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Mogwai – As the Love Continues
Mogwai – As The Love Continues (1:01:24, Digital, CD, Vinyl, Rock Action Records/[PIAS]/Rough Trade, 2021) Neun vollwertige Studioalben und diverse Live-Aufnahmen, Soundtracks und EPs haben uns Mogwai bisher in ihren 26 Jahren Bandgeschichte beschert und dabei den Sound des Post Rock- Genres so sehr geprägt wie kaum eine andere Band. „As The Love Continues“ ist nun das zehnte reguläre Album der Schotten und erscheint exakt ein Vierteljahrhundert nach deren Debütsingle ‚Turner’/’Lower‘ und nur wenige Monate nach dem Soundtrack für die Serie „ZeroZeroZero“. Und schon nach wenigen Takten ist „As The Love Continues“ eindeutig als Mogwai-Album identifizierbar. Sprich, auf dem neuen Album der Formation aus Glasgow ist (fast) alles beim Alten geblieben. Langweilig wird es dadurch allerdings nicht, denn auf „As The Love Continues“ spielen Stuart Braithwaite (Gitarre), Dominic Aitchison (E-Bass, Gitarre), Martin Bulloch (Schlagzeug) und Barry Burns (Keyboard, Flöte, Gitarre, Bass) noch immer Post Rock auf aller höchstem Niveau. „As The Love Continues“ beginnt in Form von ‚To The Bin My Friend, Tonight We Vacate Earth‘ mit sehr dezenten Tönen, sanftem Schlagzeugspiel und sparsamen Melodien. Ganz in Bandtradition legen die Schotten im Laufe dieses Stücks Soundschicht um Soundschicht übereinander, bevor der Einsatz verzerrter Gitarren und die so Mogwai-typische Laut-Leise- Dynamik das Stück in einer voluminösen, aber dennoch organischen Wall of Sound zu Ende gehen lassen. Das anschließende ‚Here We, Here We, Here We Go Forever‘ wird durch piepende Synthesizer-Sounds eingeleitet, welche stilistisch an die schottischen Landsleute vonBoards of Canada denken lassen. Die Melodieführung des Stückes ist so eingängig wie zuletzt vielleicht auf dem 2001er Album „Rock Action“, klingt jedoch so, als würden die Instrumente von einem Roboter gespielt werden. -
Issue 189.Pmd
email: [email protected] NIGHTSHIFTwebsite: nightshift.oxfordmusic.net Free every Oxford’s Music Magazine month. Issue 189 April 2011 YYYYYYoungoungoungoung KnivesKnivesKnivesKnives Go Pop! Out on their own and back with a brilliant new album photo: Cat Stevens NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net WILCO JOHNSON AND listings for the weekend, plus ticket DEACON BLUE are the latest details, are online at names added to this year’s www.oxfordjazzfestival.co.uk Cornbury Festival bill. The pair join already-announced headliners WITNEY MUSIC FESTIVAL returns James Blunt, The Faces and for its fifth annual run this month. Status Quo on a big-name bill that The festival runs from 24th April also includes Ray Davies, Cyndi through to 2nd May, featuring a Lauper, Bellowhead, Olly Murs, selection of mostly local acts across a GRUFF RHYS AND BELLOWHEAD have been announced as headliners The Like and Sophie Ellis-Bextor. dozen venues in the town. Amongst a at this year’s TRUCK FESTIVAL. Other new names on the bill are host of acts confirmed are Johnson For the first time Truck will run over three full days, over the weekend of prog-folksters Stackridge, Ben Smith and the Cadillac Blues Jam, 22nd-24th July at Hill Farm in Steventon. The festival will also enjoy an Montague & Pete Lawrie, Toy Phousa, Alice Messenger, Black Hats, increased capacity and the entire site has been redesigned to accommodate Hearts, Saint Jude and Jack Deer Chicago, Prohibition Smokers new stages. -
Olivia Rodrigo's
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayMARCH 1, 2021 Page 1 of 27 Leader; Travis Denning Makes History INSIDE Olivia Rodrigo’s ‘Drivers License’ Tops Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debuts at No. 1 on Billboard’s lion audience impressions, up 16%). Top Country• Morgan Albums Wallen’s chart dated AprilHot 18. In its first 100 week (ending for April 9),7th it Week, Chris Brown & earned‘Dangerous’ 46,000 equivalentBecomes album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingOnly to Country Nielsen Album Music/MRC Data.Young Thug’s ‘Goand total Crazy’ Country Airplay No. Jumps1 as “Catch” (Big Machine to Label No. Group) ascends 3 Southsideto Spend marksFirst Seven Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartWeeks and fourth at No. top 1 10.on It follows freshman LP BY GARY TRUST Young’s first of six chart entries, “Sleep With- MontevalloBillboard, which 200 arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You Olivia Rodrigo’s “Drivers License” logs a seventh ing Feb. -
Marxman Mary Jane Girls Mary Mary Carolyne Mas
Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red 12 Dec 98 Take Me There (Blackstreet & Mya featuring Mase & Blinky Blink) 7 9 indicates a Number 1, a line in blue indicate a Top 10 hit. 10 Jul 99 Get Ready 32 4 20 Nov 04 Welcome Back/Breathe Stretch Shake 29 2 MARXMAN Total Hits : 8 Total Weeks : 45 Anglo-Irish male rap/vocal/DJ group - Stephen Brown, Hollis Byrne, Oisin Lunny and DJ K One 06 Mar 93 All About Eve 28 4 MASH American male session vocal group - John Bahler, Tom Bahler, Ian Freebairn-Smith and Ron Hicklin 01 May 93 Ship Ahoy 64 1 10 May 80 Theme From M*A*S*H (Suicide Is Painless) 1 12 Total Hits : 2 Total Weeks : 5 Total Hits : 1 Total Weeks : 12 MARY JANE GIRLS American female vocal group, protégées of Rick James, made up of Cheryl Ann Bailey, Candice Ghant, MASH! Joanne McDuffie, Yvette Marine & Kimberley Wuletich although McDuffie was the only singer who Anglo-American male/female vocal group appeared on the records 21 May 94 U Don't Have To Say U Love Me 37 2 21 May 83 Candy Man 60 4 04 Feb 95 Let's Spend The Night Together 66 1 25 Jun 83 All Night Long 13 9 Total Hits : 2 Total Weeks : 3 08 Oct 83 Boys 74 1 18 Feb 95 All Night Long (Remix) 51 1 MASON Dutch male DJ/producer Iason Chronis, born 17/1/80 Total Hits : 4 Total Weeks : 15 27 Jan 07 Perfect (Exceeder) (Mason vs Princess Superstar) 3 16 MARY MARY Total Hits : 1 Total Weeks : 16 American female vocal duo - sisters Erica (born 29/4/72) & Trecina (born 1/5/74) Atkins-Campbell 10 Jun 00 Shackles (Praise You) -
Queens Park Music Club
Alan Currall BBobob CareyCarey Grieve Grieve Brian Beadie Brian Beadie Clemens Wilhelm CDavidleme Hoylens Wilhelm DDavidavid MichaelHoyle Clarke DGavinavid MaitlandMichael Clarke GDouglasavin M aMorlanditland DEilidhoug lShortas Morland Queens Park Music Club EGayleilidh MiekleShort GHrafnhildurHalldayle Miekle órsdóttir Volume 1 : Kling Klang Jack Wrigley ó ó April 2014 HrafnhildurHalld rsd ttir JJanieack WNicollrigley Jon Burgerman Janie Nicoll Martin Herbert JMauriceon Burg Dohertyerman MMelissaartin H Canbazerbert MMichelleaurice Hannah Doherty MNeileli Clementsssa Canbaz MPennyichel Arcadele Hannah NRobeil ChurmClements PRoben nKennedyy Arcade RobRose Chu Ruanerm RoseStewart Ruane Home RobTom MasonKennedy Vernon and Burns Tom Mason Victoria Morton Stuart Home Vernon and Burns Victoria Morton Martin Herbert The Mic and Me I started publishing criticism in 1996, but I only When you are, as Walter Becker once learned how to write in a way that felt and still sang, on the balls of your ass, you need something feels like my writing in about 2002. There were to lift you and hip hop, for me, was it, even very a lot of contributing factors to this—having been mainstream rap: the vaulting self-confidence, unexpectedly bounced out of a dotcom job that had seesawing beat and herculean handclaps of previously meant I didn’t have to rely on freelancing Eminem’s armour-plated Til I Collapse, for example. for income, leaving London for a slower pace of A song like that says I am going to destroy life on the coast, and reading nonfiction writers everybody else. That’s the braggadocio that hip who taught me about voice and how to arrange hop has always thrived on, but it is laughable for a facts—but one of the main triggers, weirdly enough, critic to want to feel like that: that’s not, officially, was hip hop. -
Monde.20010511.Pdf
LE MONDE DES LIVRES VENDREDI 11 MAI 2001 CÉLINE ÉTHIQUE EN STOCK Le Feuilleton La chronique de Pierre Lepape de Roger-Pol Droit et le manuscrit page V de « Voyage » analysé par LOLITA CINÉMA Henri Godard Nouvelle traduction DANIEL BENSAÏD page VII a pages II et III page IV page V Le 10 mai 1981 Le psychotique et l’amnésique grâce à un exploit mémorable, en mow. Né en 1944 à Saint-Dié, Chris- pas. Christian Didier rêve de suppri- « haut placés » du « Château » 356 avant Jésus Christ ; il y a aujour- tian Didier n’est pas seulement un Comment Christian mer Bousquet parce que, tel Jack (nous voilà chez Kafka) voulant évi- d’hui Christian Didier, qui par son homme qui associe aux nazis un Kerouac à la recherche de ses raci- ter le procès détonateur d’un grand geste insensé a stimulé chez ses con- père prompt à le maltraiter, à le Didier, hanté par les nes, il a été l’objet d’un satori, un déballage politico-historique ? temporains des thèses de complots livrer à la psychiatrie et aux maisons « éblouissement de l’œil ». Mit- Didier incarna-t-il le bras armé de et de manipulations plus ou moins de correction ; un homme qui un fantômes de l’Histoire, terrand, lui, ferme les yeux sur l’en- l’Elysée comme Jacques Clément, romanesques, donné un relief parti- beau jour se fait appeler David combrante biographie du bourreau. jadis, fut manipulé par les milieux de ait-on qui a réellement culier à la notion de « crime littérai- Cohen et salue les commerçants a tué René Bousquet. -
Jaimeo Brown Takes Jazz to Church
A DIXON KIT $ WIN VALUED OVER 9,250 • DRUM-OFF FINALS • ZZ TOP THE WORLD’S #1 DRUM MAGAZINE June 2014 The Rhythm of Hot The Voice New Gear! 150+ Photos From Winter Nate NAMM Morton Jaimeo Brown Takes Jazz to Church Steve Goulding Pub-Rocking Hollywood MODERNDRUMMER.com GEARING UP WITH THE EAGLES’ SCOTT CRAGO ON REVIEW: PORK PIE ROSEWOOD/ZEBRAWOOD KIT JAZZ DRUMMER’S WORKSHOP: SYNCOPATION REVISITED STANDING OUT NEVER SOUNDED SO GOOD Orange County Drum and Percussion Venice kits continue OCDP’s legacy of high-performance drum kits, offering lots of loud, tons of tone, and no-compromise features so you can play your best. Features like 45-degree bearing edges for sharp attack, 20 kick drum lugs for precise tuning, and OCDP’s standard suspension system for full tone and natural resonance make these Venice kits ideal for any musical genre. © 2014 OCDP Available at these preferred resellers. VENICE KIT in TUSCAN RED (also available in DESERT SAND) Your Passion. Our Commitment. Helping musicians for over 30 years. Over 85,000 Unique Products. Free Shipping, No Minimum. 45-Day Returns. 45-Day Lowest Price Guarantee. Call 855-272-1088 musiciansfriend.com JASONBITTNER SHADOWS FALL IT STARTS HERE. “During my formative years, one of my first kits was a Pearl Export. I learned how to play on it, jammed in a few of my first bands with it, and now many years later I teach my own students on a new Pearl Export kit, and it still lights me up when I hear them! I’ve played every brand of drums out there and now I’ve come home to where it all started.. -
[email protected] Website: Nightshift.Oxfordmusic.Net Free Every Month
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 129 April Oxford’s Music Magazine 2006 Oxford Punt 2006 Line-up announced Every Loser Wins NineNineNine StoneStoneStone CoCoCowbowbowboyyy Elvis, alcohol and suicide bombers - interview inside Also in this issue - The best in Oxford music news, reviews and previews Including The Odd Couple - when Suitable Case For Treatment met Jon Snow and ended up on the Richard and Judy Show plus Seven pages of local gigs NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Harlette Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] PUNT LINE-UP ANNOUNCED The line-up for this year’s Oxford featured a sold-out show from Fell Punt has been finalised. The Punt, City Girl. now in its ninth year, is a one-night This years line up is: showcase of the best new unsigned BORDERS: Ally Craig and bands in Oxfordshire and takes Rebecca Mosley place on Wednesday 10th May. JONGLEURS: Witches, Xmas The event features nineteen acts Lights and The Keyboard Choir. across six venues in Oxford city THE PURPLE TURTLE: Mark and post-rock is featured across showcase of new musical talent in centre, starting at 6.15pm at Crozer, Dusty Sound System and what is one of the strongest Punt the county. In the meantime there Borders bookshop in Magdalen Where I’m Calling From. line-ups ever, showing the quality are a limited number of all-venue Street before heading off to THE CITY TAVERN: Shirley, of new music coming out of Oxford Punt Passes available, priced at £7, Jongleurs, The Purple Turtle, The Sow and The Joff Winks Band. -
TERZ 2021-0708.Pdf
www.terz.org Düsseldorfs Stattzeitung für Politik und Kultur Zwei zum Preis von keiner! 7/8.21 30. Jahrgang Die Wahrheit über die Demo gegen das Versammlungsgesetz NRW Die Kiefern feiert! Die Rückkehr der Cultigen Zeiten! UnterstütztLOTTA die Wie in Frankreich im achtzehnten, so leitete auch in Deutschland im neunzehnten Jahrhundert die philoso- URES OF phische Revolution den politischen Zusammenbruch ein. ENT DV A Aber wie verschieden sahn die beiden aus! A -M N E X R ELS-BOY H A NG Die Franzosen in offnem Kampf Dagegen die Deutschen – Professoren, T E D mit der ganzen offiziellen Wissen- vom Staat eingesetzte Lehrer der M N A schaft, mit der Kirche, oft auch Jugend, ihre Schriften anerkannte mit dem Staat; ihre Schriften jen- Lehrbücher, und das abschließende seits der Grenze, in Holland oder System der ganzen Entwicklung, das England gedruckt, und sie selbst Hegelsche, sogar gewissermaßen zum oft genug drauf und dran, in die Rang einer königlich preußischen Bastille zu wandern. Staatsphilosophie erhoben! Und hinter diesen Professoren, hinter ihren pedantisch-dunklen Worten, in ihren schwerfälligen, langweiligen Perioden sollte sich die Revolution verstecken? Waren denn nicht grade die Leute, die damals für die Vertreter der Revolution galten, die Liberalen, die heftigsten Gegner dieser die Köpfe verwirrenden Philosophie? Was aber weder die Regierungen noch die Liberalen sahen, das sah bereits 1833 wenigstens ein Mann, und der hieß allerdings Heinrich Heine. Hier findet Ihr uns – einige ausgewählte Auslagestellen der MEW Bd. 21, S. -
Making Music Radio
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Stirling Online Research Repository MAKING MUSIC RADIO THE RECORD INDUSTRY AND POPULAR MUSIC PRODUCTION IN THE UK James Mark Percival A thesis submitted for the degree of Doctor of Philosophy Department of Film and Media Studies University of Stirling July 2007 J Mark Percival - Making music radio: the record industry and popular music production in the UK For my mother, Elizabeth Ann Percival (née Murphy) (1937-2004) and my father, Stanley Thomas Percival. J Mark Percival - Making music radio: the record industry and popular music production in the UK i ABSTRACT Music radio is the most listened to form of radio, and one of the least researched by academic ethnographers. This research project addresses industry structure and agency in an investigation into the relationship between music radio and the record industry in the UK, how that relationship works to produce music radio and to shape the production of popular music. The underlying context for this research is Peterson's production of culture perspective. The research is in three parts: a model of music radio production and consumption, an ethnographic investigation focusing on music radio programmers and record industry pluggers, and an ethnographic investigation into the use of specialist music radio programming by alternative pop and rock artists in Glasgow, Scotland. The research has four main conclusions: music radio continues to be central to the record industry's promotional strategy for new commercial recordings; music radio is increasing able to mediate the production practices of the popular music industry; that mediation is focused through the social relationship between music radio programmers and record industry pluggers; cultural practices of musicians are developed and mediated by consumption of specialist music radio, as they become part of specialist music radio. -
Rassegna Del 28/02/2018
Rassegna del 28/02/2018 EVIDENZA 28/02/18 Corriere della Sera 15 Auditorium Roma Summer Fest Mogwai, LP, Sting e Franz S.Cs. 2 Roma Ferdinand 28/02/18 Corriere della Sera 15 Sala Sinopoli Chiara Civello in trio presenta «Eclipse» ... 3 Roma 28/02/18 Repubblica Roma 13 Loueke e Civello in due concerti tutti i colori jazz - Loueke e Liperi Felice 4 Civello, 2 show con tutti i colori del jazz 28/02/18 Sole 24 Ore 18 Il «Piccolo» in festa per Laura Biagiotti G.Cr. 6 28/02/18 Messaggero Cronaca di 54 Visioni e poesia dal Giappone musica e balli da tutto il mondo Venturi Valentina - Della 7 Roma Libera Luca 28/02/18 Messaggero Cronaca di 55 Danilo Rea a JazzInCanto ... 10 Roma 28/02/18 Messaggero Cronaca di 55 Franz Ferdinand Mogwai, doppio show ... 11 Roma 28/02/18 Il Romanista 31 Dai Nirvana ai Massie Attack con l'arpa rock Romita Stefano 12 28/02/18 Latina Oggi 41 Nella Capitale i Franz Ferdinand e Mogwai ... 13 28/02/18 Leggo Roma 24 Chiara Civello, Eclipse in musica Camilli Flavia 14 28/02/18 Leggo Roma 24 Doppio live per il Summer fest ... 15 28/02/18 Leggo Roma 25 Equilibrio Festival 2018, ecco i finalisti ... 16 28/02/18 Metro 15 Le canzoni cinematiche della Civello Milioni Stefano 17 WEB 27/02/18 COMINGSOON.IT 1 Franz Ferdinand e Mogwai in concerto al Roma Summer Fest ... 19 27/02/18 IMPATTOSONORO.IT 1 MOGWAI: 3 date in Italia a luglio .. -
Organising Music: Theory, Practice, Performance Edited by Nic Beech and Charlotte Gilmore Frontmatter More Information
Cambridge University Press 978-1-107-04095-3 - Organising Music: Theory, Practice, Performance Edited by Nic Beech and Charlotte Gilmore Frontmatter More information Organising Music Organisational theorists have become increasingly interested in the crea- tive industries, where practices that are commonplace are of particular interest to organisations in other sectors as they look for new ways to enhance performance. Focusing on the music industry, this book sets up a unique dialogue between leading organisational theorists and music professionals. Part I explores links between organisation theory and the creative industries literature, concentrating on practices of organising and knowledge mobilisation, followed by an in-depth discussion of key theoretical concepts by subject experts. Part II provides a diverse range of ‘tales from the field’, including examples from classical orchestras, folk, indie and punk. The concluding chapter examines the shared dialogue to reveal what practice in the musical field can learn from organisational theory, and vice versa. This innovative book will interest graduate stu- dents and researchers in the fields of organisation studies, music man- agement and the creative industries. nic beech is Vice-Principal and Head of the College of Arts and Social Sciences at the University of Dundee and Chair of the British Academy of Management. His research interests are in management practice, change and the construction of identity in the music industry, health, financial services and creative industries. He has extensively published in the field of organisation studies and is the author of Managing Change (Cambridge University Press, 2012) and Managing Creativity (Cambridge University Press, 2009). charlotte gilmore is a Chancellor’s Fellow at the University of Edinburgh Business School.