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Under Western Stars by Howard Kazanjian and Chris Enss
Under Western Stars By Howard Kazanjian and Chris Enss King of the Cowboys Roy Rogers made his starring mo- tion picture debut in Republic Studio’s engaging western mu- sical “Under Western Stars.” Released in 1938, the charm- ing, affable Rogers portrayed the most colorful Congressman Congressional candidate Roy Rogers gets tossed into a water trough by his ever to walk up the steps of the horse to the amusement of locals gathered to hear him speak at a political rally. nation’s capital. Rogers’ character, Courtesy Library of Congress Collection. a fearless, two-gun cowboy and ranger from the western town of Sageville, is elected culties with Herbert Yates, head of Republic Studios, to office to try to win legislation favorable to dust bowl paved the way for Rogers to ride into the leading role residents. in “Under Western Stars.” Yates felt he alone was responsible for creating Autry’s success in films and Rogers represents a group of ranchers whose land wanted a portion of the revenue he made from the has dried up when a water company controlling the image he helped create. Yates demanded a percent- only dam decides to keep the coveted liquid from the age of any commercial, product endorsement, mer- hard working cattlemen. Spurred on by his secretary chandising, and personal appearance Autry made. and publicity manager, Frog Millhouse, played by Autry did not believe Yates was entitled to the money Smiley Burnette, Rogers campaigns for office. The he earned outside of the movies made for Republic portly Burnette provides much of the film’s comic re- Studios. -
Gentlemen in the White Hats
Several years ago, the Marr Sound Archives was fortunate to have received a large collection of manuscripts, photographs, film, and transcription discs from the son of Arthur B. Church, founder and president of Kansas City’s CBS affiliated radio station KMBC. After securing funding from NEH to provide access to the collection, we began listening to and researching these recordings. Soon we were humming the Western swing music of the Texas Rangers and it became apparent that in the 30s and 40s the Rangers had become quite a franchise to Church and KMBC. They performed in: • The Big Brother Club • Flying Horse Ranch, which became Red Horse Ranch • Brush Creek Follies • Diamond City News • Nighttime on the Trail • Under Western Skies • Circle “G” Ranch • and frequently worked with Tex Owens They also went to Hollywood and performed in several films. Today we’ll give you a broad overview of the KMBC-CBS Texas Rangers--you’ll get some facts about their career, and most importantly, you’ll get to hear them perform. So who were the Texas Rangers? 1 Here, you can see our four man singing group known as the Midwesterners or The Lamp Post Four depending on which program they performed in (in this case, The Lamp Post Four on the Brush Creek Follies). That’s Arizona with the guitar--more on him later. Three of these guys were in singing groups together at the same high school in Independence MO. There were also in the same church choir and sometime in the late 20s the church choir director matched them with another young man and our quartet was formed. -
100 Years: a Century of Song 1950S
100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary -
Filing for School Board Candidates Going on Now Two Brewer DECA
0 11,50 pers Pa d to vere Deli s & ome H esses usin ek B y We Ever 76th Year No. 47 817-246-2473 7820 Wyatt Drive, White Settlement, Texas 76108 suburban-newspapers.com January 25, 2018 Two Brewer DECA Students Filing for School Board Advance to State Candidates Going On Now The White Settlement ISD School Board approved a Joint Election for the Board of Trustees on May 5 for Places 1, 2 and 3. The application period for a place on the ballot is now through Feb. 16. Applications will be available at the WSISD Administration Building, 401 S. Cherry Lane in White Settlement, Monday through Friday from 8 a.m. to 4 p.m. and 8 a.m to 5 p.m. on Feb. 16. The drawing for places on the ballot will be in the WSISD Human Resource Office at 10 a.m. Monday, Feb. 26. Incumbents are Raymond Patterson, Place 1; Glen Lowry, Place 2; and Amanda Sanchez, Place 3. All incumbents have filed to run again. WSISD Encourages Community Members to Attend One-Hour Suicide Prevention Training Jan. 29 White Settlement ISD invites community members to a free suicide prevention Brewer High School DECA students Steven Mason, Hunter Robinson and training on Monday, Jan. 29 from 6 to 7 p.m. Tate Holloway competed in the DECA District 7 Conference on Jan. 16. Holloway Participants will learn how to recognize the warning signs of suicide; how to and Mason will advance to state. offer hope; and how to get help and save a life through the Question Persuade Refer Holloway was the District 7 Scholarship Finalist, and he'll compete again in (QPR) suicide prevention training. -
Song Lyrics of the 1950S
Song Lyrics of the 1950s 1951 C’mon a my house by Rosemary Clooney Because of you by Tony Bennett Come on-a my house my house, I’m gonna give Because of you you candy Because of you, Come on-a my house, my house, I’m gonna give a There's a song in my heart. you Apple a plum and apricot-a too eh Because of you, Come on-a my house, my house a come on My romance had its start. Come on-a my house, my house a come on Come on-a my house, my house I’m gonna give a Because of you, you The sun will shine. Figs and dates and grapes and cakes eh The moon and stars will say you're Come on-a my house, my house a come on mine, Come on-a my house, my house a come on Come on-a my house, my house, I’m gonna give Forever and never to part. you candy Come on-a my house, my house, I’m gonna give I only live for your love and your kiss. you everything It's paradise to be near you like this. Because of you, (instrumental interlude) My life is now worthwhile, And I can smile, Come on-a my house my house, I’m gonna give you Christmas tree Because of you. Come on-a my house, my house, I’m gonna give you Because of you, Marriage ring and a pomegranate too ah There's a song in my heart. -
Reporter 11 21.Indd
November 21, 2005 SACS Liaison: Western is English Professor’s Passion for Animals Making Good Progress Recognized by State Volunteer Award Westernʼs reaccreditation The discovery of five puppies in a trash But the volunteer work takes up most efforts are on target and bin eight years ago sparked the passion for of Adamsʼ free time and can be draining. the university is making animal rescue that grips Mary Adams. “Thereʼs such a need,” she said. “Some good progress toward The young boxers abandoned on a tall placements fall through, and you have to reaffirmation in 2007. pile of debris went home with the associate take them back. Thatʼs always hard.” Thatʼs the word from professor of English and stayed until Whatʼs fulfilling, though, is seeing an Ann Chard, a vice permanent homes could be found. animal go to a good home. president of the Commission “They went very quick,” said Adams. Adams watched a dog make fast friends on Colleges for the Southern Association The puppies with a visiting of Colleges and Schools, after her Monday, were the first of Airedale and Nov. 14, visit to Cullowhee. about 500 cats and convinced the On campus to review the status of dogs that Adams has visitorʼs owner that Westernʼs reaccreditation efforts, Chard fostered and placed the pair should not met with Chancellor John W. Bardo, through the Humane be parted. Provost Kyle R. Carter, the universityʼs Society of Jackson “They just fell in executive council and the combined SACS County, or ARF. love,” said Adams of committees. She also heard from members For her service, the two dogs. -
Gene Autry Personal Papers and Business Archives T.MSA.28
http://oac.cdlib.org/findaid/ark:/13030/c8zp46v9 No online items Finding Aid to the Gene Autry Personal Papers and Business Archives T.MSA.28 Finding aid prepared by Holly Rose Larson Autry National Center, Autry Library 4700 Western Heritage Way Los Angeles, CA, 90027 (323) 667-2000 ext. 349 [email protected] 2012 January 27 Finding Aid to the Gene Autry T.MSA.28 1 Personal Papers and Business Archives T.MSA.28 Title: Gene Autry Personal Papers and Business Archives Identifier/Call Number: T.MSA.28 Contributing Institution: Autry National Center, Autry Library Language of Material: English Physical Description: 446.0 Linear feet(approximately 300 boxes) Date (inclusive): 1900-2002 Abstract: Orvon Gene Autry (born September 29, 1907 - died October 2, 1998) was a legendary recording and movie star whose career spanned over 60 years in the entertainment industry. Sometimes called “The Singing Cowboy,” Autry was also a broadcast executive for KTLA and owned the Major League baseball team, the Los Angeles Angels, among other business pursuits. Autry also co-founded the Gene Autry Western Heritage Museum, now known as The Autry National Center of the American West, with wife Jackie Autry and Monte and Joanne Hale in 1988. The Gene Autry Personal Papers and Business Archives span from 1900 to 2002 and document Autry’s personal and family life, including wives Ina Mae Spivey and Jackie Ellam; Autry’s military career during World War II; entertainment career; other business holdings; and honors received. Materials include administrative records; advertising material; awards; ephemera; correspondence; photographic material; posters; scrapbooks; and sheet music. -
Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Spring 2020 $5.95 THE
Volume 30 Issue 2 Spring 2020 $5.95 THE The Offi cial Publication of the International Western Music Association CROSSHAIRS: AWARD-WINNING AND MULTI-TALENTED JIM JONES PRESERVES THE CULTURE OF THE WEST PAGE 6 Swingin’ in Sacramento PAGE 10 Legacy of Jack Thorpe PAGE 12 ★ ★ ★ 2020 AWARD OF EXCELLENCE NOMINATION BALLOT INSIDE, PAGE 46 ★ ★ ★ __WW Spring 2020_Cover.indd 1 3/18/20 7:32 PM __WW Spring 2020_Cover.indd 2 3/18/20 7:32 PM 2019 Instrumentalist of the Year Thank you IWMA for your love & support of my music! HaileySandoz.com 2020 WESTERN WRITERS OF AMERICA CONVENTION June 17-20, 2020 Rushmore Plaza Holiday Inn Rapid City, SD Tour to Spearfish and Deadwood PROGRAMMING ON LAKOTA CULTURE FEATURED SPEAKER Virginia Driving Hawk Sneve SESSIONS ON: Marketing, Editors and Agents, Fiction, Nonfiction, Old West Legends, Woman Suffrage and more. Visit www.westernwriters.org or contact wwa.moulton@gmail. for more info __WW Spring 2020_Interior.indd 1 3/18/20 7:26 PM FOUNDER Bill Wiley From The President... OFFICERS Robert Lorbeer, President Jerry Hall, Executive V.P. Robert’s Marvin O’Dell, V.P. Belinda Gail, Secretary Diana Raven, Treasurer Ramblings EXECUTIVE DIRECTOR Marsha Short IWMA Board of Directors, herein after BOD, BOARD OF DIRECTORS meets several times each year; our Bylaws specify Richard Dollarhide that the BOD has to meet face to face for not less Juni Fisher Belinda Gail than 3 meetings each year. Jerry Hall The first meeting is usually in the late January/ Robert Lorbeer early February time frame, and this year we met Marvin O’Dell Robert Lorbeer Theresa O’Dell on February 4 and 5 in Sierra Vista, AZ. -
Cowboys and Indians: the International Stage the International Stage the International Cowboyscowboys and Indians: and Indians: the International Stage Craig D
Hillis: Cowboys and Indians: The International Stage The International Stage Cowboys and Indians: Cowboys and Indians: The International Stage Craig D. Hillis 16 Bob Livingston in his A Photo by Bruce Jordan Bruce Photo by ustin office surrounded by instruments collected fr om around the world. Produced by The Berkeley Electronic Press, 2002 1 Journal of Texas Music History, Vol. 2 [2002], Iss. 1, Art. 3 The International Stage Cowboys and Indians: Cowboys There are countless cultural innovations and popular products recognized around the world as uniquely American. Whether with the blues, the Big Mac, tailfins on Cadillacs, or the legacy of space travel, the United States continually astounds and, from time to time, confounds the world with its prolific cultural productivity. Things American are everywhere, at least anywhere a radio wave can reach a receiver or a satellite signal can touch a television set, and two of the most ubiquitous Yankee exports are the mythical cowboy of the Wild West and country music. Bob Livingston, an accomplished Austin musician, has helped to shape these singular institutions into an effective tool of American diplomacy. Since 1986, Livingston has toured extensively in South Asia and the Middle East as an emissary of the State Department of the United States presenting a musical program he calls “Cowboys and Indians.” He describes his mission (with his tongue only partially in his cheek) as an attempt “to achieve world peace through cowboy songs and yodeling.”1 Livingston’s ambitious crusade has touched the lives of thousands around the world by offering a refreshing and holistic view of American culture. -
Back in the Saddle Again American Cowboy Songs
New World Records 701 Seventh Avenue, New York, New York 10036; (212) 302-0460; (212) 944-1922 fax email: [email protected] www.newworldrecords.org BACK IN THE SADDLE AGAIN AMERICAN COWBOY SONGS Sam Agins; Jules Verne Allen; Rex Allen; The Arizona Wranglers; Gene Autry; Wilf Carter; Slim Critchlow; Chris LeDoux; Girls of the Golden West; Van Holyoak; Harry Jackson; Ken Maynard; Mac McClintock; Patsy Montana; Glenn Ohrlin; Tex Owens; Powder River Jack and Kitty Lee; John G. Prude; Glen Rice and His Beverly Hill Billies; Riders in the Sky; Tex Ritter; Jimmie Rodgers; Sons of the Pioneers; Carl T. Sprague; Texas Ruby; John White; Marc Williams; Bob Wills and the Texas Playboys; and others 80314-2 NEW WORLD RECORDS 1 DISC I 1 THE OLD CHISHOLM TRAIL (Traditional) . 3:25 Harry “Haywire Mac”McClintock 2 THE POT WRASSLER (Traditional) . 1:41 Harry Jackson 3 THE GOL-DURNED WHEEL (Traditional) . 3:31 Van Holyoak 4 WHEN THE WORK'S ALL DONE THIS FALL (D. J. O’Malley) . 2:51 Carl T.Sprague 5 STREETS OF LAREDO (Traditional) . 1:51 John G. Prude 6 SIOUX INDIANS (Traditional) . 5:05 Marc Williams 7 THE DYING COWBOY (Traditional). 3:18 Jules Verne Allen 8 TYING A KNOT IN THE DEVIL'S TAIL (Gail Gardner) . 3:04 Powder River Jack and Kitty Lee 9 STRAWBERRY ROAN (Curly Fletcher) . 4:11 Arizona Wranglers 10 THE LONE STAR TRAIL (Traditional) . 3:09 Ken Maynard 11 RIDGE RUNNIN' ROAN (Curly Fletcher) . 3:08 Glen Rice and His Beverly Hill Billies 12 WHOOPEE-TI-YI-YO (Traditional) . 2:39 John White 13 COWHAND'S LAST RIDE (J.