FOXES Magazine October Issue 2016
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The Strokes Share New Episode of Pirate Radio Series Featuring Colin Jost and Gordon Raphael
THE STROKES SHARE NEW EPISODE OF PIRATE RADIO SERIES FEATURING COLIN JOST AND GORDON RAPHAEL “BAD DECISIONS” CLIMBING TOP 10 AT ALT RADIO FIRST ALBUM IN SEVEN YEARS THE NEW ABNORMAL OUT NOW VIA CULT/RCA RECORDS TO CRITICAL ACCLAIM July 23, 2020—Today, The Strokes share a new installment of their ongoing pirate radio series, “Five Guys Talking About Things They Know Nothing About”—watch it HERE. The new episode is the third installment of the show, and the first in a series in which the band will speak with the producers of their albums. The episode airing today features The Strokes in conversation with Gordon Raphael—who produced their debut EP The Modern Age, their first two LPs Is This It and Room On Fire and contributed to their third LP First Impressions Of Earth—as well as their longtime friend, SNL’s Colin Jost. The band’s new album The New Abnormal, their first in seven years, was released in April to widespread critical acclaim. The album’s lead single, “Bad Decisions,” is currently Top 10 at Alternative radio and still climbing, marking the band’s first Alternative Top 10 since 2006 and setting the record for the most time between Alternative Top 10 entries. Additionally, “Bad Decisions,” went #1 on AAA in April. Upon release, The New Abnormal debuted at #1 on Billboard’s Top Album Sales Chart and reached #8 on the Billboard 200, #1 Current Rock Album, #1 Top Current Album, #1 Current Alternative Album and #1 Vinyl Album. Of The New Abnormal, The Times of London praises “The Strokes give us their second masterpiece,” while The -
UNIVERSIDAD DE CUENCA Facultad De Artes
UNIVERSIDAD DE CUENCA Facultad de Artes - Carrera de Artes Musicales TESIS PREVIA A LA OBTENCIÓN DEL TÍTULO DE LICENCIADO EN INSTRUCCIÓN MUSICAL. TEMA: “Composición de una canción de rock para formato de batería, bajo, guitarras y voz, basado en la estructura melódico- armónica de Soda Stereo y The Strokes”. AUTOR: LUIS ALFONSO MORENO MORA C.I. 0704607530 DIRECTOR: Mst. WALTER VINICIO NOVILLO ALULEMA C.I. 0103844171 CUENCA - ECUADOR 2017 Universidad de Cuenca RESUMEN La música, y todas las expresiones culturales están expuestas a modificaciones y apropiaciones de elementos externos, el rock no escapa a esta tendencia, de ahí que este trabajo efectúa la composición de una canción de rock para formato de batería, bajo, guitarras y voz, basado en la estructura melódico-armónica de Soda Stereo y The Strokes. Para ello se ha realizado un estudio previo del recorrido que siguió la historia de la música rock y sus relaciones con las ciencias, así como las fusiones, mezclas e hibridaciones contenidas a lo largo de su desarrollo en el tiempo. La producción musical y sus procesos han tenido un apartado importante en este estudio, introduciendo todo un despliegue de nuevas tecnologías aplicadas al mundo de la música. Las etapas de producción musical, es decir, la composición, la grabación, la mezcla y la masterización fueron objeto de estudio cuidadoso. La investigación se reafirmó al profundizar en los elementos musicales tales como: el ritmo, la armonía, la melodía y el tiempo. Las canciones escogidas de los grupos tomados como referencia para luego formar la canción que sirvieron de base a este trabajo se analizaron desde su estructura hasta su progresión armónica, dando paso a la creación de una nueva obra como ejercicio de producción musical con base de hits, lo que serviría para dar luz a un mejor manejo de parámetros musicales. -
Der Gute Rock Von Manhattan
Kultur treu bleibt: In rasanten 33 Minuten und 13 Sekunden spielt die Band elf Stücke lang jenen ebenso nervösen wie melodischen Rock’n’Roll, der sie berühmt gemacht hat. Natürlich werden pophistorisch gebilde- te Schlaumeier wieder die Altväter her- aushören, bei denen sich die fünf Knaben bedient haben; Bands wie Television, The Modern Lovers und The Cars gehören dazu – aber geht es darum wirklich? Ent- scheidend ist, dass es die Strokes geschafft haben, die Popwelt so nachhaltig zu be- eindrucken wie vor ihnen lange keine an- dere Band. Scharen von Garagen-Rockern, ob aus Schweden oder Neuseeland, Kanada oder England, nahmen sich die minimalistischen Rock-Nummern von „Is This It“ zum Vor- bild, die so scheppernd klangen, als seien sie mit einem maroden Diktiergerät aufge- nommen. Leicht zu erkennen sind diese Nachahmer in der Regel an einem „The“ vor dem Namen: Die erfolgreicheren heißen The Hives, The White Stripes, The Vines, The Datsuns oder The Libertines – aber auch „The“-freie beherzte Neo-Lär- KEITH MORRIS / BMG KEITH mer wie das Punk-Trio Yeah Yeah Yeahs Strokes-Sänger Casablancas (M.), Band-Kollegen*: Ein Scheppern wie vom Diktiergerät brachten es zu erstaunlichen Verkaufszah- len und frischem Ruhm. Ganz besonders aktiv wurden die Ta- POP lentjäger der Plattenfirmen in New York – noch in der schäbigsten Musikkaschemme fahndeten sie nach dem guten Rock von Der gute Rock von Manhattan Manhattan, was beispielsweise Luke Jen- ner, Sänger und Gitarrist der New Yorker Gitarrenrocker sind im Musikgeschäft die Helden des Herbstes: Band The Rapture, „absolut irre“ findet: „Jeder unserer Freunde, der eine Gitarre Die New Yorker Band The Strokes tritt nun mit neuem Album gegen halten kann und in einer Band spielt, hat die gefeierten Provinz-Newcomer von Kings of Leon an. -
Monetizing the Band “How to Be a Working Band in 2010”
Monetizing The Band “How to be a working band in 2010” Sponsored by: Esq. Bank Artist Panel Industry Panel Jonny Dubowsky (Rock & Renew/Jonny Adam Shore (The Daily Swarm) Lives!) Natalia Nataskin (Agency Group Lawyer) Jeremy Holgersen (Agency Group) Kenyon Philips (Unisex Salon) Justin Shukat (Primary Wave Music) Peter Shukat (Lawyer) Ezra Huleat (Black Taxi) David Mazur (Masur Law) Erica Quitzow (Young Love Records/Quitzow) Barry Heyman (Heyman Law) Adam Jordan (Rely Records) Josh Hoisington (The Stationary Set) Jake Ottman (EMI) John Gaenzler (Artist Arena) Chris Robb (Independent Musician) Veronica Gretton (Independent Manager + Publisher) Rachel Sage (Independent Musician & Label Rob Shore (Business Manager) Owner) Ray Beckerman (Atty) Bios Veronica Gretton Veronica has over 20 years of consecutive worldwide music industry experience Record Label Management, Music Publishing, A&R, Artist Development, International, Touring and Artist Management. She has worked in London, Los Angeles and New York with such Award winning and unique Artists such as The Cure, The Stone Roses, The Ramones, Tori Amos, Live, Black Grape, Ambulance Ltd, The Pogues and Mick Jones of The Clash. Veronica has just launched a new Publishing Company, 401k Music which she will run in tandem with her Artist Management and Music Consultancy Company, Freedom In Exile Josh Hoisington Josh Hoisington has worked in and around the music business for the last decade. After studying music composition and theory at the University of Colorado, he returned to his home state of Michigan to complete his education at Michigan State University. While at MSU, Josh ran POP entertainment, a campus-based organization that booked national touring acts at various campus venues. -
19 Like a Gang
19 LIKE A GANG JESSE MALIN: The thing with the Strokes is they were a real band. A band should be a gang, running down the street, chasing a bus, breaking windows, breaking hearts. Those guys had that. NICK VALENSI: We felt like a gang. NIKOLAI FRAITURE: We thought that’s what a band was. ALBERT HAMMOND JR.: That was something we actually really thought about. I remember being like, “No, we have to all go together.” When we walk down the street and they see five guys, people would yell out, “The Beatles!” The idea is, if they’re yelling that out and they don’t even know who we are, they’ll come to the show. One day they’ll see something in Time Out and be like, “Oh, I remember those guys, they’re always hanging out and getting drunk.” Plus, it makes it easier if you’re trying to meet a girl: “Here’s a flyer.” It’s a starting point for a conversation. We made really, really cool flyers. JOE LEVY: I first met them at a Weezer show at Irving Plaza. Albert and Fab followed me into the bathroom to give me a gig flyer while I was at the urinal. J. P. BOWERSOCK: They had branding before people even talked about branding. One of them would mail out these elaborate postcards with brilliant graphics. And somewhere along the line, Julian had tried working for his father’s modeling agency, which didn’t work out, but when they had shows he persuaded some of the models to come. -
2010 Epiphone Catalog.Pdf
catalog 2010 Fifteen years or more ago, Epiphone instruments were being made at the same Asian guitar factories as most other competitive brands. The problem with that scenario is that it's difficult, if not impossible, to have a substantially better instrument than your competition when the parts, process and people who make them are the same. As a result, Epiphone established the first permanent presence by an American guitar brand in 1992 with the opening of our Epiphone Korea office which played a daily hands-on role in selecting and sourcing parts and materials as well as closely controlling quality. While that initial step was instrumental in moving towards continu- ous improvement and independence, Epiphone knew that ultimately it needed its own dedicated factory with its own employees. A team from Epiphone set out to change the guitar world as it was then known. Drawing on years of experience, Epiphone and Gibson U.S.A. personnel became intimately involved in facility layout, equipment design, training techniques and the establishment of quality control and by October of 2002, the Epiphone only Gibson Qingdao factory had become a reality. The effectiveness of combining Epiphone and Gibson expertise and experience with Asian production efficiencies ushered in a new era for Epiphone and brought about exceptional instruments at price points the average working musician could afford. That tradition continues today at Epiphone’s Gibson Qingdao (GQ) factory near Qingdao, China where only Epiphone instruments are crafted. To meet the growing demand for Epiphone instruments worldwide, Epiphone took another major step in 2008 with the opening of the second dedicated Epiphone factory, Epiphone Qingdao (EQ). -
255 Goodman, Lizzy. Meet Me in the Bathroom
Book Reviews Goodman, Lizzy. Meet Me in the Bathroom: Rebirth and Rock and Roll in New York City, 2001-2011. New York: Harper Collins, 2017. 640 Pp. Meet Me in the Bathroom: Rebirth and Rock and Roll in New York City, 2001-2011, Lizzy Goodman’s fantastic new oral history of Brooklyn and Manhattan’s indie rock scenes of the early 2000s, is rightly being regarded as the definitive work on this music and its milieu. It functions as a bildungsroman for the likes of the Strokes, Interpol, The Yeah Yeah Yeahs, and LCD Soundsystem. Goodman’s book will fit snugly on your shelf alongside Legs McNeil and Gillian McCain’s Please Kill Me: The Uncensored Oral History of Punk (1996) and Michael Azerrad’s Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981-1991 (2001). Beyond its significance in the field of American cultural history and being a phenomenally entertaining read, it is an excellent descriptive work of business and economic history. Nowhere else have the microeconomics of the music industry at the dawn of the twenty-first century been analyzed as thoughtfully. Meet Me in the Bathroom does in small scale what Steve Knopper’s Appetite for Self Destruction: The Spectacular Crash of the Record Industry in the Digital Age (2009) did in large scale several years ago. Through a panoply of voices, Goodman shows how musicians, promoters, music fans, and record labels both large and small in a particular time and place negotiated the technological changes which led to the disruption of the recording industry. -
KT 17-5-2017.Qxp Layout 1
SUBSCRIPTION WEDNESDAY, MAY 17, 2017 SHABAN 21, 1438 AH www.kuwaittimes.net KD 117m spent North Korea Turkey brings Olynyk shines as on power plant link emerges back Ottoman Celtics down maintenance in global sports to revive Wizards to set up for summer5 cyber attacks7 past38 glory Cavs20 showdown Trump to give speech on Min 27º Max 44º Islam during Saudi visit High Tide 04:44 & 14:46 Low Tide US president defends revealing intel secrets to Russians 09:33 & 22:25 40 PAGES NO: 17230 150 FILS WASHINGTON: US President Donald Trump will urge unity between the world’s major faiths on an ambitious Kuwait backs first foreign trip that will take him to Saudi Arabia, the Vatican and Jerusalem, the White House said yesterday. call to extend National Security Advisor HR McMaster laid out a detailed itinerary for the “historic trip”, due to start late this week, and confirmed that Trump would address a oil output cuts gathering of Muslim leaders on his “hopes for a peaceful vision of Islam”. KUWAIT: Kuwait yesterday backed a call by top oil Previous US leaders have generally chosen a US producers Saudi Arabia and Russia to extend a deal neighbor such as Canada or Mexico for their first presi- on crude production cuts for nine more months. dential voyage, but Trump intends to plunge right into “Kuwait gives its full backing and support to the some of the world’s most difficult spiritual and political joint position of Saudi Arabia and Russia to extend conflicts. In Saudi Arabia, after a day of talks with King the oil output cuts deal between OPEC and other Salman and his crown prince, Trump will attend a gath- producers until March 2018,” Oil Minister Essam Al- ering of dozens of leaders from across the Muslim world. -
Vol. 56, No. 7, January 24, 2006 University of Michigan Law School
University of Michigan Law School University of Michigan Law School Scholarship Repository Res Gestae Law School History and Publications 2006 Vol. 56, No. 7, January 24, 2006 University of Michigan Law School Follow this and additional works at: http://repository.law.umich.edu/res_gestae Part of the Legal Education Commons Recommended Citation University of Michigan Law School, "Vol. 56, No. 7, January 24, 2006" (2006). Res Gestae. Paper 99. http://repository.law.umich.edu/res_gestae/99 This Article is brought to you for free and open access by the Law School History and Publications at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Res Gestae by an authorized administrator of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. NEWSPAPER oF THE UNIVERSITY OF MICHIGAN LAw ScHooL Vol. 56 No.7 January 24, 2006 Write This Down, Poindexter: 3Ls and Profs Give Note Taking Tips By Bria LaSalle. and the professor said (in the ea r, through verbatim can leave one confused when Andrea Hunt the brain, out the fingers); 3) when it co mes time to ma ke an outline. reviewing, I find it helpful to have the s the newsemes ter gets fully professor's co mments when I have a Ot hers are mo re selective in what they underway and Fa ll grades better understanding of the material." write down during class. Talia Dubovi begin to ad vises that "notes are tri , you may iiiii;]l!l'!=:l�:j;;:---.:2iii�/����iliiJi�=_,-...,., better if yo u actually think find yo urself armed about what yo u write with new resolve do wn. -
The Strokes Debut New Track “Bad Decisions” the New Abnormal Lp out April 10 Via Cult/Rca
THE STROKES DEBUT NEW TRACK “BAD DECISIONS” THE NEW ABNORMAL LP OUT APRIL 10 VIA CULT/RCA Photo credit: Jason McDonald (New York—February 18, 2020) Today, The Strokes unveil a new song, “Bad Decisions;” Listen HERE and watch the video HERE. The track is the second to be released from their forthcoming album, The New Abnormal, out April 10 via Cult/RCA, their first in seven years. “At The Door,” the first single from the highly anticipated new album, debuted during their performance at Senator Bernie Sanders’ University of New Hampshire rally last week. Listen to “At The Door” HERE and watch the video HERE. The New Abnormal is The Strokes’ sixth studio album and was recorded at Shangri-La Studios in Malibu and produced by Rick Rubin. The album’s cover artwork is a painting by Jean-Michel Basquiat, Bird on Money. THE NEW ABNORMAL TRACK LIST 1. The Adults Are Talking 2. Selfless 3. Brooklyn Bridge To Chorus 4. Bad Decisions 5. Eternal Summer 6. At The Door 7. Why Are Sundays So Depressing 8. Not The Same Anymore 9. Ode To The Mets Ahead of the release, The Strokes will play a run of very special shows in the U.K., Europe, and North America preceding a clutch of new U.S dates and festival shows around the world later this year. THE STROKES LIVE February 14—Berlin, DE—Columbiahalle February 18—Paris, FR—Olympia February 19—London, UK—The Roundhouse February 24—Belfast, UK—Waterfront Hall March 5—Vancouver, BC—Pepsi Live at Rogers Arena* March 9—Seattle, WA—WaMu Theater* March 14—Los Angeles, CA—The Forum*† *with Alvvays † King Princess The Strokes are singer Julian Casablancas, guitarists Nick Valensi and Albert Hammond Jr, bassist Nikolai Fraiture and drummer Fabrizio Moretti. -
Gorillaz Editorial
Número #18 - Junio 2017 Número GORILLAZ El lado humano de lo animado EDITORIAL pasaban y pasaban. Voló abril y La verdad es que llegó mayo. Estuvimos a punto este número pensá- de aplicar nuestro plan B, pero fi- bamos publicarlo en nalmente la entrevista pudo rea- lizarse. Teníamos nuestra nota marzo. A fines de ese mes principal y la portada correspon- era la fecha tentativa. Habíamos diente. La 18, la de la mayoría de decidido tomar un pequeño des- edad. Y que mejor que celebrar canso después de lanzar 17 edi- eso que entrevistando a dos de ciones consecutivas. Diecisiete los músicos más icónicos de la portadas diferentes, cada una em- era millennial: Murdoc y 2D, líderes parejada con una entrevista que habíamos hecho. Eso de poner en indiscutidos de ese combo anima- primera página a una banda sin do llamado Gorillaz. Creemos que haberla entrevistado nos parece la espera valió totalmente la pena, bastante mediocre. Así engalana- porque cada línea que salió de las ron nuestra portada artistas como bocas tridimensionales de esos Florence + The Machine, Alaba- peculiares y queribles personajes ma Shakes, Tame Impala, Travis, es oro puro. Pixies, Two Door Cinema Club, CHVRCHES y Primal Scream. Vol- Además de esa chistosa entre- viendo a lo de este número, cuan- vista principal, nuestras grabado- do estábamos por decidir la fecha ras capturaron conversaciones de lanzamiento, se nos cruzó Lo- con bandas como Temples, Gold- llapalooza Chile. No podíamos no frapp y Glass Animals, para un ju- hacer la nueva edición, sin reseñar goso mini-especial de entrevistas, lo que fue el festival, así que acor- estilo Playlist. -
Rock and Roll Concert
31st Program of the 89th Season Interlochen, Michigan * ROCK AND ROLL CONCERT Thursday, July 7, 2016 8:00pm, Kresge Auditorium Bliss “UnDer the BriDge” ....................................................................................................................................... Anthony KieDis “Little Black Submarines” .......................................................................... Danger Mouse, Patrick Carney, Dan Auerbach “Great Day for FreeDom” ....................................................................................................... DaViD Gilmour, Polly Gilmour “Smells like Teen Spirit” ..................................................................................... Krist NoVoselic, DaVe Grohl, Kurt Cobain Toxic Dolphin Catapult Drum Feature: Rory Cameron, Cameron Stein, AnDrew Min, DaViD Miller, Dalton Joyce The Trap “You’re Gonna Go Far KiD” ......................................................................................................................... Dexter HollanD “Bring Me to Life” ...................................................................................................... Amy Lee, Ben MooDy, DaViD HoDges “Run AWay” ............................................................................................................................. George Karak, Jon Bon JoVi Houston, We Have Another Problem “Bennie anD the Jets” ................................................................................................................. Bernie Taupin, Elton John “I Can’t Make