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ECU® Storybook Theatre Presents
ECU® Storybook Theatre presents ADA Accommodation: 252-737-1018 | [email protected] theatredance.ecu.edu | 252-328-6829 ECU® Storybook Theatre presents Dramatized by Olga Fricker. Based on the book by Hugh Lofting Director Patch Clark Music Director Monica Edwards Stage Manager Dashay Williams Scenic Deisgn Connor Gerney Lighting Design Stuart Lannon Costume Design Monica Edwards Sound Deisgn Riley Yates Storybook Theatre's Production of Doctor Dolittle is dedicated in loving memory to Ann Rhem Schwarzmann, Patron of ECU Storybook Theatre and School of Theatre and Dance ©2020. This livestream or video recording was produced by special arrangement with Dramatic Publishing Company. All rights reserved. This performance is authorized for private, in-home use only. By viewing the livestream or video recording, you agree not to authorize or permit the livestream or recording to be downloaded, copied, distributed, broadcast, telecast or otherwise exploited, in whole or in part, in any media now known or hereafter developed. WARNING: Federal law provides severe civil and criminal penalties for the unauthorized reproduction, distribution or exhibition of copyrighted motion pictures, videotapes or videodiscs. Criminal copyright infringement is investigated by the FBI and may constitute a felony with a maximum penalty of up to five years in prison and/or a $250,000.00 fine. From the Director Greetings, everyone! It was my distinct pleasure to direct ECU Storybook Theatre’s production of Doctor Dolittle, and even though under the most challenging of circumstances during a pandemic year, when cast members had to faithfully practice socially distancing, washing of hands and the wearing of masks, we persevered. -
Network Map of Knowledge And
Humphry Davy George Grosz Patrick Galvin August Wilhelm von Hofmann Mervyn Gotsman Peter Blake Willa Cather Norman Vincent Peale Hans Holbein the Elder David Bomberg Hans Lewy Mark Ryden Juan Gris Ian Stevenson Charles Coleman (English painter) Mauritz de Haas David Drake Donald E. Westlake John Morton Blum Yehuda Amichai Stephen Smale Bernd and Hilla Becher Vitsentzos Kornaros Maxfield Parrish L. Sprague de Camp Derek Jarman Baron Carl von Rokitansky John LaFarge Richard Francis Burton Jamie Hewlett George Sterling Sergei Winogradsky Federico Halbherr Jean-Léon Gérôme William M. Bass Roy Lichtenstein Jacob Isaakszoon van Ruisdael Tony Cliff Julia Margaret Cameron Arnold Sommerfeld Adrian Willaert Olga Arsenievna Oleinik LeMoine Fitzgerald Christian Krohg Wilfred Thesiger Jean-Joseph Benjamin-Constant Eva Hesse `Abd Allah ibn `Abbas Him Mark Lai Clark Ashton Smith Clint Eastwood Therkel Mathiassen Bettie Page Frank DuMond Peter Whittle Salvador Espriu Gaetano Fichera William Cubley Jean Tinguely Amado Nervo Sarat Chandra Chattopadhyay Ferdinand Hodler Françoise Sagan Dave Meltzer Anton Julius Carlson Bela Cikoš Sesija John Cleese Kan Nyunt Charlotte Lamb Benjamin Silliman Howard Hendricks Jim Russell (cartoonist) Kate Chopin Gary Becker Harvey Kurtzman Michel Tapié John C. Maxwell Stan Pitt Henry Lawson Gustave Boulanger Wayne Shorter Irshad Kamil Joseph Greenberg Dungeons & Dragons Serbian epic poetry Adrian Ludwig Richter Eliseu Visconti Albert Maignan Syed Nazeer Husain Hakushu Kitahara Lim Cheng Hoe David Brin Bernard Ogilvie Dodge Star Wars Karel Capek Hudson River School Alfred Hitchcock Vladimir Colin Robert Kroetsch Shah Abdul Latif Bhittai Stephen Sondheim Robert Ludlum Frank Frazetta Walter Tevis Sax Rohmer Rafael Sabatini Ralph Nader Manon Gropius Aristide Maillol Ed Roth Jonathan Dordick Abdur Razzaq (Professor) John W. -
Neeme Järvi Kurt Atterberg Kurt Atterberg (1887 – 1974)
Atterberg SUPER AUDIO CD Symphony No. 4 ‘Sinfonia piccola’ • Suite No. 3 Symphony No. 6 ‘Dollar Symphony’ • En värmlandsrapsodi Gothenburg Symphony Orchestra Neeme Järvi Kurt Atterberg Kurt Atterberg (1887 – 1974) Orchestral Works, Volume 1 Symphony No. 6, Op. 31 ‘Dollar Symphony’ (1927 – 28)* 27:12 in C major • in C-Dur • en ut majeur 1 I Moderato – Poco più vivo – Tranquillo – Tempo I – Più vivo – Tempo I, marcatissimo – Poco più vivo – Tranquillo – Tempo I – Con moto – Subito largamente 8:52 2 II Adagio – Tranquillo – Un pochettino animando – Tempo tranquillo 9:47 3 III Vivace – Poco meno mosso – Tempo I – Poco stretto – Molto sostenuto – Presto 8:20 4 En värmlandsrapsodi, Op. 36 (1933)* 7:57 (A Värmland Rhapsody) ‘…runt om Lövens långa sjö…’ (…round the long Löven lake…) Zu Selma Lagerlöfs 75. Geburtstag Tranquillo, espressivo – Vivo – Tempo tranquillo – Vivo – Tempo tranquillo – Con moto – Tempo I 3 Suite No. 3, Op. 19 No. 1 (1921)†‡ 14:30 Arrangement by the composer for violin, viola, and string orchestra of movements from incidental music (1918) to the mystery play Sœur Béatrice (1901) by Maurice Maeterlinck (1862 – 1949) for violin, viola, and harmonium 5 Prélude. Adagio 3:39 6 Pantomim. Moderato 4:49 7 Vision. Allegro moderato – Con moto – Con moto – Tranquillo – Vivo – Adagio – Lento 5:56 Symphony No. 4, Op. 14 ‘Sinfonia piccola’ (1918)* 19:59 in G minor • in g-Moll • en sol mineur Composed on Swedish National Melodies 8 I Con forza – Tempo commodo – Tempo I – Vivo – Poco tranquillo – Vivo – Sempre quasi agitato – Commodo – Stretto poco – 5:46 9 II Andante – Tranquillo – 7:10 4 10 III Scherzo. -
Synesthetic Landscapes in Harold Pinter's Theatre
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2010 Synesthetic Landscapes in Harold Pinter’s Theatre: A Symbolist Legacy Graça Corrêa Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1645 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Synesthetic Landscapes in Harold Pinter’s Theatre: A Symbolist Legacy Graça Corrêa A dissertation submitted to the Graduate Faculty in Theatre in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2010 ii © 2010 GRAÇA CORRÊA All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in Theatre in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ______________ ______________________________ Date Chair of Examining Committee Daniel Gerould ______________ ______________________________ Date Executive Officer Jean Graham-Jones Supervisory Committee ______________________________ Mary Ann Caws ______________________________ Daniel Gerould ______________________________ Jean Graham-Jones THE CITY UNIVERSITY OF NEW YORK iv Abstract Synesthetic Landscapes in Harold Pinter’s Theatre: A Symbolist Legacy Graça Corrêa Adviser: Professor Daniel Gerould In the light of recent interdisciplinary critical approaches to landscape and space , and adopting phenomenological methods of sensory analysis, this dissertation explores interconnected or synesthetic sensory “scapes” in contemporary British playwright Harold Pinter’s theatre. By studying its dramatic landscapes and probing into their multi-sensory manifestations in line with Symbolist theory and aesthetics , I argue that Pinter’s theatre articulates an ecocritical stance and a micropolitical critique. -
Copyright by Laura Kathleen Valeri 2011
Copyright by Laura Kathleen Valeri 2011 The Thesis Committee for Laura Kathleen Valeri Certifies that this is the approved version of the following thesis: Rediscovering Maurice Maeterlinck and His Significance for Modern Art APPROVED BY SUPERVISING COMMITTEE: Supervisor: Linda D. Henderson Richard A. Shiff Rediscovering Maurice Maeterlinck and His Significance for Modern Art by Laura Kathleen Valeri, BA Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2011 Abstract Rediscovering Maurice Maeterlinck and His Significance for Modern Art Laura Kathleen Valeri, MA The University of Texas at Austin, 2011 Supervisor: Linda D. Henderson This thesis examines the impact of Maurice Maeterlinck’s ideas on modern artists. Maeterlinck's poetry, prose, and early plays explore inherently Symbolist issues, but a closer look at his works reveals a departure from the common conception of Symbolism. Most Symbolists adhered to correspondence theory, the idea that the external world within the reach of the senses consisted merely of symbols that reflected a higher, objective reality hidden from humans. Maeterlinck rarely mentioned symbols, instead claiming that quiet contemplation allowed him to gain intuitions of a subjective, truer reality. Maeterlinck’s use of ambiguity and suggestion to evoke personal intuitions appealed not only to nineteenth-century Symbolist artists like Édouard Vuillard, but also to artists in pre-World War I Paris, where a strong Symbolist current continued. Maeterlinck’s ideas also offered a parallel to the theories of Henri Bergson, embraced by the Puteaux Cubists Jean Metzinger and Albert Gleizes. -
The German-Jewish Experience Revisited Perspectives on Jewish Texts and Contexts
The German-Jewish Experience Revisited Perspectives on Jewish Texts and Contexts Edited by Vivian Liska Editorial Board Robert Alter, Steven E. Aschheim, Richard I. Cohen, Mark H. Gelber, Moshe Halbertal, Geoffrey Hartman, Moshe Idel, Samuel Moyn, Ada Rapoport-Albert, Alvin Rosenfeld, David Ruderman, Bernd Witte Volume 3 The German-Jewish Experience Revisited Edited by Steven E. Aschheim Vivian Liska In cooperation with the Leo Baeck Institute Jerusalem In cooperation with the Leo Baeck Institute Jerusalem. An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 4.0 License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. ISBN 978-3-11-037293-9 e-ISBN (PDF) 978-3-11-036719-5 e-ISBN (EPUB) 978-3-11-039332-3 ISSN 2199-6962 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2015 Walter de Gruyter GmbH, Berlin/Boston Cover image: bpk / Staatsbibliothek zu Berlin Typesetting: PTP-Berlin, Protago-TEX-Production GmbH, Berlin Printing and binding: CPI books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Preface The essays in this volume derive partially from the Robert Liberles International Summer Research Workshop of the Leo Baeck Institute Jerusalem, 11–25 July 2013. -
Modern Theories of Drama
Modern Theories of Drama A Selection of Writings on Drama and Theatre 1850-1990 Edited and annotated by George W. Brandt CLARENDON PRESS • OXFORD 1998 Contents Acknowledgements ix Introduction xiii PART I General Theory The Work of Art of the Future (1849) Richard Wagner 3 The Thirty-Six Dramatic Situations (1895) Georges Polti 12 The Law of the Drama (1894) Ferdinand Brunetiere 19 >OThe Comic in Situations (1900) Henri Bergson 25 Melodrama (1966) Eric Bentley 35 For a Theatre of Situations (1947) Jean-Paul Sartre 42 XTheatre Problems (1954-5) Friedrich Durrenmatt 45 Theatre without a Conscience (1990) Howard Barker 55 Are There Universals of Performance in Myth, Ritual, and Drama? (1989) Victor Turner 62 PART 11 Varieties of Realism The Relationship of Dramatic Art to its Age and Allied Matters: The Preface to Mary Magdalene (1844) Friedrich Hebbel 71 Naturalism (1881) Emile Zola 80 Author's Preface to Miss Julie (1888) August Strindberg 89 liffTlAgainst the Well-Made Play (1911) George Bernard Shaw 99 Death of a Salesman: A Modern Tragedy? (1958) Arthur Miller 106 vi Contents PART in. Anti-Naturalism The Tragical in Daily Life (1894) Maurice Maeterlinck 115 The Theatre (1899) William Butler Yeats 122 Certain Noble Plays of Japan (1917) William Butler Yeats 126 y On the Theatre: The Fairground Booth (1913) Vsevolod Emilievich Meyerhold 132 On the Art of the Theatre: The First Dialogue (1905) Edward Gordon Craig 138 Organic Unity (1921) Adolphe Appia 145 Memoranda on Masks (1932) Eugene O'Neill 153 A Dramatist's Notebook (1933) Eugene -
The Story of Doctor Dolittle Hugh Lofting
The Story of Doctor Dolittle Hugh Lofting ALMA CLASSICS alma classics an imprint of alma books ltd 3 Castle Yard Richmond Surrey TW10 6TF United Kingdom www.almaclassics.com The Story of Doctor Dolittle first published in 1920 This edition first published by Alma Classics in 2018 Cover image © Susan Hellard, 2018 Extra Material © Alma Books Ltd Printed in Great Britain by CPI Group (UK) Ltd, Croydon CR0 4YY isbn: 978-1-84749-745-1 All the pictures in this volume are reprinted with permission or pre sumed to be in the public domain. Every effort has been made to ascertain and acknowledge their copyright status, but should there have been any unwitting oversight on our part, we would be happy to rectify the error in subsequent printings. All rights reserved. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or other- wise), without the prior written permission of the publisher. This book is sold subject to the condition that it shall not be resold, lent, hired out or otherwise circulated without the express prior consent of the publisher. Contents The Story of Doctor Dolittle 1 Notes 104 Extra Material for Young Readers 105 The Writer 107 The Book 109 The Characters 110 Other Classic Animal Stories 113 Test Yourself 115 Glossary 119 to all children children in years and children in heart i dedicate this story The Story of Doctor Dolittle 1 Puddleby nce upon a time, many years ago – when our grandfathers were little children – there was a doctor, and his name was Dolittle – John Dolittle, MD. -
Henderson, Archibald
Published on NCpedia (https://ncpedia.org) Home > Henderson, Archibald Henderson, Archibald [1] Share it now! Average: 5 (1 vote) Henderson, Archibald by Rosamond Putzel, 1988 17 July 1877–6 Dec. 1963 See also: Elizabeth Brownrigg Henderson Cotten [2], sister. Photograph of Archibald Henderson, circa 1912. Image from Archive.org/University of North Carolina at Chapel Hill. [3]Archibald Henderson, mathematician, teacher, literary critic, biographer, and historian, was born at Lombardy, his grandfather's home in Salisbury. He was the son of Elizabeth Brownrigg Cain and John Steele Henderson [4], Democratic representative to the United States Congress from 1885 to 1895. His ancestors included Richard Henderson [5], president of the company that sent Daniel Boone [6] to explore the western lands of Tennessee and Kentucky;J ohn Steele [7], George Washington's comptroller of the Treasury; and Archibald Henderson [8], a U.S. congressman and state legislator between 1799 and 1820. Archibald Henderson, third of that name, was a man of astonishingly varied virtuosity and undeniable genius. Towards the end of his career, he himself divided his many interests thus: "Mathematics, and the allied sciences of physics and astronomy, have absorbed . my fullest interest through some fifty years of my life. Concurrently with these scientific studies ran another deep and abiding impulse: the passion for a grasp and mastery of some of the leading thought movements of the time, especially in . literature, drama, history and philosophy." The pure science of his first love was, of course, without boundary; in the "thought movements" of the second, he was consistently both internationalist and regionalist. -
The Story of DOCTOR DOLITTLE
1 The Story of DOCTOR DOLITTLE by Hugh Lofting Published by Ichthus Academy Doctor Dolittle ©Ichthus Academy 2 INTRODUCTION There are some of us now reaching middle age who discover themselves to be lamenting the past in one respect if in none other, that there are no books written now for children comparable with those of thirty years ago. I say written FOR children because the new psychological business of writing ABOUT them as though they were small pills or hatched in some especially scientific method is extremely popular today. Writing for children rather than about them is very difficult as everybody who has tried it knows. It can only be done, I am convinced, by somebody having a great deal of the child in his own outlook and sensibilities. Such was the author of "The Little Duke" and "The Dove in the Eagle's Nest," such the author of "A Flatiron for a Farthing," and "The Story of a Short Life." Such, above all, the author of "Alice in Wonderland." Grownups imagine that they can do the trick by adopting baby language and talking down to their very critical audience. There never was a greater mistake. The imagination of the author must be a child's imagination and yet maturely consistent, so that the White Queen in "Alice," for instance, is seen just as a child would see her, but she continues always herself through all her distressing adventures. The supreme touch of the white rabbit pulling on his white gloves as he hastens is again absolutely the child's vision, but the white rabbit as guide and introducer of Alice's adventures belongs to mature grown insight. -
Interpreters of Life and the Modern Spirit
THIS BOOK IS FROM THE LIBRARY OF Rev. James Leach Digitized by tine Internet Arciiive in 2010 witin funding from University of Toronto littp://www.arcliive.org/details/interpretersoflOOIiend nterpreters of Li I and the Modern Spin by Archibald Henderson LONDON DUCKWORTH AND CO. 3 Henrietta Street, W. C. 1911 ^^\B R A^l"^ Printed by The Manhattan Press New York, U. S. A. To my Father and Mother, the Two who guided my first steps in the paths of literature, this venture into its wider fields is with all devotion dedicated. INTERPRETERS OF LIFE George Meredith . I Oscar Wilde 35 Maurice Maeterlinck 105 Henrik Ibsen 157 I. The evolution of his mind and art 159 II. The genesis of his dramas 243 George Bernard Shaw 285 The frontispiece is a photogravure from an unpub- lished picture of George Meredith by Alvin Langdon Coburn. GEORGE MEREDITH "Then, ah! then . will the novelists* Art, now neither blushless infant nor executive man, have attained its majority. We can then he veraciously historical, honestly transcriptive. Rose-pink and dirty drab will alike have passed away. Philosophy is the foe of both, and their silly cancelling contest, perpetually renewed in a shuffle of extremes, as it always is where a phantasm falseness reigns, will no longer baffle the contemplation of natural flesh, smother no longer the soul issuing out of our incessant strife. Philosophy bids us to see that we are not so pretty as rose-pink, not so repulsive as dirty drab; and that, instead of everlastingly shifting those barren aspects, the sight of ourselves is wholesome, bearable, fructifying, finally a de- light. -
Newbery Award Winners Newbery Award Winners
Waterford Public Library Newbery Award Winners Newbery Award Winners 1959: The Witch of Blackbird Pond by Elizabeth George Speare 1958: Rifles for Watie by Harold Keith Newbery Award Winners 1996: The Midwife's Apprentice by Karen Cushman 1957: Miracles on Maple Hill by Virginia Sorenson 1995: Walk Two Moons by Sharon Creech 1956: Carry On, Mr. Bowditch by Jean Lee Latham 1994: The Giver by Lois Lowry 1955: The Wheel on the School by Meindert DeJong The Newbery Medal was named for 18th-century British bookseller 1993: Missing May by Cynthia Rylant 1954: ...And Now Miguel by Joseph Krumgold John Newbery. It is awarded annually by the Association for 1992: Shiloh by Phyllis Reynolds Naylor 1953: Secret of the Andes by Ann Nolan Clark Library Service to Children, a division of the American Library 1991: Maniac Magee by Jerry Spinelli 1952: Ginger Pye by Eleanor Estes Association, to the author of the most distinguished contribution to 1990: Number the Stars by Lois Lowry 1951: Amos Fortune, Free Man by Elizabeth Yates American literature for children. 1989: Joyful Noise: Poems for Two Voices by Paul Fleischman 1950: The Door in the Wall by Marguerite de Angeli 1988: Lincoln: A Photobiography by Russell Freedman 1949: King of the Wind by Marguerite Henry 2021: When You Trap a Tiger by Tae Keller 1987: The Whipping Boy by Sid Fleischman 1948: The Twenty-One Balloons by William Pène du Bois 1986: Sarah, Plain and Tall by Patricia MacLachlan 1947: Miss Hickory by Carolyn Sherwin Bailey 2020: New Kid, written and illustrated by Jerry Craft 1985: The Hero and the Crown by Robin McKinley 1946: Strawberry Girl by Lois Lenski 2019: Merci Suárez Changes Gears by Meg Medina 1984: Dear Mr.