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The Copyright Violation Squad
CVSbulletin COPYRIGHT VIOLATION SQUAD FIRST DISPATCH • FEBRUARY 1993 he Copyright Violation Squad (CVS) was founded in 1992 in an effort to make Tpublicly available those cultural works which have been suppressed because they theoretically vio- lated copyright law. It is our view at the CVS that, in spite of the the questionable legal nature of these releases, they are nonetheless valid products of cultural work — ethically valid in their own right — and as such, deserve to be heard by those who are interested in them. [continues A STATIC OUTPUT PUBLICATION http://cvs.detritus.net/ C.V.S. BULLETIN FIRST DISPATCH CONTENTS Graphic for cover and News & Commentary by EDITOR ................ 1815 “Disclaimer” by Brian Goldberg ........................................................ 1821 Parallel Culture by Luke McGuff .................................................... 1822 “What Happens to the Reader?” by Ross Martin from Your Name Here . 1824 How SST Sees It: Negativland’s U2 by Greg Ginn........................... 1826 Negativland Gets Their Say… ................................................... 1829 The Electric Triad by Fortner Anderson ........................................... 1831 Graphic by Lloyd Dunn.................................................................1832-33 General Reviews by EDITOR ........................................................ 1835 CONTACTS Mystery Laboratories, P.O. Box 727 Station P, Toronto, Ont. M5S 2Z1 Canada CVS–Ohio Chapter, 6370 York Rd, Ste 115, Parma Hts OH 44130 Stupidland, P.O. Box 136 Station P, Toronto, Ont. M5S 2S7, Canada Mike Pearce, P.O. Box 451265, Atlanta GA 30345 Chris Berthoud, 73 Fitzgerald House, East India Dock Rd, London E14 OHH UK Electric Shock Treatment, 35 Fordington Ave, Winchester SO22 5AN UK Frans de Waard, Opaalstraat 19, 6534 XK Nijmegen, Netherlands Stride, Rupert Loydell, 37 Portland St, Newton, Exeter, Devon EX1 2EG UK 1 Turbo Queer, 8283 ⁄4B Santa Monica Blvd., West Hollywood CA 90046 Brian Goldberg, P.O. -
Full Stock List 17.07.17
DRONE RECORDS - FULL STOCK LIST 17.07.17 (FALLEN) BLACK DEER Requiem (CD-EP, 2008, Latitudes GMT 0:15, €10.5) *AR (RICHARD SKELTON & AUTUMN RICHARDSON) Wolf Notes (LP, 2011, Type Records TYPE093V, €16.5) 1000SCHOEN Yoshiwara (do-CD, 2011, Nitkie label patch seven, €17) Amish Glamour (do-CD, 2012, Nitkie Records Patch ten, €17) 1000SCHOEN / AB INTRA Untitled (do-CD, 2014, Zoharum ZOHAR 070-2, €15.5) 15 DEGREES BELOW ZERO Under a Morphine Sky (CD, 2007, Force of Nature FON07, €8) Between Checks and Artillery. Between Work and Image (10inch, 2007, Angle Records A.R.10.03, €10) Morphine Dawn (maxi-CD, 2004, Crunch Pod CRUNCH 32, €7) 21 GRAMMS Water-Membrane (CD, 2012, Greytone grey009, €12) 23 SKIDOO Seven Songs (do-LP, 2012, LTM Publishing LTMLP 2528, €29.5) 2:13PM Anus Dei (CD, 2012, 213Records 213cd07, €10) Matkormano (LP, 2017, Specific Recordings , €15) 2KILOS & MORE 9,21 (mCD-R, 2006, Taalem alm 37, €5) 8floors lower (CD, 2007, Jeans Records 04, €13) 3/4HADBEENELIMINATED Theology (CD, 2007, Soleilmoon Recordings SOL 148, €19.5) Oblivion (CD, 2010, Die Schachtel DSZeit11, €14) Speak to me (LP, 2016, Black Truffle BT023, €17.5) 300 BASSES Sei Ritornelli (CD, 2012, Potlatch P212, €15) 400 LONELY THINGS same (LP, 2003, Bronsonunlimited BRO 000 LP, €12) 5IVE Hesperus (CD, 2008, Tortuga TR-037, €16) 5UU'S Crisis in Clay (CD, 1997, ReR Megacorp ReR 5uu2, €14) Hunger's Teeth (CD, 1994, ReR Megacorp ReR 5uu1, €14) 7JK (SIEBEN & JOB KARMA) Anthems Flesh (CD, 2012, Redroom Records REDROOM 010 CD , €13) 87 CENTRAL Formation (CD, 2003, Staalplaat -
Focus Papers
duke conference on the public domain focus paper discussion drafts (in order of conference presentation) 3 people 3 • james boyle • elinor ostrom & charlotte hess • pamela samuelson • mark hosler & don joyce • david lange & jennifer lange anderson • arti rai & rebecca eisenberg • larry lessig • yochai benkler 3 topics 3 the public domain and the commons: history & theory • mapping the digital public domain • the cultural public domain • fair use and appropriationist art • the public domain in biotech • innovation, the commons and digital networks • constitutional protection of the public domain online schedule at http://www.law.duke.edu/pd table of contents • introduction & paper excerpts ................ iv • james boyle the second enclosure movement and the construction of the public domain .............. 1 I the second enclosure movement ....................... 1 II the construction of the public domain ................... 19 a.) anti-monopoly and a tax on reading ................. 19 b.) recognizing the public domain ...................... 25 c.) discovering the e-commons ....................... 31 d.) reifying the negative? ............................ 38 • elinor ostrom & charlotte hess artifacts, facilities, and content: information as a common-pool resource ....................... 44 I. introduction ............................................. 45 II. What is a commons? .................................... 47 III. Clarifying key concepts ................................. 52 The confusion between the nature of a good and a property -
The Contentious Performances of Culture Jamming : Art, Repertoires of Contention, and Social Movement Theory David M
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 The contentious performances of culture jamming : art, repertoires of contention, and social movement theory David M. Iles III Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Political Science Commons Recommended Citation Iles III, David M., "The onc tentious performances of culture jamming : art, repertoires of contention, and social movement theory" (2013). LSU Doctoral Dissertations. 2812. https://digitalcommons.lsu.edu/gradschool_dissertations/2812 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE CONTENTIOUS PERFORMANCES OF CULTURE JAMMING: ART, REPERTOIRES OF CONTENTION, AND SOCIAL MOVEMENT THEORY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Political Science by David M. Iles III B.S., Southeastern Louisiana University, 2006 M.S., Louisiana State University, 2009 December 2013 ACKNOWLEDGEMENTS This dissertation is the culmination of a project first engaged in the Fall of 2007. Either in whole or in part, some of the chapters below are elaborated and refined versions of earlier papers, including Chapters Six and Twelve. My Master’s thesis crystallized many of the questions and approaches of this project. Indeed, the heart of the project (Chapters Two and Three) and its climax (Chapter Twelve) were first forged in the crucible of the thesis. -
The Following Items Are for Sale / Trade. All Prices Are in Euro and Exclusive Postage. Payments Are Accepted in Cash, by Postal
The following items are for sale / trade. All prices are in Euro and exclusive postage. Payments are accepted in cash, by postal IMO, bank transfer or PayPal (4% fees). If you have any questions, dont hesitate to ask me. And if you have a wantlist, feel free to send it. You can contact me at: [email protected] Maurizio ABATE - Armonicum LP, Qbico, ltd.26, handmade……………………................98 Euro special edition with handpainted coverartwork - Armonicum LP, Qbico, ltd.99……………………….........................……35 Euro great solo recordings by this Jooklo member - Silence, LP, Troglosound, ltd.num.140, blue Vinyl, one-sided............59 Euro - Third Dimension Blues LP, 8MM Records, ltd.100, handmade…..…..................…22 Euro new release with hand printed covers and inserts ABSOLUTE BODY CONTROL - Tapes 81-89 5LP & 7"-Box, V.O.D., ltd.num.50, white vinyl.....................298 Euro very limited special edition in wooden boxset Vito ACCONCI - Disallow (/New Humans) LP, Alga Marghen, ltd.300..............................................17 Euro collaborative performance with poet-artist-architect Acconci ADN' CKRYSTALL - Trilogie 1979-1988 3 x 10"-Box & 7", Vinyl On Demand, ltd.num.250.................45 Euro special members edition with bonus 7" AGENT SIDE GRINDER - The Transatlantic Tape Project LP, Enfant Terrible, ltd.500, Insert......................................12 Euro great new recordings, different to their other material - Irish Recording Tape LP, Petit Enfant, ltd.500, Insert.........................................12 Euro AH CAMA-SOTZ -
Chillin'at the Vic with His Film Fest. What's His Name? Do Ya Know It's Spike
Chillin'At The Vic With His Film Fest. What's His Name? Do Ya Know It's Spike... Spike... SPKE Yo yo, Money, is it the shoes? Is it the goat? The t-shirts? The Brooklyn Dodgers cap? Is that what makes you so cool? Is it that high-flyin' def- defyin' 360-degree spinnin' Malcom X necklace I've seen you sportin' on Arsenio? Is it the ultra-hip Black conscience politically-hip tip you preach and teach not onlyln your inter views but in all the films you've made? Is it those skinny legs. Tell me it's the skinny legs. Is it the P.E. videos you pro duced, the Spin magazine you just edited and interviewed Ed die in? Is it The Michael "Air Ior dan" Nike commercials? The new store ... Spike's Joint? Yo duuuude, button flied? $5.50 to see check out two ba Mook, you came from No dass flicks like that? where, man. I know you're Then Tuesday and Wednes Brooklyn bred and did the NYU day The Vic clique'll sport the thang, but Homes before you, School Daze/She's Gotta Have It there was no such thing as a double-dip. righteous young Black man like Did you know that School yourself dominating the pop Daze was Columbia Pictures' charts of the movie biz like most profitable flick that year? you've done. That's the truth, Ruth. How Baby we wuz lucky if a brotha many cars Columbia get you, scored a starring role and you're Mars? talkin' directing the mothafucka Remember M ars, man? In n' shit? Aw yeah give it to me! B&W! Yo, that's what started it Word is, The Victoria Street all. -
16-01-20 FULL STOCK LIST A-Z Drone
DRONE RECORDS - FULL STOCK LIST A-Z - 20. Jan. 2016 Artist - Title - Format - Release Year - Label & Cat.-Nr - Price in Euro 1000SCHOEN Yoshiwara (do-CD, 2011, Nitkie label patch seven, €15.5) Amish Glamour (do-CD, 2012, Nitkie Records Patch ten, €17) 1000SCHOEN / AB INTRA Untitled (do-CD, 2014, Zoharum ZOHAR 070-2, €15.5) 15 DEGREES BELOW ZERO Under a Morphine Sky (CD, 2007, Force of Nature FON07, €8) Between Checks and Artillery. Between Work and Image (10, 2007, Angle Records A.R.10.03, €10) New Travel (CD, 2007, Edgetone Records EDT4062, €13) Morphine Dawn (maxi-CD, 2004, Crunch Pod CRUNCH 32, €7) Resting on A (CD, 2009, Edgetone Records EDT4088, €13) 21 GRAMMS Water-Membrane (CD, 2012, Greytone grey009, €12) 23 SKIDOO The Culling is Coming (CD, 2003, LTM Publishing / Boutique BOUCD 6604, €15) Seven Songs (CD, 2008, LTM Publishing LTMCD 2528, €14.5) 2:13 PM Anus Dei (CD, 2012, 213Records 213cd07, €10) 2KILOS & MORE 9,21 (mCD-R, 2006, Taalem alm 37, €5) 8floors lower (CD, 2007, Jeans Records 04, €13) 3/4HADBEENELIMINATED Theology (CD, 2007, Soleilmoon Recordings SOL 148, €19.5) Oblivion (CD, 2010, Die Schachtel DSZeit11, €14) 300 BASSES Sei Ritornelli (CD, 2012, Potlatch P212, €15) 400 LONELY THINGS same (LP, 2003, Bronsonunlimited BRO 000 LP, €12) 5IVE Hesperus (CD, 2008, Tortuga TR-037, €16) 5UU'S Crisis in Clay (CD, 1997, ReR Megacorp ReR 5uu2, €14) Hunger's Teeth (CD, 1994, ReR Megacorp ReR 5uu1, €14) 7JK (SIEBEN & JOB KARMA) Anthems Flesh (CD, 2012, Redroom Records REDROOM 010 CD , €13) 87 CENTRAL Formation (CD, 2003, Staalplaat -
TWO RELATIONSHIPS to a CULTURAL PUBLIC DOMAIN by Negativland1
TWO RELATIONSHIPS TO A CULTURAL PUBLIC DOMAIN By Negativland1 INTRODUCTION It's been ten years since Negativland was sued by Island Records for the copyright infringement, trademark infringement, defamation of character and consumer fraud contained in our 1991 "U2" single. In the big wide world of idea ownership, a lot has changed since then - the Internet and its worldwide empowerment of individuals through personalized interconnection, the effects of globalization and how it bypasses both the ideologies of local governments and the rule of their national laws, and the Digital Millennium Copyright Act with which intellectual property owners are attempting to survive all these rugs being pulled out from under them. There is a contemporary realization that, on one hand, the fate of all content is now in the hands of its receiving audience more than ever before, and on the other hand, that worldwide commerce is scrambling to forge all kinds of new laws and regulations to maintain their traditional control over the fate of “their” content. Over the last 10 years, Negativland has continued to be associated with these issues, sometimes because we volunteer ideas on these subjects, sometimes because we continue to make art that ends up evoking them. Other than the two lawsuits against us in the wake of the "U2" single, we've never been sued again. There have been other threats, scares and skirmishes against us over the years, at various times from the RIAA, PepsiCo, Beck, Geffen Records, Philip Glass, Fat Boy Slim, and even attorneys for ax murderer David Brom. But, surprisingly, we've actually been left alone throughout the 90's as we continued to release work that appropriated from privately owned mass media (often times in much more glaring ways than anything we were ever sued over). -
Take a Piece of Casey Kasem, Seconds of a U2 Song and a Group
Take a piece of Casey Kasem, 35 battle with Island. objects, artists "have always and depravity - not a complete list!) - seconds of a U2 song and a group of Negativland's arguments about fair perceived the environment around the determinate element - lynch and self confessed media addicts and use have been directed toward the them as both inspiration to act and Frost ran the list through a name what have you got? If you're Island distinction between pirating and the as raw material to mould and generating algorithm. The names Records, it seems you've got a legitimate use of privately owned remould:' But I'd like to extend this generated were then run through an reasonable case to sue for breach of public domain material. Audio argument even further and argue that anagram generating program, the copyright. But if you're interested in collage takes existing sounds from every instance or utterance in anagrams generated forming the the sustenance and maintenance of the mediasphere and reworks them language is an act of appropriation. skeleton for the Twin Peaks plot. The genuine invention and creativity in into something other. Sometimes it's And to do this I need to take a anagrams form the aleatory element. contemporary culture, then you've commentary, sometimes it's playing situationist style detournement via a Rickman uses the example of got reason to feel concerned. with mirrors, turning the media's little town called Twin Peaks. Windom Earle - an eleven letter The case of Negativland, a small gaze back onto itself in a surreal, Very little hasn't been said about name which produces following collective of audio collage artists informative and caustically funny way.