You Can Also Download the Gift Aid Declaration Form

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You Can Also Download the Gift Aid Declaration Form

Name of Charity: ROYAL NATIONAL THEATRE Please fill in your personal details below and return the form to the freepost address provided below. Title: Forename(s): Surname: Address: Postcode: Membership # (if known): Declaration I want to Gift Aid my donation and any donation I make in the future or have made in the past 4 years to the National Theatre. I am a UK taxpayer and understand that if I pay less Income Tax and/or Capital Gains Tax than the amount of Gift Aid claimed on all my donations in that tax year, it is my responsibility to pay any difference. I understand the National Theatre will reclaim 25p of tax on every £1 that I have given. I am not a UK tax payer I do not wish the NT to claim Gift Aid on my donations Signature: Date: Please notify the National Theatre by calling 020 7452 3218 if you: • Want to cancel this declaration • Change your name or home address • No longer pay sufficient tax on your income and/or capital gains If you pay Income Tax at the higher or additional rate and want to receive the additional tax relief due to you, you must include all your Gift Aid donations on your Self-Assessment tax return or ask HM Revenue and Customs to adjust your tax code. Gift Aid Frequently Asked Questions Q. Am I a UK tax payer? You are a UK tax payer if any of these are true for you: Tax is taken from your wages or salary. You pay tax under self-assessment. You have any taxable savings e.g a pension plan. You have paid Capital Gains tax recently. Q. What if I do not pay tax? Let us know with this form and we will not continue to ask you to Gift Aid your donations. Q. I am a pensioner, can I still Gift Aid my donations? You can if you pay tax on a private pension plan or savings, or if you pay Capital Gains tax on the sale of property or shares. Q. I pay a higher rate of tax, can I still Gift Aid my donations? Yes. We can still claim the basic rate of tax. You can also claim personal tax relief of 20% when you complete your self-assessment form. Please return your completed Gift Aid declaration to: Development Department, National Theatre, Freepost SE 3598, London SE1 7BR Any other questions? Please call 020 7452 3218 [email protected] The Royal National Theatre is a registered charity no: 224223. Registered as a company limited by guarantee in England no: 749504. Registered address Upper Ground, London SE1 9PX..

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Stage by Stage South Bank: 1988 – 1996
Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’.
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