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Shining the Spotlight on New Talent Independent Opera
Independent Opera Shining the spotlight on new talent INDEPENDENT OPERA AT SADLER’S WELLS 2005–2020 Introduction Message from Wigmore Hall Thursday 15 October 2020, 7.30pm In this period of uncertainty, Independent Opera at Sadler’s It gives me great pleasure to welcome Independent Opera Wells is grateful to be able to present its annual Scholars’ to Wigmore Hall for its fourth showcase event. Now, more Independent Opera Recital at Wigmore Hall. For this final concert in Independent than ever, such opportunities are vital for young singers. Opera’s 15-year history, we are thrilled to bring together We are immensely grateful to Independent Opera for its four talented singers: tenor Glen Cunningham, soprano pioneering work and for its extraordinary commitment Scholars’ Recital Samantha Quillish, bass William Thomas, mezzo-soprano to young artists when they need it most. Tonight’s concert Lauren Young and renowned pianist Christopher Glynn. is a great example of the spirit of Independent Opera and all that it has represented over so many years. I hope Antonín Dvorˇák The four emerging artists you will hear tonight were Glen Cunningham tenor that you all enjoy this concert. Cigánské melodie, Op. 55 selected from Independent Opera’s partner conservatoires: Royal College of Music No. 1 Má písenˇ zas mi láskou zní Royal College of Music, Royal Academy of Music, Guildhall John Gilhooly Director No. 4 Když mne stará matka zpívat School of Music & Drama and Royal Conservatoire of Samantha Quillish soprano Moravian Duets, Op. 38 Scotland. The Independent Opera Voice Scholarships were Royal Academy of Music No. -
German Operetta on Broadway and in the West End, 1900–1940
Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds. -
BEHIND the MUSIC Featuring Nicola Benedetti Larkinsurance.Co.Uk
ISSUE 5 BEHIND THE MUSIC Featuring Nicola Benedetti larkinsurance.co.uk What’s Inside Cover Story 12-15 4-5 Nicola Benedetti at 30 I had to be tough She has no wish for lavish gifts on her 30th birthday but Lyric baritone Sir Thomas Allen has natural Nicola Benedetti expresses her desire to fathom a way to talent and shares his craft by encouraging formalise her education work young opera hopefuls 26-29 22-25 Land of legends It was serendipity The Gower Festival goes from strength to strength, thanks Annette Isserlis put her heart and soul into to a music-loving team led by Artistic Director Gordon arranging the posthumous birthday concert in Back who has been attracting top musicians to the idyllic honour of Francis Baines – and she planned it peninsula in south-west Wales in her personal woodland Welcome t is fascinating to discover what goes on behind the scenes in the world of top-class music and inside this issue of LARKmusic I hope you will enjoy reading the exclusive features which capture our Iinterviewees’ passion and incredible drive for perfection. The Lark team has been enjoying some wonderful music, attending events from the Francis Baines’ centenary concert to recitals at the Royal College of Music, the Suffolk schools’ Celebration at Snape Maltings and this summer’s Gower Festival – meeting clients and making new friends along the way. Read on for the full stories! Back in the office, it’s been busy with a focus on improving our insurance products and online service so I am pleased to introduce our new Public Liability Cover, as well as highlighting our new quote and buy portal which will make buying insurance cover online even more convenient. -
Central Reference CD List
Central Reference CD List January 2017 AUTHOR TITLE McDermott, Lydia Afrikaans Mandela, Nelson, 1918-2013 Nelson Mandela’s favorite African folktales Warnasch, Christopher Easy English [basic English for speakers of all languages] Easy English vocabulary Raifsnider, Barbara Fluent English Williams, Steve Basic German Goulding, Sylvia 15-minute German learn German in just 15 minutes a day Martin, Sigrid-B German [beginner’s CD language course] Berlitz Dutch in 60 minutes Dutch [beginner’s CD language course] Berlitz Swedish in 60 minutes Berlitz Danish in 60 minutes Berlitz Norwegian in 60 minutes Berlitz Norwegian phrase book & CD McNab, Rosi Basic French Lemoine, Caroline 15-minute French learn French in just 15 minutes a day Campbell, Harry Speak French Di Stefano, Anna Basic Italian Logi, Francesca 15-minute Italian learn Italian in just 15 minutes a day Cisneros, Isabel Latin-American Spanish [beginner’s CD language course] Berlitz Latin American Spanish in 60 minutes Martin, Rosa Maria Basic Spanish Cisneros, Isabel Spanish [beginner’s CD language course] Spanish for travelers Spanish for travelers Campbell, Harry Speak Spanish Allen, Maria Fernanda S. Portuguese [beginner’s CD language course] Berlitz Portuguese in 60 minutes Sharpley, G.D.A. Beginner’s Latin Economides, Athena Collins easy learning Greek Garoufalia, Hara Greek conversation Berlitz Greek in 60 minutes Berlitz Hindi in 60 minutes Berlitz Hindi travel pack Bhatt, Sunil Kumar Hindi : a complete course for beginners Pendar, Nick Farsi : a complete course for beginners -
Universalmuseum Joanneum (Graz,11-12 Mar 10)
Ein Museum erfindet sich neu: Universalmuseum Joanneum (Graz,11-12 Mar 10) Schatz Elisabeth Workshop "Ein Museum erfindet sich neu. Die Entwicklung eines Corporate Design am Beispiel des Universalmuseum Joanneum" 11.-12.3.2010 l Heimatsaal, Paulustorgasse 13a, 8010 Graz (A) Voranmeldungen sind schon jetzt per Mail an [email protected], oder per Fax +43 (0)316/8017-9808 möglich! Seit 2003 erneuert sich das Landesmuseum Joanneum in Graz mit einem vorläufigen Höhepunkt der Umbenennung in "Universalmuseum" und der Schaffung eines vollkommen neuen Corporate Design 2009. Gleichzeitig werden mehrere große und zentrale Sammlungen und deren Dauerausstellungen erneuert, an neuen Standorten oder auch in neuen Architekturen gezeigt. Diese 'Neuerfindung' soll exemplarisch für Modernisierungsprozesse von Museen insgesamt dargestellt und untersucht werden. Mit Augenmerk sowohl für die Wechselbeziehung von Öffentlichkeitsarbeit, Marketing, Corporate Identity und Corporate Design einerseits und inhaltlicher Erneuerung andererseits. Es geht in der Veranstaltung aber auch um die praktische Seite, um Produktion und Umsetzung. Am konkreten Beispiel sollen die Entscheidungen, die Produkte und Projekte vorgestellt, erläutert und diskutiert werden, aus denen eine solche 'Rundumerneuerung' zusammengesetzt ist. Die Beteiligten berichten über den Planungs- und Umsetzungsprozess, über die Ergebnisse, über erste Erfahrungen mit den entwickelten Produkten und über den ideellen und strategischen Hintergrund. Mit Dr. Wolfgang Muchitsch Direktor Universalmuseum -
Goings Ralph
LOUIS K. MEISEL GALLERY RALPH GOINGS Biography Updated: 2/14/20 BORN 1928 Corning, CA EDUCATION 1965 Sacramento State College, Sacramento, CA; M.F.A. 1953 California College of Arts and Crafts, Oakland, CA; B.F.A. SOLO EXHIBITIONS 2005 Great Goings: Vintage Pick-up Trucks and Diner Paintings, Louis K. Meisel Gallery, New York, NY 2004 Ralph Goings: Four Decades of Realism, The Butler Institute of American Art, Youngstown, OH 2003 Ralph Goings: Paintings & Watercolors, Vintage & Current Works, Bernarducci Meisel Gallery, New York, NY 1997 Ralph Goings: Photorealism, Solomon Dubnick Gallery, Sacramento, CA 1996 O.K. Harris Works of Art, New York, NY 1994 Ralph Goings, A Retrospective View of Watercolors: 1972-1994, Jason McCoy Inc., New York, NY 1991 O.K. Harris Works of Art, New York, NY 1988 O.K. Harris Works of Art, New York, NY 1985 O.K. Harris Works of Art, New York, NY 1983 O.K. Harris Works of Art, New York, NY 1980 O.K. Harris Works of Art, New York, NY 1977 O.K. Harris Works of Art, New York, NY 1973 O.K. Harris Works of Art, New York, NY 141 Prince Street, New York, NY 10012 | T: 212 677 1340 | F: 212 533 7340 | E: [email protected] LOUIS K. MEISEL GALLERY 1970 O.K. Harris Works of Art, New York, NY 1968 Artists CooperatiVe Gallery, Sacramento, CA 1962 Artists CooperatiVe Gallery, Sacramento, CA 1960 Artists CooperatiVe Gallery, Sacramento, CA GROUP EXHIBITIONS 2019 Reality Check: Photorealist Watercolors, Herbert F. Johnson Museum, Cornell UniVersity, Ithaca, NY, April 27 – July 28 50 Years of Realism, Centro Cultural Center Bank of Brazil, Rio de Janeiro, May 22 – July 29 2017-18 From Lens to Eye to Hand: Photorealism 1969 to Today, traVeling exhibition: Parrish Art Museum, Water Mill, NY August 6, 2017 – Jan. -
LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Filling the City with Song!
LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Filling the city with song! Festival Programme 2009 The Grammar School at Leeds inspiring individuals is pleased to support the Leeds Lieder+ Festival Our pupils aren’t just pupils. singers, They’re also actors, musicians, stagehands, light & sound technicians, comedians, , impressionists, producers, graphic artists, playwrightsbox office managers… ...sometimes they even sit exams! www.gsal.org.uk For admissions please call 0113 228 5121 Come along and see for yourself... or email [email protected] OPENING MORNING Saturday 17 October 9am - 12noon LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Biennial Festival of Art Song Artistic Director Julius Drake 3 Lord Harewood Elly Ameling If you, like me, have collected old gramophone records from Dear Friends of Leeds Lieder+ the time you were at school, you will undoubtedly have a large I am sure that you will have a great experience listening to this number of Lieder performances amongst them. Each one year’s rich choice of concerts and classes. It has become a is subtly different from its neighbour and that is part of the certainty! attraction. I know what I miss: alas, circumstances at home prevent me The same will be apparent in the performances which you this time from being with you and from nourishing my soul with will hear under the banner of Leeds Lieder+ and I hope this the music in Leeds. variety continues to give you the same sort of pleasure as Lieder singing always has in the past. I feel pretty sure that it To the musicians and to the audience as well I would like to will and that if you have any luck the memorable will become repeat the words that the old Josef Krips said to me right indistinguishable from the category of ‘great’. -
29Th 2017 in Schloss Eggenberg, Graz Austria
Light & Glass Yearly Meeting April 27th - 29th 2017 in Schloss Eggenberg, Graz Austria Shining a Light, Light – Culture – History Together with our host Paul Schuster, we present our Program of Lectures: STAGING OF LIGHT / INSZENIERUNG. John Smith, formerly Malletts, London GB: "Country House Lighting in the 18th Century Britain - The Ascendency of Glass" Siegrun Appelt, Slow Light etc. Vienna, Austria: „Licht im Zeitalter der Industrialisierung” (Light in the Industrial Age) Indre Uzuotaite, Vilnius, Lithuania: "Servant of the Chandelier - Mirrors as Lighting Device" Tereza Svachova / Peter Rath, “Eliaska Project, Progress to date” RADIATING LIGHT / DAS OBJEKT Käthe Klappenbach, Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg, Potsdam, Germany: "Kristall-Kronleuchter für den Preußischen König Friedrich II" Angela Gräfin von Wallwitz, Munich, Germany: "An Outstanding and Important Pair of Large Ormolu Wall Lights" Ingrid Thom-Stricker ,Restauratorin für Kunsthandwerk, Bayerische Verwaltung der staatlichen Schlösser, Gärten und Seen: "Die Luster in der Residenz Bamberg" Maria Joao Burnay, Glass Collection Curator, Palacio Nacional da Ajuda, Lisbon, Portugal: “Romantic lighting and ambiances. Chandeliers and wall lights in the Palacio da Ajuda.” Susanne Carp + Susanne Conrad, LVR_Amt für Denkmalpflege im Rheinland, Germany : "Die Laterne im Prunktreppenhaus von Schloss Augustenberg in Brühl" Jan Mergl, Deputy Director Scientific Work, West Bohemian Museum, Pilsen CZ, “Beleuchtungskörper auf der Wiener-Ausstellungen 1900-1918 -
Acta Historiae Artis Slovenica 25|2• 2020
XXXXXXXXXXXXXXXXXX Umetnostnozgodovinski inštitut Franceta Steleta ZRC SAZU France Stele Institute of Art History ZRC SAZU ACTA HISTORIAE ARTIS SLOVENICA 25|2• 2020 Likovna umetnost v habsburških deželah med cenzuro in propagando Visual Arts in the Habsburg Lands between Censorship and Propaganda LJUBLJANA 2020 XXXXXXX XXXXXXXXXX Acta historiae artis Slovenica, 25/2, 2020 Likovna umetnost v habsburških deželah med cenzuro in propagando Visual Arts in the Habsburg Lands between Censorship and Propaganda Znanstvena revija za umetnostno zgodovino / Scholarly Journal for Art History ISSN 1408-0419 (tiskana izdaja / print edition) ISSN 2536-4200 (spletna izdaja / web edition) ISBN: 978-961-05-0495-5 Izdajatelj / Issued by ZRC SAZU, Umetnostnozgodovinski inštitut Franceta Steleta / ZRC SAZU, France Stele Institute of Art History Založnik / Publisher Založba ZRC Glavna urednica / Editor-in-chief Tina Košak Urednika številke / Edited by Franci Lazarini, Tina Košak Uredniški odbor / Editorial board Renata Komić Marn, Tina Košak, Katarina Mohar, Mija Oter Gorenčič, Blaž Resman, Helena Seražin Mednarodni svetovalni odbor / International advisory board Günter Brucher (Salzburg), Ana María Fernández García (Oviedo), Hellmut Lorenz (Wien), Milan Pelc (Zagreb), Sergio Tavano (Gorizia-Trieste), Barbara Wisch (New York) Lektoriranje / Language editing Maria Bentz, Kirsten Hempkin, Amy Anne Kennedy, Andrea Leskovec, Tjaša Plut Prevodi / Translations Andrea Leskovec, Borut Praper, Nika Vaupotič Celosten strokovni in jezikovni pregled / Expert and language -
HERBERT BRANDL Bilderbuch Bilderbogen 5 FEB – 14 MAR 2020
In the LOGIN: HERBERT BRANDL Bilderbuch Bilderbogen 5 FEB – 14 MAR 2020 Concurrently with Herbert Brandl’s major solo exhibition on show at Belvedere 21, Vienna, from 31 January to 24 May 2020, we are presenting a selection of current works entitled Bilderbuch Bilderbogen [Picture Set Picture Sequence] at the LOGIN, the gallery window space on Grünangergasse. New and previously unseen works will be on show on a weekly rotation as part of a dynamic format. This means that, every Tuesday over the course of the run, a further exhibition will emerge which, as a series, will open up a tableau that reveals Brandl’s highly expressive natural and colourful worlds, offering an insight into his stunning imagery. In his latest works Brandl pursues his in-depth exploration of the complex themes of nature, landscape and abstraction. Here, at the focal point of his artistic output, he has chosen to place deserted observations of nature. Captivating his interest is the elaboration of individual motifs such as mountain formations, crystals, waterfalls, hyenas and lions, motifs to which he has returned time and again in cycles of works elaborated over long periods of time. As with his latest theme, the rose, these are motifs with clichéd attributions which he approaches with his own substantive and formal examination. Scaled up onto large-format canvases, framed in excerpt-like details and rendered detached from their contexts, they gain a certain urgency and monumental presence. It is their originality and seemingly untouched nature which Brandl has addressed with his idiosyncratic gaze and highlighted in his works. -
Universalmuseum Joanneum Press Line, Light and Shadow Master
Universalmuseum Joanneum Press Universalmuseum Joanneum [email protected] Mariahilferstraße 4, 8020 Graz, Austria Telephone +43-316/8017-9211 www.museum-joanneum.at Line, Light and Shadow Master Drawings of the Baroque Alte Galerie, Eggenberger Allee 90, 8020 Graz Opening: 30.04.2013, 7 p.m. Duration: 01.05.-28.07.2013 Curators: Karin Leitner-Ruhe and Christine Rabensteiner, Alte Galerie, Universalmuseum Joanneum; Regina Kaltenbrunner, Rossacher Collection in the Salzburg Museum Information: +43-316/8017-9773, [email protected] In cooperation with Rossacher Collection in the Salzburg Museum In collaboration with the Rossacher Collection in the Salzburg Museum – which in autumn 2011 as the former Salzburger Barockmuseum had exhibited the Rembrandt etchings of the Alte Galerie – the Alte Galerie is showing a selection of works of Austrian and South German Baroque artists in its special exhibition, Line, Light and Shadow. Master Drawings of the Baroque, from May 1st, 2013 onwards. Besides its main focus on painted oil sketches, the Rossacher Collection includes a bundle of works drawn on paper. The Kupferstichkabinett of the Alte Galerie houses more than 400 freehand drawings. This exhibition comprises carefully selected works from both collections. With a few exceptions, the Baroque hand drawing should not be seen an artwork in its own right. It was primarily a form of preparation and design for another artistic medium. Accordingly, the exhibition is divided by areas of design – for altars, for ceiling and wall paintings, as well as for altar pieces and copper engravings. The works are often striking as individual works in their vivid, spontaneous and modern-seeming strokes. -
Program Notes
Program Notes Saturday, April 18, 7:30pm Five Flags Theatre Sunday, April 19, 2:00pm Downtown Dubuque WILLIAM INTRILIGATOR, Music Director & Conductor Best of Opera Opera, where compelling drama meets virtuosic vocal and instrumental music, is the most visceral genre in classical music. Its characters burst into song because their emotions are simply too powerful for ordinary speech. Though operatic plots are frequently hard to believe, they always deal with the most basic and universal of human emotions: ambition, jealousy, anger, revenge, and above all, passionate love. Drawing on music from the 18th, 19th, and early 20th centuries, tonight’s concert travels from France to Italy to Germany and Austria, and on to Russia to visit many of the most beloved moments in opera: from exhilarating orchestral overtures to full-throated choruses to the magnificently heart-on-sleeve arias of some of opera’s most memorable characters. We begin with the very colorful “Les Voici” chorus that opens Act IV of Georges Bizet’s (1838–1875) masterpiece Carmen, premiered in 1875. Today, Carmen is considered one of the most perfect of all operas: an ideal blending of spellbinding story, vivid characters, expert pacing, and, above all, nonstop musical inspiration. The libretto was based on Prosper Mérimée’s gritty novella about an untamed gypsy who makes her own rules, chooses her own lovers, and welcomes death without a tremor. Carmen seduces an upright young soldier, Don José, away from the army and his fiancée into a nefarious life of smuggling, then jilts him for the glamorous toreador, Escamillo. Maddened by jealousy, Don José stalks her at the bullfights in Seville and stabs her to death outside the arena.