David Shannon

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David Shannon DAVID SHANNON NolanMuldoon A gency HEIGHT 6’ 0” HAIR Light Brown EYES Blue NATIONALITY Irish/English TRAINING None FILM & TELEVISION Production Part Director Company Vikings 4 Noble 1 Ciaran Donnelly History Channel 5 to 7 Jim Sheehy Victor Levin Demarest Films Noah Warlord Darren Aronofsky Paramount Pictures Framed Clive Christian LaMorte Independent Film La Vista Loca David Mark Meily Unitel Pictures The Snapper Young lad Stephen Frears BBC Films Alas Smith and Jones Monk Mel Smith BBC Fair City Drunk Stephen Butcher RTÉ THEATRE Play Part Director Venue/Company By the Bog of Cats Ghost Fancier Selina Cartmell Abbey Theatre Romeo & Juliet Paris Wayne Jordan Gate Theatre The Threepenny Opera Narrator Wayne Jordan Gate Theatre Her Majesty’s Theatre, Phantom of the Opera The Phantom Harold Prince London John Caird & Trevor Queens Theatre, Les Misérables Jean Valjean Nunn London National Concert Hall, Jesus Christ Superstar Judas Stephen Hill Dublin Macbeth Macbeth Alan Stanford Second Age NolanMuldoonAgency / +353 1 288 1537 / www.nolanmuldoonagency.com War of the Roses York Paul Burke Dublin Theatre Festival Sweeney Todd Sweeney Todd Selina Cartmell Gate Theatre Cambridge Theatre, The Beautiful Game *John Kelly Robert Carson London Her Majesty’s Theatre, Phantom of the Opera Raoul Hal Prince London Jesus Christ Superstar Jesus Martin Yates Concert Tour The Aldwych Theatre, Whistle Down the Wind The Man Gail Edwards London Cats Rum Rum Tugger Trevor Nunn New London Theatre Chess Anatoly Sergievsky Nicola Trahern Spektrum, Oslo Meralco Theatre, Baby the Musical Danny Bobby Garcia Manila Dominion Theatre, Notre Dame De Paris Gringoire Giles Maheu London Theatre Royal & UK Miss Saigon Chris Nicholas Hytner Tour Prince Edward Martin Guerre Guillaume Declan Donnely Theatre, London Tommy Captain Walker Des MacEnuf Offenbach, Germany Ensemble & U/s Palace Theatre, Les Misérables John Caird Marius London & UK Tour *Olivier Award Best Actor Nomination for John Kelly in ‘The Beautiful Game’ SKILLS Accents American-California, American-East Coast, American-Midwest, American-New York, American-Standard, English-Standard*, Heightened RP*, Hertfordshire*, Irish RP*, Irish- Northern*, Irish-Southern*, London*, Mid-Atlantic*, Midlands-East*, Midlands-West*, RP*, Trans-Atlantic*, Yorkshire* *native Other Stage Combat, Car and Motorbike licence, Skiing, Football and Scuba Instructor NolanMuldoonAgency / +353 1 288 1537 / www.nolanmuldoonagency.com .
Recommended publications
  • Stage by Stage South Bank: 1988 – 1996
    Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’.
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  • Visual Media Use and Intermediality in Shakespeare Productions
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