Gentlemen in the White Hats
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Under Western Stars by Howard Kazanjian and Chris Enss
Under Western Stars By Howard Kazanjian and Chris Enss King of the Cowboys Roy Rogers made his starring mo- tion picture debut in Republic Studio’s engaging western mu- sical “Under Western Stars.” Released in 1938, the charm- ing, affable Rogers portrayed the most colorful Congressman Congressional candidate Roy Rogers gets tossed into a water trough by his ever to walk up the steps of the horse to the amusement of locals gathered to hear him speak at a political rally. nation’s capital. Rogers’ character, Courtesy Library of Congress Collection. a fearless, two-gun cowboy and ranger from the western town of Sageville, is elected culties with Herbert Yates, head of Republic Studios, to office to try to win legislation favorable to dust bowl paved the way for Rogers to ride into the leading role residents. in “Under Western Stars.” Yates felt he alone was responsible for creating Autry’s success in films and Rogers represents a group of ranchers whose land wanted a portion of the revenue he made from the has dried up when a water company controlling the image he helped create. Yates demanded a percent- only dam decides to keep the coveted liquid from the age of any commercial, product endorsement, mer- hard working cattlemen. Spurred on by his secretary chandising, and personal appearance Autry made. and publicity manager, Frog Millhouse, played by Autry did not believe Yates was entitled to the money Smiley Burnette, Rogers campaigns for office. The he earned outside of the movies made for Republic portly Burnette provides much of the film’s comic re- Studios. -
It Happened in Hollywood (Comedians) (1960) [Screen Gems] [Sound] Hosted by Vincent Price
JOHN E. ALLEN, INC. JEA T.O.16 <05/95> [u-bit #19200037] 16:00:07 -It Happened In Hollywood (Comedians) (1960) [Screen Gems] [sound] hosted by Vincent Price AERIAL of Hollywood, HA houses and buildings, street scenes, sign: “Hollywood & Vine”, court of Graumans Chinese Theatre with Vincent Price looking at hand and foot prints (1960) Henry B. Walthall in early Western with Harry Carey, Ken Murray with Buster Keaton and Billy Gilbert and Joan Davis in pie throwing sequence, Vincent Price’s home, collection of masks, Price looking at film clips through movieola (1960) John Bunny and Flora Finch, Mack Sennett, Charlie Murray with Fatty Arbuckle and Sessue Hayakawa, Harold Lloyd, Chester Conklin, Clyde Cook on roller skates in restaurant, Zasu Pitts in front of cameraman cranking movie camera, Louise Fazenda giving apple to director Erie Kenton with cameraman loading camera, Jimmy Durante, Marx Brothers and Syd Graumans, Ritz Brothers, W.C. Fields hitting golf ball, Price changing reel on movieola (1960) Ken Murray and ladies on bicycle built for three, Fred Allen and Rudy Vallee speaking into NBC microphone on radio show, CUT AWAY of audience laughing, Bob Hope with Brenda and Cobina speaking into microphone, Mickey Rooney watching himself as Mickey McGuire with Mary Pickford and Ruth Roland and Mae Murray and Dolores Del Rio and June Kaiser, Douglas Fairbanks with Joel McCrea, straw hat signed by Maurice Chevalier 16:16:22 Groucho Marx and Carole Landis with dark hair singing western songs into microphone with orchestra in background for WWII U.S. soldiers 16:18:25 Dean Martin and Jerry Lewis at Photo Play award dinner with George Jessel -16:24:38 16:24:48 -It Happened In Hollywood (Westerns) (1960) [Screen Gems] [sound] hosted by Vincent Price Vincent Price speaking from western set on back lot of movie studio, looking at film clips on movieola (1960) MCU William S. -
UCLA FESTIVAL of PRESERVATION MARCH 3 to MARCH 27, 2011
UCLA FESTIVAL of PRESERVATION MARCH 3 to MARCH 27, 2011 i UCLA FESTIVAL of PRESERVATION MARCH 3 to MARCH 27, 2011 FESTIVAL SPONSOR Additional programming support provided, in part, by The Hollywood Foreign Press Association ii 1 FROM THE DIRECTOR As director of UCLA Film & Television Archive, it is my great pleasure to Mysel has completed several projects, including Cry Danger (1951), a introduce the 2011 UCLA Festival of Preservation. As in past years, we have recently rediscovered little gem of a noir, starring Dick Powell as an unjustly worked to put together a program that reflects the broad and deep efforts convicted ex-con trying to clear his name, opposite femme fatale Rhonda of UCLA Film & Television Archive to preserve and restore our national mov- Fleming, and featuring some great Bunker Hill locations long lost to the Los ing image heritage. Angeles wrecking ball. An even darker film noir, Kiss Tomorrow Goodbye (1950), stars James Cagney as a violent gangster (in fact, his last great This year’s UCLA Festival of Preservation again presents a wonderful cross- gangster role) whose id is more monstrous than almost anything since Little section of American film history and genres, silent masterpieces, fictional Caesar. Add crooked cops and a world in which no one can be trusted, and shorts, full-length documentaries and television works. Our Festival opens you have a perfect film noir tale. with Robert Altman’s Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean (1982). This restoration is the first fruit of a new project to preserve Our newsreel preservationist, Jeff Bickel, presents his restoration of John and restore the artistic legacy of Mr. -
Gene Autry and the Phantom Empire Gene Autry and the Phantom Empire (1935): the Cowboy in the Wired West of the Future Ron Briley
Briley: Gene Autry and The Phantom Empire Gene Autry and The Phantom Empire (1935): The Cowboy in the Wired West of the Future Ron Briley 44 ProducedGene by The Autry Berkeley attempts Electronic to control Press,a Muranian 2010 robot while being stalked by rebel forces. 1 Used by permission of the Autry Qualified Interest Trust and the Autry Foundation Journal of Texas Music History, Vol. 10 [2010], Iss. 1, Art. 5 Gene Autry and The Phantom Empire (1935): The Cowboy in the Wired West of the Future In 1935, budding cowboy singing star Gene Ron Briley Autry appeared in the Mascot Pictures serial The Phantom Empire. The film offers a blending of the Western and science fiction genres, and Autry employs such modern devices as aircraft, radio, television, and even laser rays to protect Radio Ranch from the predatory designs of evil scientists and business interests seeking to exploit the radium deposits found in the subterranean city of Murania, located below the ranch. Autry is able to save the ranch from these threats, both alien and domestic, by completing his scheduled radio broadcasts. The premise of the film is that 45 the Western environment may only be preserved through an adaptation to modernism, which will reduce regional isolationism and ensure the overall survival of the American West. Thus, as the protagonist of The Phantom Empire portraying himself, Autry appears as somewhat of a New Deal cowboy protecting the common people of 1 the West from greedy outside business interests. In his post World War II career as an entertainer and entrepreneur, Autry maintained the Hollywood cowboy image he had successfully cultivated throughout the 1930s. -
Cowboys of the Silver Screen, April 17 with the Issuance of the “Cow- Than a Dozen Previous Stamps
From the USPS Cowboys of the Silver Screen, April 17 With the issuance of the “Cow- than a dozen previous stamps. boys of the Silver Screen” stamps, Rodriguez based his portrait of the U.S. Postal Service honors Tom Mix on a likeness of the ac- four extraordinary performers who tor that appeared on the Cupid’s helped make the American West- Round Up (1918) movie poster. ern a popular form of entertain- ment. Film stars from the silent era Gene Autry through the singing era are featured For more than two decades, on the stamps: William S. Hart, Tom Gene Autry (1907-1998) enter- Mix, Gene Autry, and Roy Rogers. tained movie audiences and won The stamps go on sale April 17. the hearts of millions of fans with his distinctive singing style William S. Hart and easygoing personality. His William S. Hart (1864-1946) sorrel-colored horse, Champion, brought a powerful presence and often played a major role in his serious approach to early Westerns. films, as did frequent sidekicks Tall and trim, with acting skills honed by years of Smiley Burnette and Pat Buttram. Aside from being experience on the New York stage and in produc- one of the most admired cowboys to ever appear on tions across the country, Hart became one of the the silver screen, Autry left behind a legacy that in- most popular leading men of the silent film era. In cludes many hit records, a long-running radio show, his movies, the actor insisted on authentic depictions and a successful television series. -
University of Oklahoma Libraries Western History Collections Bob
University of Oklahoma Libraries Western History Collections Bob Burke Autographs of Western Stars Collection Autographed Images and Ephemera Box 1 Folder: 1. Roy Acuff Black-and-white photograph of singer Roy Acuff with his separate autograph. 2. Claude Akins Signed black-and-white photograph of actor Claude Akins. 3. Alabama Signed color photograph of musical group Alabama. 4. Gary Allan Signed color photograph of musician Gary Allan. 5. Rex Allen Signed black-and-white photograph of singer, actor, and songwriter Rex Allen. 6. June Allyson Signed black-and-white photograph of actor June Allyson. 7. Michael Ansara Black-and-white photograph of actor Michael Ansara, matted with his autograph. 8. Apple Dumpling Gang Black-and-white signed photograph of Tim Conway, Don Knotts, and Harry Morgan in The Apple Dumpling Gang, 1975. 9. James Arness Black-and-white signed photograph of actor James Arness. 10. Eddy Arnold Signed black-and-white photograph of singer Eddy Arnold. 11. Gene Autry Movie Mirror, Vol. 17, No. 5, October 1940. Cover signed by Gene Autry. Includes an article on the Autry movie Carolina Moon. 12. Lauren Bacall Black-and-white signed photograph of Lauren Bacall from Bright Leaf, 1950. 13. Ken Berry Black-and-white photograph of actor Ken Berry, matted with his autograph. 14. Clint Black Signed black-and-white photograph of singer Clint Black. 15. Amanda Blake Signed black-and-white photograph of actor Amanda Blake. 16. Claire Bloom Black-and-white promotional photograph for A Doll’s House, 1973. Signed by Claire Bloom. 17. Ann Blyth Signed black-and-white photograph of actor and singer Ann Blyth. -
Summer 2015 the WESTERN WAY CONTENTS FEATURES Cowboys in Chicago 26 19 8 Don Cusic Johnny Western 16 B
The Official Publication of the Western Music Association Pure Cowboy – COWBOYS In the Studio and IN CHICAGO Out on the Range BY DON CUSIC PAGE 8 PAGE 26 Johnny Western Receives Noted Honor PAGE 16 Founder Bill Wiley Officers From The President... Steve Taylor, President Rick Huff, Executive V.P. Robert Fee, Howdy all: V.P. General Counsel Diane Tribitt, Treasurer Belinda Gail, Secretary I have an addition to add to my letter in the last issue. Executive Director “AMBASSADORS!”You can request additional compli- Marsha Short mentary copies of the Western Way from Marsha Short , Board of Directors John Bergstrom WMA Executive Director. Do you go places that have a Joe Brown Richard Dollarhide waiting room and find outdated reading material? With Robert Fee Juni Fisher permission, place some copies of the WW in places Belinda Gail Jerry Hall Steve Taylor where people sit, wait and look for something new Rick Huff WMA President Robert Lorbeer and refreshing to read. It is a very subtle way to boost Marvin O’Dell Theresa O’Dell membership and get the word out about the WMA. Michael Roehm We are all about the membership and the networking that goes into it to support David Rychener Steve Taylor the music and poetry of the American West. The office has been busy sending out Diane Tribitt additional issues of the WW and we have seen new members added to our ranks Board of Advisors Rex Allen, Jr., Chairman from all of us being “ AMBASSADORS.” Keep up the good work. Hal Spencer, Co-Chairman Cheryl Rogers Barnett Do not forget our Web site www.westernmusic.org. -
Lyrics – Sidekicks and Sagebrush
Sidekicks & Sagebrush Lyrics – Sidekicks and Sagebrush Front Row Cowboy (Eric Bogle/ Larrikin Music) On Saturday mornings I'd ride to the movies, Booted and spurred on my horse made of tin; Tie-up my cayuse outside on the footpath, Lay down my sixpence and mosey on in. I'd sit in the front row with the other young cowpokes, Waitin' for Roy to appear on the screen, The King of the Cowboys and his golden horse Trigger, To carry me off into my favorite dream. Chorus: Yodel-O, Roy Rogers, Oh you were my hero, A man made of steel on a stallion of gold; Together we rode through the days of my childhood; Memories like heroes, they never grow old. Together we rode over mountains and valleys Camped out at night 'neath the wide prairie sky, We'd sing cowboy songs as we sat by the campfire, While out in the darkness a wild coyote cried. Yippee-ti-yi-yo baked beans and coffee, Tall tales and true as we sat by the fire. Then up in the morning and away we'd go riding, Two saddle-pals, two heroes for hire. Chorus: And now I'm a man, and I've hung up my six-gun, No more do I ride on a horse made of tin. Now I ride subways, and freeways and railways, Instead of a six-gun I now wield a pen. But part of my heart will always be ridin' Along the bright canyons and the wild forest ways, Along with Roy Rogers my faithful companion, Into the sunset of my childhood days. -
Singing Cowboy of Fil Corrals Fans Ms
Pa,e Two CJaica;o Sunday Tribune Singing Cowboy of Fil ms Chestnut brown, he comes from a line' of fine Kentucky horses. Just broken, Ten Strike will be trained personally by Autry for Corrals Fans circus performances. Two other favorites in the Gene Autry himIIeU. Autry stable include Lindy, a the cow puncher film chestnut with stocky legs who hero who draw. 110 was born on the day the famous much fan mail. American aviator fiew the At- lantic. For fast riding, where sure-footed ness is at a premium, Autry uses Shorty, a little cow pony from Texas. "How did Champ act when you first started making pic- tures?" we asked. "Well, he was pretty nervous the first day, but after that he just settled right down," an- swered Gene. "I was pretty nervous myself. I didn't know how I was going over. The popularity of his first pte- ture, "The Phantom Empire," a serial in twelve chapters, estab- lished Autry rapidly among the fans of western pictures. Autry made his first appearance before the camera three years ago, in November, 1934. He has made twenty-one pictures since then, his present schedule calling for eight productions a year. His most recently completed picture All tuned up for a cowboy .ong. Left to right: Gene Autry. with hill old was "S P r I n g tim e in the guitar; Polly Bowie•• and Smiley Burnette. with hill windJammer. Rockies." Of all his pictures Autry a Hero Autry says he liked best "Boots crown sombrero. It is the same such a deep sense of the respon- and Saddles," most of which was hat in adult size which happy sibility of his work was a bit made at Autry's favorite location of Woolly youngsters the country over are unusual. -
Hollywood Westerns Available on DVD-R, Mpeg2 & Mpeg4 Digital Files
Hollywood Westerns Available on DVD-R, Mpeg2 & Mpeg4 Digital Files. Abilene Town 1946 Randolph Scott, Ann Dvorak American Empire 1942 Richard Dix, Leo Carillo, Preston Foster. The Big Trees 1952, color Kirk Douglas, Edgar Buchanan. Buckskin Frontier 1943 Richard Dix, Jane Wyatt. Bushwhackers 1952 John Ireland, Wayne Morris, Dorothy Malone. Cry Blood Apache 1970, color Jody McCrea, Joel McCrea. Daniel Boone, Trail Blazer 1957, color Bruce Bennett, Lon Chaney Jr. Deadly Companions 1961, color Maureen O’Hara, Brian Keith, Steve Cochran. Desperate Mission 1969, color Ricardo Montalban, Slim Pickens. Fighting Caravans 1931 Gary Cooper, Lili Damita. Fighting Westerner 1935 Randolph Scott, Ann Sheridan. Four Rode Out 1970, color Sue Lyon, Pernell Roberts. Gatling Gun 1971, color Guy Stockwell, Woody Strode Hanged Man 1974, color Steve Forrest, Dean Jagger. High Lonesome 1950, color John Drew Barrymore. Joshua 1976, color Fred Williamson, Cal Bartlett. Kansas Pacific 1953, color Sterling Hayden, Eve Miller, Barton MacLane. Kid Vengeance 1977, color Lee Van Cleef, Jim Brown. Man From Texas 1948 James Craig, Lynn Bari. Mohawk 1956, color Scott Brady, Rita Gam My Outlaw Brother 1951 Mickey Rooney, Wanda Hendrix. One-Eyed Jacks 1961, color Marlon Brando, Karl Malden. The Outlaw 1943 Jane Russell, Jack Buetel, Thomas Mitchell. Over the Hill Gang 1969, color Walter Brennan, Edgar Buchanan, A. Devine. Over the Hill Gang Rides Again 1970, color Fred Astaire, Walter Brennan, Buchanan. Powderkeg 1971, color Rod Taylor, Dennis Cole. Proud and the Damned 1972, color Chuck Connors, Cesar Romero. Proud Rebel 1958, color Alan Ladd, Olivia de Havilland. Rage at Dawn 1955, color Randolph Scott, Forrest Tucker. -
Billy the Kid Filmography
New Mexico Historical Review Volume 82 Number 2 Article 3 4-1-2007 Billy the Kid Filmography Follow this and additional works at: https://digitalrepository.unm.edu/nmhr Recommended Citation . "Billy the Kid Filmography." New Mexico Historical Review 82, 2 (2007). https://digitalrepository.unm.edu/ nmhr/vol82/iss2/3 This Article is brought to you for free and open access by UNM Digital Repository. It has been accepted for inclusion in New Mexico Historical Review by an authorized editor of UNM Digital Repository. For more information, please contact [email protected], [email protected], [email protected]. Billy the Kid Filmography Billy the Kid. Directed by Laurence Trimble. Featuring: Tefft Johnson (Billy the Kid). Written by Edward J. Montagne, 1911. Probably based on the Walter Woods play. Billy the Bandit. Featuring: Billy Mason, Peggy Cartwright. Written and di rected by John Steppling, 1916. In Old Arizona. Directed by Raoul Walsh and Irving Cummings. Featuring: Warner Baxter (Cisco Kid), Edmund Lowe (Mickey Dunne), Dorothy Bur gess (Tonia Maria). Written by Tom Barry. Based on "The Caballero's Way" by O. Henry. Fox, 192 9. 99 minutes. Warner Baxter won the Academy Award for best actor for his portrayal of the charming renegade who always outwits the law. Although based on O. Henry's Billy the Kid-inspired short story, the film's hero has scant resem blance to the boy bandit. This was the first film to take sound equipment on location (Utah). Director Raoul Walsh was injured during production, los ing his right eye, and the film was finished by Irving Cummings. -
The Webfooter
July 2016 Remembering the Wild, Wild West William Boyd as Hopalong Cassidy – Grand Marshal – Photo courtesy of Stephen Kenney – Restoration by Tracy Brown. Remembering the Wild, Wild West – see page 2. Webfooters Post Card Club PO Box 17240 Portland OR 97217-0240 www.thewebfooters.com Remembering the Wild, Wild West Western culture is unique to America. Stories of cowboys or gunfighters in the American Old West from the latter half of the 19th Century became the foundation for many western movies, radio programs, television shows, songs, books and yes, postcards that have been a part of American life for many years. With it came cowboys, cowgirls, movie stars, radio stars, TV stars and musicians. There may be varying claims to the first movie, but one of the very first movies ever produced was “The Horse in Motion” which was produced in 1878. The movie was made to answer the question “Are all four of a horse’s hooves ever off the ground at the same time while the horse is galloping.” The movie proved that the hooves were indeed off the ground and motion photography was born. The world’s earliest surviving motion-picture film showing actual consecutive action is entitled Roundhay Garden Scene from 1888. Even though it is 2.11 seconds long, the Guinness Book of Records has declared that it is the oldest film in existence. The first film cowboy star, “Broncho Billy” Anderson, whose first film was The Great Train Robbery released in 1903, played three roles in the silent western, which audiences loved and led to a successful filmmaking career.