DOCSLIB.ORG

The Bubbly Black Girl Sheds Her Chameleon Skin

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Bubbly Black Girl Sheds Her Chameleon Skin THE BUBBLY BLACK GIRL SHEDS HER This score has been downloaded from www.dramatists.comCHAMELEON and is for SKIN perusal only. No performancePIANO/CONDUCTOR or use of this score is allowed without written authorization from DramatistsBook, Music Playand Lyrics Service, by Inc. KIRSTEN CHILDS Orchestrations by JOE BAKER www.dramatists.com THE BUBBLY BLACK GIRL SHEDS HER This score has been downloaded from www.dramatists.comCHAMELEON and is for SKIN perusal only. No performancePIANO/CONDUCTOR or use of this score is allowed without written authorization from DramatistsBook, Music Playand Lyrics Service, by Inc. KIRSTEN CHILDS Orchestrations by JOE BAKER www.dramatists.com This score has been downloaded from www.dramatists.com and is for perusal only. No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc. #1-Welcome To My L.A. P.1 Orch. by Joseph Baker # 1 2 3 4 5 6 # c ∑ ∑ ∑ ∑ ∑ ∑ Viveca & VIVECA: Hello, everybody! # j & # c ∑ Ó Œ œ ˙ w Œ œ œ œ œ. œ œ œn Girls 1 œn œ There was a girl She was a bub bly black girl # j & # c ∑ Ó Œ œ ˙ w Œ œ œ œ œ. œ œ œn Girls 2 This score has beenœn œ downloaded from There was a girl She was a bub bly black girl # j www.dramatists.com# c ∑ Ó Œ and˙ is forw perusalŒ œ œ only.œ. œ œn Girls 3 & œ œn œ œ œ There was a girl She was a bub bly black girl ## &No cperformanceœ œœ or useŒ œ œ œ of this score is Œ œ œ œ > œn œ œ œ œ bnww œœ > œn œn œ œ œ ˙b w œ > œn Piano allowed without written authorization ? # c ∑ nww ww œœ Œ n˙˙ ww ww #from Dramatistsw wPlay Service,œ ˙ w Inc. w # 7 8 9 10 11 # ∑ ∑ ∑ ∑ ∑ Vi. & VIVECA:# My name is Viveca Stanton ! but you can call me Bubbly! Have a nice day! & # ˙ Œ œ œœœ œ Œ G. 1 œ >œ œn w œn œ œ ˙ ˙ # a bub bly bu-bu-bly black girl from Cal i for nia & # ˙ Œ œ œœœ œ Œ G. 2 œ >œ œn w œn œ œ ˙ ˙ a bub bly bu-bu-bly black girl from Cal i for nia # ˙ & # Œ œ œœœ œ œ Œ G. 3 œ > œn w œn œ œ ˙b ˙ a bub bly bu-bu-bly black girl fromœn Calœ œ i bfor˙ nia˙ ? ## ∑ ∑ ∑ Œ n ˙ ˙# Bo. from Cal i for nia ## Ó Œ Œ & œ œ œ œ œ œ œn œ œ œ ˙b > œn œ œ œ œ œb œ ww > œn œ œ ? # Ó n˙˙ ww ˙˙ Œ nœœ ww n˙ #˙ # ˙ w ˙ œ w nn˙ ˙ words/music by Kirsten Childs '1995 #1-Welcome To My L.A. P.2 Orch. by Joseph Baker # 12 13 14 15 # ∑ ∑ ∑ Ó. ‰j Vi. & œ A # & # ‰ œb œ œ ‰ œb œ œ œ œ œ œ ˙ G. 1 > œn œ œ œn œ œ œn œ œn œ œ œn œ œn œ # Woo Woo & # ∑ ‰ œb œ œ œ œ œ G. 2 This score has> beenœn œ downloadedœ œn œ œn œ œ œn fromœ œn œ œ ˙ www.dramatists.com# Woo and is for perusal only. & # Ó ‰ œb œ œ ‰ œb œ œ œ œ œ G. 3 > œn œn œ œ œn œ œn œ œ œn œ œ ˙ Woo Woo ## j j j & No œperformanceœ Ó ‰ œ. orœ useŒ. ofœ. thisœ Ó scoreœ. is œ Ó œ œallowed. without> written. authorization. œ. œ. œ. œ. ? # w w œ. œ Ó œ. œ Ó # w from Dramatistsw Play Service,J Inc. J # 16 17 18 19 # . j ‰ ‰ . j ‰ ‰ œ Vi. & œ œ œ œ. œn œ œ œ œ œ œ j œ œn œ œ œ œ œ œ œ œ œ œ œ calm breeze a cross the palm trees is like a balm eas ing my soul The whole . œ. œ. œ. œ. œ. bœ nœ. œ nœ. œ œ œ ## œ. œ nnœœ. œ œ. œ œ. œ & J Ó J Ó J Ó J Œ . œ. œ. œ. œ. bœ nœ. œ œ. j nœ œ ? ## œ. œ Ó nnœœ. œ Ó œ. œ Ó œn . œ Œ n œ œ J J J œ. ## 20 21 j 22 & œ œ. œ ‰ œn ‰ œ Vi. œ œ œ œ œ œ œ œ œ œ œ. œ œ œ œ ci ty of ang els feels like hea ven my luc ky se ven on a roll! # œ. œ. œ. œ. nœ. œ œ œ # œ. œ Ó œ. œ Ó nœ. b œ ‰ œ œ œ & J J n œ. J œ. œ. œ. œ. œ œ ? ## œ. œ Ó œ. œ Ó nœ. bnœ ‰ œ œ œ œ. J œ. J n œ. J words/music by Kirsten Childs '1995 #1-Welcome To My L.A. P.3 Orch. by Joseph Baker # 23 24 j 25 # Œ Œ‰ œ ‰ œ œ œ. œ œn Vi. & ˙. œ œ œ œ œ The sun is hot it’s shi - ning through the val - ley # j & # Ó. ‰j œ. ‰ ‰ G. 1 œ œ œ œ œ œ. œn œ œ œ œ œ Oo way yah Oo wah oo hay yah! Oo wah oo # j & # Ó. ‰j œ. œ ‰ œn ‰ œ G. 2 This scoreœ has beenœ œ downloadedœ œ. œ œ fromœ œ Oo way yah Oo wah oo hay yah! Oo wah oo www.dramatists.com# j and is for perusal only. & # Ó. ‰j œ. œ ‰ œn ‰ œ G. 3 œ œ œ œ œ. œ œ œ œ Oo way yah Oo wah oo hay yah! Oo wah oo ? ## ∑ ∑ ∑ Bo. No performance or use of this score is allowed- - - without written authorization. # œ œ œ œ œ. œ. nœœ. bœ # œ œ œ œ œ. œ Ó n œ. œ & from DramatistsJ Play Service, Inc.J Ó . w œ. œ. œ. bœ ? ## w œ. œ Ó nnœœ. œ Ó J J # 26 27 & # ‰ œ œ œ œ œ ‰ Vi. œ œ œn œn œ œ œ œ I’m walk - ing home through the al - ley the - af - ter school way # # . j ‰ ‰ œ G. 1 & œ œ œ œ j œ œn œ œ œ œ œ œ # hee yah, Wah oo way! Oo way yeah # . j ‰ ‰ œ G. 2 & œ œ œ œ j œ œn œ œ œ œ œ œ # hee yah, Wah oo way! Oo way yeah # . j ‰ ‰ œ G. 3 & œ œ œ œ j œ œn œ œ œ œ œ œ hee yah, Wah oo way! Oo way yeah ? ## ∑ ∑ Bo. nœ. œ. nœ. œ. œ. œ. # œ. œ œ. œ œ œ & # J Ó J Œ œ. nœ. œ œ. j nœ œ ? ## œ. œ Ó œn . œ Œ n œ œ J œ. words/music by Kirsten Childs '1995 #1-Welcome To My L.A. P.4 Orch. by Joseph Baker # 28 29 30 31 & # ‰ œ œ œ œ œ ‰ œ Œ ∑ b Vi. œ œn œ œ œ œ œ œ œn œ œ œ œ # I’m danc-ing down the street I’m boun cingj on my feet the cool way & # œ œ. œ ‰ œn ‰ œ ‰jb G. 1 œ œ œ œ œ œ œ œ œ œ œ. œ œ œ œ ˙. œ # ay ah oo way, Oo wah oo hee yah,j Oo wah oo hay yah, hay oo way! Mm & # This score hasœ. beenœ ‰ downloaded‰ from ‰jb G. 2 œ œ œ œ œ œ œ œ œ œ œ œ. œn œ œ œ œ œ ˙. œ www.dramatists.comay ah oo way, Oo wah oo hee yah, Ooand wah oo is hayforyah, perusal hay oo way! only.Mm ## j & œ œ. œ ‰ œn ‰ œ ‰jb G. 3 œ œ œ œ œ œ œ œ œ œ œ. œ œ œ œ ˙. œ ayNo ah oo way,performanceOo wah oo hee yah, or Oo wahuse oo ofhay thisyah, score hay oo way! is.. Mm # œ. œ. œ. œ. nœ. œ œ œ ˙ Fill # œ. œ Ó œ. œ Ó nœ. b œ ‰ œ œ œ ˙.. j b & allowedJ withoutJ writtenn authorizationœ. J œ œ. fromœ. Dramatistsœ. œ. Play Service,. Inc.œ œ w ? ## œ. œ Ó œ. œ Ó nœ. bnœ ‰ œ œ œ w b œ. J œ. J n œ. J PREACHER: Little Viveca Stanton! BLACK NEIGHBOR: Her friends call her Bubbly! GREGORY: She’s got a twinkle in her eye, a bounce in her step, and a "have a nice day" smile! TEACHER: She’s very, very bright WHITE NEIGHBOR: has both parents in the homeMAILMAN:and not a welfare check in sight! ALL: She’s one of the good ones! 32 33 34 35 b ∑ ∑ ∑ ∑ Vi. & j j j j j j & b œ œ œ œ œ œ j j œœœ œ œ œ œœœ œ œ œ G. 1 œ# œ œ œ œ œ mm mm mm mm mm mm j j j j j j & b œ œ œ œ œ œ j j œœœ œ œ œ œœœ œ œ œ G. 2 œ# œ œ œ œ œ mm mm mm mm mm mm j j j j j j & b œ œ œ œ œ œ j j œœœ œ œ œ œœœ œ œ œ G. 3 œ# œ œ œ œ œ mm mm mm mm mm mm & b j Œ‰j j Œ‰j j Œ‰j j œœ. œ œ œ œ.
Load more

Recommended publications
  • An Advanced Songwriting System for Crafting Songs That People Want to Hear
    How to Write Songs That Sell _________________________________________________________________________________________________________________________ An Advanced Songwriting System for Crafting Songs That People Want to Hear By Anthony Ceseri This is NOT a free e-book! You have been given one copy to keep on your computer. You may print out one copy only for your use. Printing out more than one copy, or distributing it electronically is prohibited by international and U.S.A. copyright laws and treaties, and would subject the purchaser to expensive penalties. It is illegal to copy, distribute, or create derivative works from this book in whole or in part, or to contribute to the copying, distribution, or creating of derivative works of this book. Furthermore, by reading this book you understand that the information contained within this book is a series of opinions and this book should be used for personal entertainment purposes only. None of what’s presented in this book is to be considered legal or personal advice. Published by: Success For Your Songs Visit us on the web at: http://www.SuccessForYourSongs.com Copyright © 2012 by Success For Your Songs All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic, or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher. How to Write Songs That Sell 3 Table of Contents Introduction 6 The Methods 8 Special Report 9 Module 1: The Big
    [Show full text]
  • CHAN 3094 BOOK.Qxd 11/4/07 3:13 Pm Page 2
    CHAN 3094 Book Cover.qxd 11/4/07 3:12 pm Page 1 CHAN 3094(2) CHANDOS O PERA IN ENGLISH PETER MOORES FOUNDATION CHAN 3094 BOOK.qxd 11/4/07 3:13 pm Page 2 Alban Berg (1885–1935) Wozzeck Opera in three acts (fifteen scenes), Op. 7 Libretto by Alban Berg after Georg Büchner’s play Woyzeck Lebrecht Collection Lebrecht English translation by Richard Stokes Wozzeck, a soldier.......................................................................................Andrew Shore baritone Drum Major .................................................................................................Alan Woodrow tenor Andres, a soldier...............................................................................................Peter Bronder tenor Captain ................................................................................................................Stuart Kale tenor Doctor .................................................................................................................Clive Bayley bass First Apprentice................................................................................Leslie John Flanagan baritone Second Apprentice..............................................................................................Iain Paterson bass The Idiot..................................................................................................John Graham-Hall tenor Marie ..........................................................................................Dame Josephine Barstow soprano Margret ..................................................................................................Jean
    [Show full text]
  • The Top 7000+ Pop Songs of All-Time 1900-2017
    The Top 7000+ Pop Songs of All-Time 1900-2017 Researched, compiled, and calculated by Lance Mangham Contents • Sources • The Top 100 of All-Time • The Top 100 of Each Year (2017-1956) • The Top 50 of 1955 • The Top 40 of 1954 • The Top 20 of Each Year (1953-1930) • The Top 10 of Each Year (1929-1900) SOURCES FOR YEARLY RANKINGS iHeart Radio Top 50 2018 AT 40 (Vince revision) 1989-1970 Billboard AC 2018 Record World/Music Vendor Billboard Adult Pop Songs 2018 (Barry Kowal) 1981-1955 AT 40 (Barry Kowal) 2018-2009 WABC 1981-1961 Hits 1 2018-2017 Randy Price (Billboard/Cashbox) 1979-1970 Billboard Pop Songs 2018-2008 Ranking the 70s 1979-1970 Billboard Radio Songs 2018-2006 Record World 1979-1970 Mediabase Hot AC 2018-2006 Billboard Top 40 (Barry Kowal) 1969-1955 Mediabase AC 2018-2006 Ranking the 60s 1969-1960 Pop Radio Top 20 HAC 2018-2005 Great American Songbook 1969-1968, Mediabase Top 40 2018-2000 1961-1940 American Top 40 2018-1998 The Elvis Era 1963-1956 Rock On The Net 2018-1980 Gilbert & Theroux 1963-1956 Pop Radio Top 20 2018-1941 Hit Parade 1955-1954 Mediabase Powerplay 2017-2016 Billboard Disc Jockey 1953-1950, Apple Top Selling Songs 2017-2016 1948-1947 Mediabase Big Picture 2017-2015 Billboard Jukebox 1953-1949 Radio & Records (Barry Kowal) 2008-1974 Billboard Sales 1953-1946 TSort 2008-1900 Cashbox (Barry Kowal) 1953-1945 Radio & Records CHR/T40/Pop 2007-2001, Hit Parade (Barry Kowal) 1953-1935 1995-1974 Billboard Disc Jockey (BK) 1949, Radio & Records Hot AC 2005-1996 1946-1945 Radio & Records AC 2005-1996 Billboard Jukebox
    [Show full text]
  • Woody Guthrie's Songs for Children
    ISSN 2053-8804 Woody Guthrie Annual, 2 (2016): Maloy, Guthrie’s Songs for Children “Why Couldn’t the Wind Blow Backwards?” Woody Guthrie’s Songs for Children ! !Liam Maloy 1 ! Any fool can make something complicated. It takes a genius to make it simple. This essay examines the songs that Woody Guthrie recorded for children and investigates the widely perceived notion that they are simple and particularly childlike. Biographer Joe Klein describes them as “utterly artless … truly children’s songs … written as children might write them.”2 Journalist Steven Stolder finds the songs “as spontaneous and nonsensical as baby babble and almost as delightful,”3 while recording artist Elizabeth Mitchell describes them as “simple yet profound … easy to learn and easy to sing … and just so darned cute.”4 To Mitchell, Guthrie has an “uncanny ability to inhabit both the perspective of a loving, protective parent and the voice of a freewheeling child.”5 His songs, it seems, comprise “seemingly freely-associated words … natural and effortless melodies … fragments of sweetness and mystery” and are “completely unique in their ability to straddle the worlds and views of both caregiver and child.”6 However, rather than simplicity, musical and lyrical analysis of Guthrie’s records for children reveals a relative complexity when compared to the children’s songs of Pete Seeger, Elizabeth Mitchell, Raffi, and other folk artists. In contrast to songs for children that perpetuate Romantic ideas of innocence and simplicity, Guthrie seems to have captured on record some of the unstructured, unresolved, unselfconscious exuberance of real children. Notably, Guthrie’s songs were assisted in a substantial way by his three- year-old daughter Cathy Ann,7 who was not only an inspiration, but also a co-writer, lyricist, collaborator, and muse.
    [Show full text]
  • Woody Guthrie and the Writing of “Balladsongs” Mark F
    ISSN 2053-8804 Woody Guthrie Annual, 3 (2017): Fernandez: Guthrie and the Writing of “Balladsongs” “The Only Way That I Could Cry”: Woody Guthrie and the Writing of “Balladsongs” ! !Mark F. Fernandez Woody Guthrie wrote about everything. He even coined a motto about it at the end of his most famous lyric sheet: “All you can write is what you see.”1 And he saw just about everything there was to see of the mid-twentieth-century American experience. His famous travels took him throughout most of the then forty-eight states, and like so many Americans of his day, World War II acquainted him with life on the high seas, the coasts of Africa, and parts of Europe. As he wrote about the things he saw and the causes he came to embrace, Guthrie developed an approach to the songwriting process that he shared with anyone who would listen and even some that probably did not want his advice at all. That approach has gone on to influence generations of songwriters ever since — their legion is often dubbed “Woody’s Children.” Peers like Pete Seeger, Lee Hays, Ronnie Gilbert, and Fred Hellerman, who would go on to form the influential folk/pop group The Weavers, recorded Woody’s songs, emulated his songwriting process in their own work, and helped spark a “folk revival” that energized the 1950s and 60s. Young entertainers like Ramblin’ Jack Elliot and Bob Dylan sought out and copied Guthrie as they developed their own craft. More recently, artists like Billy Bragg, Jay Farrar, and Jonatha Brooke have counted Guthrie as a major influence and have even adapted his unpublished lyrics in some of their recordings as well as incorporating his “all you can write is what you see” mentality into their own creative processes.
    [Show full text]
  • July 2020 Museum District
    A Publication of THE MUSEUM DISTRICT ASSOCIATION THE COLUMNSCOLUMNSJULY 2020 MUSEUM DISTRICT SPECIALSPECIAL COVID-COVID-1199 QUARANTINEQUARANTINE ISSUEISSUE SPA QUARANTINA PAGE 18 MuseumDistrict.org PAGE 8 Public Service Announcement from the Virginia Department of Health CORONAVIRUS (COVID-19): WHAT YOU NEED TO KNOW The coronavirus (COVID-19) is here in our community. It is up to all of us to do our part and stop the spread of COVID-19. COVID-19 is spread mainly from To protect yourself from COVID-19: person-to-person: Stay home as much as possible and limit visitors in Between people who are in close contact with one your household (they may have been exposed to the another (within about 6 feet). virus and not show symptoms). Through respiratory droplets produced when an infected Try to only leave your house to get groceries and person coughs or sneezes. essential supplies. These droplets can land in the mouths or noses of people who When you leave your house, wear a cloth mask are nearby or possibly be inhaled into the lungs. If you feel sick, stay home and isolate yourself from other people in your household. Do not go to work. Symptoms include: Clean your hands often with soap and water for 20 seconds. If soap and water is not available, use hand Fever sanitizer Cough Cover your coughs and sneezes Shortness of breath and difficulty breathing Clean and disinfect frequently touched surfaces daily. These symptoms may appear 2-14 days after The best way to protect yourself and your exposure. family from COVID-19 is to stay home and not There is no treatment for COVID-19.
    [Show full text]
  • 2013 Colbie Caillat to Perform and Mark Steines to Host Spirit Of
    TWO-TIME GRAMMY WINNING SINGER SONGWRITER COLBIE CAILLAT CONFIRMED TO HEADLINE AND MARK STEINES TO HOST T. J. MARTELL FOUNDATION’S SPIRIT OF EXCELLENCE AWARDS DINNER AS PART OF ARTWORKS FOR THE CURE EVENT Three-Day ARTWORKS FOR THE CURE Benefit Event also features Exhibition, Auction and Sale of Contemporary Art Along with Live Music Performances, Red Carpet, and 2013 Spirit of Excellence Awards Dinner honoring Daniel EK (Spotify) Rob Wells (Universal Music Group), Troy Carter (Atom Factory), and Catherine An (House of An-Crustacean and Tiato Restaurants and An Catering) FOR IMMEDIATE RELEASE LOS ANGELES, CA (WEDNESDAY AUGUST 28, 2013)-The T.J. Martell Foundation (www.tjmartell.org), announced today that two-time Grammy winning singer songwriter Colbie Caillat (http://colbiecaillat.com), will headline and perform at the charity exhibition Artworks for the Cure at Barker Hangar in Santa Monica on Saturday October 12. Emmy-winning journalist and host of Hallmark Channel’s “Home & Family,” Mark Steines (http://www.marksteines.com) is confirmed as the Master of Ceremonies. Sharing the stage on Saturday night with both Caillat and Steines will be recipients of the Spirit Of Excellence Award. This honors innovators in entertainment and other industries for their professional leadership and humanitarian spirit. This year’s Honorees are Spotify CEO & Founder Daniel Ek, Atom Factory Founder/CEO Troy Carter whose management clients include Lady Gaga and John Legend, Universal Music Group’s President of Global Digital Business Rob Wells and Catherine An, Managing Partner House of An (Crustacean Restaurant) and Founder of An Catering & Tiato Restaurant. Two-time Grammy winning singer songwriter Colbie Caillat caught a generation’s imagination with her first hit single “Bubbly”, which become one of the best-selling digital tracks of all time.
    [Show full text]
  • Tal, Tendenser, Markedsstatistik Og Analyser + Artikler Om Den Danske
    STATUS 2008/09: UAFHÆNGIGE SELSKABER 04 MODSÆTNINGERNES ÅR 20 UNDER DIGITALT PRES IFPI’s formand, Henrik Daldorph, ser Væksten i det digitale marked presser Tal, tendenser, markedsstatistik og tilbage på markante begivenheder for den uafhængige sektor, som i 2008 havde analyser + artikler om den danske pladebranchen i 2008 og første halvdel af tilbagegang. Vi analyserer udviklingen. pladebranche 2008/09 2009. Fra den nye oplevelseszone til dom- men i The Pirate Bay-sagen. FREELANCERE I 30 MUSIKBRANCHEN KUNSTNERNE HAR STADIG Pladebranchen omfatter hundredvis af 14 BRUG FOR ET PLADESELSKAB arbejdspladser. De senere års omfattende Interview med en af pladebranchens suc- forandringer har skabt helt nye struktu- cesfulde ledere Jakob Sørensen, direktør rer – og en lang række nye virksomheder, for Copenhagen Records. Om hvad kunst- der fungerer som underleverandører til nere skal bruge et pladeselskab til i 2009. den etablerede del af branchen. Vi ser Om manglende skarphed i branchen. Og nærmere på freelancemarkedet. om forventningerne til fremtiden. Og så får vi historien om Alphabeats internationale succes. Plus: Hitlisterne 2008 / Guld- & platincertificeringer 2008 / DMA09 og meget mere Foto: Kristian Holm PLADEBRANCHEN.08 Velkommen til Pladebranchen.08 f Vi har forud for udarbejdelsen af IFPI’s femte årsskrift I et længere interview fortæller Jakob Sørensen fra Copen- overvejet grundigt, om vi skulle kalde det noget andet end hagen Records således bl.a. om selskabets arbejde med ”Pladebranchen.08”, fordi vores medlemmer, der pt. står for en af de største, danske succeshistorier i nyere tid – Alpha- ca. 95 % af omsætningen af indspillet musik i Danmark, i beat – og om hvorfor kunstnere stadig kan have glæde stadigt højere grad beskæftiger sig med alt muligt andet end af et pladeselskab i 2009.
    [Show full text]
  • Music, Sharing His Incredible Mind
    COVER ART: Photographer: Hörður Sveinsson, a long Hörður Sveinsson time collaborator with Stylist: The Reykjavík Grapevine, Edda Guðmundsdóttir met John Grant in a Make Up: studio and took the Ísak Freyr Helgason photo with the help of Assistant: UV light. Ólafur Magnússon Set design: Unnar Ari Baldvinsson 08: JOHN GRANT! 11: Injustice & Art 31: A Hot & Steamy Visit 06: Geldingadalur, The 19: Introducing RAKEL 28: Austurlands Speaks Remix 23: Reading Too Much 27: We Hate Sagas! We First 07: Wolf Riding Hotties Into A Helicopter Want Fantasy Novels! EDITORIAL More Beauty, Less Bigotry The Reykjavík decades according to scientists; histor- interesting artist, but it’s shocking for G r a p e v i n e i s ically, it could go on for centuries. Icelanders to read about his past, his s u r v i v i n g o n e The government still decided to upbringing and the incredible bigotry more month. And open up the borders on May 1st, mean- and spectrum of violence that he had to what a month ing that those that have been vacci- endure for just being who he is. It’s even to survive! The nated or already had the virus can more interesting to read about how he Reykjanes penin- travel to Iceland, no matter if they are deals with this, not only through his sula has awak- from within the Schengen Area or not. art, but also his courageous dauntless- ened, like scientists feared, offering Icelanders will use colour schemes for ness. It reminds one of how important Icelanders the most impressive, and countries when evaluating the danger individual freedom is, and the right for perhaps most beautiful, nature display of travellers to spread the virus.
    [Show full text]
  • Press Release
    For Immediate Release Contact: Brooke Ziomek (313) 309-4610 [email protected] Contact: Jacci Woods (313) 237-6714 [email protected] MotorCity Casino Hotel Is Proud to Announce Colbie Caillat Sound Board March 21, 2013 (Detroit – December 13, 2012) MotorCity Casino Hotel is proud to announce Colbie Caillat, live in concert at Sound Board on Thursday, March 21, at 8:00 pm. Colbie Caillat is a pop singer-songwriter and acoustic guitarist. She debuted in 2007 with Coco, which included hit singles "Bubbly" and "Realize." In 2008, she recorded "Lucky", a duet with Jason Mraz, which won them a Grammy Award. Colbie released her second album, Breakthrough, in August 2009. Breakthrough was nominated for Best Pop Vocal Album at the 2010 Grammy Awards. Caillat was also part of the group that won Album of the Year at the 2010 Grammys for her background vocals and writing on Taylor Swift's Fearless album. In 2009 Caillat was named one of the top 100 artists of the decade by Billboard Magazine. In 2011, she released her third studio album, All of You, and in October 2012 she released her first Christmas album, called Christmas in the Sand. Tickets ($42.00, $35.00 and $30.00) go on sale December 14 at all Ticketmaster locations and Ticketmaster.com. To charge tickets by phone, call (800) 745-3000. Tickets are also available through the Sound Board Box Office Friday-Sunday. SOUND BOARD, an intimate live performance venue is located at MotorCity Casino Hotel. The venue features four bars and several private suites that are available to create an unforgettable live entertainment event.
    [Show full text]
  • Guitar Center and ​Singer-Songwriter ​Colbie Caillat
    Guitar Center and Singer-Songwriter Colbie Caillat Partner with National ​ ​ Nonprofit Little Kids Rock to Donate Musical Instruments to a Deserving New York Elementary School Giving back to the music community is at the core of Guitar Center’s pursuit to provide musical ​ instruments, lessons and resources to musicians at every point of their musical journeys ANNOUNCEMENT HIGHLIGHTS: ● Guitar Center and Caillat are longtime supporters of Little Kids Rock, the nation’s leading nonprofit provider of free music instruction and instruments to public school children in ​ under-served or underprivileged schools ● GRAMMY® Award-winning singer-songwriter Colbie Caillat stopped into PS 182 in New York for a special collaborative performance with the music students followed by a surprise generous donation of gear from Guitar Center New York, NY (October 27, 2016) – On October 26, Guitar Center, the world’s largest instrument ​ ​ ​ retailer and GRAMMY® award-winning singer-songwriter Colbie Caillat partnered with national ​ ​ nonprofit Little Kids Rock to bring a surprise live performance to the elementary school students of PS 182 located in Jamaica, Queens, New York followed by a generous donation of musical instruments to assist them along their musical journeys. During this special event, Caillat participated in a collaborative performance her hit single, “Bubbly” with music students at the school and shared her journey and passion for music in an intimate Q&A. The event came to an exciting close, as Caillat revealed a generous donation of musical instruments from Guitar Center including electric and acoustic guitars, keyboards and more. Through this event, Guitar Center continues its goal to fill the world with more music.
    [Show full text]
  • Venues Are Finally Receiving Funds, but Crew Members Are Still Struggling
    Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE JUNE 2, 2021 Page 1 of 27 INSIDE Venues Are Finally • Venues Are Receiving Funds, But Crew Members Receiving Government Grant Are Still Struggling Approvals... Slowly BY TAYLOR MIMS • The German Music Industry Is Tackling Piracy Through Self- Last week, the Small Business Administration fi- additional $600 or $300 a month on top of unemploy- Regulation nally began awarding grants to independent venues, ment. promoters and talent agencies as part of the $16.25 When the second stimulus package on Dec. 27, • Assessing the billion Shuttered Venue Operators Grant. The grant mixed earners who received at least $5,000 in self- Music Industry’s Progress 1 Year After can award up to $10 million per venue and is much- employment income in 2019 are eligible for a $100 Blackout Tuesday: needed support for entities that have been closed for weekly benefit on top of the $300 federal pandemic ‘We Need to Build a 14 months since the pandemic halted mass gatherings. unemployment supplement provided under the new Bigger Table’ The grants will help venues pay back-rent and help legislation. States were also allowed to opt out of the • S-Curve Records them on their way to welcoming fans back as concerts additional benefit. Inks Worldwide Pact reopen around the country. As the industry braces “There really aren’t any government programs for With Disney Music for a return to live this summer, many live music people like me,” says guitar technician Tom We- Group crew members are still struggling after a brutal year ber who has worked for Billy Corgan, Matchbox 20, • Tammy Hurt without work.
    [Show full text]