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Rezension Für: Deutsches Symphonie-Orchester Berlin
Rezension für: Deutsches Symphonie-Orchester Berlin Edition Friedrich Gulda – The early RIAS recordings Ludwig van Beethoven | Claude Debussy | Maurice Ravel | Frédéric Chopin | Sergei Prokofiev | Wolfgang Amadeus Mozart 4CD aud 21.404 Radio Stephansdom CD des Tages, 04.09.2009 ( - 2009.09.04) Aufnahmen, die zwischen 1950 und 1959 entstanden. Glasklar, "gespitzter Ton" und... Full review text restrained for copyright reasons. Neue Musikzeitung 9/2009 (Andreas Kolb - 2009.09.01) Konzertprogramm im Wandel Konzertprogramm im Wandel Full review text restrained for copyright reasons. Piano News September/Oktober 2009, 5/2009 (Carsten Dürer - 2009.09.01) Friedrich Guldas frühe RIAS-Aufnahmen Friedrich Guldas frühe RIAS-Aufnahmen Full review text restrained for copyright reasons. page 1 / 388 »audite« Ludger Böckenhoff • Tel.: +49 (0)5231-870320 • Fax: +49 (0)5231-870321 • [email protected] • www.audite.de DeutschlandRadio Kultur - Radiofeuilleton CD der Woche, 14.09.2009 (Wilfried Bestehorn, Oliver Schwesig - 2009.09.14) In einem Gemeinschaftsprojekt zwischen dem Label "audite" und Deutschlandradio Kultur werden seit Jahren einmalige Aufnahmen aus den RIAS-Archiven auf CD herausgebracht. Inzwischen sind bereits 40 CD's erschienen mit Aufnahmen von Furtwängler und Fricsay, von Elisabeth Schwarzkopf, Dietrich Fischer-Dieskau u. v. a. Die jüngste Produktion dieser Reihe "The Early RIAS-Recordings" enthält bisher unveröffentlichte Aufnahmen von Friedrich Gulda, die zwischen 1950 und 1959 entstanden. Die Einspielungen von Beethoven, Debussy, Ravel und Chopin zeigen den jungen Pianisten an der Schwelle zu internationalem Ruhm. Die Meinung unserer Musikkritiker: Eine repräsentative Auswahl bisher unveröffentlichter Aufnahmen, die aber bereits alle Namen enthält, die für Guldas späteres Repertoire bedeutend werden sollten: Mozart, Beethoven, Debussy, Ravel, Chopin. -
Various Klassiske Perler Volum 1 Mp3, Flac, Wma
Various Klassiske Perler Volum 1 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Klassiske Perler Volum 1 Country: Norway Released: 1993 MP3 version RAR size: 1605 mb FLAC version RAR size: 1182 mb WMA version RAR size: 1942 mb Rating: 4.2 Votes: 268 Other Formats: AC3 AIFF AHX MP1 MOD AAC AC3 Tracklist Hide Credits 1 –Edvard Grieg Morgenstemning Fra Peer Gynt 4:18 2 –Wolfgang Amadeus Mozart Andantino Fra Konsert For Fløyte Og Harpe. K 299 9:31 3 –Stanley Myers Cavatina 4:15 4 –Antonio Vivaldi Largo Fra Piccolafløytekonsert C-Dur, P 79 3:01 5 –Wolfgang Amadeus Mozart Andante Fra Klaverkonsert Nr 21 C-Dur "Elvira Madigan" 7:47 6 –Christoph Willibald Gluck Dans På De Saligste Enger Fra Orfeus Og Eurydike 7:50 7 –Ciagomo Puccini* Koret Fra Madame Butterfly 3:09 8 –Johann Sebastian Bach Air Fra Orkestersuite Nr 3 D-Dur 5:33 9 –Camille Saint-Saéns* Svanen Fra Dyrenes Karneval 3:03 10 –Sergej Rachmaninow* Vokalis 6:07 11 –Erik Satie Gymnopédie III 2:54 Adagio 12 –Tomaso Albinoni 8:23 Arranged By – R. Giazotto* 13 –Giacomo Puccini O Mio Babbino Caro Fra Gianni Schicchi 2:24 14 –Frédéric Chopin Nocturne Ess-Dur, Op 9 Nr 2 4:08 Companies, etc. Copyright (c) – Sony Music Entertainment Norway AS Credits Liner Notes – Jon Skarstein, Odd Lingjærde Mastered By – DADC Austria Notes This CD was sent out to various Norwegian health care professionals by pharmaceutical company Novo Nordisk Pharma AS to promote the (at the time) brand new antidepressant drug Seroxat. The inlay includes informational articles on depression. -
Product Guide 2009 Spyderco Contents
PRODUCT GUIDE 2009 SPYDERCO CONTENTS 1 CLIPIT Folding Knives 32 Whale Blade Project 33 Salt Series Knives 41 Fixed Blade Knives 46 Sharpeners 53 Accessories 57 Warranty Information 73 Steel Elements & Creation 74 Glossaries/Edge-U-Cation 75 Patents & Trademarks 78 Steel Chart 80 Index 45 SPRINT RUNS & LIMITED KOPA KNIVES BYRD KNIFE CONTENTS LEGEND Knife LocKs country of oRigin Folding Knives B – Back Lock – United States of America 58 LL – LinerLock – Japan Sharpener RiL – Chris Reeve Integral Lock – Taiwan 71 BBL – Ball Bearing Lock – China Accessories L – Notch Joint – Italy 72 Tip carry posiTion Handedness 72 Warranty Information – Tip Up Carry – Right Hand Carry – Tip Down Carry – Left Hand Carry 80 Index – Tip Up or Tip Down Carry – Right Hand or Left Hand Carry CLIPITS Spyderco Originality: Quality is the Product of a Good Attitude® Think for yourself. Businesses hang a sign outside for a host of reasons. Some want bottom-line profit. Some start-up Design for your customer. seeking independence from punching the clock for someone else. Some company owners open shop to simplify lives by making a livelihood doing a job they’re good at, enjoy, or find comes easily. No Copy no one. doubt, some do business solely for power or prestige. Spyderco is in business to manufacture and offer the highest grade and quality of cutlery available. For 35 years we’ve extended our best effort to conduct business in an honest, fair and proper manner. We believe we’re on the right path. Tell us your thoughts, suggestions and share your input. We welcome it and please accept our appreciation for your ongoing patronage. -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
Chor Und Orchester Der Deutschen Oper Berlin, Artur Rother
Chor Deutsche Opernchöre mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Deutsche Opernchöre Country: Germany Style: Opera MP3 version RAR size: 1435 mb FLAC version RAR size: 1733 mb WMA version RAR size: 1223 mb Rating: 4.3 Votes: 439 Other Formats: AAC MP1 APE AHX VQF AU MMF Tracklist Hide Credits A1 Tannhäuser - Einzug der Gäste A2 Tannhäuser - Pielgerchor A3 Der Fliegende Holländer - Chor der norwegischen Matrosen A4 Lohengrin - Zug Zum Münster A5 Lohengrin - Brautchor A6 Die Meistersinger von Nürnberg Fidelio B1 Composed By – Ludwig van Beethoven Die lustigen Weiber von Winsor - Mondchor B2 Composed By – Otto Nicolai Der Freischütz - Jägerchor B3 Composed By – Carl Maria von Weber Der Freischütz - Chor der Brautjungfern B4 Composed By – Carl Maria von Weber Der Troubadour - Chor der Zigeuner B5 Composed By – Giuseppe Verdi Nabucco - Chor der Gefangenen B6 Composed By – Giuseppe Verdi Companies, etc. Manufactured By – TELDEC »Telefunken-Decca« Schallplatten GmbH Manufactured By – TELDEC Credits Chorus Master – Hermann Lüddecke (tracks: A1-A2, A5-A6, B5-B6), Walter Hagen-Groll (tracks: A3-A4, B1-B4) Composed By – Richard Wagner (tracks: A1-A6) Conductor – Artur Rother Photography By – A. Strencioch* Notes Chor und Orchester der Deutschen Oper, Berlin Sticker with Club Edition covering label no. Barcode and Other Identifiers Rights Society (070 616): Contr. Copyr. Label Code: LC 0366 Matrix / Runout (Runout A): K LP-Ste-070616-IX Barcode (Runout B): K LP-Ste-070617-III Other versions Category Artist Title (Format) Label Category Country Year Chor* Und Chor* Und Orchester Orchester Der Der Deutschen Oper SMT 1253 Deutschen Oper Berlin, Artur Rother - Telefunken SMT 1253 Germany 1965 Berlin, Artur Deutsche Opernchöre Rother (LP) Chor Der Deutschen Chor Der Oper, Berlin* Und Deutschen Oper, Orchester Der Berlin* Und 6.42885, Deutschen Oper, Telefunken, 6.42885, Orchester Der Germany Unknown 6. -
Sag E Arts Unlimited Martial Arts & Fitness Training
Sag e Arts Unlimited Martial Arts & Fitness Training Grappling Intensive Program - Basic Course - Sage Arts Unlimited Grappling Intensive Program - Basic Course Goals for this class: - To introduce and acclimate students to the rigors of Grappling. - To prepare students’ technical arsenal and conceptual understanding of various formats of Grappling. - To develop efficient movement skills and defensive awareness in students. - To introduce students to the techniques of submission wrestling both with and without gi’s. - To introduce students to the striking aspects of Vale Tudo and Shoot Wrestling (Shooto) and their relationship to self-defense, and methods for training these aspects. - To help students begin to think tactically and strategically regarding the opponent’s base, relative position and the opportunities that these create. - To give students a base of effective throws and breakfalls, transitioning from a standing format to a grounded one. Class Rules 1. No Injuries 2. Respect your training partner, when they tap, let up. 3. You are 50% responsible for your safety, tap when it hurts. 4. An open mind is not only encouraged, it is mandatory. 5. Take Notes. 6. No Whining 7. No Ego 8. No Issues. Bring Every Class Optional Equipment Notebook or 3-ring binder for handouts and class notes. Long or Short-sleeved Rashguard Judo or JiuJitsu Gi and Belt Ear Guards T-shirt to train in (nothing too valuable - may get stretched out) Knee Pads Wrestling shoes (optional) Bag Gloves or Vale Tudo Striking Gloves Mouthguard Focus Mitts or Thai Pads Smiling Enthusiasm and Open-mindedness 1 Introduction Grappling Arts from around the World Nearly every culture has its own method of grappling with a unique emphasis of tactic, technique and training mindset. -
Analysing Structures of Patriarchy
LESSON 1 ANALYSING STRUCTURES OF PATRIARCHY Patriarchy ----- As A Concept The word patriarchy refers to any form of social power given disproportionately to men. The word patriarchy literally means the rule of the Male or Father. The structure of the patriarchy is always considered the power status of male, authority, control of the male and oppression, domination of the man, suppression, humiliation, sub-ordination and subjugation of the women. Patriarchy originated from Greek word, pater (genitive from patris, showing the root pater- meaning father and arche- meaning rule), is the anthropological term used to define the sociological condition where male members of a society tend to predominates in positions of power, the more likely it is that a male will hold that position. The term patriarchy is also used in systems of ranking male leadership in certain hierarchical churches and ussian orthodox churches. Finally, the term patriarchy is used pejoratively to describe a seemingly immobile and sclerotic political order. The term patriarchy is distinct from patrilineality and patrilocality. Patrilineal defines societies where the derivation of inheritance (financial or otherwise) originates from the father$s line% a society with matrilineal traits such as Judaism, for example, provides, that in order to be considered a Jew, a person must be born of a Jewish mother. Judaism is still considered a patriarchal society. Patrilocal defines a locus of control coming from the father$s geographic/cultural community. Most societies are predominantly patrilineal and patrilocal, but this is not a universal but patriarchal society is characteri)ed by interlocking system of sexual and generational oppression. -
1498620135517.Pdf
Pugilist Arrows rain down around her as she runs towards the hobgoblins. Desperate to close the distance, the half-orc fights through the sting of a dozen cuts to reach her foes. The pain only makes her stronger. As she descends on the hobgoblins she swings wildly, knocking hobgoblins to their feet and sending the rest scattering before her. He braces himself for the impact as the orc rushes him. Then the orc makes a mistake, telegraphing its next move, and that’s all the opening the human needs. He ducks beneath the orc’s wide swing then raises both hands high above his head and brings them down on the orc’s back, throwing the brute to the ground. The dwarf smiles broadly and chuckles as the petty noble raises his hand to strike him for the impudent remark. Quick as a flash the dwarf shatters the bottle in his hand against the bar and puts it between himself and the noble. The noble flinches, stumbles backward, and runs away as the dwarf turns back to the bar to order another round. Wherever they come from, pugilists live a rough and tumble life that leaves them full of determination and reckless from overconfidence or desperation. In a fight they can channel this strength of character to dig deep and fight off foes in greater strength of numbers, arms, and armor than anyone else would think possible. Swagger for Days Pugilists unconsciously tap into their own inner strength in the form of an energy called moxie. This is not an esoteric or mystical energy that flows through the multiverse but the result of determination forged over a lifetime of hardship and a never-let-die attitude. -
483 6175 Ebooklet CD Shellac Era.Indd
Shellac bars Plant 1 in Hanover, c. 1923 Patent application for the gramophone Separation of two galvano discs Visual quality control, c. 1938 Shellac production Cleaning of the matrices Shipping of shellac discs, c. 1909 2 PIETRO MASCAGNI (1863–1945) GIOACHINO ROSSINI (1792–1868) A Overture to Le maschere (excerpt) 4:01 E Largo al factotum 4:01 Staatskapelle Berlin · Pietro Mascagni from Il barbiere di Siviglia Recording: Berlin 1928 · Matrix 348 bi · Original Cat. No. 66582 A Titta Ruffo baritone with orchestra FRÉDÉRIC CHOPIN (1810–1849) Recording: Milan 1912 · Matrix 463 aj · Original Cat. No. 052380 B Nocturne in E flat major op. 9 no. 2 4:36 EDWARD ELGAR (1857–1934) Raoul Koczalski piano F Recording: Berlin 1936 · Matrix 796 1/2 ge · Original Cat. No. 67246 B Salut d’amour op. 12 3:21 Váša Prˇíhoda violin · Otto A. Graef piano CARL MARIA VON WEBER (1786 –1826) Recording: Berlin, March 1938 · Matrix 3591 gn · Original Cat. No. 30033 A C Alles pflegt schon längst der Ruh’ 4:28 from Der Freischütz GIUSEPPE VERDI (1813–1901) Maria Müller soprano G O Torheit, o Torheit! … Von der Freude Blumenkränzen 2:43 Städtisches Orchester Berlin · Robert Heger (Follie! Follie! … Sempre libera) Recording: Berlin 1943 · Matrix 2191 2 gs · Original Cat. No. 68079 A from La traviata Alda Noni soprano PIETRO MASCAGNI (1863–1945) Staatskapelle Berlin · Artur Rother Recording: Berlin 1942 · Matrix 2071 1/2 ge · Original Cat. No. 68303 A D Intermezzo sinfonico 4:01 from Cavalleria rusticana Staatskapelle Berlin · Pietro Mascagni Recording: Berlin 1927 · Matrix 350 1/2 bi · Original Cat. -
Rezension Für: Thomas Schippers Michael Rabin Plays
Rezension für: Thomas Schippers Michael Rabin plays Bruch's Violin Concerto and Virtuoso Pieces for Violin and Piano Max Bruch | Henryk Wieniawski | Pyotr Ilyich Tchaikovsky | Pablo de Sarasate | Camille Saint-Saëns CD aud 95.607 Fono Forum Juli 2010 (Norbert Hornig - 2010.06.16) Lichtstrahl im Archiv Viele Veröffentlichungen historischer Aufnahmen stammen mittlerweile aus Rundfunkarchiven. Meist handelt es sich dabei um Live-Mitschnitte, auch die Geiger sind gut vertreten. Und immer wieder gibt es dabei Entdeckungen zu machen... Posthum zu spätem Ruhm – auf diese einfache Formel könnte man die Wiederentdeckung des Geigers Gerhard Taschner bringen. Die systematische Veröffentlichung seiner Rundfunkaufnahmen auf mehreren Labels erwies sich als ein diskographischer Glücksfall; sie war auch ein besonders deutlicher Hinweis darauf, welche Schätze in den Archiven noch schlummern. Taschners maskulines, elektrisierendes Geigenspiel wirkt aufregend und anziehend in seiner unverwechselbaren Individualität. Wie konnte ein Geiger dieses Kalibers nur so lange vergessen bleiben, fragt man sich. In den fünfziger Jahren avancierte er zum führenden deutschen Geiger, der jedoch nie längerfristig bei einem großen Plattenlabel unter Vertrag war. Sein Nachruhm basiert fast völlig auf Rundfunkaufnahmen. Tragischerweise wurden viele Bänder gelöscht. Bahnbrechend für die Renaissance des Geigers war 1997 die EMI-Veröffentlichung „Gerhard Taschner - Porträt eines legendären Geigers“, eine Doppel-CD unter anderem mit Aufnahmen der Violinkonzerte von Fortner, Pfitzner -
Learn in 6 - Teach in 12
Informative Issue No. 2 2011 Learn in 6 - Teach in 12 Simple! Not rocket science or something so complex that it takes years to understand the principles and concepts behind it. The PMA Informative, tries to bring forth a multitude of information, on every subject on the Philippine Modular Learning Perspective “ Learn in 6 - Teach in 12” martial art and culture to educate non-practitioners, students, and even experienced practitioners in hopefully Imagination is More Important Than Knowledge reminding them and informing them about subject which may have been forgotten or not fully known. It’s a Left Side - Right Brain Thing This the 2nd Informative Issue deals with the Modular “Learn in 6 - Teach in 12” which was created by 1-4-12 Low Line Standard Grandmaster Bram Frank. You may ask why this, well let us say that this is one of the most basic, common- 1-2-2 High Line Standard sense perspectives in learning blade work that is known and he is kind enough to share this with anyone that is Horizontal - Vertical willing to learn. Too Tall - Too Short When some instructors teach they try to impress or demonstrate their style in a manner that if you are Combat Must Be Simple not familiar with the style or an experienced martial artist then you walk away saying, “gee that looked good, How Does One Teach Self-Defense? but I really cannot remember any of what was shown”. Build Belief in One’s Self When teaching modular it has to be simple. It cannot be rocket science or something so complex that it The Key to Train the Trainer Teaching takes years to understand the principles and concepts behind it. -
ARSC Journal
RICHARD STRAUSS' S RECORDINGS: A COMPLETE DISCOGRAPHY by Peter Morse If Richard Strauss had never composed a bar of music, he would be known today as one of the great conductors of the century. We forget, in the shadow of his musical masterpieces, that he was at various times conductor of the Berlin Philharmonic and general music director of both the Berlin Opera and the Vienna Opera. He conducted the world premiers of such works as Humperdinck's "Hansel and Gretel" and Mahler's first and second symphonies. His conducting of Mozart was particularly praised. He cut away a great deal of romantic excess which had accum ulated during the nineteenth century and restored to Mozart's music the coolness and clarity of the original. In this he was, with Toscanini, one of the modern founders of the new orchestral style. (Strauss allowed more liberties to be taken with vocal works.) Because he was so highly qualified as a conductor, his interpre tations of his own music deserve even more attention than those of most composers. The same cool style may be heard in his treatment of his own works, ranging from "Don Juan" to the "Intermezzo" excerpts. Strauss the composer wrote in his scores all the directions that were needed by Strauss the conductor. He had little tolerance for further elaboration on his orchestral music. Today, every conductor who wishes to perform Strauss's music should study the composer's re cordings as well as the score. Even if one disagrees with Strauss's interpretations, it is inexcusable to ignore them.