VFA Programme 2020
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Paying Attention to Public Readers of Canadian Literature
PAYING ATTENTION TO PUBLIC READERS OF CANADIAN LITERATURE: POPULAR GENRE SYSTEMS, PUBLICS, AND CANONS by KATHRYN GRAFTON BA, The University of British Columbia, 1992 MPhil, University of Stirling, 1994 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (English) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) August 2010 © Kathryn Grafton, 2010 ABSTRACT Paying Attention to Public Readers of Canadian Literature examines contemporary moments when Canadian literature has been canonized in the context of popular reading programs. I investigate the canonical agency of public readers who participate in these programs: readers acting in a non-professional capacity who speak and write publicly about their reading experiences. I argue that contemporary popular canons are discursive spaces whose constitution depends upon public readers. My work resists the common critique that these reading programs and their canons produce a mass of readers who read the same work at the same time in the same way. To demonstrate that public readers are canon-makers, I offer a genre approach to contemporary canons that draws upon literary and new rhetorical genre theory. I contend in Chapter One that canons are discursive spaces comprised of public literary texts and public texts about literature, including those produced by readers. I study the intertextual dynamics of canons through Michael Warner’s theory of publics and Anne Freadman’s concept of “uptake.” Canons arise from genre systems that are constituted to respond to exigencies readily recognized by many readers, motivating some to participate. I argue that public readers’ agency lies in the contingent ways they select and interpret a literary work while taking up and instantiating a canonizing genre. -
Cahiers-Papers 53-1
The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf. -
Bug Bites It’S Only a Matter of Time Before Insects Become a Staple of Western Diets
A PUBLICATION OF ALUMNI UBC · NUMBER 36 · 2014 BUG BITES It’s only a matter of time before insects become a staple of Western diets. PLUS Stuck in a medical minority BC’s endangered languages Dear Dr. Wesbrook: letters from the front Author Nancy Lee has The Last Word 22 16 DOUBLE FEATURE COVER THE waitinG ROOM THE BUG FARMER A powerful documentary is illustrating the Andrew Brentano, BA’10, is supporting the growth of a grassroots plight of people living with undiagnosed conditions. insect‑farming industry – starting in his own garage. AN UncOMMON EatinG InsEcts is NOT PEOPLE whO haVE A RARE disEasE OR UndiaGNOSED COnditiON can FEEL isOlatED and abandONED. DENOMinatOR “ICKY.” GET OVER IT. RaisinG awaRENEss and BUildinG SUPPORT NEtwORKS GIVES thEM The Rare Disease Foundation is using a collective Professor Murray Isman says eating insects is not only desirable, A VOicE and BOOsts thEIR HOPES approach to create a support network for patients. FOR answERS. but inevitable. THE LOVE BUG FEATURE Afton Halloran, BSc’09, co‑wrote a major UN publication InsEcts ARE A COMMON SOURCE OF NUTRitiON in ManY on the contribution of insects to global food security. 12 VANISHING PARts OF thE WORld BUT haVE YET TO BECOME a staPLE Her fascination with the subject led to a chance meeting. OF WEstERN diEts. THERE ARE stRONG ARGUMEnts FOR OVERCOMinG ANY AVERsiON. VOicES Language activists are determined to bring BC’s indigenous tongues back from the brink of extinction. In Short QUOTE, UNQUOTE 52 3 3 FEATURE Q&A 4 TaKE NOTE 28 DEar 6 ABORIGIN AL GANGS DR. -
CBC IDEAS Sales Catalog (AZ Listing by Episode Title. Prices Include
CBC IDEAS Sales Catalog (A-Z listing by episode title. Prices include taxes and shipping within Canada) Catalog is updated at the end of each month. For current month’s listings, please visit: http://www.cbc.ca/ideas/schedule/ Transcript = readable, printed transcript CD = titles are available on CD, with some exceptions due to copyright = book 104 Pall Mall (2011) CD $18 foremost public intellectuals, Jean The Academic-Industrial Ever since it was founded in 1836, Bethke Elshtain is the Laura Complex London's exclusive Reform Club Spelman Rockefeller Professor of (1982) Transcript $14.00, 2 has been a place where Social and Political Ethics, Divinity hours progressive people meet to School, The University of Chicago. Industries fund academic research discuss radical politics. There's In addition to her many award- and professors develop sideline also a considerable Canadian winning books, Professor Elshtain businesses. This blurring of the connection. IDEAS host Paul writes and lectures widely on dividing line between universities Kennedy takes a guided tour. themes of democracy, ethical and the real world has important dilemmas, religion and politics and implications. Jill Eisen, producer. 1893 and the Idea of Frontier international relations. The 2013 (1993) $14.00, 2 hours Milton K. Wong Lecture is Acadian Women One hundred years ago, the presented by the Laurier (1988) Transcript $14.00, 2 historian Frederick Jackson Turner Institution, UBC Continuing hours declared that the closing of the Studies and the Iona Pacific Inter- Acadians are among the least- frontier meant the end of an era for religious Centre in partnership with known of Canadians. -
Unsettling the White Noise: Deconstructing the Nation-Building
Unsettling the White Noise: Deconstructing the Nation-Building Project of CBC Radio One’s Canada Reads By Emily M. Burns A thesis submitted to the Graduate Program in the Department of Gender Studies in conformity with the requirements for the Degree of Master of Arts Queen’s University Kingston, Ontario, Canada August, 2012 Copyright @ Emily M. Burns, 2012 Abstract The Canadian Broadcasting Corporation’s Canada Reads program, based on the popular television show Survivor, welcomes five Canadian personalities to defend one Canadian book, per year, that they believe all Canadians should read. The program signifies a common discourse in Canada as a nation-state regarding its own lack of coherent and fixed identity, and can be understood as a nationalist project. I am working with Canada Reads as an existing archive, utilizing materials as both individual and interconnected entities in a larger and ongoing process of cultural production – and it is important to note that it is impossible to separate cultural production from cultural consumption. Each year offers a different set of insights that can be consumed in their own right, which is why this project is written in the present tense. Focusing on the first ten years of the Canada Reads competition, I argue that Canada Reads plays a specific and calculated role in the CBC’s goal of nation-building: one that obfuscates repressive national histories and legacies and instead promotes the transformative powers of literacy as that which can conquer historical and contemporary inequalities of all types. This research lays bare the imagined and idealized ‘communities’ of Canada Reads audiences that the CBC wishes to reflect in its programming, and complicates this construction as one that abdicates contemporary responsibilities of settlers. -
Acacia Fall 2020 Rights List
Acacia Acacia House House Catalogue Summer Fall - 2020Fall 2019 Catalogue 1 Dear Reader, We invite you to look at our Fall 2020 International Rights Catalogue, a list that includes works by adult authors represented by Acacia House, but also recent and forthcoming titles from: Douglas & McIntyre; Fifth House; Fitzhenry & Whiteside; Harbour Publishing; Lilygrove; NeWest Press; New Star Books; Shillingstone: Véhicule; West End Books; Whitecap Books and Words Indeed whom we represent for rights sales. We hope you enjoy reading through our catalogue. If you would like further information on any title(s),we can be reached by phone at (519) 752-0978 or by e-mail: [email protected] — or you can contact our co-agents who handle rights for us in the following languages and countries: Bill Hanna Photo© Frank Olenski Brazilian: Dominique Makins, DMM Literary Management Chinese: Wendy King, Big AppleTuttle-Mori Agency Serbo Croatian: Reka Bartha Katai & Bolza Literary Agency Dutch: Linda Kohn, Internationaal Literatuur Bureau German: Peter Fritz, Christian Dittus, Antonia Fritz, Paul & Peter Fritz Agency Greek: Nike Davarinou, Read ’n Right Agency Hungarian: Lekli Mikii, Katai & Bolza Literary Agency Indonesia: Santo Manurung, Maxima Creative Agency Israel: Geula Guerts, The Deborah Harris Agency Italian: Daniela Micura, Daniela Micura Literary Agency Japanese: Miko Yamanouchi, Japan UNI Agency Korean: Duran Kim, Duran Kim Literary Agency Malaysia: Wendy King, Big AppleTuttle-Mori Agency Polish: Maria Strarz-Kanska, Graal Ltd. Portugal: Anna Bofill, Carmen Balcells S.A Kathy Olenski Photo☺ Frank Olenski Romanian: Simona Kessler, Simona Kessler Agency Russian: Alexander Korzhenevsky, Alexander Korzhenevski Table of Contents Agency Fiction 3 South Africa: TerryTemple, International Press Agency Historical Fiction 21 Scandinavia: Anette Nicolaissen, A. -
Westwood 140764
Westwood Creative Artists ___________________________________________ LONDON CATALOGUE Spring 2020 INTERNATIONAL RIGHTS Director: Meg Wheeler AGENTS Chris Casuccio Jackie Kaiser Michael A. Levine Hilary McMahon John Pearce Bruce Westwood Meg Wheeler FILM & TELEVISION Michael A. Levine 386 Huron Street, Toronto, Ontario M5S 2G6 Canada Phone: (416) 964-3302 ext. 233 E-mail: [email protected] Website: www.wcaltd.com Table of Contents News from Westwood Creative Artists page 2 – 4 Recent sales page 5 – 6 Fiction Caroline Adderson, A Russian Sister page 9 Glenn Dixon, Bootleg Stardust page 10 Zsuzsi Gartner, The Beguiling page 11 Frances Itani, The Company We Keep page 12 Thomas King, Indians on Vacation page 13 Annabel Lyon, Consent page 14 Damhnait Monaghan, New Girl in Little Cove page 15 Non-fiction Stephen Bown, The Company page 17 Allan Levine, Details Are Unprintable page 18 Keith Maillard, Fatherless page 19 Rahaf Mohammed, Rebel page 20 Michael Posner, Leonard Cohen page 21 Titles of Special Note Keith Ross Leckie, Cursed! page 23 Kathryn Nicolai, Nothing Much Happens page 24 Sara O’Leary, The Ghost in the House page 25 Madhur Anand, This Red Line Goes Straight to Your Heart page 26 Tara Henley, Lean Out page 27 Thomas Homer-Dixon, Commanding Hope page 28 Bruce Kirkby, Blue Sky Kingdom page 29 Liz Levine, Nobody Ever Talks About Anything But the End page 30 Selected client list page 31 Co-agents page 32 March 2020 Welcome to Westwood Creative Artists’ Spring 2020 catalogue! We’re looking forward to another year of bringing exceptional writers and their works to an international audience. -
Final Text 9/5/07 12:57 PM Page 1
final text 9/5/07 12:57 PM Page 1 Canadian Literature/ Littératurecanadienne A Quarterly of Criticism and Review Number , Summer Published by The University of British Columbia, Vancouver Editor: Laurie Ricou Associate Editors: Laura Moss (Reviews), Glenn Deer (Reviews), Kevin McNeilly (Poetry), Réjean Beaudoin (Francophone Writing), Judy Brown (Reviews) Past Editors: George Woodcock (‒), W.H. New, Editor emeritus (‒), Eva-Marie Kröller (‒) Editorial Board Heinz Antor Universität Köln Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Coral Ann Howells University of Reading Smaro Kamboureli University of Guelph Jon Kertzer University of Calgary Ric Knowles University of Guelph Neil ten Kortenaar University of Toronto Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Leslie Monkman Queen’s University Maureen Moynagh St. Francis Xavier University Élizabeth Nardout-Lafarge Université de Montréal Ian Rae McGill University Roxanne Rimstead Université de Sherbrooke Patricia Smart Carleton University David Staines University of Ottawa Penny van Toorn University of Sydney David Williams University of Manitoba Mark Williams University of Canterbury Editorial Laurie Ricou When it Rains it Winks Articles Danielle Fuller Listening to the Readers of “Canada Reads” Andrea Stone Internalized Racism: Physiology and Abjection in Kerri Sakamoto’s The Electrical Field Robin Jarvis Curious Fame: The Literary Relevance of Alexander Mackenzie Reconsidered Maia Joseph Wondering into Country: Dionne Brand’s A Map to the Door of No Return final text 9/5/07 12:57 PM Page 2 Poems Michael Bullock A.F. Moritz Theresa Muñoz Michael Lista Bill Howell Susan Andrews Grace Books in Review Forthcoming book reviews are available at the Canadian Literature website: http://www.canlit.ca Authors Reviewed Terrence Heath Sylvia Adams Nairne Holtz Mark Abley , Walter W. -
Poetry and Prose
Sachiko Murakami My quandary now is how to be a writer in 42 • 1 recovery, now that my survival isn’t so fundamentally attached to writing. There is a part of me that wants the edge back,eleven thatdollars insistent,ninetyfive delirious,poetry desperate and tumble prose through language as though my life depended on it. Billeh Nickerson I’m at the CBC Studios in Toronto being inter- viewed for Shelagh Rogers’s The Next Chapter. I read a few poems about fast food and then somehow Shelagh’s phrasing makes it seem as if she has just called me a slut on national radio. ‘Shelagh,’ I say, ‘my mom could be listening.’ Ayelet Tsabari How could one set of rules be right for all stories? For all fiction writers everywhere? Perhaps my writing had stood out as different because I was different.... My heritage, my background, had shaped my personality, which in turn informed my writing, not just in terms of content, but style as well. Visit eventmags.com Notes on Writing Issue The Douglas College Review u Poetry and Prose Bringing You the Best Contemporary Fiction in Canada 2012 & 2011 Gold Winner National Magazine Award for Fiction 2012 & 2011 Silver Winner National Magazine Award for Fiction 2012 & 2010 Winner Western Magazine Award for Fiction ... and a whole lot more. EVENT is published three times a year by Douglas College, PO Box 2503, New Westminster, BC, V3L 5B2, Canada. EVENT is a member of Magazines Canada and the Magazine Association of B.C., and is indexed in Canadian Magazine Index, Canadian Literary Periodicals Index, Humanities International Complete and Index of American Periodical Verse. -
Canadianliterature
Canadian Literature/ Littératurecanadienne A Quarterly of Criticism and Review Number 195, Winter 2007, Context(e)s Published by The University of British Columbia, Vancouver Editor: Margery Fee Associate Editors: Laura Moss (Reviews), Glenn Deer (Reviews), Larissa Lai (Poetry), Réjean Beaudoin (Francophone Writing), Judy Brown (Reviews) Past Editors: George Woodcock (1959–1977), W.H. New (1977–1995), Eva-Marie Kröller (1995–2003), Laurie Ricou (2003–2007) Editorial Board Heinz Antor Universität Köln Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Coral Ann Howells University of Reading Smaro Kamboureli University of Guelph Jon Kertzer University of Calgary Ric Knowles University of Guelph Neil ten Kortenaar University of Toronto Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Leslie Monkman Queen’s University Maureen Moynagh St. Francis Xavier University Élizabeth Nardout-Lafarge Université de Montréal Ian Rae McGill University Roxanne Rimstead Université de Sherbrooke Patricia Smart Carleton University David Staines University of Ottawa Penny van Toorn University of Sydney David Williams University of Manitoba Mark Williams University of Canterbury Editorial Margery Fee Réjean Beaudoin Context(e)s 6 Articles Cheryl Lousley Knowledge, Power and Place: Environmental Politics in the Fiction of Matt Cohen and David Adams Richards 11 Martine-Emmanuelle Lapointe Réjean Ducharme, le tiers inclus : Relecture de L’avalée des avalés 32 Jean-Sébastien Ménard Sur la langue de Kerouac 50 David Décarie Le secret de Manouche : Le thème de la fille-mère dans le Cycle du Survenant de Germaine Guèvremont 68 Articles, continued Colin Hill Canadian Bookman and the Origins of Modern Realism in English-Canadian Fiction 85 Lisa M. -
Media Report
Att doc_4.2.2 MEDIA REPORT Report March 19 to April 17, 2015. SECTION 1: OUTLINE OF NEWS MEDIA COVERAGE 1. Article: Eve Lazarus revels in the North Shore News Friday, April 3, 2015 Pg. 2 secrets of history 2. Event Listing: Secrets, Booze & Vancouver Sun Saturday, April 4, 2015 Pg. 5 Rebellion: Vancouver’s Unknown History with Eve Lazarus, Daniel Francis and Aaron Chapman 3. Article: 2015 North Shore Writers Deep Cove Crier April 2015 Pg. 3 Festival: Where Readers and Writers Unite 4. Image: North Shore Writers Festival North Shore News Thursday, April 16 Pg. 8 6. Article: Twisted tales from a magic North Shore News Friday, April 17 Pg. 9 realist SECTION 2: SOCIAL MEDIA STATISTICS 1. Facebook Statistics March 2015 Pg. 13 2. Twitter Statistics March 2015 Pg. 14 SECTION 1: OUTLINE OF MEDIA COVERAGE 1. Article: Event Listing: Secrets, Booze & Rebellion: Vancouver’s Unknown History with Eve Lazarus, Daniel Francis and Aaron Chapman Type: article with photo Outlet: North Shore News Date: Friday, April 3 Link: http://www.nsnews.com/entertainment/books/eve-lazarus-revels-in-the-secrets-of-history- 1.1813077 Description: An interview with local author, Eve Lazarus in the North Shore News. This article promotes our event, Secrets, Booze and Rebellion with authors Eve Lazarus, Daniel Francis and Aaron Chapman. This event is part of a larger Read Local BC series of events happening all over Vancouver. Learn more about Read Local BC at http://books.bc.ca/read-local-bc/. Article image: 2 Article text: Eve Lazarus revels in the secrets of history Writer talks about her work at Read Local B.C. -
Canadian Literary Urbanism
Canadian Literary Urbanism by Brandon McFarlane A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of English University of Toronto © Copyright by Brandon McFarlane 2012 Canadian Literary Urbanism Brandon McFarlane Doctor of Philosophy Department of English University of Toronto 2012 Abstract This dissertation provides the first sustained theorization of Canada’s urban literature. Critics have lamented the seeming absence of urban writing in Canada. A comprehensive reading of Canadian literature and criticism reveals that there is indeed a substantial body of city writing, and that critics have addressed Canada’s history of urbanization. The critical problem that demands reconciliation regards a pervasive geographical illiteracy. By historicizing and close reading Bertrand Sinclair’s North of Fifty-Three, Stephen Leacock’s Sunshine Sketches of a Little Town, and Douglas Durkin’s The Magpie, I show that frontier, small town, and country places are effected by urbanization. In doing so, I encourage you to abandon “urban” as a worthwhile generic category and instead consider urbanism as a subject that relates to the building of cities, the amalgamation of populations within dense environments, the imposition of human geometry onto the landscape, and the “citification” of society, culture, and politics. By placing literary studies, geography, and historiography in critical exchange, I demonstrate that the “urban” typically serves as a decoy for a secondary concept. Canonical critics (Lionel Stevenson, Northrop Frye, and Linda Hutcheon) consistently summon a rural/Canadian- urban/American dichotomy to theorize a national identity that resists American imperialism. However, city-set texts are, paradoxically, represented by rural space, hence the urban has not ii been marginalized but misplaced metaphorically.