DOCSLIB.ORG

ALBUM PLANS Deals, Discounts and Programs Being Offered to P

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ALBUM PLANS Deals, Discounts and Programs Being Offered to P MGM's Tribute To F. 'i John Kennedy ALBUM PLANS Deals, discounts and programs being offered to p. dealers and distributors by record manufacturers. lÑ I ` AUDIO FIDELITY Dean Wort, LP deal: buy-8-get.l-free, plus one stereo spectacular demo at $6 with the purchase of eac ,cross two catalog records. No termination date announced. TI CARIB ehet Buy 10 -get -1 -free on entire LP catalog. 100% exchangeable. 80-60.690 billing. No expira rr B date. Anyt COLPIX i9 Me hiPol 8 Nina Simone albums on a buy -4 -get -1 -free deal. Expires: May 16; new Chad Mitchell L on -3 a buy -get -1 -free basis. Expires: June 26. Rest of catalog offers 20 free for every 100 pus p You chased. 2G. Expires: June lnl Bu el . DECCA-CORAL-BRUNSWICK oPel code Part 3 Of VIP Program: incentive program on all vocal LP's. See local distrib for detail Expires: May 29. Hon C NEW YORK-Attorney General Robert F. Kennedy accepts the first copy pd Mo of MGM's new album, "The Kennedy Years," from label president Arnold NASH BORO tu.. Maxin who obtained exclusive license for the Buy -7-get -1 -free on entire catalog including new LP's. 100% exchangeable. No expiratic pie package from the John F. date has been set. You t Kennedy Library in Boston. You V The special set includes three LP's, two of which contain excerpts from ORIGINAL SOUND a l Let the late President's speeches and press conferences, while the third is a narration of the Kennedy LP catalog available on a buy -i0 -get -1 -free basis. 100% exchangeable. No expiration da 1 Tide Years by Chet Huntley. set. try Litt Looking on during the presentation are Alan Cartoun (far left), exec vice president of the Longines-Wittnauer Watch Company, distributors for REQUEST M Russ the album, and Larry Finley (far right), director of special and premium Kier for MGM. LP catalog available on a buy -10 -get -2 -free basis. Described as a limited -time offer. sales if Up Substantial proceeds from the sale of the album are being turned over to SMASH & FONTANA IdAll0 the John F. Kennedy Library. dbye 8 LP's. Expires: May 30. d Golly TAMLA-MOTOWN-GORDY no Get b All LP'a available on a buy -0 -get -1 -free basis. Described as a permanent program. Dolly Avalon To Do Artist, Facility f. Bobbi UA Flick Expansion At Nugget VEE JAY n By Lc lire, discount on I.1"s. het Wo NEW YORK-Frankie Avalon, re- GOODLETTSVILLE, TENN Nug- .+er lt - I º, Fa get Records, dealing solely in country "' cently inked to United So Artists Records, music products, Proi will star in a flick from the label's has completed its ex- uy Lone pansion program, Over parent company United Artists Pic- which includes new The Year Music Lost Epic Records Bows tures. Flick, "I'll Take Sweden," co- artists, recording equipment and ware- house and shipping space. starring Bob Hope and Tuesday Weld, A Pulitzer Prize 4 Classical LP's, 3 Tapes Me Qu Ray Butts, who will go before the cameras this sum- set-up the new Me Sol equipment, has also joined the organi- NEW YORK-There was no Pulitzer NE\\' YORK-Epic Records has a mer, with Edward Small producing. Prize music written by an American nounced the release of four classic He'll sing several songs in zation as head engineer in charge of Bones the film. in the past in u Nugget Sound Studios, open to all year the opinion of the albums and three classical tapes. Child, music operations. committee of the annual awards for The LP entries are Beethoven M Donna achievement in the arts. liest Nis Just signed Symphony No. 5 in C Minor a Homer, to the diskery are Dick This year's Pulitzer Prize winners THE EXCITING NEW Flood, bowing with "Blue, Blue Party" Mozart's Symphony No. 41 in C Maj r Me Do and "Same were named last week, with the music (Jupiter) by George Szell and t ALBUM Ole Cheatin' You" and the category not represented. CHART CONTENDER new duet of Tee & Bob, debuting with Cleveland Orchestra; the "Don Ju A few days following this develop- Fantasy" and "Hungarian Rhapso FROM "Keep On Loving You" and "Who MERCURY Will It Be." ment, Pulitzer Prize-winning com- No. 10" and Bartok's "Improvit The Nugget label and equipment poser Howard Hanson expressed "sur- tions" by pianist Charles Rose were prise" at the omission. Perhaps the Haydn's String Quartets No. 14 a lnnol purchased from the original country is too owners in Tampa, Fla. in the fall of big to be adequately 16 by the Julliard String Quarte covered by the Pulitzer committee, 1 Hf% 1962 by Lonzo & Oscar, the Grand Ole "Rhapsody" by the Cleveland Pc Opry performers, and their manager, Hanson observed. Orchestra conducted by Louis La Jack Logan. The composer soon to leave his post To be issued on tape are Mozar EBANIi 4'/!/I1\'I!/Il;!'1101,1k as director of the Eastman School of Symphony No. 33 in B Flat Maj the po The entire operation was moved to Music, listed a number of -works that Divertimento No. 2 in D Major, by t ull Goodlettsville ( a suburb of Nashville) he believed deserved recognition. Cleveland Orchestra with Geot hom These on a farm owned by Lonzo & Oscar. include Peter Mennin's Seventh Szell; Moussorgsky's "Pictures At Philac Symphony, Louis Mennini's Second Exhibition" and Beethoven's "Sy residel Not only do the two live there with Symphony, Bernard Rogers' Japanese their families, but phony No. 5" also by the Clevela tDccee; Logan also owns Dances and a piano concerto by Louis Orchestra. currer, adjoining property where he resides Kirchner. with his family. Vee-Jay Buys Included in the operation are a Tobias Brothers subsid label, Clark, the Lonzo & Oscar Fame Master Chad MG 20901 SR 60901 Music Co. and the Lonzo & Oscar Lose Their Dad HOLLYWOOD-Jay Lasker, Vee-: Includir, Country Music Show. A talent bureau NEW Records vp, has purchased a mas single i, Lou `tp YORK-Max Tobias, 93 year from the Fame label. Deck, "St I m is also in Don't Wanna Be A Coolin', No the works. old father of the songwriting Tobias Away" by Jimmy will Loser S It's Gotta Be Foolin' Boys Hughes, You Somothing Won Logan heads -up all the firms and is brothers, died last week in Hollywood. main on Fame and be handled nati derlul also A&R man for the two labels. ally by Vee-Jay. Initial reaction es plus You Besides his sons, he is survived by That's Name It from the South, where The Way The Danny eight grandchildren and 13 great- Charlo Ball Bounces and her racer Houston and New Orleans have Leave Me Alone hit: That's Tr. grandchildren. current big action, the label said. Don't Call Mn Way Boys A, Sweet Tooth Promo CHICAGO-Ralph Ergas, manager of A Gold Disk For Los Cinco Latinos the disk division of RCA Victor Dis- tributing Corp., this city, has a novel ACCORD' promotional gimmick going in con- FOREMOST IN FINE RECORDING junction with Al Hirt's newly re- leased LP, "Cotton Candy," as well as STEVE ALAIMO other Victor LP catalog items. Dealers are HAS A HOT NEW SINGLE being advised that for every 75 LP's purchased on a sub- "FADE OUT - FADE IN" mitted order form they will receive From UpComina B'.ay Mulcal free a deluxe "Instant Kotton Kandy" machine and vendor's stand. Starring CAROL BURNETT This includes all of the accessories, W ABC 10553 and a supply of "carnival theme" balloons. statio ng Artists Among the Victor recording stars eluded in this promotion, along with 41110°'_ aeee 1 Al Hirt, are: Perry Como, Chet NEW YORK-Los Cinco Latinos, Columbia Records' hot group lureted Atkins, Harry tins, are shown receiving their from Ar, Belafonte, Eddy Ar- most recent gold disk from Peter to stet; Rougemont, the label's vice president égrout nold, Elvis Presley, Hank Snow, and of European operations. Curre Tr FULL- COLOR FIDELITY appearing at New York's Chateau Madrid' the group several original cast has a new LP tag R 110 albums. "Mochas Gracias!" D `esDdingn 28 Cash Box-May 16, 1 IOxMI www.americanradiohistory.com.
Load more

Recommended publications
  • Studebakers Great New Commander V
    8 Paul Ileum" pnoto Whnrl trim rings, and white •Idewalt Urea II available, at extra eoat. Decorative and other •neeificalioaa subject to change without uuilco. Jour thrifty onefor *51andmany anotkeryear to come! Studebakers great new Commander V- Gives you a new kind of V8 performance! Saves you plenty on first cost and upkeep! Never requires you to use premium fuels! SEE THE 1951 STUDEBAKER CHAMPION TOO. ..TOP VALUE OF THE TOP 4 LOWEST PRICE CARSI IQSI The Sludchakrr Corporation. South Head 37. Indiana U.S.A. C aterial go to a child you want the truth, If "* some sys _ e.,l'.roS is comes from Sometime* ofcoursej^^^ simp.c. is such . ** tiSSSttS^^ tiseptic or mom- Why n* offendin, when ^I^S^^em o»U it, n,8h« and clean. L.stcnne mouth feels cool makeshifts. Trust avo.d. people About You r may ANTISEPTIC ^ KaK^ TERINE1 Be/ore any I**"**LIS so many women... so little time... ...IDOL OF MILLIONS IN THREE BRIEF YEARS OF FAME Color by TECHNICOLOR AN EDWARD SMALL PRODUCTION starring ELEANOR PARKER ANTHONY DEXTER Isn't if amazing how much Richard Carlson • Patricia Medina Joseph Calleia • >r c«r9e ANTHONY DEXTER ,ook> ;.ke RUDOLPH VALENTINO Produced by EDWARD SMALL • Associate of Producer- JAH GRIPPO Directed by LEWIS ALLEN „ LIFE LIFE is published weekly by TIME Inc.. 540 N. Michigan Ave., Chicago II, 111. Printed in U. S. A. Entered as second-class matter November 16, 1936 at the Postoffice at Chicago, Volume 30 * Mar. 19, 1951 111. under the act of March 3, 1879. Authorised by Post Office Department, Ottawa, Canada, as second-class matter.
    [Show full text]
  • CLONES, BONES and TWILIGHT ZONES: PROTECTING the DIGITAL PERSONA of the QUICK, the DEAD and the IMAGINARY by Josephj
    CLONES, BONES AND TWILIGHT ZONES: PROTECTING THE DIGITAL PERSONA OF THE QUICK, THE DEAD AND THE IMAGINARY By JosephJ. Beard' ABSTRACT This article explores a developing technology-the creation of digi- tal replicas of individuals, both living and dead, as well as the creation of totally imaginary humans. The article examines the various laws, includ- ing copyright, sui generis, right of publicity and trademark, that may be employed to prevent the creation, duplication and exploitation of digital replicas of individuals as well as to prevent unauthorized alteration of ex- isting images of a person. With respect to totally imaginary digital hu- mans, the article addresses the issue of whether such virtual humans should be treated like real humans or simply as highly sophisticated forms of animated cartoon characters. TABLE OF CONTENTS I. IN TR O DU C T IO N ................................................................................................ 1166 II. CLONES: DIGITAL REPLICAS OF LIVING INDIVIDUALS ........................ 1171 A. Preventing the Unauthorized Creation or Duplication of a Digital Clone ...1171 1. PhysicalAppearance ............................................................................ 1172 a) The D irect A pproach ...................................................................... 1172 i) The T echnology ....................................................................... 1172 ii) Copyright ................................................................................. 1176 iii) Sui generis Protection
    [Show full text]
  • Guide to the William K
    Guide to the William K. Everson Collection George Amberg Memorial Film Study Center Department of Cinema Studies Tisch School of the Arts New York University Descriptive Summary Creator: Everson, William Keith Title: William K. Everson Collection Dates: 1894-1997 Historical/Biographical Note William K. Everson: Selected Bibliography I. Books by Everson Shakespeare in Hollywood. New York: US Information Service, 1957. The Western, From Silents to Cinerama. New York: Orion Press, 1962 (co-authored with George N. Fenin). The American Movie. New York: Atheneum, 1963. The Bad Guys: A Pictorial History of the Movie Villain. New York: Citadel Press, 1964. The Films of Laurel and Hardy. New York: Citadel Press, 1967. The Art of W.C. Fields. Indianapolis: Bobbs-Merrill, 1967. A Pictorial History of the Western Film. Secaucus, N.J.: Citadel Press, 1969. The Films of Hal Roach. New York: Museum of Modern Art, 1971. The Detective in Film. Secaucus, N.J.: Citadel Press, 1972. The Western, from Silents to the Seventies. Rev. ed. New York: Grossman, 1973. (Co-authored with George N. Fenin). Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1974. Claudette Colbert. New York: Pyramid Publications, 1976. American Silent Film. New York: Oxford University Press, 1978, Love in the Film. Secaucus, N.J.: Citadel Press, 1979. More Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1986. The Hollywood Western: 90 Years of Cowboys and Indians, Train Robbers, Sheriffs and Gunslingers, and Assorted Heroes and Desperados. Secaucus, N.J.: Carol Pub. Group, 1992. Hollywood Bedlam: Classic Screwball Comedies. Secaucus, N.J.: Carol Pub. Group, 1994.
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]
  • CSIF/Calgary Public Library 16Mm and Super 8 Film Collection
    CSIF Film Library CSIF/Calgary Public Library 16mm and Super 8 Film Collection Film Running Time Number Title Producer Date Description (min) A long, hard look at marriage and motherhood as expressed in the views of a group of young girls and married women. Their opinions cover a wide range. At regular intervals glossy advertisements extolling romance, weddings, babies, flash across the screen, in strong contrast to the words that are being spoken. The film ends on a sobering thought: the solution to dashed expectations could be as simple as growing up before marriage. Made as part of the Challenge for Change 1 ... And They Lived Happily Ever After Len Chatwin, Kathleen Shannon 1975 program. 13 min Presents an excerpt from the original 1934 motion picture. A story of bedroom confusions and misunderstandings that result when an American dancer begins pursuing and English woman who, in turn, is trying to invent the technical grounds of 2 Gay Divorcee, The (excerpt) Films Incorporated 1974 divorce 14 A hilarious parody of "Star Wars". Uses a combination of Ernie Fosselius and Michael Wiese special effects and everyday household appliances to simulate 4 Hardware Wars (Pyramid Films) 1978 sophisticated space hardware. 10 Laurel and Hardy prepare for a Sunday outing with their wives 5 Perfect Day, A Hal Roach Studios (Blackhawk Films) 1929 and Uncle Edgar Kennedy, who has a gouty foot. 21 Witty, sad, and often bizarre anecdotes of Chuck Clayton, the 73-year-old former manager of the largest cemetery east of 6 Boo Hoo National Film Board of Canada 1975 Montreal, told as he wanders nostalgically through its grounds.
    [Show full text]
  • In NY 'Adequate'
    FACTS & FIGURES LANDAU, ROSS PARTNERSHIP BUYS PSI -TV Radio -Tv News Aid Purchase of tv film distributor latter firm currently produces four 15- minute In N. Y. 'Adequate' tv film series, including The Passerby, Bill outfit is part of program to Corum series, Eva Gabor series and Man's Four out of five persons con- form a larger company early Heritage, featuring Raymond Massey. tacted in survey by Alan C. next year for saturation cover- Mr. Landau told BT that he also expects with a major production Russell Marketing Research age of PSI -TV and Ely Landau to effect an affiliation company to insure "a continuity in the flow of were satisfied with news Productions. products." He expressed the opinion that the coverage and service by the stumbling -block in the tv film PURCHASE of PSI -TV, distributors of tv film "most significant media in newspaper strike- products, by a partnership of Ely Landau, distribution field is the lack of a continuous president of Ely Landau Productions, and flow of tv film products." bound New York. But two- Martin Ross, formerly president of Film High- In his new affiliation, Mr. Landau will con- thirds of these persons qualify lights Inc. and Emperor Films Inc., was an- centrate on procuring new tv film properties their answers. nounced last week. and on financing them. Prior to establishing Under the transaction, Messrs. Landau and Ely Landau Productions one and one -half years RADIO and television gave "adequate news Ross, under the name of PSI -TV, with Mr. ago, he served for several years as radio -tv coverage and service" during the New York Landau as president and Mr.
    [Show full text]
  • The SMU Campus, Volume 45, Number 21, November 25, 1959
    M . ^tJfaVv f • LEAP THE FROGS THE FROGS Published Weekly by SMU Students? Publishing Company No. 21 Southern Methodist University, Dallas, Texas, Wednesday, November 2S, 1S59 45th BORN YESTERDAY! by HENRY ODEN AN OPEN LETTER (To Several Sports writers) Dear Sirs: by FRANCES SULLfcVAN Plan n It Seems "that when we lose a Two proposed plans for revi­ Plan 2 keeps the Student Coun­ game or two we're not playing up sion of the Student Council Con- cil separate from the Student to potential; but when we play sitution will, come to a vote at Center. It does not consider Stu­ outstandingly it was the other the first meeing of the constitu­ dent Center activities. Instead, team's fault. tional committee following the Plan 2 provides for organization Praise is one of the requisites Thanksgiving holidays. of the executive powers of -the of criticism. One cannot assume Council itself, creating an ad­ the privilege of denouncing with­ IHHiii "At present, the meeting is scheduled for Dec. 11, but the ministration board 4o co-ordinate out assuming the obligation of all committee work of the Coun­ complimenting. date may be moved up a week," said Council President Ike Harris: cil. It doesn't feel good for peo­ This board would also carry ple to consider you disappoint­ The main difference in the plans is whether the activities of out executive policies. Although ing; as a sports writer* you must C&mpua Staff Photo by Laughead this plan does not include a know this, for you must realise THANKSGIVING IN THE CENTER the Student Council and the Stu­ dent Council and the Student a cabinet, it is flexible enough that most of your readers con­ Ann Cook.
    [Show full text]
  • HOLLYWOOD's WEST: the American Frontier in Film, Television, And
    o HOLLYWOOD’S WEST WEST*FrontMtr.pmd 1 8/31/05, 4:52 PM This page intentionally left blank HOLLYWOOD’S WEST The American Frontier in o Film, Television, and History EDITED BY PETER C. ROLLINS JOHN E. O’CONNOR THE UNIVERSITY PRESS OF KENTUCKY WEST*FrontMtr.pmd 3 8/31/05, 4:52 PM Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 2005 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508–4008 www.kentuckypress.com 0908070605 54321 “Challenging Legends, Complicating Border Lines: The Concept of ‘Frontera’ in John Sayles’s Lone Star” © 2005 by Kimberly Sultze. Library of Congress Cataloging-in-Publication Data Hollywood’s West : The American frontier in film, television, and history / edited by Peter C. Rollins and John E. O'Connor. p. cm. Includes bibliographical references and index. ISBN 0-8131-2354-2 (hardcover : alk. paper) 1. Western films—United States—History and criticism. 2. Western television programs—United States. I. O'Connor, John E. II. Rollins, Peter C. PN1995.9.W4A44 2005 791.436'278--dc22 2005018026 This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials.
    [Show full text]
  • Registration Notice
    12 -FRIDAY—OCTOBER 2, 1942 MONITOR-LEADER MOUNT CLEMENS. MICH. Par Officials Favor Manpower Control Legislation work and advertising agency BROKEN MOON executives, concerning the part Time will come when we'll Comedy Opens at Believe Issue May Soon have moonlight every night, Hay Kyser of radio in the war effort, had Macomb ac- been misinterpreted. cording to Sir James Jeans, MACOMB Dominate Discussions ish scientist, who states that the Sat. A Sub. 1 p.m. Continuous Explains Kyser, newly appointed con- moon will break into pieces and sultant to OWl’s radio division, Necessary to Fully become Bill Believed scattered over all the TONITE, SAT. * SUN. said that in criticizing the lack Available Manpower sky. Criticism of complete cooperation with the Mobilise war program - government’s on BY H. another, perhaps for higher pay, , LONG LAUGHS HOLLYWOOD, Oct. 2 —<A*>— the part of radio, he spoke only ALEX SINGLETON Kay Kyser said to- (0) except with government permis- t i LONG CHEERS imA I— rttr of some radio executives and \v ASHINGTON, Oct. 2 FOR THE rtmtr'u last week be- leaders, and not the industry as —Mounting support among sev- sion. JEWEL II fore a group of Office of War In* a whole. eral top-ranking war officials Meanwhile, two key officials Torln —d Sot. 1 I GRANDEST formation officials, radio net- for manpower control legislation vitally interested in the man- M M COMEDY It was in reference to this mi- reported tod. y amid grow- power supply question were IN nority, he added, that he said was WM YEARSI I I BfJTB mmm!l|H that the issue called before Congressional com- they “accept the ing indications ¦H As Gay as a unless chal- congres- mittees today.
    [Show full text]
  • Screening the LAPD
    1 Screening the L.A.P.D.: Cinematic Representations of Policing and Discourses of Law Enforcement in Los Angeles, 1948-2003. by Robert Bevan University College London Ph.D. Thesis 2 Declaration I, Robert Bevan, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 3 Thesis Abstract This thesis examines cinematic representations of the L.A.P.D. within the context of discourses of law enforcement in Los Angeles and contends that these feature films constitute a significant strand within such discourse. This contention, which is based upon the various identifiable ways in which the films engage with contemporary issues, acknowledges that the nature of such engagement is constrained by the need to produce a commercially viable fictional entertainment. In four main chronological segments, I argue that it is also influenced by the increasing ethnic and gendered diversity of film-makers, by their growing freedom to screen even the most sensitive issues and by the changing racial and spatial politics of Los Angeles. In the 1940s and 1950s, the major studios were prepared to illustrate some disputed matters, such as wire-tapping, but represented L.A.P.D. officers as white paragons of virtue and ignored their fractious relationships with minority communities. In the aftermath of the Watts riot of 1965, racial tensions were more difficult to ignore and, under a more liberal censorship regime, film-makers―led by two independent African American directors―began to depict instances of police racism and brutality.
    [Show full text]
  • Repeat Performance
    BOOK VS FILM Brian Light slowly emerges from an alcoholic stupor to too-recent past, he was a critically acclaimed find he’s in a shabby, two-bits-a-night dive. Broadway actor with a promising future and illiam O’Farrell’s 1942 an invitation to Hollywood. Through the novel Repeat Performance There was the smell of disinfectant in fog and fumes of what’s become his daily is a tale of competing the room and the cot on which I was sustenance—“two-bit shakeup, the stuff ambitions, adultery, mur- lying had no sheet. I didn’t have to they sold in a delicatessen on Twenty-Fourth der, and a mind-bending open my eyes to know that I was back Street”—he comes to the realization that a lot Wtime warp that predates sci-fi writer Philip in the HIGHLAND HOTEL, REAL has happened in the past year…all of it bad. K. Dick by a decade. Centered in New BEDS FOR TWENTY-FIVE CENTS. Sheila, his binge-drinking wife, committed York’s theater district, and populated with I knew the place well; I’d been hitting suicide; his friend and close confidant William the requisite playwrights, producers, actors, it on and off for four months now, on and Mary—a cross-dressing, mildly insane and unavoidable hangers-on, its strongest my good nights. The nights when I poet—was committed to an asylum, and his supporting player is New York itself. Green- had a quarter. co-star, Fern Costello, who he was torching wich Village restaurants and bars serve as a for, was strangled to death… by his hands.
    [Show full text]
  • Boroagfc Pays Tribute to Beloved Dr.Strandbergatritesheremonday
    CHOP THE ADS BEFORE YOU Wideit Circulated Pip* Cm- ||0P THE STORES-YOU'LL mf Ctrterd Completely; fari Sl -iND IT SAVES MONEY. Meyer1. "Speataf Ab«t CARTERET PRESS Sports. NO. 23 w. CARTERKT, N. J., FRIDAY, MARCH 3, 19S9 PRICE THREE CENTS IlMINATION WORK|Boroagfc Pays Tribute To Beloved MOVEMENT PUSHED BOARD MEMBER? STREMLAU IS START JULY 1, WOR Relates Some Peculiarities Dr.StrandbergAtRitesHereMonday TO NAME STADIUM Of Life At Carteret Transmitter STRONG CONTENDER FICIALS ADVISED Stmt, Umi With Mmrnin A, Fund Cortege FOR LATE SPONSOR CARTERET -A story called the alpha and omega of the build- FOR BOARD PUCE .1 (hiring On Removal '"va; High School Choir Sing. At Chinch Strvice 'Saga of Life at Cartcret," was ing's existence, knows no holidays. Band Mothers' Club, Wom- sent out this week from the pub- Sunday, Christmas, on and on for Local Attorney Advanced CARTERET—The borough paid its highest po.v icity bureau of station WOR, of 3«B days a year with only a brief lamjproiH E- Rahway en's Club Endorse Plan To A* Possible Successor To Crossing U Held ible tribute to a beloved resident on Monday afternoon which E. W. (Johnny) Johnstone is respite in the milkmannish hour* when the funeral of Dr. Herbert L. Strandberg, President Honor Dr. Strandberg head. The story covers some of before down, WOR just transmits Dr. Strandberf LS Of Education{U1On>, f0rmeformerr BorougBoroughh CouncilmaCouncilmann the peculiar aspectR that go with and transmit* to the radio sets of BST TO BE $180,000 th Officer waa held In th PUPILS IN APPROVAL the operation of the station, and the land.
    [Show full text]