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Home , Barbara Ann Scott, Cecilia Colledge, Megan Taylor, Sjoukje Dijkstra, Sonja Henie, Sun Valley Serenade

Noorwegen / 2018 / 113 min / Noors en Engels met Nederlandse ondertitels Première datum Nederland: 31/10/19 Distributie: Arti Film VOF – Hilversum - www.artifilm.nl ; Tel.: 0623885005

Waargebeurd en fascinerend verhaal over de Noorse , één van de grootste kunstschaatssters ter wereld en ‘uitvinder’ van deze sport. Sonja is 16 jaar oud als ze op de Winterspelen van 1928 Olympisch Goud wint. Een prestatie die ze herhaalt in 1932 en 1936. Daarmee is ze nog steeds de enige vrouw die dit Olympische resultaat solo boekte. In 1936 vertrekt ze naar Hollywood waar ze een aantal zeer succesvolle schaatsfilms maakt. Eind jaren dertig is ze de best betaalde Hollywood actrice en door lucratieve nevenactiviteiten en merchandising is ze één van de rijkste vrouwen ter wereld. In haar villa in Hollywood is ze altijd omringd door fans, minnaars en haar familie. Ze vertrouwt haar zaken blindelings toe aan haar oudere broer, maar gaandeweg begint haar roem te verbleken en als het financieel slecht gaat door foute investeringen verandert ze van een inspirerende en gefocuste sportster in een keiharde zakenvrouw die in de spotlight wil blijven staan..

Korte synopsis Waargebeurd verhaal over de Noorse Sonja Henie, één van de grootste kunstschaatssters ter wereld. Op drie opeenvolgende Winterspelen won ze Olympisch Goud met deze door haar “uitgevonden” sport. In 1936 vertrekt ze naar Hollywood waar ze de best betaalde Hollywood actrice werd. Het is het opmerkelijke verhaal van een fascinerende vrouw die er alles aan doet om in de spotlight te blijven staan.

Oneliner Waargebeurd en fascinerend verhaal over kunstschaatsster en drievoudig Olympisch Kampioene Sonja Henie die eind jaren dertig de best betaalde Hollywood actrice werd.

Achtergrond Sonja Henie (, 8 - op een vlucht tussen Parijs en Oslo, 12 oktober 1969) was een kunstschaatsster uit Noorwegen. Henie nam viermaal deel aan de Olympische Winterspelen (in 1924, 1928, 1932 en 1936). Bij haar Olympisch debuut was ze elf jaar oud. Tijdens de vrije kür van die wedstrijd moest Henie meerdere malen naar de kant schaatsen om haar coach te vragen wat ze vervolgens moest doen. Op de drie volgende Winterspelen van 1928, 1932 en 1936 werd ze Olympisch kampioene. Ze is daarmee de enige vrouw die dit resultaat solo boekte. De Zweed Gillis Grafström (1920-1928) was haar bij de mannen voorgegaan en de Russische paarrijdster Irina Rodnina (1972-1980) volgde haar met deze prestatie. Ze werd tien keer wereldkampioene (1927-1936), zes keer Europees kampioene (1931-1936). Na het wereldkampioenschap van 1936 werd ze

professional. Ze trad veel in ijsshows op, en speelde in verschillende Hollywood speelfilms, zoals de kaskrakers “Thin Ice” en “”. In 1934 opende Henie de eerste kunstijsbaan in Nederland, aan de Linnaeusparkweg in Amsterdam. Een van de toeschouwers was de negenjarige Annie Verlee, die enthousiast werd voor deze nieuwe sport, en in de jaren '50 de jeugdige talentjes en zou trainen. Henie trouwde drie keer, twee keer met een Amerikaan en de derde keer met een Noor. Met deze laatste keerde ze terug naar haar vaderland. Ze overleed in 1969 aan leukemie aan boord van een vliegtuig tijdens een vlucht van Parijs naar Oslo.

Regisseuse Anne Sewitsky is internationaal bekend geworden door haar film “Happy, Happy”. Hoofdrolspeelster Wilmann is vooral bekend geworden door haar hoofdrol in de film “Homesick” uit 2015. De schaatsscènes zijn bijna allen door Wilmann zelf uitgevoerd, die hiervoor een jaar lang intensief trainde. Sonja: The White Swan is opgenomen in Noorwegen, Roemenië en Spanje.

Uit Wikipedia: Biography Sonja Henie

Early life Henie was born in 1912 in Kristiania (now Oslo) ; she was the only daughter of Wilhelm Henie (1872–1937), a prosperous Norwegian furrier, and his wife, Selma Lochmann-Nielsen (1888–1961). In addition to the income from the fur business, both of Henie's parents had inherited wealth. Wilhelm Henie had been a one-time World Cycling Champion and the Henie children were encouraged to take up a variety of sports at a young age. Henie initially showed talent at skiing, then followed her older brother, Leif, to take up . As a girl Henie also was a nationally ranked player, and a skilled swimmer and equestrienne. Once Henie began serious training as a figure skater, her formal schooling ended. She was educated by tutors, and her father hired the best experts in the world, including the famous Russian ballerina, Tamara Karsavina, to transform his daughter into a sporting celebrity.[2]

Competitive career Henie won her first major competition, the senior Norwegian championships, at the age of 10. She then placed eighth in a field of eight at the 1924 Winter Olympics, at the age of eleven.[3] During the 1924 program, she skated over to the side of the rink several times to ask her coach for directions, but by the next Olympiad, she needed no such assistance.

Henie won the first of an unprecedented ten consecutive World Figure Skating Championships in 1927 at the age of fourteen. The results of 1927 World Championships, where Henie won in 3–2 decision (or 7 vs. 8 ordinal points) over the defending Olympic and World Champion Herma Szabo of , was controversial, as three of the five judges that gave Henie first-place ordinals were Norwegian (1 + 1 + 1 + 2 + 2 = 7 points) while Szabo received first-place ordinals from an Austrian and a German Judge (1 + 1 + 2 + 2 + 2 = 8 points). Henie went on to win first of her three Olympic gold medals the following year, became one of the youngest figure skating Olympic champions. She defended her Olympic titles in 1932 and in 1936, and her world titles annually until 1936.[3] She also won six consecutive European championships from 1931 to 1936. Henie's unprecedented three Olympic gold medals haven't been matched by any ladies' single skater since; neither are her achievements as ten-time consecutive World Champion. While of Russia won her seventh European Championship in 2006 to become the most successful ladies' skater in European Championships, Henie retains record of most consecutive titles, sharing it with of Eastern /Germany (1983–1988).

Towards the end of her career, she began to be strongly challenged by younger skaters including , , and Hedy Stenuf. However, she held off these competitors and went on to win her third Olympic title at the 1936 Winter Olympics, albeit in very controversial circumstances with Cecilia Colledge finishing a very close second. Indeed, after the school figures section at the 1936 Olympic competition, Colledge and Henie were virtually neck and neck with Colledge trailing by just a few points. As Sandra Stevenson recounted in her article in The Independent of 21 April 2008, "the closeness [of the competition] infuriated Henie, who, when the result for that section was posted on a wall in the competitors' lounge, swiped the piece of paper and tore it into little pieces. The draw for the free skating [then] came under suspicion after Henie landed the plum position of skating last, while Colledge had to perform second of the 26 competitors. The early start was seen as a disadvantage, with the audience not yet whipped into a clapping frenzy and the judges known to become freer with their higher marks as the event proceeded. Years later, a fairer, staggered draw was adopted to counteract this situation".

During her competitive career, Henie traveled widely and worked with a variety of foreign coaches. At home in Oslo, she trained at Frogner Stadium, where her coaches included Hjørdis Olsen and Oscar Holte. During the latter part of her competitive career she was coached primarily by the American Howard Nicholson in . In addition to traveling to train and compete, she was much in demand as a performer at figure skating exhibitions in both Europe and North America. Henie became so popular with the public that police had to be called out for crowd control on her appearances in various disparate cities such as and . It was an open secret that, in spite of the strict amateurism requirements of the time, Wilhelm Henie demanded "expense money" for his daughter's skating appearances. Both of Henie's parents had given up their own pursuits in Norway—leaving Leif to run the fur business—in order to accompany Sonja on her travels and act as her managers.

Henie is credited with being the first figure skater to adopt the short skirt costume in figure skating, wear white boots,[4] and make use of dance choreography. Her innovative skating techniques and glamorous demeanor transformed the sport permanently and confirmed its acceptance as a legitimate sport in the Winter Olympics.[5]

Professional and film career

Sonja Henie appeared on the cover of Time magazine on July 17, 1939. After the 1936 World Figure Skating Championships, Henie gave up her amateur status and took up a career as a professional performer in acting and live shows.[3] While still a girl, Henie had decided that she wanted to move to and become a movie star when her competitive days were over, without considering that her thick accent might hinder her acting ambitions.

In 1936, following a successful ice show in orchestrated by her father to launch her film career, Hollywood studio chief Darryl Zanuck signed her to a long term contract at Twentieth Century Fox, which made her one of the highest- paid actresses of the time. After the success of her first film, One in a Million (1936), Henie's position was assured and she became increasingly demanding in her business dealings with Zanuck. Henie also insisted on having total control of the skating numbers in her films such as Second Fiddle (1939).

Henie tried to break the musical comedy mould with the anti-Nazi film Everything Happens at Night (1939) and It's a Pleasure (1945), a skating variation of the often-told A Star Is Born tale about alcoholic-star-in-decline- helps-newcomer-up. It was her only film shot in Technicolor, but it was not as huge at the box office as her other films and also proved her limitations as a dramatic actress in her one only dramatic film.

When Zanuck realized her limits in the pseudo-dramatic vein, he cast her in more musical comedies; Sun Valley Serenade (1941) with , , The Nicholas Brothers, and hit songs such as "", "", "It Happened in Sun Valley", and "I Know Why (And So Do You)", followed by Iceland (1942) with , Payne, and the hit song "There Will Never Be Another You", and finally Wintertime (1943) with , , , and Oakie. Sonja had by now developed a comedy flair and these films were all among the top box- office hits for 20th Century-Fox the respective years.

In addition to her film career at Fox from 1936 to 1943, Henie formed a business arrangement with Arthur Wirtz, who produced her touring ice shows under the name of "Hollywood Ice Revue". Wirtz also acted as Henie's financial advisor. At the time, figure skating and ice shows were not yet an established form of entertainment in the . Henie's popularity as a film actress attracted many new fans and instituted skating shows as a popular new entertainment. Throughout the 1940s, Henie and Wirtz produced lavish musical ice skating extravaganzas at 's Center Theatre attracting millions of ticket buyers.

At the height of her fame, Henie brought as much as $2 million per year from her shows and touring activities. She also had numerous lucrative endorsement contracts, and deals to market skates, clothing, jewelry, dolls, and other merchandise branded with her name. These activities made her one of the wealthiest women in the world in her time.

Henie's handprint/signature in front of the Grauman's Chinese Theatre Henie broke off her arrangement with Wirtz in 1950 and for the next three seasons produced her own tours under the name "Sonja Henie Ice Revue". It was an ill-advised decision to set herself up in competition with Wirtz, whose shows now featured the new Olympic champion . Since Wirtz controlled the best arenas and dates, Henie was left playing smaller venues and markets already saturated by other touring ice shows such as . The collapse of a section of bleachers during a show in , Maryland, in 1952 compounded the tour's legal and financial woes.

In 1953, Henie formed a new partnership with Morris Chalfen to appear in his European Holiday On Ice tour, which proved to be a great success. She produced her own show at New York's Roxy Theatre in January 1956.[6] However, a subsequent South American tour in 1956 was a disaster. Henie was drinking heavily at that time and could no longer keep up with the demands of touring, and this marked her retirement from skating. She did try to make a film series at her own expense; a series that would serve as a travelogue to several cities. and London were mentioned, but only Hello London (1958) was made with her own backing, co-starring and special guest star . While her ice show numbers were still worth watching, the film received few distributors and poor reviews, ending her film career.

Her autobiography Mitt livs eventyr, was published in 1938 which was translated and released as Wings on My Feet in 1940, and which was republished in a revised edition in 1954. At the time of her death, Henie was planning a comeback for a television special that would have aired in January 1970. She was to have danced to "Lara's Theme" from Doctor Zhivago.

Nazi controversy

Henie in Berlin, 1930 Henie's connections with and other high-ranking Nazi officials made her the subject of controversy before, during, and after World War II. During her amateur skating career, she performed often in Germany and was a favorite of German audiences and of Hitler personally. As a wealthy celebrity, she moved in the same social circles as royalty and heads of state and made Hitler's acquaintance as a matter of course. During the shooting of Second Fiddle (1939), she greeted the then Crown-Prince couple of Norway Olav and Märtha during their US tour. Through the years, her shows and later art exhibitions drew the attention of such people as Princess Margaret, Countess of Snowdon and Gustaf VI Adolf of Sweden and she met with them.

Henie with Hitler in 1936 Controversy appeared first when Henie greeted Hitler with a at the 1936 Winter Olympics in Garmisch-Partenkirchen and after the Games she accepted an invitation to lunch with Hitler at his resort home in nearby Berchtesgaden, where Hitler presented Henie with an autographed photo with a lengthy inscription. She was strongly denounced in the Norwegian press for this. In her revised 1954 biography,[note 1] she states that no Norwegian judge was in the panel for the 1936 Olympics – as she was entitled to as a Norwegian. She therefore made the most of it and she won her third Olympic medal. When she – as a gold medal winner – passed Hitler's tribune with silver medalist Cecilia Colledge and bronze medalist Vivi-Anne Hultén, neither she or the others honored Hitler with the Nazi salute. The 1936 European Figure Skating Championships also took place in Berlin and neither Sonja, Colledge, nor Megan Taylor paid obeisance to Hitler.

In her film Everything Happens at Night (1939), and star as rival reporters hot on the trail of Dr. Hugo Norden (Maurice Moscovich). Norden, a Nobel Prize winner, was supposedly murdered by the Gestapo, but is rumored to be in hiding and writing anonymous dispatches advocating world peace. When Geoffrey and Ken track Dr. Norden to a small village in the Swiss Alps, they soon find themselves competing over the affections of beautiful Louise (Henie), who has a deeper connection to the missing Nobel laureate than the reporters realize. When Geoffrey and Ken get so distracted by romance that they begin to neglect their assignments, it almost leads to disaster as the Gestapo sets out to silence Dr. Norden once and for all. Released on 22 December 1939, it was banned in Nazi Germany.

Through her 1940 marriage to she had become an American citizen. As such, she was not eligible to speak Norway`s cause and with producer , who was set to produce the propaganda film That Hamilton Woman, could have faced deportation. The Senate Subcommittee (Senate Foreign Relations) dealt with such matters. After the bombing of Pearl Harbor, when America was no longer neutral, Henie pulled in uniform and visited and gave money to Little Norway. All got free tickets to her shows during the war and she paid and held parties for them.

During the occupation of Norway by Nazi Germany, German troops saw Hitler's autographed photo prominently displayed at the piano in the Henie family home in Landøya, .[7] As a result, none of Henie's properties in Norway were confiscated or damaged by the Germans. Henie became a naturalized citizen of the United States in 1940. Like many Hollywood stars, she supported the U.S. war effort through USO and similar activities. After the Japanese attack, she invited the boys from Little Norway to her iceshows, gave the mechanics a plane as well a substantial sum of money to their educational fund. But her first rejection before the US entered the war was never to be forgotten. For this, she was condemned by many Norwegians and Norwegian-Americans. After the war, Henie was mindful that many of her countrymen considered her to be a quisling. However, she made a triumphant return to Norway with the Holiday on Ice tour in 1953 and 1955. The Norwegian Royal Family attended both events and indeed attended her funeral in 1969. The Royal Family were very mindful of whom they supported after the war and Norwegians looked to them as role models in that respect. Her complex reputation and legacy continues to stimulate debate amongst Norwegians, writers and historians.

PRINCIPAL CAST

Ine Marie Wilmann Sonja Henie Valene Kane Connie Eldar Skar Leif Henie Anders Mordal Wilhelm Henie Anneke von der Lippe Selma Henie Aidan McArdle Darryl Zanuck Malcolm Adams Arthur Wirtz Hugh O'Conor Winnie Pål Sverre Hagen Niels Onstad

MAIPO FILM PRESENTS SONJA - THE WHITE SWAN IN CO-OPERATION WITH SUBOTICA AVANTI FILM AND NORDISK FILM FEATURING INE MARIE WILMANN VALENE KANE ELDAR SKAR ANDERS MORDAL ANNEKE VON DER LIPPE AIDAN MCARDLE MALCOLM ADAMS PÅL SVERRE HAGEN SOUND DESIGNERS: BENT HOLM ANDREAS FRANCK – COMPOSER: RAY HARMAN - EDITORS: MARTIN STOLTZ CHRISTOFFER HEIE - MAKE-UP DESIGNERS: ANNACARIN LOCK SARA KLÄNGE - COSTUME DESIGNERS: LORNA MARIE MUGAN LENA MOSSUM - PRODUCTION DESIGNER: LINA NORDQVIST - DIRECTOR OF PHOTOGRAPHY: DANIEL VOLDHEIM LINE – PRODUCER: KAARE STOREMYR - CO-PRODUCERS: AOIFE O’SULLIVAN TRISTAN ORPEN LYNCH CHARLOTTA DENWARD LONE KORSLUND PRODUCERS SYNNØVE HØRSDAL CORNELIA BOYSEN – SCREENWRITERS: METTE M. BØLSTAD ANDREAS MARKUSSON – DIRECTOR: ANNE SEWITSKY

Maipo Film AS Subotica Avanti Nordisk Film - THE NORWEGIAN FILM INSTITUTE - THE SWEDISH FILM INSTITUTE - NORDISK FILM OG TV FOND - IRISH FILM BOARDCREATIVE EUROPE PROGRAMME – MEDIA OF THE EUROPEAN UNION

INE MARIE WILMANN (SONJA HENIE) Ine Marie Wilmann (born February 18, 1985 ) is a Norwegian actress.

Wilmann went out of the Theater High School (KHiO) spring 2011, after a four-year study. She debuted as an actor at The Theater in Molde in the role of Elis in the play Blindpassasjer in autumn 2011. After this she participated in the Riksteater's tour with Anna Karenina in spring 2012, in the role of Kitty. After this she participated in the Riksteater's performance, The Lady of the Sea, in the role of Hilde. In the winter of 2013, Wilmann was in the role of Aricia in the play Fedra , based on the work of Jean Racine . In the fall of 2013, Ine Marie Wilmann played the role of Anne Frank in the Anne Frank Diary at the national scene in Bergen

Ine Marie Wilmann got her TV debut in the NRK series Ansur. She has also played the role of Hege in a Norwegian drama series of six episodes that went on NRK1 in the winter of 2007. In 2011, Wilmann played the role of Liv Tone in the feature film I Travel Alone , in the trilogy of Jarle Klepp, based on the books to Tore Renberg.

Ine Wilmann won "Best Female Actor" in 2015 for her role in the feature film The Closest and Golden Route 2016 in the class Best Female Actor for the Third Eye .

In 2019 Ine Marie Wilmann was choosen to become European Shooting Star 2019. She blew the jury at the Berlin Internation Filmfestival away with the physicality of her performance as iconic ice-skater Sonja Henie in Anne Sewitsky's Sonja: The White Swan, where she skillfully combines (inner) strength, subtlety and profundity. Wilmann is a magnetic leading lady," said the international jury who selected her. ”What a day – it is a pleasure to be chosen, really a great honour,” exclaimed Wilman, who will be on stage at the Berlinale Palast on 11 February to receive the European Shooting Star Award. Wilmann also had her cinema break-through in a Anne Sewitsky film, Homesick (De nærmeste/2015), which won her an Amanda – Norway’s national film prize – for Best Actress.

ANNE SEWITSKY (DIRECTOR) Anne Sewitsky was born on January 12, 1978 in Stavern, Norway. She is a director and writer, known for Sykt lykkelig (2010), Superechte liefde (2011) and Homesick (2015)

Interview by Maud Forsgren at Sundance Filmfestival

24/12/2018 - Norway's Anne Sewitsky talks to us about her fourth feature film, Sonja: The White Swan, devoted to famous figure skater Sonja Henie, and scheduled for release across her homeland on Christmas day

A prestigious, top-ranking and multi-talented Norwegian figure skater, Sonja Henje was also an acclaimed actress who made her name in the US by way of a dozen or so films, including a musical starring Glenn Miller, Sun Valley Serenade (1941), and a number of works directed by Sidney Lanfield, with Thin Ice (1937) starring Tyrone Power featuring among them. She was also known for her fine collection of modern art which she amassed with the help of her third husband, Niels Onstad, and which is now open to the public, nestled just a stone’s throw away from Oslo, on the banks of the fjord.

Henje will now form the focus of Norwegian director Anne Sewitsky’s fourth feature film, whose works such as Homesick (2015) often explore unusual, if not transgressive, relationships. Sonja: The White Swan [+] is produced by Synnøve Hørsdal for Maipo Film and will be hitting the big screen in Norway

on Christmas day, courtesy of Nordisk Film Distribusjon AS, before screening in the Sundance Festival this coming January.

Did you decide it was time to pay tribute to a fellow Norwegian this time round? I decided to focus on the decline and fall of a star who was at the height of her success, but something of the rise of this exceptional woman, played by Ine Marie Wilmann, also has its place in the film. Sonja is more modern than she first appears, she’s a pioneer in many regards and a fighter, bordering on reckless.

In one of the first scenes of the film we see her dressed as a matador… She’s a go-getter, a ruthless business woman who’s impulsive too. She throws herself into her work, into the projects she takes on. But she didn’t know when to stop. I was struck above all by her solitude.

Is this biopic, this portrait of a woman, also a self-portrait of sorts? |Oh no, it’s not me (laughter)! My figure skating is shabby to say the least! But it’s clear that as a director, I have power, as does Sonja; I’m no stranger to stubbornness or stamina, or the solitude of those in the business of creating. Admittedly there are similarities, but I feel strong and secure.

Through a series of flashbacks, we get to live and relive some of Sonja’s childhood… More often than not, these moments are inspired by a small black and white photo which Sonja holds close to her heart. She maintains a very strong bond with her family because she feels a deep need to be surrounded by people. She forced her father, her mother and her brother to follow her to Hollywood. She loves them, yet she rejects them because she feels misunderstood, persecuted even. These paranoid tendencies become ever more apparent as the film progresses.

Could we use the term “self-destructive”? Not really. There is a form of destructiveness in her, especially towards the end of her life, but I don’t think she was ever really aware of it or that this was what she really wanted, either for herself or for others. She can’t pinpoint the fear that inhabits her, or subject it to analysis. Sonja has been the focus of such worship, and for so long, that she doesn’t understand her world is crumbling around her. Hence her distress.

Sonja reminds me of a line spoken by Hermione, a character in Racine’s Andromaque, "How can I know whether I love or hate?"

This ambivalence can be seen in her relationship with Sela, her mother, played by Anneke von der Lippe: she’s protective, but she’s both domineering and dominated.

These same actresses play the roles of mother and daughter in Homesick… That’s right, and a similarly ambiguous relationship also exists between Sonja and her assistant, Connie, played by Irish actress Valene Kane.

There’s a real Busby Berkeley feel to the film at certain points, with its high- angle shots, its stunning visual imagery, its kaleidoscopic effects… I am a great admirer of his. I love his precision. I was inspired by his great productions which were ambitious and onerous, and which showcased great numbers of dancers. We knew how to take risks back then, in the Golden Age of Hollywood… There was an artistic madness, a psychedelic excess which is too often lacking these days. Sonja’s idea to paint the ice black for example – it’s a little crazy, don’t you think?

Your film was shot in Spain? Yes, in the Almeria region for the desert scenes and also in a studio in Romania for the big skating scenes. The winter shots were filmed in Norway. I should point out that it really is Ine Marie Wilmann who we see skating in the film, aside for a few short and very complicated sequences where we called upon a body-double. Ine is a perfectionist who committed herself to an intensive training schedule for years. In fact, she’ll be the Norwegian Shooting Star at the next Berlin Film Festival. The jury who selected her praised the subtlety of her acting just as much as her physical performance.

The screenplay was developed by Mette Marit Bølstad and Andreas Markusson… It was rewritten numerous times, including when the film shoot was already underway. The structure of the film was there, that wasn’t a problem, but we wanted to pin down Sonja’s character, to convey as best we could the incredible energy she gives off which we emphasise through tunes reminiscent of the age and through the musical score composed by Ray Harman. I’ve gained experience, I have greater confidence in myself and this allowed me to follow my instinct, to trust my intuition more often, to dare to impose my way of seeing things upon the film crew. The most important thing for me is that I stay in constant contact with my film as it develops; I have to be able to feel it, to listen to it, to remain in dialogue with it, sometimes to the point of startling those around me.

FILM INFORMATION

SONJA – THE WHITE SWAN A Film by ANNE SEWITSKY

Production Country Norway World Premiere 2019 Sundance Film festival Festival Run Time 113 min Screen Ratio 1:2.35 Shooting Format HD Production Date 2018 Production company: Maipo Film AS

Distributie Benelux: Arti Film – Hilversum – Nederland Tel.: +31623885005 – [email protected] Fotomateriaal: www.filmdepot.nl of www.artifilm.nl