fall 2013 Henry Foner’s Book Bash a Smash: Bound ince January, NYLHA’s Youth Advisory Board (Front row, l.- two of the filmmakers as part of the Workers Unite Film Festival. Volume Unearths Hidden Treasures r.: Courtney Francis, Joe Lopez, Prudence Katze, Darrah Sipe, Courtney Francis introduced the program and the films, all of YLHA President Irwin fellow students in the American SKimberly Schiller; Back Row, l.-r.: Art Fleischner, NYLHA which focused on current organizing struggles. “The Hand That Yellowitz welcomed Student Union, and mounted Board Member and Membership Committee—and William Feeds,” about organizing efforts of employees at Hot and Crusty, a full house to Henry annual shows that took aim at Lehman) has been meeting on a monthly basis. Their mission is was the hit of the evening and led to a lively exchange with the N Foner’s Book Party at the ivory-tower intellectuals. A duet, to connect younger generations to labor history. “Learning labor filmmaker. Tamiment Library, NYU. “Confidentially, We Think,” history to change the world” is their motto. Currently, the YAB is producing a poster, which will soon be The event, co-sponsored by (1939) sung by the author On May 13, the YAB’s Film Committee—Will Lehman, available for distribution so that young people can connect to the Tamiment, the NYLHA, and and Sonia Bernhardt Bloom, Kimberly Schiller, Prudence Katze and Joe Lopez—organized a group. -
CELEBRITY POLITICS and the CULTIVATION of AFFECT in the PUBLIC SPHERE By
CELEBRITY POLITICS AND THE CULTIVATION OF AFFECT IN THE PUBLIC SPHERE by Ariella Horwitz A Dissertation Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Doctor of Philosophy Cultural Studies Committee: ___________________________________________ Director ___________________________________________ ___________________________________________ ___________________________________________ Program Director ___________________________________________ Dean, College of Humanities and Social Sciences Date: _____________________________________ Spring Semester 2016 George Mason University Fairfax, VA Celebrity Politics and the Cultivation of Affect in the Public Sphere A Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at George Mason University by Ariella Horwitz Master of Arts California State University, Fullerton, 2004 Bachelor of Arts Whittier College, 2000 Director: Alison Landsberg, Professor Department of Cultural Studies Spring Semester 2016 George Mason University Fairfax, VA This work is licensed under a creative commons attribution-noderivs 3.0 unported license. ii Acknowledgements I am grateful for the guidance and assistance of my committee chair Dr. Alison Landsberg and committee members Dr. Denise Albanese and Dr. Roger Lancaster. iii Table of Contents Page List of Figures.................................................................................................................... vi Abstract............................................................................................................................ -
SONGS of SOCIAL CHANGE the Artists They Motivated The
RALLYING CRY: SONGS OF SOCIAL CHANGE The Artists They Motivated The Movements They Inspired By Cindy Omstein Presented to the Liberal Studies Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Arts in Liberal Studies in American Culture August 26, 2013 First Reader Signature Date Marva t/urman, Ph.D. Second Reader Signature _ Date / S Sepi. Lois Alexander, Ph.D. RALLYING CRY: SONGS OF SOCIAL CHANGE The Artists They Motivated The Movements They Inspired I. Introduction 3 II. Joe Hill 9 III. Woody Guthrie 36 IV. “Strange Fruit” 80 V. “We Shall Overcome” 106 VI. Sing Out!, People’s Songs and the Folk Revival 133 VII. Bob Dylan 147 VIII. Woodstock 171 IX. Conclusion 209 X. Works Cited 226 2 CHAPTER I: INTRODUCTION WHAT MOVEMENTS? WHAT SONGS? WHAT’S THE DIFFERENCE? There is an American musical conversation we have inherited, that grew out of the native and immigrant traditions of our nation, and especially those who immigrated here against their will—the African slaves. While this musical conversation reflects all aspects of American life over the history of our nation, perhaps nowhere has it been more powerful, more iconic and of higher impact than when it was used to voice protest for social and justice issues of our world, our society and the average working American. This musical conversation happened in a variety of ways. The genesis and evolution of the lyrics and music themselves represent a sharing and passing down of musical ideas, frequently born of old hymns, spirituals and slave songs. -
3Rd Annual History of the Catskills Conference August 29 - Sept 1, 1997
3rd Annual History of the Catskills Conference August 29 - Sept 1, 1997 Schedule of Events Friday, August 29 8:30-10:00PM Introduction—Phil Brown & Shalom Goldman Return to the Mountains—a short story by Phil Brown; performed by the Sunny Oaks Troubadours Saturday, August 30 11:00-12:30PM Henry Foner—From the Bandstand: Stories from a Catskills Musician 2:00-3:00PM Irwin Richman—A Bungalow Colony Slide Show 3:00-5:00PM Ellen Halbert (Raleigh Hotel) & Carrie Komito (Aladdin)—Hotel Owners Keeping Alive the Catskills 8:30-10:00PM Vivian Gornick—The Culture of the Catskills 10:15-11:45PM Film: Sweet Lorraine Sunday, September 1 10:00-11:00AM Jenna Weissman Joselit—Summer Resort Judaism and the Relaxation of Ritual 11:30-1:00PM Shalom Goldman—Isaac Bashevis Singer in the Catskills: A Literary & Personal Turning Point 2:30-3:00PM Film: A Singles Weekend at the Concord (from WCBV-TV, Boston) 3:30-5:00PM Clarence Steinberg—Jewish Farmers in the Catskills 6:00-7:00PM Film: The Rise & Fall of the Borscht Belt 9:00-11:00PM Klezmer Concert 1 3rd Annual Conference: Recap by Irwin Richman The seduction began before we could even register. What "Catskillphile" could resist the blandishments of Sal's bazaar. Yiddish music poured from the phonograph and many of us were immediately wrapped in a veil of nostalgia. We were sitting ducks. With the exception of part of Friday night when it rained, the entrance to the Main House at Sunny Oaks Hotel, our conference headquarters, was flanked with temptations. -
Tribute to George Houser
Tribute to George Houser http://www.aluka.org/action/showMetadata?doi=10.5555/AL.SFF.DOCUMENT.acoa000554 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org Tribute to George Houser Alternative title Tribute to George Houser Author/Creator Houser, George M.; Davis, Jennifer; Booth, William H.; American Committee on Africa Contributor Nyerere, Julius K., Tambo, Oliver, Nujoma, Sam, Mugabe, Robert, Kaunda, Kenneth, Mondlane, Janet Rae Publisher American Committee on Africa, American Committee on Africa Date 1981-06 Resource type Programs (Programmes) Language English Subject Coverage (spatial) United States, South Africa, Namibia Coverage (temporal) 1916 - 1981 Source Africa Action Archive Rights By kind permission of Africa Action, incorporating the American Committee on Africa, The Africa Fund, and the Africa Policy Information Center. -
Introduction Joseph Dorinson Longisland University
Introduction Joseph Dorinson LongIsland University Paul Robeson is the greatest legend nobody knows. April 9, 1998 marked the hundredth birthday of this brilliant, complex, athlete-actor-singer-activist who was, arguably, the most prominent African American from the 1920s through the 1950s. He was the quintessential Renaissance man whose talents and achievements far transcended his first national arena, the football field. In fact, heavyweight boxing champion Joe Louis once said that he and Jackie Robinson, the first African-American to play major league baseball in 1947 with the Brooklyn Dodgers, owed everything to Robeson.' Paul Robeson's life ended in loneliness and despair. His tragedy was the fact he was born too soon. To honor this man for all seasons on the centennial of his birth, a number of educational and cultural institutions-the New- York Historical Society, Rutgers University, and Long Island University to name only a few-sponsored programs celebrating his life and evaluating his legacy. The essays in this volume were first presented at a one-day conference held at Long Island University's Brooklyn Campus on Saturday, February 28, 1998. They cover many aspects of his life: his significance as a singer, his political activism, his effort to achieve solidarity between blacks and Jews, the important part his wife Eslanda Goode Robeson played in his struggle, and the way conservative Americans rioted against him, refused to discuss him in the press, and attempted to silence his voice. Courses on Robeson are offered at colleges and high schools: a final essay explains how Robeson's multi-faceted career can serve as the core of a course on African-American or twentieth- century United States history.