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Theo Ubique Cabaret Theatre 1331 W. Fargo #2N, Chicago IL 60626 www.theoubique.org Man of La Mancha Theatre Company Theo Ubique Cabaret Theatre in association with Michael James Description The original full production of Man of La Mancha is performed with a nine-member cast. Book by Dale Wasserman. Lyrics by Joel Darion. Music by Mitch Leigh. Original Broadway producer was Hal James, father of Michael James. Location No Exit Café at 6970 N. Glenwood in Chicago’s Rogers Park neighborhood (located by the Morse el stop on the Red Line) Opening Night Sunday, October 18, 2009 Curtain at 7 p.m. and dinner (optional) at 6 p.m. Previews Friday and Saturday, October 16-17, 2009 Curtain at 7:30 p.m. and dinner (optional) at 6:30 p.m. Regular Run October 18-November 22, 2009, Thursdays-Sundays Curtain at 8 p.m. and dinner (optional) at 7 p.m., Thursdays-Saturdays Curtain at 7 p.m. and dinner (optional) at 6 p.m., Sundays Special Exhibit: Michael James’ father is Hal James, co-producer of the original Broadway production of Man of La Mancha, which won a Tony Award for Best Musical in 1966. He is set up an exhibit of his father’s memorabilia of the original Broadway production at the No Exit Café during the run of the Theo Ubique production. Give-Back Program: Cast members spent a day at Trilogy Behavioral Center with staff and clients to study for their roles in Man of La Mancha, since it takes place in an insane asylum during the Spanish Inquisition. The cast’s give- back program to Trilogy for their support is 10 percent of ticket sales sold through Trilogy. Theatre/Show 773-347-1109 Information Artistic Director Fred Anzevino Director David Heimann Music Director Ethan Deppe Choreographer Maggie Portman Cast Danielle Brothers as Cervantes/Don Quixote, Sarah Hayes as Aldonza, Anthony Apodaca as Sancho, Kent Joseph as Pedro/Govenor, Dan Waters as Padre, Kyle Greer as Anselmo/Housekeeper, Jennifer Young as the Captain, Trisha Ditsworth as the Barber, Michael Hershberg as Innkeeper/Innkeeper’s wife, Maggie Portman as Antonia and Tom Moore as The Duke/Dr. Corasco. Crew Chris Pazdernik, Stage Manager; Kyle Land, Technical Director (Set and Lighting); Carrie Colden, Costume Designer. Tickets $20 for previews; $30 for regular run on Thursdays, Fridays and Sundays and $35 for Saturdays. Show/dinner package $48 on Thursdays, Fridays and Sundays and $53 on Sundays. Tickets available through box office at 800-595-4849 or online at www.theoubique.org. Parking Free parking available in the lot at the corner of Morse and Ravenswood with free shuttle service on the Lifeline Theatre van before and after the show. Media Contact: Martha Hudak at martha@mjhudak or 847-763-9201.

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'Man of La Mancha' Date: September 19, 2017 Media Outlet
Headline: Theater Latté Da opens 2017-18 season with nicely realized 'Man of La Mancha' Date: September 19, 2017 Media Outlet: Star Tribune Media Contact: Graydon Royce Link: http://www.startribune.com/twin-cities-performer-faces-a-tough-choice-stage-star-or-rock- star/445753063 Martín Solá and Meghan Kreidler star in “Man of La Mancha” at Theater Latté Da. Below, Kreidler portrays Aldonza, who blossoms under Don Quixote’s influence. In a crazy world, who is the sane human? Is he the one who tilts at windmills, creates his own heroes and dreams of impossibilities because only in fantasy is there the hope of a different world? This was the philosophy behind “Man of La Mancha,” which might today be nothing more than a dusty old musical if not for the elusive nature of its truth and purpose. Theater Latté Da has opened its 20th season with a nicely realized staging of “La Mancha,” a work drawing inspiration from writer Miguel de Cervantes and his dazzling protagonist, Don Quixote. Director Peter Rothstein places the work in the cinder-block holding area of a modern detention center (set by Michael Hoover). It’s a well-intentioned stab at relevancy that makes its case convincingly up to the point where the dialogue references the historic Spanish Inquisition. 1 We get the point. Resisting absurdity in a world of claustrophobic ideology is timeless. Cervantes (Martín Solá) puts on a play within a play, telling the story of Don Quixote in hopes that the prisoners will find him innocent in their kangaroo court.
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Premiererne Eastmancolor(?)
Muo, Ma San. Udi: Panorama. Prem: 15.3.76 World Cinema. Karatevold. DERSU UZALA Dersu Uzala. USSR/Japan 1975. P-selskab: Sovex- port/Mosfilm. Instr: Akira Kurosawa. Manus: Akira Kurosawa, Yuri Nagibin. Efter: rejseskildring af Vladimir Arsenjev (1872-1930), da. overs. 1946: »Jægeren fra den sibiriske urskov«. Foto: Asakadru Nakat, Yuri Gantman, Fjodor Dobrovravov. Farve: Premiererne Eastmancolor(?). Medv: Maxim Munzuk (Dersu Uzala), Yuri Nagibin (Arsenjev). Længde: 137 min. 3840 m. Censur: Rød. Udi: Posthusteatret. Prem: 1.1.-31.3.76/ved Claus Hesselberg 15.3.76 Alexandra. Tilkendt en Oscar som bedste udenlandske film. Anm. Kos. 130. DET FRÆKKE ER OGSÅ GODT Quirk. USA. Farve: Eastmancolor(?). Længde: 75 min. 2000 m. Censur: Hvid. Fb.u.16. Udi: Dansk- Anvendte forkortelser: Svensk. Prem: 23.2.76 Carlton. Porno. Adapt: = Adaption Komp: = Komponist DIAMANTKUPPET Ark: = Filmarkitekt Kost: = Kostumer Diamonds. USA/lsrael 1975. P-selskab: AmeriEuro Arr: = Musikarrangør Medv: = Medvirkende skuespillere Productions. P: Menahem Golan. Ex-P: Harry N. As-P: = Associate Producer P: Producere Blum. As-P: Yoram Globus. P-leder: Arik Dichner. Instr: Instr-ass: = P-leder: = Produktionsleder Menahem Golan. Zion Chen, Ass: Assistent Shmuel Firstenberg, Roger Richman. Manus: David Dekor: = Scenedekorationer Prem: = Dansk premiere Paulsen, Menahem Golan, Ken Globus. Efter: for Dir: = Dirigent P-selskab: = Produktionsselskab tælling af Menahem Golan. Foto: Adam Greenberg. Dist: = Udlejer i oprindelsesland P-sup: = Produktions-superviser Farve: Eastmancolor. Klip: Dov Hoenig. Ark: Kuli Ex-P: = Executive Producer P-tegn: = Produktionstegner (design) Sander. Dekor: Alfred Gershoni. Sp-E: Hanz Kram Foto: = Cheffotograf Rekvis: = Rekvisitør sky. Musik: Roy Budd. Sang: »Diamonds« af Roy Budd, Jack Fishman. Solister: The Three Degrees.
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Into the Woods Is Presented Through Special Arrangement with Music Theatre International (MTI)
PREMIER SPONSOR ASSOCIATE SPONSOR MEDIA SPONSOR Music and Lyrics by Book by Stephen Sondheim James Lapine June 28-July 13, 2019 Originally Directed on Broadway by James Lapine Orchestrations by Jonathan Tunick Original Broadyway production by Heidi Landesman Rocco Landesman Rick Steiner M. Anthony Fisher Frederic H. Mayerson Jujamcyn Theatres Originally produced by the Old Globe Theater, San Diego, CA. Scenic Design Costume Design Shoko Kambara† Megan Rutherford Lighting Design Puppetry Consultant Miriam Nilofa Crowe† Peter Fekete Sound Design Casting Director INTO The Jacqueline Herter Michael Cassara, CSA Woods Musical Director Choreographer/Associate Director Daniel Lincoln^ Andrea Leigh-Smith Production Stage Manager Production Manager Myles C. Hatch* Adam Zonder Director Michael Barakiva+ Into the Woods is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com Music and Lyrics by Book by STEPHEN JAMES Directed by SONDHEIM LAPINE MICHAEL * Member of Actor’s Equity Association, † USA - Member of Originally directed on Broadway by James LapineBARAKIVA the Union of Professional Actors and United Scenic Artists Orchestrations by Jonathan Tunick Stage Managers in the United States. Local 829. ^ Member of American Federation of Musicians, + Local 802 or 380. CAST NARRATOR ............................................................................................................................................HERNDON LACKEY* CINDERELLA
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Man of La Mancha August 16–September 9, 2018
THE S. MARK TAPER FOUNDATION PRESENTS A NOISE WITHIN’S REPERTORY THEATRE SEASON STUDY GUIDE MAN OF LA MANCHA AUGUST 16–SEPTEMBER 9, 2018 Pictured: Geoff Elliott, Kasey Mahaffy. Photo by Craig Schwartz. STUDY GUIDES FROM A NOISE WITHIN A rich resource for teachers of English, reading, arts, and drama education. Dear Reader, We’re delighted you’re interested in our study guides, designed to provide a full range of information on our plays to teachers of all grade levels. A Noise Within’s study guides include: • General information about the play (characters, synopsis, timeline, and more) • Playwright biography and literary analysis • Historical content of the play • Scholarly articles • Production information (costumes, lights, direction, etc.) • Suggested classroom activities • Related resources (videos, books, etc.) • Discussion themes • Background on verse and prose (for Shakespeare’s plays) Our study guides allow you to review and share information with students to enhance both lesson plans and pupils’ theatrical experience and appreciation. They are designed to let you extrapolate articles and other information that best align with your own curricula and pedagogic goals. More information? It would be our pleasure. We’re here to make your students’ learning experience as rewarding and memorable as it can be! All the best, Pictured: Donnla Hughes, Romeo and Juliet, 2016. PHOTO BY CRAIG SCHWARTZ. Alicia Green DIRECTOR OF EDUCATION We are grateful for the additional sponsorship of all student matinees for Man of La Mancha by Anni Frandsen Low, Ph.D. TABLE OF CONTENTS Special thanks to our Dinner On Stage donors who kept the arts thriving this year by supporting our Student Matinees (SMATs): SMAT PERFORMANCE SPONSOR ($5,000 AND ABOVE) Dr.
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Harlequin Announces Man of La Mancha's New Leading
FOR IMMEDIATE RELEASE Release Date: 06/12/2019 End Date: 07/27/2019 Harlequin announces Man of La Mancha’s new leading man Olympia, WA – June 12, 2019 – Harlequin Productions announces that Oregon Cabaret Theatre’s Galloway Stevens will play Don Quixote in this summer’s production of Man of La Mancha, replacing Allen Fitzpatrick. In a statement, Mr. Fitzpatrick writes, “I was very much looking forward to performing in Man of La Mancha, however, a competing opportunity presented itself --very suddenly-- and I had to make an immediate decision. Harlequin should look forward to seeing a superb production of one of the greatest musicals ever written.” Galloway Stevens* (Don Quixote) is the Associate Artistic Director for the Oregon Cabaret Theatre in Ashland, OR. His tour credits include The Addams Family Musical (2nd National and International). Regional credits include Sagot in Picasso At The Lapin Agile, Sam Phillips in Million Dollar Quartet, The Emcee in Cabaret, Franklin Hart, Jr. in 9 to 5, Billy Flynn in Chicago, Adolpho in The Drowsy Chaperone (Oregon Cabaret Theatre); VP Panch in The 25th Annual Putnam County Spelling Bee, Nick Arnstein in Funny Girl, Lank Hawkins in Crazy For You (Prather Entertainment); Jud Fry in Oklahoma (Pacific Conservatory Performing Arts); Gomez Addams in The Addams Family Musical (Temple Theatre Company); Gaylord Ravenal in Showboat (Lees-McRae Summer Theatre). Completing the ensemble are Aubrey Thomas (Ruthless!), Nicholas Main (Love and Information), and Monique Holt*, Nick Hall, Cassi Q Kohl*, Christopher Sweet and Fune Tautala - all making their Harlequin debuts - as well as musicians Sklyer Blake, Andy Garness, Rick Jarvela and David Stedman.
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An Interview with Dale Wasserman
An Interview with Dale Wasserman This interview took place on May 23, 1997. It was transcribed by Amy Williamsen, then reviewed and corrected by Mr. Wasserman. The original videotape is held by Television Services of Northern Arizona University. A talk by Mr. Wasserman, “Don Quixote as Theater,” was published in Cervantes, 19.1 (1999), 125–30. A just-published memoir on his early years as a hobo is “Flipping the Meat Train,” American Heritage, February 2001, 58–66. DAN EISENBERG: Good afternoon. My name is Daniel Eisenberg, of Northern Arizona University. We are honored to have here in Flagstaff and at Northern Arizona University Mr. Dale Wasserman. Welcome. DALE WASSERMAN: Thank you. DE: Mr. Wasserman is a distinguished playwright. He is still composing and having new plays produced. He is best known, perhaps, for his composition of the play One Flew Over the Cuckoo’s Nest and especially for the work that concerns us here this afternoon, which is Man of La Mancha. We’re going to have an innovative and exciting production here at Northern Arizona University beginning on June 6 [1997]. Mr. Wasserman, could you 85 86 AN INTERVIEW WITH DALE WASSERMAN Cervantes tell us something about how you came to write this play and what attracted you about the figure of Don Quixote? DW: It happened by pure accident, actually. I was in Spain writing a movie when I read in a newspaper that I was there for the purpose of researching a dramatization of Don Quixote. That was a laughing matter because, like most people on earth, I had not read Don Quixote, but Spain seemed just the right place to repair that omission.
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AS YOU LIKE IT, the First Production of Our 50Th Anniversary Season, and the First Show in Our Shakespearean Act
Welcome It is my pleasure to welcome you to AS YOU LIKE IT, the first production of our 50th anniversary season, and the first show in our Shakespearean act. Shakespeare’s plays have been a cornerstone of our work at CSC, and his writing continues to reflect and refract our triumphs and trials as individuals and collectively as a society. We inevitability turn to Shakespeare to express our despair, bewilderment, and delight. So, what better place to start our anniversary year than with the contemplative search for self and belonging in As You Like It. At the heart of this beautiful play is a speech that so perfectly encapsulates our mortality. All the world’s a stage, and we go through so many changes as we make our exits and our entrances. You will have noticed many changes for CSC. We have a new look, new membership opportunities, and are programming in a new way with more productions and a season that splits into what we have called “acts.” Each act focuses either on a playwright or on an era of work. It seemed appropriate to inaugurate this with a mini-season of Shakespeare, which continues with Fiasco Theater's TWELFTH NIGHT. Then there is Act II: Americans dedicated to work by American playwrights Terrence McNally (FIRE AND AIR) and Tennessee Williams (SUMMER AND SMOKE); very little of our repertoire has focused on classics written by Americans. This act also premieres a new play by Terrence McNally, as I feel that the word classic can also encapsulate the “bigger idea” and need not always be the work of a writer from the past.
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11.21.17 Man of La Mancha News Release
NEWS RELEASE FOR IMMEDIATE RELEASE: November 21, 2017 ARIZONA THEATRE COMPANY REIMAGINES THE BELOVED “MAN OF LA MANCHA” Arizona Theatre Company (David Ivers, Artistic Director; Billy Russo, Managing Director) brings a thrilling reimagined Man of La Mancha to stages in Phoenix and Tucson, taking inspiration from the spontaneous, raw theatricality of flamenco performance and focusing on the passion and virtuosity of the intertwined stories of Don Quixote and his imprisoned creator, Miguel de Cervantes. Man of La Mancha runs from Dec. 2-31 at the Temple of Music & Art in Tucson and from Jan. 5-28 at the Herberger Theater Center in Phoenix. The Tucson Production Sponsors are Jim and Dolly Moran. Joanie Flatt and Michael Flatt are the Phoenix Production Sponsors. I. Michael and Beth Kasser are ATC’s Season Sponsor. “The powerful story and deeply engaging music and songs explode in a new and even more passionate staging that captures the vibrant culture of Spain,” said ATC Artistic Director David Ivers. “Adding another dimension to the gripping passion of the entertainment is the fact that the experience will be great fun.” Man of La Mancha is written by Dale Wasserman, with lyrics by Joe Darion and music by Mitch Leigh, directed for ATC by David Bennett and choreographed by 1 Kathryn Van Meter, who also choreographed ATC’s award-winning production of Fiddler on the Roof. The 1964 musical is a play-within-a-play telling the story of “mad” knight Don Quixote as performed by Cervantes and fellow prisoners as he awaits a hearing with the Spanish Inquisition.
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2020-21 Theatrical Design Prompt
#artbyartistico by Stan by Vlad Petruchik By Carlos Prokopenko LaCamara By Carlos Art credits for 2020-21 By Octavio Lacamara UIL Theatrical Design Ocampo Contest Poster By Christina By Juan Munoz Gastelum By Onix By Leonardo Rodriguez By Carlos Pereira Da By Dennis Cox Silva 2020-21 Theatrical Design Directorial Prompt We will produce the musical, Man of La Mancha by Dale Wasserman, Joe Darion and Mitch Leigh in a way that it has not been produced before. The original story that inspired the musical, DON QUIXOTE by Miguel de Cervantes, is considered the first novel and one of the greatest pieces of literature of all time. It has been enjoyed in over fifty languages and has inspired artists of every medium to take a turn sharing their personal reaction, interpretation, or vision of the messages, characters and moments from the story. Some famous art, some obscure…they all become a visualization of the words of the universal story of Don Quixote and his quest. Man of La Mancha is described as the first true "concept musical," the kind of musical in which the over- arching metaphor or statement is more important than the actual narrative—in which the method of storytelling is more important than the story. Playwright Dale Wasserman calls for a definite convention of theatrical production which you will follow, but you will look to artists who have captured their own vision of Don Quixote for visual inspiration. The key conventional elements Wasserman specified were as follows: 1) The entire play takes place within the prison. All the theatrics of the “charades” are created from items taken from Cervantes’ belongings and incorporated with found items from within the prison itself.
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Download Urinetown Theatre Program
From the Director Welcome to the UAH campus and thank you for joining us tonight. Now that the cold dark days of winter are fading, we are here to celebrate the coming of spring with a fun Broad- way musical. This talented and devoted cast of players, artists, directors and technicians have been toiling through the winter months to prepare this wonderful piece of theatre to share with you, our humble audience. UAH Theatre is proud to be a part of this rich artistic community and privileged to offer this creative study to our students. Please enjoy the show and be sure to tell your friends that we are here producing live theatre at Huntsville’s own University. David Harwell - Director About the Musical Winner of three Tony awards and one of the most uproariously funny musicals in recent years, URINETOWN is a hilarious tale of greed, corruption, love, and revolution in a time when water is worth its weight in gold. In a Gotham-like city, a terrible water shortage, caused by a 20-year drought, has led to a government-enforced ban on private toilets. The citizens must use public amenities, regulated by a single malevolent company that profits by charging admission for one of humanity’s most basic needs. Amid the people, a hero decides he’s had enough, and plans a revolution to lead them all to freedom! Inspired by the works of Bertolt Brecht and Kurt Weill, URINETOWN is an irreverently humorous satire in which no one is safe from scrutiny. Greg Kotis had the idea for Urinetown while traveling in Europe.
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Asides Magazine
2014|2015 SEASON Issue 5 TABLE OF Dear Friend, Queridos amigos: CONTENTS Welcome to Sidney Harman Bienvenidos al Sidney Harman Hall y a la producción Hall and to this evening’s de esta noche de El hombre de La Mancha. Personalmente, production of Man of La Mancha. 2 Title page The opening line of Don esta obra ocupa un espacio cálido pero enreversado en I have a personally warm and mi corazón al haber sido testigo de su nacimiento. Era 3 Musical Numbers complicated spot in my heart Quixote is as resonant in el año 1965 en la Casa de Opera Goodspeed en East for this show, since I was a Latino cultures as Dickens, Haddam, Connecticut. Estaban montando la premier 5 Cast witness to its birth. It was in 1965, at the Goodspeed Twain, or Austen might mundial, dirigida por Albert Marre. Se suponía que Opera House in East Haddam, CT. They were Albert iba a dirigir otra premier para ellos, la cual iba 7 About the Author mounting the world premiere, directed by Albert be in English literature. a presentarse en repertorio con La Mancha, pero Albert Marre. Now, Albert was supposed to direct another 10 Director’s Words world premiere for them, which was going to run In recognition of consiguió un trabajo importante en Hollywood y les recomendó a otro director: a mí. 12 The Impossible Musical in repertory with La Mancha, but he got a big job in Cervantes’ legacy, we at Hollywood, and he recommended another director. by Drew Lichtenberg That was me. STC want to extend our Así que fui a Goodspeed y dirigí la otra obra.
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16, 2019 • Merrill Auditorium
PRESENTS MAY 15 - 16, 2019 • MERRILL AUDITORIUM BAKER NEWMAN NOYES AD Best of luck with your 2019 season JS MCCARTHY AD You dream it we print it. jsmccarthy.com 888 465 6241 JSM_Portland Ovation_Neverland Ad.indd 1 4/30/19 10:04 AM NETworks Presentations LLC presents BOOK BY MUSIC AND LYRICS BY James Graham Gary Barlow & Eliot Kennedy Based on the Miramax Motion Picture written by David Magee and the play The Man Who Was Peter Pan by Allan Knee STARRING Jeff Sullivan Ruby Gibbs WITH Conor McGiffin Emmanuelle Zeesman Brody Bett Seth Erdley Caleb Reese Paul Paul Schoeller Josiah Smothers Ethan Stokes AND Emilia Brown Marie Choate Josh Dunn Ashley Edler Joshua William Green Daniel S. Hayward Benjamin Henley Elizabeth Lester Michael Luongo André Malcolm Spenser Micetich Melody Rose Kelsey Seaman Adrien Swenson Josh McWhortor SCENIC DESIGNER COSTUME DESIGNER LIGHTING DESIGNER SOUND DESIGNER PROJECTION DESIGNER Scott Pask Suttirat Anne Larlarb Kenneth Posner Shannon Slaton Jon Driscoll HAIR & MAKE UP DESIGNER ILLUSIONS AIR SCULPTOR FLYING EFFECTS Bernie Ardia Paul Kieve Daniel Wurtzel Hudson Scenic Studio ORIGINAL MUSIC SUPERVISION VOCAL DESIGNER MUSIC DIRECTOR MUSIC COORDINATOR AND DANCE AND INCIDENTAL MUSICAL ARRANGER AnnMarie Milazzo Patrick Hoagland John Mezzio David Chase ANIMAL DIRECTOR CASTING TOUR BOOKING TOUR PRESS & MARKETING William Berloni Stewart/Whitley The Booking Group Anita Dloniak & Meredith Blair Associates, Inc. GENERAL MANAGER COMPANY MANAGER PRODUCTION STAGE MANAGER PRODUCTION MANAGER GENTRY & ASSOCIATES NETWORKS PRESENTATIONS LLC Jamey Jennings Heather Moss David D’Agostino Evan Rooney EXECUTIVE PRODUCER ASSOCIATE CHOREOGRAPHER Trinity Wheeler Camden Loeser ORCHESTRATIONS Simon Hale MUSIC SUPERVISION Fred Lassen CHOREOGRAPHY Mia Michaels DIRECTION RECREATED BY Mia Walker ORIGINAL DIRECTION Diane Paulus Finding Neverland was developed and premiered at The American Repertory Theater at Harvard University, Diane Paulus, Artistic Director, Diane Borger, Producer.
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