Bernd Kistenmacher
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Mini-Mag N12
Bulletin de liaison Automne/Hiver 2012 mini-Mag N12 L'École de Berlin, entre mythe et réalité Par Frédéric Gerchambeau Revenons au tout début de l'histoire. Nous avons un rocker psychédélique en mal de reconnaissance de son jeu guitaristique, un batteur apocalyptique passionné de musique classique, un ex-batteur de jazz féru de rythmes africains et un organiste moyennement doué et surtout dilettante. Difficile d'espérer, a priori, que ces quatre personnages révolutionnent quoi que ce soit concernant la musique. Et pourtant. Mais ils ne l'auraient pas fait sans un sérieux coup de pouce. De qui donc ? D'un musicien d'origine suisse généralement parfaitement ignoré dans ce contexte. Je veux parler de Thomas Kessler. Car la plupart des musiciens qui ont pris part à l'aventure de ce que je conte ici ont longuement assisté aux cours de composition dispensés au Conservatoire de Berlin par le compositeur de musique contemporaine Thomas Kessler. Celui-ci, très soucieux de contribuer à la maturation artistique des jeunes musiciens berlinois qui assistaient à ses cours, ne se contentait pas de leur enseigner sa déjà longue expérience en Quand on évoque l'Ecole de Berlin, on sait parfaitement de quoi on parle. On parle matière de musique expérimentale. Il a mis, en effet, à leur de séquences hypnotiques, de solos envoûtants et souvent orientalisants, de sons disposition un véritable studio où ceux-ci pouvaient répéter étranges et de nappes éthérées, le tout contenu dans de longues plages musicales librement et s'aventurer à loisir dans toutes sortes de aux parfums d'ailleurs et d'infini. -
Rückkopplungen Aus Dem Zodiak Free Arts Lab
BILDET NISCHEN! Rückkopplungen aus dem Zodiak Free Arts Lab HAU 21.–26.9.2021 Bildet Nischen! Rückkopplungen aus dem Zodiak Free Arts Lab 21.–26.9.2021 / HAU1 Im Winter des Jahres 1967 begann der Musiker und Künstler Conrad Schnitzler, auf Einladung des Wirtes Paul Glaser in zwei Räumen unter der damaligen Schaubühne am Halleschen Ufer, dem heutigen HAU2, das Programm zu gestalten. Mit Mit strei - ter:innen betrieb er das Zodiak Free Arts Lab über ein Jahr lang als hierarchiefreien Raum für musikalische Experimente und interdisziplinären Austausch. Bis 1969 diente das Zodiak als künstlerischer wie sozialer Treffpunkt. Trotz des kurzen Be- stehens kann es als initiierender Ort für zahlreiche musikalische Entwicklungen ver- standen werden – vor allem für die kurze Zeit später entstehende “Berliner Schule”, deren Sound oft unter dem Begriff “Krautrock” zusammengefasst wird und der bis heute in diversen musikalischen Strömungen nachhallt. “Bildet Nischen! Rückkopplungen aus dem Zodiak Free Arts Lab” begibt sich auf Spurensuche und beleuchtet die Verbindungen aus politischen, sozialen und kultu- rellen Verhältnissen, die auf die Szene um das Zodiak einwirkten. Welche Gemenge - lagen setzen auch heute noch Energien frei, die sich in (pop-)kulturellen Entwick- lungen manifestieren? Wie findet sich Gegenkultur und welcher Räume bedarf es dafür? Lassen sich Spuren und Bezüge des Zodiak in der kulturellen Praxis späterer subkultureller Entwicklungen im Berliner Underground aufzeigen? Fragestellungen wie diese bleiben bis in die aktuelle Gegenwart für die Entwicklung künstlerischer Positionen relevant. In einem Programm aus Konzerten, Kollaborationen, Installa- tionen, Gesprächen und einer Lecture Performance geht das HAU ihnen nach. Ein Festival des HAU Hebbel am Ufer. -
NZIFF 2019 Wellington Programme
WELLINGTON 26 JULY – 11 AUGUST 2019 BOOK AT NZIFF.CO.NZ NZIFF0719_WELLINGTON-1.indd 1 19/06/19 2:40 PM Join our newsletter or follow us on social media, to keep up with the centenary programme of events. @mccahonhouse mccahonhouse.org.nz mccahon100.org.nz MH1425FANZIFF0719_WELLINGTON-1.indd McCahon100 NZIFF ad.indd 2 2 12/06/1919/06/19 5:362:40 PM 48th Wellington International Film Festival Presented by New Zealand Film Festival Trust under the distinguished patronage of Her Excellency The Right Honourable Dame Patsy Reddy, Governor-General of New Zealand 26 JULY – 11 AUGUST 2019 EMBASSY THEATRE PENTHOUSE CINEMAS ROXY CINEMA LIGHT HOUSE CINEMA CUBA PROUDLY SUPPORTED BY LIGHT HOUSE CINEMA PETONE SOUNDINGS THEATRE, TE PAPA CITY GALLERY WELLINGTON READING CINEMAS, PORIRUA General Manager: Sharon Byrne Programmer: Sandra Reid Programme Manager: Michael McDonnell Assistant to the General Manager: Caroline Palmer Communications Manager: Melissa Booth Publicist: Sally Woodfield Wellington Festival Manager: Elizabeth Ireland Animation NOW! Programmer: Malcolm Turner All Ages Programmer: Nic Marshall Incredibly Strange Programmer: Anthony Timpson Publications Manager: Tim Wong Programme Consultant: Chris Matthews Content Manager: Ina Kinski Content Assistant: Lauri Korpela Technical Adviser: Ian Freer Online Content Coordinator: Sanja Maric Audience Development Coordinator: Emma Carter Guest Coordinator: Lauren Day Social Media Coordinator: David Oxenbridge Communications Assistant: Lynnaire MacDonald Communications Assistant (Auckland): Camila -
Ambient Music the Complete Guide
Ambient music The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 05 Dec 2011 00:43:32 UTC Contents Articles Ambient music 1 Stylistic origins 9 20th-century classical music 9 Electronic music 17 Minimal music 39 Psychedelic rock 48 Krautrock 59 Space rock 64 New Age music 67 Typical instruments 71 Electronic musical instrument 71 Electroacoustic music 84 Folk instrument 90 Derivative forms 93 Ambient house 93 Lounge music 96 Chill-out music 99 Downtempo 101 Subgenres 103 Dark ambient 103 Drone music 105 Lowercase 115 Detroit techno 116 Fusion genres 122 Illbient 122 Psybient 124 Space music 128 Related topics and lists 138 List of ambient artists 138 List of electronic music genres 147 Furniture music 153 References Article Sources and Contributors 156 Image Sources, Licenses and Contributors 160 Article Licenses License 162 Ambient music 1 Ambient music Ambient music Stylistic origins Electronic art music Minimalist music [1] Drone music Psychedelic rock Krautrock Space rock Frippertronics Cultural origins Early 1970s, United Kingdom Typical instruments Electronic musical instruments, electroacoustic music instruments, and any other instruments or sounds (including world instruments) with electronic processing Mainstream Low popularity Derivative forms Ambient house – Ambient techno – Chillout – Downtempo – Trance – Intelligent dance Subgenres [1] Dark ambient – Drone music – Lowercase – Black ambient – Detroit techno – Shoegaze Fusion genres Ambient dub – Illbient – Psybient – Ambient industrial – Ambient house – Space music – Post-rock Other topics Ambient music artists – List of electronic music genres – Furniture music Ambient music is a musical genre that focuses largely on the timbral characteristics of sounds, often organized or performed to evoke an "atmospheric",[2] "visual"[3] or "unobtrusive" quality. -
The History of Rock Music: 1966-1969
The History of Rock Music: 1966-1969 Genres and musicians of the Sixties History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) Kosmische Musik 1969-72 (These are excerpts from my book "A History of Rock and Dance Music") Fundamentally, British rock recycled USA rock for a different kind of audience: the Beatles recycled it for a pop-oriented audience, progressive-rock (in all its neo-classical and jazz variations) recycled it for an intellectual audience. German rock, instead, invented a different kind of rock music. In fact, many German bands were not playing "rock" music at all. There is no question that the great era of German avant-rock was inspired by psychedelic music, but the German interpretation of psychedelic music had little to do with reproducing the effects of drugs: German musicians saw a relationship between psychedelic experiments and the German electronic avantgarde (such as Karlheinz Stockhausen), a relationship that, in retrospect, was already obvious in the USA's psychedelia, but that no one had articulated before. In 1968 three young musicians, Conrad Schnitzler, Hans-Joachim Roedelius and Klaus Schulze, founded the "Zodiak Free Arts Lab" in Berlin. This became the first venue for popular electronic music in Europe. That can be considered the moment when German musicians figured out that strategic relationship between psychedelic music and avantgarde music. -
LIFF 2016 Catalogue
Leeds International Film Festival NOV 3 - 17, 2016 INTRODUCTION INTRODUCTION LIFF is as much about exploring the city of Leeds as about discovering films from around the world. For our 30th anniversary year, Leeds International Film Festival we’re presenting over 300 events in a record 30 venues citywide, taking the LIFF experience into cinemas, music halls, churches, community venues, pubs, bars, clubs, museums, colleges, Millennium Square, Kirkgate Market, Leeds Station, and even onto boats. In partnership with Bruntwood, we’ve also commissioned a virtual reality short starring the city itself: Welcome to Leeds, a City in Bloom NOV 3 - 17, 2016 takes you on a 360° tour of new and historic sites in the company of poetry from Leeds Young Authors. We’ve collaborated with so many more organisations and individuals based in the city to produce LIFF30, including with Leeds Inspired and four artists on the creation of our anniversary posters that appear on this page. LIFF30 is an epic celebration of Leeds and film, and a huge thank you to everyone who has made it possible. LIFF30 POSTERS CONTENTS commissioned by Leeds Inspired Official Selection 11 Opening & Closing Films 12 Programme 13 Cinema Versa 31 Underground Voices 32 Music on Film 41 Forum 45 Fanomenon 51 Fanathons: Day of the Dead, Night of the Dead, Animation Day 52 Fanorama 58 Mountain Film 67 Retros 67 Fanomenon Short FIlms: Dark Owl International Fantasy 70 Short Film Award, Dead Shorts Competition, Future Shock: Sci-Fi Shorts Panorama Retrospectives 75 Andrzej Zulawski 76 Hal -
Institut Für Sprache Und Kommunikation Fachgebiet Audiokommunikation
Technische Universität Berlin Fakultät I – Institut für Sprache und Kommunikation Fachgebiet Audiokommunikation Master Thesis Title: Can Electronic Music Be Subversive? Analyzing the development of the mainstream journalistic discourse about artistic authenticity and subversive potential of electronic popular music in Germany during the outgoing 20th century. Prüfer und 1. Betreuer: Prof. Dr. Stefan Weinzierl 2. Betreuer: Dr. Steffen Lepa Ambra Cavallaro [email protected] Matrikelnummer: 352371 Institut für Kommunikation und Sprache Schwerpunkt: Medienwissenschaft Eingereicht: Berlin, den 18. August 2016 1 2 Table of Contents List of Tables ................................................................................................................................... 5 Deutsche Zusammenfassung ........................................................................................................... 7 Abstract ........................................................................................................................................... 9 1. Framing Authenticity and Electronic Developments in Music ................................................ 10 1.1. Introduction ......................................................................................................................... 10 1.2. Cultural Hegemony .............................................................................................................. 11 1.3. About Authenticity and Subversion ..................................................................................... -
Le Souffle Libertaire Du Rock Allemand FINAL
Dossier d’accompagnement de la conférence / concert du jeudi 6 décembre 2012 en co-production avec Les Champs Libres dans le cadre du Programme d’éducation artistique et culturelle de l’ATM. Conférence-concert “LE SOUFFLE LIBERTAIRE DU ROCK ALLEMAND” Conférence de Pascal Bussy Concert de Camera Après avoir émis quelques signaux annonciateurs dès la fin des années soixante, c’est tout au long de la décennie suivante que l’Allemagne de l’Ouest est le théâtre de l’éclosion d’une scène rock résolument différente et souvent plus innovante que l’immense majorité des musiques qui se pratiquent en Angleterre, aux États-Unis et même ailleurs en Europe continentale. Pendant cette conférence, nous expliquerons les causes historiques et politiques de ce phénomène. Nous décrirons ses foyers de création, de Berlin à Düsseldorf et de Cologne à Munich, avec ces groupes dont les noms sonnent Afin de compléter la lecture de ce déjà comme un appel à un “autre rock” : Can, Kraftwerk, Agitation Free, Guru dossier, n'hésitez pas à consulter Guru, Ash Ra Tempel… Nous mettrons en exergue leurs spécificités, qui les dossiers d’accompagnement passent par une grande curiosité, des influences multiples (de l’ethnique à des précédentes conférences- l’expérimental), une soif de liberté et une attitude de rupture qui s’assimile concerts ainsi que les “Bases de quelquefois à une volonté de subversion. données” consacrées aux éditions 2005, 2006, 2007, 2008, 2009, Nous étudierons l’évolution de ces courants jusqu’à aujourd’hui, nous parlerons 2010, 2011 et 2012 des Trans, de la “Neue Deutsche Welle”, du rock bruitiste, de la scène “indus” et de l’ tous en téléchargement gratuit sur “intelligent techno”. -
Repetition, Objectivity, and Process in the Age of Recording Zachary Schwartz Pomona College
Claremont Colleges Scholarship @ Claremont Pomona Senior Theses Pomona Student Scholarship 2016 Alternate Minimalisms: Repetition, Objectivity, and Process in the Age of Recording Zachary Schwartz Pomona College Recommended Citation Schwartz, Zachary, "Alternate Minimalisms: Repetition, Objectivity, and Process in the Age of Recording" (2016). Pomona Senior Theses. 165. http://scholarship.claremont.edu/pomona_theses/165 This Open Access Senior Thesis is brought to you for free and open access by the Pomona Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pomona Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. ALTERNATE MINIMALISMS: REPETITION, OBJECTIVITY, AND PROCESS IN THE AGE OF RECORDING by ZACHARY SCHWARTZ Gibb Schreffler, Advisor A thesis submitted in partial fulfillment of the requirements for the Degree of Bachelor of Arts in Music POMONA COLLEGE Claremont, California April 22, 2016 CONTENTS ABSTRACT .................................................................................................. ii INTRODUCTION ........................................................................................ 1 CHAPTER ONE. Early Minimalism: A Radical Art Music ........................ 4 CHAPTER TWO. Reproduction as Creation, Repetition as Variety .......... 29 CHAPTER THREE. Techno: An Alternate Minimalism ............................ 52 Bibliography ............................................................................................... -
AGITATION FREE Kurzbio 8-11 E
AGITATION FREE -- a brief biography Agitation Free was one of the leading exponents of German experimental rock music in the early 1970s.. Starting in 1967, the Berlin band had begun to develop long and, for its time, very free Instrumental improvisations. By 1972 they attained cult status with a congenial mixture of improvisational Rock paired with electro-, ethno-, jazz- and trance elements. They were experimenting in concerts with liquid projectors, slides, and their own experimental films, in ways analogous to underground bands in California and the UK. Sonic sophistication led Agitation Free to collaborations in the avant-garde music scene with composers such as John Cage, Erhard Großkopf, Peter Michael Hamel und Ladislav Kupkovič. The Electronic Beat Studio, that Agitation Free initiated with composer Thomas Kessler, evolved into a creative center for the Berlin groups Ash Ra Tempel, Tangerine Dream and others. Early in 1970, Agitation Free appeared in the "First German Progressive Pop Festival" at the Berliner Sportpalast. In April 1972, the band toured Egypt, Lebanon, Cyprus and Greece at the invitation of the Goethe Institute. Manifold impressions from this trip found expression in the first album, "Malesch" (Vertigo), a fascinating soundweb of exotic original recordings from the Near East journey combined with cutting edge Krautrock – an irrefutable forerunner of today’s world music. Constant touring brought the band steadily increasing recognition all over Europe. They appeared in the cultural program of the Munich summer Olympics in 1972, went on their first French tour for two months in early 1973, appeared in May at the "German Rock Super Concert" in Frankfurt and produced their next album, “2nd” in July 1973. -
Tannoy Ultimate Playlist 2020
Tannoy Ultimate Playlist 2020 The Voice of the Artist. Confidential. Not to be reproduced. ©2019 Music Tribe Global Brands Ltd. All rights reserved. Table of Contents Reference Recordings 3 Best Sound Stage Recordings 5 Best Low-End Recordings 7 Best Vocal Recordings 8 Best Dynamic Recordings 10 Best Rhythm And Timing Recordings 11 Best Piano Recordings 12 Best Jazz Recordings 13 Best Electronic Recordings 14 Best Classical Recordings 17 Confidential. Not to be reproduced. ©2019 Music Tribe Global Brands Ltd. All rights reserved. 2 Tannoy Ultimate Playlist 2020 In 2020, Tannoy set out to build the ultimate playlist, curated over ten weeks. We asked Tannoy fans around the world to recommend music they love to hear on their Tannoy loudspeakers. With thousands of recommendations coming from all corners of the world, we compiled the suggestions into a PDF for everyone to enjoy. Thank you to everyone who contributed and made this a fascinating project. Enjoy the music! Reference Recordings Artist Title Artist Title Aaron Neville I Bid You Good Night Ian Shaw Barangrill Alison Krauss Paper Aeroplane James Newton Howard and Friends Caesar Bill Frisell My Buffalo Girl Jean-Michel Jarre Oxygene 4 Bill Withers Ain’t No Sunshine Jethro Tull Heavy Horses Chic Good Times Karen Ramirez Looking For Love Dave Brubeck Take Five Kasper Bjørke The Fifty Eleven Project Diana Ross My Old Piano Kate Bush Wuthering Heights Dire Straits Private Investigation King Crimson I Talk To The Wind Donald Fagen I.G.Y. Kraftwork Autobahn E Power Biggs Bach Pipe Organ Lenord Cohen You Want It Darker Esperenza Spalding Chamer Music Society Lindisfarne Lady Eleanor Frank Sinatra Ultimate Album Malia/Boris Blank Convergence Glen Gould Sessions Manuel and Music of The Mountains Rodrigo’s Guitar Concert Hans Zimmer Blade Runner Original Motion Picture Marc Streitenfeld Prometheus Herb Albert Rise Mason William Classical Gas Confidential.