Oisin Nolan-Power Samuel Black

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191 Wardour Street London W1F 8ZE Phone: 020 7439 3270 Email: [email protected] Website: www.olivia-bell.co.uk Oisin Nolan-Power Samuel Black Location: County Dublin, Greater London Eye Colour: Blue Height: 5'10" (177 cm) Hair Colour: Dark Brown Playing Age: 16 - 24 Hair Length: Mid Length Appearance: White Vocal Range: G2 to B4 (belt to B4) Recently nominated for an Offie award for his performance as Ben in RAGS (Park Theatre). Previous Sondheim Student Performer of The Year finalist at The Theatre Royal Haymarket. Musical 2020, Musical, Ben, RAGS THE MUSICAL, The Park Theatre, Bronagh Lagan 2019, Musical, Oscar D'Armano, THE WILD PARTY, Royal Academy Of Music, Hannah Chissick 2018, Musical, Jamie, MARTHA IN THE DARK, Royal Academy Of Music, Sam Yates 2018, Musical, James, CHROMATICS, The Other Palace Theatre, Andrew Keates 2017, Musical, Barnaby Tucker, HELLO, DOLLY!, Draoicht, Pat McElwain 2017, Musical, Mark Cohen, RENT, Dunboyne, Colin Hughes 2016, Musical, Bobby, CABARET, The Irish College of Music Theatre, Christine Scarry 2016, Musical, Motel, FIDDLER ON THE ROOF, National Concert Hall, Garry Mountaine 2016, Musical, Leo Frank, PARADE, Astra Hall, James Bergin 2015, Musical, Paul San Marco, A CHORUS LINE, Astra Hall, Cormac Gleeson 2015, Musical, Scarecrow, THE WIZ, Pavillion Theatre, Garry Mountaine Short Film 2015, Short Film, Dylan, A PERFECT PLACE, REALimage, Dara O'Cairbre Workshop 2019, Workshop, Didier, SON OF RAMBOW, Nuffield Southampton Theatres, Sam Hodges 2019, Workshop, Lezzer, REUNION, Royal Academy Of Music, Michael Strassen Commercial 2014, Commercial, Choir Singer, TESCO MOBILE, Tesco Mobile Ireland, Christopher Cotton Opera 2014, Opera, Ensemble, H.M.S. PINAFORE, Lyric Opera, Cav. Vivian Coates 2014, Opera, Ensemble, THE MIKADO, Lyric Opera, Cav. Vivian Coates Stage 2012, Stage, John Reid, JANE EYRE, The Gate Theatre, Alan Stanford Accents & Dialects: (* = native) RP, American-Standard, Heightened RP, American-New York, Irish-Northern, American-Southern States, Dublin*, Irish-Southern Languages: (* = Native/Fluent) English, Irish Music & Dance: (* = highly skilled) Cello, Baritone-High*, Guitar, Pas de Deux, Piano, Tap, Ballet, Tenor Baritone*, Fiddle (Scottish), Jazz Dancing, Dance (general)* Oisin Nolan-Power 1/2 Performance: Actor-Singer, Voice Over, Actor-Musician, Musical Theatre Sports: (* = highly skilled) Athletics, Swimming, Tennis Vehicle Licences: Car Driving Licence Training: Royal Academy of Music, MA Musical Theatre, 2018-2019 The Irish College of Music Theatre Powered by Spotlight and Tagmin The information in this CV has been provided by or on behalf of the client concerned via Spotlight.com. Every effort has been made to make sure that the information contained in this page is correct and Spotlight and Tagmin can accept no responsibility for its accuracy. Oisin Nolan-Power 2/2.

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The-Music-Of-Andrew-Lloyd-Webber Programme.Pdf
Photograph: Yash Rao We’re thrilled to welcome you safely back to Curve for production, in particular Team Curve and Associate this very special Made at Curve concert production of Director Lee Proud, who has been instrumental in The Music of Andrew Lloyd Webber. bringing this show to life. Over the course of his astonishing career, Andrew It’s a joy to welcome Curve Youth and Community has brought to life countless incredible characters Company (CYCC) members back to our stage. Young and stories with his thrilling music, bringing the joy of people are the beating heart of Curve and after such MUSIC BY theatre to millions of people across the world. In the a long time away from the building, it’s wonderful to ANDREW LLOYD WEBBER last 15 months, Andrew has been at the forefront of have them back and part of this production. Guiding conversations surrounding the importance of theatre, our young ensemble with movement direction is our fighting for the survival of our industry and we are Curve Associate Mel Knott and we’re also thrilled CYCC LYRICS BY indebted to him for his tireless advocacy and also for alumna Alyshia Dhakk joins us to perform Pie Jesu, in TIM RICE, DON BLACK, CHARLES HART, CHRISTOPHER HAMPTON, this gift of a show, celebrating musical theatre, artists memory of all those we have lost to the pandemic. GLENN SLATER, DAVID ZIPPEL, RICHARD STILGOE AND JIM STEINMAN and our brilliant, resilient city. Known for its longstanding Through reopening our theatre we are not only able to appreciation of musicals, Leicester plays a key role make live work once more and employ 100s of freelance in this production through Andrew’s pre-recorded DIRECTED BY theatre workers, but we are also able to play an active scenes, filmed on-location in and around Curve by our role in helping our city begin to recover from the impact NIKOLAI FOSTER colleagues at Crosscut Media.
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Future Watch – Setting the Stage for Regeneration
http://www.architectsdatafile.co.uk/news/future-watch-setting-the-stage-for- regeneration/ Thursday, 30th November 2017 Future Watch – Setting the stage for regeneration Tim Foster With cities’ night time economy being seen as increasingly important in the future, Tim Foster, partner at Foster Wilson Architects, reflects on how theatre design projects that put placemaking at their core can catalyse regeneration. Following the debate around placemaking in recent years it is apparent that the term means many different things to different people. Local community activists believe it is about community participation and the making of places in which people have ownership, while property people believe it is about creating a congenial environment which will attract people to their developments, making them easier to sell or rent for a good return: the reality probably lies somewhere in between. As quoted in a recent article in The Guardian, the US academic Richard Florida – considered to be the guru of placemaking – told the mayors of major American cities in 2002 that attracting ‘hipsters’ to their towns was crucial. “Don’t waste money on stadiums and concert halls, or luring big companies with tax breaks. Instead, make your town a place where hipsters want to be, with a vibrant arts and music scene and a lively cafe culture. Embrace the ‘three T’s’ of technology, talent and tolerance, and the ‘creative class’ will come flocking.” This is really the same cycle that Jane Jacobs described in her seminal work ‘The Death and Life of Great American Cities’, published in 1961, whereby districts fall into decay, the artists move in attracted by the cheap rents, the hipsters and coffee shops follow, the area regenerates, forcing the rents back up and the artists and original residents to move on.
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A PSILLAS Biog Audiocraft
Sound Designer: Mr Avgoustos Psillas Avgoustos established AudioCarft Scandinavia in 2020 after 12 years at Autograph Sound in London, where he worked as a sound designer. Autograph Sound is a leading British sound design and equipment hire company, responsible for numerous theatre productions in the UK and abroad, including: Hamilton, Les Misérables, Wicked!, Mamma Mia!, Book of Mormon, Marry Poppins, Matilda, Harry Potter and the cursed child and many others. Avgoustos’ designer credits for musical theatre and theatre: The Sound of Music Stockholm Stadsteater Circus Days and Night Malmö Opera & Circus Cirkör Matilda The Musical Royal Danish Theatre Funny Girl Malmö Opera Sweeney Todd Royal Danish Opera BIG The Musical Dominion Theatre, London Blues in the Night The Kiln Theatre Matilda The Musical Malmö Opera The Ferryman St James Theatre, on Broadway, NY Kiss Me Kate Opera North, London Coliseum Pippin Malmö Opera Elf The Musical The Lowry, Manchester BIG The Musical Theatre Royal Plymouth & Bord Gais, Dublin Oliver! The Curve, Leicester AGES The Old Vic, London Pygmalion Garrick Theatre, London Strangers on a Train Gielgud Theatre, London Spamalot The Harold Pinter Theatre, London Spamalot (Remount) London Playhouse EPIDEMIC The Musical The Old Vic, London Henry V Open Air Theatre Regent’s Park Hobson’s Choice Open Air Theatre Regent’s Park Winter’s Tale Open Air Theatre Regent’s Park AudioCraft Scandinavia AB | Svanvägen 59, 611 62, Nyköping, Sweden e: [email protected] | t: +44 79 50292095 | Organisation no: 559281-2035 | VAT
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A Midsummer Night's Dream
Thursday 26 November, 7.30pm Friday 27 November, 2pm & 7.30pm Saturday 28 November, 7.30pm A Midsummer Night’s Dream By William Shakespeare Suba Das director Guildhall School of Music & Drama Milton Court Founded in 1880 by the Situated across the road from Guildhall City of London Corporation School’s Silk Street building, Milton Court offers the School state-of-the-art Chairman of the Board of Governors performance and teaching spaces. Milton Vivienne Littlechild Court houses a 608-seat Concert Hall, a 223-seat theatre, a Studio theatre, three Principal major rehearsal rooms and a TV studio suite. Lynne Williams Students, staff and visitors to the School experience outstanding training spaces as Vice-Principal & Director of Drama well as world-class performance venues. Orla O’Loughlin Please visit our website at gsmd.ac.uk Photographs of the final year acting company are by: David Buttle (Charlie Beck, Lily Hardy, Hope Kenna, Isla Lee, Noah Marullo, Umi Myers, Felix Newman, Jidé Guildhall School is part of Culture Mile: Okunola, Sonny Pilgrem, Alyth Ross), Samuel Black (Dan culturemile.london Wolff), Harry Livingstone (Nia Towle), Wolf Marloh (Zachary Nachbar-Seckel), Clare Park (Grace Cooper Milton), Phil Sharp (Kitty Hawthorne, Sam Thorpe-Spinks), Michael Shelford (Levi Brown, Sheyi Cole, Aoife Gaston, Guildhall School is provided by the City of London Brandon Grace, Conor McLeod, Hassan Najib, Millie Smith, Corporation as part of its Tara Tijani, Dolly LeVack), David Stone (Justice Ritchie), contribution to the cultural life Faye Thomas (Caitlin Ffion Griffiths, Genevieve Lewis) of London and the nation A Midsummer Night’s Dream by William Shakespeare Suba Das director Grace Smart designer Ed Lewis composer Lucy Cullingford movement director Jack Stevens lighting designer Thomas Dixon sound designer Thursday 26, Friday 27, Saturday 28 November 2020 Live performances broadcast from Milton Court Theatre Recording of this performance by any means whatsoever is strictly prohibited.
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There's a Little Theatre in Us All!
THERE’S A LITTLE THEATRE IN US ALL! Theatre Tokens - Participating Venues Details correct as of Friday, 07 July 2017 * Plus your telephone company's network charge Aberdare Coliseum 0800 014 7111 Dumfries Theatre Royal 01387 254209 Aberdeen Aberdeen Box Office 01224 641122 Dumfries (for His Majesty's Dundee Dundee Repertory 01382 223530 Theatre & Music Hall) Theatre Aberdeen His Majesty's Theatre 01224 641122 East Grinstead Chequer Mead 01342 302000 Aberdeen Music Hall 01224 641122 Theatre Aberystwyth Arts Centre 01970 623232 Eastleigh The Point Theatre 02380 652333 Aylesbury Aylesbury Waterside 0844 871 7667 Calls cost 7p/pm* Edinburgh Festival City Theatres 0131 529 6000 Theatre Edinburgh Kings Theatre 0131 529 6000 Bath Theatre Royal 01225 448844 Edinburgh Playhouse Edinburgh 0844 871 7667 Calls cost 7p/pm* Bedworth Civic Hall 02476 376707 Edinburgh Royal Lyceum Theatre 0131 248 4848 Birmingham Alexandra Theatre 0844 871 7667 Calls cost 7p/pm* Edinburgh Traverse Theatre 0131 228 1404 Birmingham Repertory Theatre 0121 236 4455 Epsom Epsom Playhouse 01372 742555 Blackburn King George's Hall 0844 847 1664 Calls cost 7p/pm* Exeter The Exeter Northcott 01392 726363 Blackpool Grand Theatre 01253 290190 Theatre Bognor Regis Alexandra Theatre 01243 861010 Eastbourne Congress Theatre 01323 412000 Bolton Octagon Theatre 01204 520661 Eastbourne Devonshire Park 01323 412000 Bradford Alhambra Theatre 01274 432000 Theatre Bradford St George's Concert 01274 432000 Eastbourne Royal Hippodrome 01323 802020 Hall Theatre Bristol Bristol Hippodrome 0844
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The Corner Shop PR Current Projects 2017
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Meet the Team
MEET THE TEAM Daniel Sharpe Nick Jackson Vicki Manser Jodie Smith Richard Baker Jane Stevens Principal & CEO Chief Operating Officer Artistic Director ISTD Dance Teacher Musical Director Head Chaperone Originally from Yorkshire, Daniel Nick originally trained in Vicki trained at the world Jodie has been a member of Richard is a Musical Director, Jane Stevens has been part of was a child actor before training Film & Television production renowned Urdang Academy the Sharpe Academy team qualified Teacher, Composer the Sharpe Academy family for in Musical Theatre at SLP with the aim of pursuing a in central London, graduating since 2015 and teaches all ages and Improviser. many years, firstly as a parent, College in Leeds. career as a cameraman. with a BA Honours Degree from ACT 1 right through to the He has recently worked as an then a chaperone and now Theatre Credits include: Dance After completing his training he in Professional Dance and Company students. MD on the all-male Iolanthe and Jane heads up the childrens’ Captain for Evita (European developed new skills in graphic Musical Theatre. She co-choreographed Mikado national tours of the UK, section of Agent Sharpe, the Tour), Chitty Chitty Bang design which took his career on Since then, Vicki’s West End the Sharpe productions of Secret Garden (Ambassadors Academy Agency. Bang (UK Tour & Singapore), a different path. credits have included Sunny Hairspray, Annie (World Theatre), NewsRevue (Canal She has four children – Milly, Lullabies of Broadway (Palace Nick progressed in the field Afternoon, the Carole King Record Production), My Son Café Theatre), Stephen Archie, Sophie and Phoebe Theatre, Myrtle Beach, USA), of creative artworking and musical Beautiful and Bat Out of Pinocchio Jr, A Chorus Line, Sondheim’s Road Show and – who are all part of Sharpe Fire of Dance (UK & European took up a position at global Hell.
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Yojiro Ichikawa
Flat 5, 2 Darwin Street, London, SE17 1HB, UK YOJIRO ICHIKAWA Tel.+44 (0)7848837694 Email: [email protected] Nationality: USA, Japan (Dual citizenship) Website: http://theatrelapis.org UK Visa: Spouse Visa (Work permitted) Directing Portfolio Video Playlist: http://tiny.cc/yojiro-directing Representation: The Saffron Group [email protected] Experience DIRECTING (*New Writing) <UK/EU> 2020 LETTER FROM THE SEA New National Theatre Tokyo (Two days) 2019 *PEARL AND DAGGER The Other Palace (One Day) 2019 *LETTER FROM THE SEA Teatr Polski Bydgoszcz, Poland (Full run), 2018 URINETOWN Bridewell Theatre (Full run) 2018 *DRIVING AT NIGHT WITH THE WINDOWS DOWN Theatre 503 (Two days), Part of a new writing showcase ‘Rapid Write Response’ 2018 ONDINE Clifftown Theatre (Full run) 2018 *TAPESTRY Southwark Playhouse (One Day), Part of a new writing showcase ‘XPOSED’ 2017 ORDINARY DAYS Bridewell Theatre (Full run) 2017 *RIVER LETHE The Cockpit Theatre (One Day), Part of a new writing showcase ‘Scratch Night’ 2016 *THE RED CANDLE – MERMAIDS IN THE EAST Brunel Museum (Full run), Attended by Prince Edward, Earl of Wessex 2014 PETER PAN: A Musical Adventure The Bloomsbury Theatre (Full run) 2014 FOUR SEASONS Japan Festival, Trafalgar Square (One day) 2014, 13 FROM UP HERE ristan Bates Theatre, UK Tour (Full run) 2013 *THE HOUSE OF MIRRORS AND HEARTS Perfect Pitch Workshop (A week workshop) <USA> 2012 ORDINARY DAYS Access Theatre, NY (Full run) 2012 *ALONE WORLD Lincoln Centre Theater Directors Lab, Workshop production (3 week workshop) <Japan> 2016 TELL ME ON A SUNDAY New National Theatre Tokyo (Full run) Won Yomiuri Drama Award 2007 SONGS FOR A NEW WORLD Mitaka Art Theatre, Tokyo (Full run) 2007, 03 ONCE ON THIS ISLAND Komaba Art Space, Tokyo (Full run) ASSOCIATING / ASSISTING <UK> 2018 *RELATIVITY The Einstein Musical Finborough Theatre (Full run) Director: Phil Willmott 2013 EVITA Bill Kenwright LTD.
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27 March 2020
Mercury Musical Developments and Musical Theatre Network present in partnership with Royal & Derngate, Northampton 26 - 27 March 2020 Shining a light on new British musical theatre mercurymusicals.com musicaltheatrenetwork.com Welcome Theatres like ours exist to bring people together and we were so looking forward to welcoming such an array of musical theatre talent to Northampton this week from across the country and beyond. Sadly that is not possible right now, but we’re determined to continue to champion all the artists who were to perform on our stages this week, so we’ve taken the decision with Mercury Musical Developments and Musical Theatre Network to still publish this year’s BEAM programme, to salary and continue to support all the artists who were due mercurymusicals.com to perform during this week’s showcase and to encourage all who were due to attend to share and distribute their work with one another online. We are so grateful to those of you who were due to be attending this week who have kindly donated the cost of your ticket towards helping us to pay our artists and freelancers. Many of you who attended the UK Musical Theatre Conference here last year will have heard us talk of our commitment to developing new musical theatre for mid-scale regional venues and tours. We’ve had a thrilling year since in which we’ve hosted dozens of artists in Northampton to create original work in partnership with Perfect Pitch, China Plate, Musical Theatre Network, Mercury Musical Developments, Scottish Opera and Improbable. Thanks to the support of an Arts Council England “Ambition For Excellence” grant and partnerships with several midscale venues nationwide, we’re also excited to be able to announce that five of the projects we’ve developed here this year have been fully commissioned.
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Henry Filloux-Bennett, Is a Digital Take on the Classic Novel by Oscar Wilde
PROGRAMME ... Dorian Gray now Thank you for signing in and being a part of this adaptation of The Picture Of Dorian Gray. As theatres currently remain closed, stories across the world are now being told online. The Barn Theatre streamed their magical production of Peter Pan, as well as murder mystery co-production, What a Carve Up! with Lawrence Batley Theatre and The New Wolsey Theatre. Christmas at Oxford Playhouse brought online productions of Father Christmas and Sammy and the Beanstalk, an urban version of a classic fairytale, for audiences to watch at home. Theatr Clwyd made Christmas happen with the The Panto That Nearly Never Was, which certainly lived up to the title. And now, these five theatres have joined together to co-produce an Oscar Wilde classic in the digital age. For most of 2020, we spent more and more time online. With endless zoom quizes, home school lessons and virtual meetings, online has become the new normal. The Picture of Dorian Gray as reimagined by Henry Filloux-Bennett, is a digital take on the classic novel by Oscar Wilde. Directed by Tamara Harvey, our adaptation has been plunged into the current social media obsessed world we experience today. But is this filtered down version of reality worth the cost? Are we all as perfect as we seem? 91 562 983 WELCOME 1 ... How does The Picture of Dorian Gray differ from your other digital adaptations? This is the fourth digital production I’ve worked on since lockdown began last year, and I think with each production the ambition has grown - certainly following What a Carve Up!, Tamara and I were incredibly keen to make sure that we built on what we’d been able to achieve and push the boundaries of what we could create.
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SIMONA BUDD B. Mus. Hons
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Fight Director
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