To Re-Connect Artists with Their Audiences, KCET Announces New
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201201-Kakm-Early Morning
schedule available online: January 2012: Early Morning alaskapublic.org Midnight 12:301:00 1:30 2:00 2:303:00 3:30 4:00 4:30 Coldplay Frontline: Independent Lens: Washington Need To Sun 1/1 Live! Beale Street on New Year's Eve (start 11pm) The Undertaking These Amazing Shadows Week Know Masterpiece Classic: Great Performances: From Vienna: Live From Lincoln Center: Mon 1/2 Downton Abbey - Part 4 The New Year's Celebration 2012 Bernstein and Gershwin Martin Luther: Antiques Roadshow: Masterpiece Classic: Great Performances: Tue 1/3 Sky Island Driven to Defiance Tulsa, OK - Hour 1 Downton Abbey - Part 4 Hugh Laurie: Let Them Talk Frontline: Egypt's Golden Empire: Egypt's Golden Empire: Martin Luther: Antiques Roadshow: Wed 1/4 Opium Brides The Warrior Pharaohs Pharaohs Of The Sun Driven to Defiance Tulsa, OK - Hour 1 Nature: NOVA: NOVA: Egypt's Golden Empire: Egypt's Golden Empire: Thu 1/5 Birds of the Gods Deadliest Volcanoes Deadliest Earthquakes The Warrior Pharaohs Pharaohs Of The Sun Independent Lens: Frontline: NOVA: Nature: Fri 1/6 This Old House Hour Taking Root Opium Brides Deadliest Volcanoes Birds of the Gods Washington Need To Great Performances: Tavis Smiley Reports: Antiques Roadshow: Sat 1/7 This Old House Hour Week Know Celebrate Gershwin Dudamel Tulsa, OK - Hour 1 NOVA: Frontline: Independent Lens: Great Performances: Washington Need To Sun 1/8 Deadliest Volcanoes Opium Brides Taking Root Celebrate Gershwin Week Know Masterpiece Classic: Tavis Smiley Reports: Great Performances: Antiques Roadshow: Nature: Mon 1/9 Downton -
KCET/PBS Socal Merger
CONTACT: Ariel Carpenter for KCETLink Media Group [email protected] or 747-201-5243 Jennifer Vides for PBS SoCal [email protected] or 310-237-4516 KCETLINK MEDIA GROUP AND PBS SOCAL ANNOUNCE MERGER New Organization Will Advance PBS Flagship Station in Southern California and Expand Original Content Creation and Innovation for Public Media Locally, and Across the Nation LOS ANGELES, April 25, 2018 – KCETLink Media Group (KCET), a leading national independent broadcast and digital network, and PBS SoCal (KOCE), the flagship PBS organization for Southern California, today announced an agreement to merge the two companies. The merger of equals creates a center for public media innovation and creativity that serves the more than 18 million people living in the Southern California region. The name of the new organization will be announced with the closing of the merger, which is expected to be completed in the first half of 2018. Establishing a powerful PBS flagship organization on the West Coast, the historic union of these two storied institutions creates the opportunity to produce more original programs for multiple channels and platforms that address the diverse community in Southern California and the nation, and innovate new community engagement experiences that educate, inform, entertain, and empower. KCET Board of Directors Chairman Dick Cook will serve as Board Chair, and PBS SoCal President and CEO Andrew Russell will be President and CEO of the new entity, which will be governed by a 32-person Board of Trustees composed of the 14 members from each of the boards of KCETLink and PBS SoCal, as well as four new Board appointees. -
Federal Register/Vol. 85, No. 103/Thursday, May 28, 2020
32256 Federal Register / Vol. 85, No. 103 / Thursday, May 28, 2020 / Proposed Rules FEDERAL COMMUNICATIONS closes-headquarters-open-window-and- presentation of data or arguments COMMISSION changes-hand-delivery-policy. already reflected in the presenter’s 7. During the time the Commission’s written comments, memoranda, or other 47 CFR Part 1 building is closed to the general public filings in the proceeding, the presenter [MD Docket Nos. 19–105; MD Docket Nos. and until further notice, if more than may provide citations to such data or 20–105; FCC 20–64; FRS 16780] one docket or rulemaking number arguments in his or her prior comments, appears in the caption of a proceeding, memoranda, or other filings (specifying Assessment and Collection of paper filers need not submit two the relevant page and/or paragraph Regulatory Fees for Fiscal Year 2020. additional copies for each additional numbers where such data or arguments docket or rulemaking number; an can be found) in lieu of summarizing AGENCY: Federal Communications original and one copy are sufficient. them in the memorandum. Documents Commission. For detailed instructions for shown or given to Commission staff ACTION: Notice of proposed rulemaking. submitting comments and additional during ex parte meetings are deemed to be written ex parte presentations and SUMMARY: In this document, the Federal information on the rulemaking process, must be filed consistent with section Communications Commission see the SUPPLEMENTARY INFORMATION 1.1206(b) of the Commission’s rules. In (Commission) seeks comment on several section of this document. proceedings governed by section 1.49(f) proposals that will impact FY 2020 FOR FURTHER INFORMATION CONTACT: of the Commission’s rules or for which regulatory fees. -
Collection of Television Press Kits, 1958, Ca
http://oac.cdlib.org/findaid/ark:/13030/c87082fc No online items Finding Aid for the Collection of television press kits, 1958, ca. 1974-ca. 2004 Finding aid prepared by Arts Special Collections staff; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] © 2012 The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 1908 1 television press kits, 1958, ca. 1974-ca. 2004 Title: Collection of television press kits Collection number: 1908 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 9.5 linear ft.(19 boxes and 1 flat box.) Date (inclusive): 1958, ca. 1974-2004 Abstract: This collections documents a variety of television show genres broadcast on networks such as ABC, CBS, NBC, HBO, PBS, SHOWTIME, and TNT. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the caollection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. -
This Summer, American Public Television and WORLD Channel Transport Audiences to an African National Park That Is Saving Endange
This Summer, American Public Television and WORLD Channel Transport Audiences to an African National Park that is Saving Endangered Animals while Lifting Communities out of Poverty “Our Gorongosa” shares the stories of the women who are transforming conservation and development in Gorongosa National Park and providing the next generation of girls with opportunities for empowered futures Chevy Chase, MD (July 26, 2021) – “Our Gorongosa,” the inspirational film by Tangled Bank Studios and Gorongosa Media is debuting on public television stations across the country this summer and nationally on WORLD Channel, produced by GBH in partnership with the WNET Group in New York and distributed by American Public Television. Close to 90% of U.S. households will now be able to see the film on their local public television station (check local listings for eXact dates and airtimes). “Our Gorongosa” features Dominique Gonçalves, a vibrant Mozambican ecologist who runs the Gorongosa elephant ecology project as she shares the myriad ways Gorongosa is redefining the identity and purpose of an African national park. From her own work mitigating human/elephant conflict; to community clubs and school programs that empower girls to avoid teen marriage and pregnancy; to health clinics and nutrition training for eXpectant mothers and families; Dominique transforms viewers’ understanding of what a national park can be. The commitment of the remarkable women who run these programs—and the resilience of the mothers and girls who are benefiting from them—tell an inspiring story of strength and hope. “Our Gorongosa” has captivated film festival audiences since its debut at the Smithsonian’s National Museum of African American History and Culture and its festival premiere in 2019 at the Wild and Scenic Film Festival. -
Geoffrey Baer, Who Each Friday Night Will Welcome Local Contestants Whose Knowledge of Trivia About Our City Will Be Put to the Test
From the President & CEO The Guide The Member Magazine Dear Member, for WTTW and WFMT This month, WTTW is excited to premiere a new series for Chicago trivia buffs and Renée Crown Public Media Center curious explorers alike. On March 26, join us for The Great Chicago Quiz Show hosted by 5400 North Saint Louis Avenue Chicago, Illinois 60625 WTTW’s Geoffrey Baer, who each Friday night will welcome local contestants whose knowledge of trivia about our city will be put to the test. And on premiere night and after, visit Main Switchboard (773) 583-5000 wttw.com/quiz where you can play along at home. Turn to Member and Viewer Services page 4 for a behind-the-scenes interview with Geoffrey and (773) 509-1111 x 6 producer Eddie Griffin. We’ll also mark Women’s History Month with American Websites wttw.com Masters profiles of novelist Flannery O’Connor and wfmt.com choreographer Twyla Tharp; a POV documentary, And She Could Be Next, that explores a defiant movement of women of Publisher color transforming politics; and Not Done: Women Remaking Anne Gleason America, tracing the last five years of women’s fight for Art Director Tom Peth equality. On wttw.com, other Women’s History Month subjects include Emily Taft Douglas, WTTW Contributors a pioneering female Illinois politician, actress, and wife of Senator Paul Douglas who served Julia Maish in the U.S. House of Representatives; the past and present of Chicago’s Women’s Park and Lisa Tipton WFMT Contributors Gardens, designed by a team of female architects and featuring a statue by Louise Bourgeois; Andrea Lamoreaux and restaurateur Niquenya Collins and her newly launched Afro-Caribbean restaurant and catering business, Cocoa Chili. -
KCET, Los Angeles Membership Renewal Campaign Kcetr020
KCET, Los Angeles Membership Renewal Campaign KCETr020 GOALS: Pledge Rate: 16% Average Gift: $68 Credit Card Rate: 40% CONTACT INFORMATION: KCET 2900 West Alameda Ave. Burbank, CA 91505-4267 (747) 201-5238 [email protected] CAMPAIGN NOTES: During this campaign, you will be calling members in their renewal cycle and inviting them to renew their membership support for KCET. ABOUT KCET: On-air, online, and in the community, KCET plays a vital role in the cultural and educational enrichment of Southern and Central California. In addition to broadcasting the finest programs from around the world, KCET produces and distributes award-winning local programs that explore the people, places and topics that are relevant to our region. Whether it is through our broadcast, via cable, over digital platforms and devices, or from our extensive community outreach and education programs, KCET consistently delivers inspiring global content that informs, educates and enlightens millions of individuals in Southern and Central California. KCET is a content channel of the Public Media Group of Southern California, formed by the 2018 merger of KCETLink and PBS SoCal. BROADCAST AREA Nearly two million viewers watch KCET in the average month in 11 Counties across Southern California: from as far north as San Luis Obispo, as far south to San Diego and as far east to the Nevada / Arizona border. CALIFORNIA PBS STATIONS AT-HOME LEARNING COVID-19 RAPID RESPONSE INITIATIVE As leaders in learning and as community partners, California’s PBS stations are here to help our state navigate this uncharted journey of At-Home Learning with you. -
Jackie Kain Resume 2019
Jackie Kain [email protected] 310-650-9423 (m) jackiekain.com _________________________________________________________________________________________________________________________ About Creative executive: producer, curator, strategist -- working in the space between idea and audience. Experience: Includes: Head of New Media at the LA PBS station, curator at a NYC performance & gallery space, attachée culturelle at the Centre Georges Pompidou. Currently collaborating on community histories for a public memorial in Tucson AZ. Awards: Peabody, Webbys, Japan Prize, SXSW, Communication Arts, EPPY, ADDYs, Emmy, PBS _________________________________________________________________________________________________________________________ th Work TUCSON’S JANUARY 8 MEMORIAL Director, Community & History (2015 – present) Responsible for community engagement, historical research & public interpretation as member of the Chee Salette Architecture Office team selected to design & build the January 8th Memorial & master plan El Presidio Park in Tucson. WEIGHBRIDGE PROJECTS Digital Media Consultant (2008 – present) Digital strategy & content creation; management, UX & QA; and fundraising. Clients: fronteras Desk (Public Radio Collaborative), AZPM Tucson, AZ (PBS/NPR), USC Annenberg, CalArts/REDCAT. KCET / PBS LOS ANGELES Senior Vice President, New Media (2001 – 2009) Created and headed the New Media department. Responsible for the TV station’s internet & mobile strategies, production, editorial & design, and online fundraising. • Executive -
Educational Television
DOCUEEIT RESUME ED 14111 300 .)" IN 004 735 .AUTHOR. Katzman, Ratan TITLE Program Decisions tn Public lelevisibn. 4 Report for the CPB/NCES Programming .Project. INSTITUTION National'AiSociation of Educational Broadcasters, Washington, D.C. ; SPON6.AGENCY National .Center for.Education Statistics (DHEV), Washington, D.C. PUB,DITE Itig 76, NOTE 81p. EDRS PRICE' HF-$0.83 BC-44.67 Plus Postage. DESCRIPTORS *Decision Making; *Educational Television;.*Financial Needi; *Einancial'-Support; *Programing Oroadcasty; Public Relations; -Public Support; Television Research , IDENTIFIERS,7 dhildrens Television Workshop; Corporation for Pubiic Broadtasting; Public Broadcasting System .ABSTRACT This report examines public television from the perspectives of the National System, Local Public'Television, and AFhool Programing. It provides a history of the development of Public Broaasking nationally, and includes thegpoints of controversy; between- the- kublic Broadcasting System (PBS) and the Corporation for Piblic Broadca54ngACPB1. A dominant theme is the role which finances play in the_decision making process, and major'sources of funding for national pUblic television,are describea. The general Situation of local public television is examined in terms of the limitations imposed by budget,' the, programing' available from pRs, and the preferences and attitudes of station managers. The role of .the board'of directors and the pelationship'between local stations and the community are considered. In terms of school programing, the report indicates.the impact -
KOCE – TV FOUNDATION Dba PBS Socal (A NONPROFIT ORGANIZATION) FINANCIAL STATEMENTS for the YEARS ENDED JUNE 30, 2018 and 2017
KOCE – TV FOUNDATION dba PBS SoCal (A NONPROFIT ORGANIZATION) FINANCIAL STATEMENTS FOR THE YEARS ENDED JUNE 30, 2018 AND 2017 KOCE – TV FOUNDATION dba PBS SoCal (A NONPROFIT ORGANIZATION) CONTENTS June 30, 2018 and 2017 Page INDEPENDENT AUDITOR’S REPORT 1 – 2 FINANCIAL STATEMENTS Statements of Financial Position 3 Statements of Activities 4 Statements of Cash Flows 5 Notes to Financial Statements 6 – 25 INDEPENDENT AUDITOR’S REPORT To the Board of Trustees KOCE – TV Foundation dba PBS SoCal (A Nonprofit Organization) Report on the Financial Statements We have audited the accompanying financial statements of KOCE – TV Foundation dba PBS SoCal (“the Foundation”), which comprise the statements of financial position as of June 30, 2018 and 2017, the related statements of activities and cash flows for the years then ended, and the related notes to the financial statements. Management’s Responsibility for the Financial Statements Management is responsible for the preparation and fair presentation of these financial statements in accordance with accounting principles generally accepted in the United States of America; this includes the design, implementation and maintenance of internal control relevant to the preparation and fair presentation of financial statements that are free from material misstatement, whether due to fraud or error. Auditor’s Responsibility Our responsibility is to express an opinion on these financial statements based on our audits. We conducted our audits in accordance with auditing standards generally accepted in the United States of America. Those standards require that we plan and perform the audit to obtain reasonable assurance about whether the financial statements are free from material misstatement. -
WNET CORPORATE MEMBERSHIP Media with Impact Why WNET?
WNET rEachEs 120 millioN pEoplE a moNTh so should you WNET CORPORATE MEMBERSHIP mEdia WiTh impacT Why WNET? For more than 50 years, WNET has been a chief producer and purveyor As the flagship public media provider for the New York City tri-state area of PBS programs, including the and most watched public television station in the nation, WNET’s family of popular documentary series Nature; companies shares a single vision—deliver smart, enriching, and innovative the seminal cultural biography series media experiences of lasting significance to the American public near and far. american masters; television’s only regular performance arts series Great Through channels THIRTEEN, WLIW21, NJTV and our signature PBS series, performances; the weekly news WNET reaches 120 million people a month who seek out quality programs magazine Need to Know; and children’s that educate, inspire, and entertain. on-air and online educational programs sid the science Kid, oh Noah!, and When you support WNET as a Corporate Member, you become a mission us. philanthropic partner in our mission and support a network of PBS stations that reaches 90 percent of American households each year. WNET highlights the tri-state’s unique culture and diverse communities through Please take a few minutes to discover the many ways we can say thank you NYC-arTs, reel 13, NJ Today, and the metroFocus for helping us deliver the very best in public media to millions nationwide. online newsmagazine . Thank you for considering Corporate Membership. FOR yOuR Business Demonstrate your commitment to educational media with a Corporate Membership and you’ll reach an engaged and appreciative audience Neal Shapiro, President & CEO of members and viewers. -
L'amour De Loin
Press Contacts: Harry Forbes, WNET 212-560-8027 or [email protected] Lee Abrahamian, Metropolitan Opera 212-870-7457 or [email protected] Press materials: http://pressroom.pbs.org or http://www.thirteen.org/13pressroom Website: http://www.pbs.org/wnet/gperf Facebook: http://www.facebook.com/GreatPerformances Twitter: @GPerfPBS Kaija Saariaho’s Acclaimed Contemporary Opera L’Amour de Loin Comes to Great Performances at the Met Sunday, April 2 at 12 p.m. on PBS Kaija Saariaho ’s L’Amour de Loin (“Love From Afar”), one of the most highly praised operas of recent years, airs on Great Performances at the Met Sunday, April 2 at 12 p.m. on PBS (check local listings). (In New York, THIRTEEN will air the opera at 12:30 p.m.) The production, with a libretto by Amin Maalouf, had its Met premiere earlier this season in a production directed by Robert Lepage and conducted by Susanna Mälkki in her Met debut. Lepage’s staging, which uses thousands of LED lights to create the sea that separates the opera’s distant lovers, is a co-production with L’Opéra de Québec, where it premiered to accolades in the summer of 2015. Susanna Phillips stars as Clémence, the Countess of Tripoli, opposite Eric Owens as Jaufré Rudel, a troubadour on a quest to find his perfect love, and Tamara Mumford as the Pilgrim who carries messages back and forth between them. Finnish composer Kaija Saariaho’s breakthrough opera has been described by the New York Times as “transfixing…a lushly beautiful score.” Commissioned by the Salzburg Festival, it was first seen in 2000.