THE FUTURE of AGRICULTURE Technology, Policies and Adjustment
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North Shore Sample
T a b l e o f C o n t e n t s Volume I Acknowledgments . iv Introduction . vii Maps of Long Island Estate Areas . xiv Factors Applicable to Usage . xvii Surname Entries A – M . 1 Volume II Surname Entries N – Z . 803 Appendices: ArcHitects . 1257 Civic Activists . 1299 Estate Names . 1317 Golf Courses on former NortH SHore Estates . 1351 Hereditary Titles . 1353 Landscape ArcHitects . 1355 Maiden Names . 1393 Motion Pictures Filmed at NortH SHore Estates . 1451 Occupations . 1457 ReHabilitative Secondary Uses of Surviving Estate Houses . 1499 Statesmen and Diplomats WHo Resided on Long Island's North Shore . 1505 Village Locations of Estates . 1517 America's First Age of Fortune: A Selected BibliograpHy . 1533 Selected BibliograpHic References to Individual NortH SHore Estate Owners . 1541 BiograpHical Sources Consulted . 1595 Maps Consulted for Estate Locations . 1597 PhotograpHic and Map Credits . 1598 I n t r o d u c t i o n Long Island's NortH SHore Gold Coast, more tHan any otHer section of tHe country, captured tHe imagination of twentieth-century America, even oversHadowing tHe Island's SoutH SHore and East End estate areas, wHich Have remained relatively unknown. THis, in part, is attributable to F. Scott Fitzgerald's The Great Gatsby, whicH continues to fascinate the public in its portrayal of the life-style, as Fitzgerald perceived it, of tHe NortH SHore elite of tHe 1920s.1 The NortH SHore estate era began in tHe latter part of the 1800s, more than forty years after many of the nation's wealtHy Had establisHed tHeir country Homes in tHe Towns of Babylon and Islip, along tHe Great SoutH Bay Ocean on tHe SoutH Shore of Long Island. -
De Artes Cênicas Da UNESPAR
DA CRIAÇÃO DE DARTINGTON HALL AO TEATRO ESTÚDIO DE MICHAEL Luciana Paula Castilho Barone CHEKHOV: OS PRINCÍPIOS DE COMUNIDADE, EDUCAÇÃO E ATUAÇÃO Luciana Paula Castilho Barone Luciana Paula Castilho Barone1 Mas nós, aqui, batemos as cartas e as pomos como elas vêm (Roland Barhtes) RESUMO: Este trabalho aborda a estruturação da comunidade de Dartington Hall, no Reino Unido, os princípios educacionais e artísticos que ela consolidou entre os anos de 1925 e 1938 e o trabalho de Michael Chekhov nela sistematizado, entre os anos de 1935 e 1938. Para tanto, a autora navega entre sua própria experiência de pesquisa, os diversos eventos (em diferentes períodos ou países) que marcaram a estruturação da comunidade, e as relações que potencializaram a intensa vida artística de Dantington Hall, nos anos de 1930. Localizada em uma área rural em Devon, Inglaterra, Dartington Hall foi fundada por Leonard e Dorothy Elmhirst em 1925, como um experimento educacional que entendia a escola como vida, e não como uma preparação para a vida. Nos anos 1930, diversos artistas começam a desenvolver trabalhos educacionais e artísticos na comunidade, entre eles, o ator e diretor russo Michael Chekhov, que fundou ali seu Teatro Estúdio. A autora busca relacionar o pensamento que estruturou essa comunidade, educacional e artisticamente, aos princípios da técnica de Michael Chekhov, apoiando-se, então, em proposições de filósofos contemporâneos da comunidade, para pensar o papel da alteridade como basilar tanto para Dartington Hall quanto para a técnica chekhoviana. Palavras-chave: imaginação; comunidade; técnica Michael Chekhov; Dartington Hall. FROM THE CREATION OF DARTINGTON HALL TO THE CHEKHOV THEATRE STUDIO: PRINCIPLES OF COMMUNITY, EDUCATION AND ACTING ABSTRACT: This essay approaches the structuring of Dartington Hall community (UK), the educational and artistic principles which were consolidated in it, between 1925 and 1938, and the work of Michael Chekhov systematized in it, between 1935 and 1938. -
Dorothy Whitney Straight Elmhirst
Tlrr Dorolily Wililury Slmighl Elmilirsl Pn1'ers nl Comt'il Uuit,ersily The Dorothy Whitney Straight Ehnhirst Papers at Cornell University 1909-1925 Guide to a Microfilm Ed ition Ingeborg Wald, Editor Dep.ntme nt o f Manuscr ipts and Univer sity A rchives John M. Olin Li brary It hac a, New Yo rk 1981 Cover: Dorollry Wlril11ry 5/rniglrl, skelclwl /Jy Willard Slraiglrl, probably 1912. Frontis pi ece: Dorollr y W/ril11ey ns a child. Preface Since a guide to the microfilm edition to the Willard D. Straight Papers appeared in 1974 the papers of Dorothy Payne Whitney Straight and additional papers of Willard D. Straight have been donated to the Archives by the Straight family. The papers of Dorothy Payne Whitney Straight have been arranged and ca n be used as a separate collection in the Department of Manuscripts and University Archives. A computer-generated index to the papers of Willard and Dorothy Straight is available. Additional information concerning Mrs. Straig ht and her children can be found at Elmhirst Centre, Dartington Ha ll , England. I wish to thank the Whitney Foundation, which has suppo rted the work for this guide. I am grateful to Michael Straight, w ho has answered swiftly my innumerable questions and often suggested wider avenues of approach to the family papers. My thanks also go to Beatrice Straight Cookson for her help and kindness. I wish to thank my coll eagues, friends, and students who were helpful and unders tanding when I was working on this g uide and indexing project, particula rly Gould P. -
Juli Gatling Book | [email protected] Waiting and Burning Out
Waiting and Burning Out: War Memory, Psychological Resilience, and Interwar Disillusionment Abstract This article examines interwar peace activism by focusing on the personal emotional process that provokes disillusionment. This study documents how peace aspirations collapsed for two activists during the Washington Naval Disarmament Conference and again at the start of the Second World War. The former destroyed their faith that peace could be obtained through international mediation while the latter prompted a rejection of all interwar peace organizations. This article argues that while war memory often prompted involvement in interwar peace movements, trauma decreased psychological resilience—effectively leaving individuals prone to disillusionment when faced with the political machinery of conflict negotiation. Keywords World War, Memory, Disillusionment, Gender, Peace Activism, Disarmament Trauma decreases resilience and increases the desire to avoid conflict. This article studies this process by following the narrative of two interwar peace activists as they shared their memory of the First World War, their hopes for peace and their eventual rejection of interwar peace organizations at the start of the Second World War. What a society remembers and what it forgets is a telling indicator and for the interwar generation memories of the First World War loomed large.1 It was a trauma that ran deep. For many, this trauma led to an intense commitment to establishing and maintaining a lasting peace. Private memory, especially in the interwar period, is much more difficult to uncover compared to the popular, public memory of events. This case study provides a rare glimpse into the private memory of the First World War—especially that of women. -
Iaae-Agecon.Org INSIDE THIS ISSUE
Tuesday, 17 August 2021 Issue #1 INSIDE THIS ISSUE President’s Welcome ............ 2 Conference Theme ............... 3 Our Sponsors ........................ 3 Origins of the IAAE .............. 4 The IAAE Today ................... 5 Board of Directors ................ 5 Past ICAE Stats ..................... 6 Earlier ICAE Conferences .... 6 The tradition of the Cow Bell .............................................. 7 Past conference themes ........ 8 The Elmhirst Lecture ........... 9 Leonard K. Elmhirst Lecture Series .................................... 10 Past Presidents ..................... 11 iaae-agecon.org About IAAE........................... 12 Announcements ................... 12 Hashtags: #icae21 #icae2021 #icaevirtual #icae21virtual PRESIDENT’S WELCOME t gives me great pleasure to welcome you to the my case, it really did not take long to reach a I 31st International Conference of Agricultural decision. Kym Anderson is in all respects a wor- Economists (ICAE) on behalf of the Board of thy Elmhirst Lecturer, and it is a great privilege IAAE. This is, of course, our first virtual confer- to have him with us for the conference. ence and, while there are exciting possibilities for hybrid formats in the future, I personally hope This message provides an ideal opportunity to this is also the last virtual conference! thank those who made the most important con- tributions to the organization of the conference, The decision to have a virtual conference was not starting with President-elect Uma Lele and her taken lightly. We faced a lot of uncertainty – how team, who have worked tirelessly to bring us an many people would register, what was the price academic program that promises to keep us rivet- elasticity of demand for registration fees, how ed to our computer screens for the next two many papers would be submitted, how should we weeks. -
Accommodating Ongoing Subjective Experience in the Presentation of Heritage Landscape
EMBODIED KNOWLEDGE OF LANDSCAPE: ACCOMMODATING ONGOING SUBJECTIVE EXPERIENCE IN THE PRESENTATION OF HERITAGE LANDSCAPE BY SONAL MITHAL MODI DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Landscape Architecture in the Graduate College of the University of Illinois at Urbana-Champaign, 2015 Urbana, Illinois Doctoral Committee: Associate Professor David L. Hays, Chair Professor D. Fairchild Ruggles Professor Jennifer Monson Assistant Professor Rini Bhattacharya Mehta Abstract This dissertation frames a new approach to the presentation of heritage landscape, taking into account the emergent priority of ongoing subjective experience in heritage discourse. The dissertation advocates for a shift in heritage theory and practice based on an understanding of “embodied knowledge” of landscape—meaning, recognition of individual, corporeal experience as a defining aspect of landscape. The research question that this dissertation explores is: How can a progressive understanding of landscape, based on new thinking about embodied knowledge, contribute to the theory and practice of heritage landscape? The research question and argument are explored through close study of a specific site: Śāntiniketan, India. As India’s 2010 nomination to UNESCO’s World Heritage List, Śāntiniketan is currently under consideration for designation, and the role of subjective experience in shaping its character makes this an ideal moment to reassess the process through which it and other sites are nominated and evaluated. The corporeal body is the locus for this study, which builds upon the prevailing phenomenological stances towards the body. Those stances critique the way Cartesian intellectualism has prioritized the mind over the body, and they reposition the body as an essential site of knowledge production. -
Kettle's Yard
KETTLE’S YARD: ANTI-MUSEUM H.S. Ede, modernism and the experience of art Elizabeth Anne Fisher Clare College October 2018 This dissertation is submitted for the degree of Doctor of Philosophy DECLARATION This dissertation is submitted for the degree of Doctor of Philosophy. It is the result of my own work and includes nothing which is the outcome of work done in collaboration except as declared in the Preface and specified in the text. It is not substantially the same as any that I have submitted, or, is being concurrently submitted for a degree or diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. I further state that no substantial part of my dissertation has already been submitted, or, is being concurrently submitted for any such degree, diploma or other qualification at the University of Cambridge or any other University of similar institution except as declared in the Preface and specified in the text. It does not exceed the prescribed word limit of 80,000 words. 2 ABSTRACT This thesis attempts to tackle the question of what is, or more precisely, what was Kettle’s Yard, by exploring the intellectual origins of the institution initially conceived and developed by H.S. Ede. Ede bought Kettle’s Yard in 1956, and began to welcome visitors into his home in 1957. As a private initiative, Kettle’s Yard promoted an unusually intimate encounter with art. Following its transferral to the University of Cambridge in 1968, Kettle’s Yard still offered a qualitatively different experience to that of a conventional museum. -
H-Diplo ROUNDTABLE XXI-51
H-Diplo ROUNDTABLE XXI-51 Kristin L. Hoganson. The Heartland: An American History. New York: Penguin Random House, 2019. ISBN: 9781594203572 (hardcover, $30.00); 9780525561637 (paperback, $18.00). 13 July 2020 | https://hdiplo.org/to/RT21-51 Roundtable Editors: Thomas Maddux and Diane Labrosse | Production Editor: George Fujii Contents Introduction by Mark Philip Bradley, University of Chicago ...........................................................................................................................................2 Review by Courtney Fullilove, Wesleyan University ..........................................................................................................................................................4 Review by April Merleaux, Williams College ..........................................................................................................................................................................6 Review by Michael G. Thompson, Australian Catholic University ..............................................................................................................................8 Review by Ian Tyrrell, University of New South Wales, Sydney, Australia .......................................................................................................... 14 Response by Kristin Hoganson, University of Illinois at Urbana–Champaign .................................................................................................... 18 H-Diplo Roundtable XXI-51 Introduction by Mark Philip -
Adelphi University [email protected]
THE PENCIL Memories of Dartington Hall and the English Origin of the Michael Chekhov Acting Method DEIRDRE HURST DU PREY tape-recorded, transcribed and edited by Diane Caracciolo Adelphi University Garden City, NY 11530 [email protected] Deirdre du Prey’s corrections and changes have been incorporated by Julia Busser du Prey in January 2002. INTRODUCTION 1 was born on July [6, 1906, and I think it was rather an important day, because my birth took place in a jbrest fire. My mother was in a little house bearing me, while my father was on the roof with the neighbors, trying to put the fire out. We were in tall, standing timber, and it was sunmter, and there/ore very dangerous, but all went well. And as my sisters used to say, 'S'he was born in a forest fire, and she’s never stopped burning. ' Why, I don’t know; but I always had all kinds of fire in me, which had to be expended. It is not surprising that fire should be tlte earliest image associated with Deirdre Hurst du Prey, as lter devotion to her mentor‘s teachings, particularly those regarding the creative imagination, still blazes despite the outer frailty ofher 94 years. A number offortuitous events combined to bring about the crossing of destinies between Deirdre and Chekhov. First, growing up in the wilds of Vancouver in the early decades of the twentieth century, her family befriended Russian e'migrés, such as Michael Gounderov Rosinsky and Prince Volkonsky, that often had fled to the Northwest via Harbin, China. -
Writers on T's Literary Output Often Mention Its Reflect on His Philosophy
Towards One World: A Journey Through the English Essays of Rabindranath Tagore Submitted by Christine Elizabeth Marsh, to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English in April 2013 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. 1 Towards One World: A Journey Through the English Essays of Rabindranath Tagore Abstract Tagore is viewed through the medium of five books of essays which he wrote in English. Most of the essays are the texts of lectures Tagore delivered to audiences in England and America. They are important because they constitute what Tagore actually communicated to audiences and readers in the West during his tours outside India. The five books are taken chronologically in the chapters of this thesis, each one being a stage on Tagore’s journey. They are read in conjunction with information about his activities in India prior to each particular tour, his encounters during the trip, and any relevant correspondence, in order better to understand the ideas he expresses. A key finding from close study of the essays is the extent to which Tagore draws on his understanding of the evolution and special capabilities of the human species. This philosophical anthropology, or ‘deep anthropology’, is used to describe what mankind ought to be, as well as what we are. -
INSIDE THIS ISSUE Inauguration of Leonard Elmhirst Lecture
Thursday, 29 August 2021 Issue #5 INSIDE THIS ISSUE Inauguration of Leonard Elmhirst Lecture ............ 2 31st ICAE Highlights .... ........................................ 3 Our Sponsors ................. 3 The Elmhirst Lecture .... 4 Elmhirst Lectures Series ........................................ 5 Feature: Walter J. Arm- bruster ............................ 6 Past conference Themes ........................................ 7 31st ICAE Highlights ..... iaae-agecon.org ........................................ 8 Announcements............. 9 Hashtags: #icae21 #icae2021 #icaevirtual #icae21virtual INAUGURATION OF LEONARD ELMHIRST LECTURE— 1976, NAIROBI, KENYA By SAMAR R. SEN, IAAE President (1970- also of the political economy of agricul- 1976) ture. We have gathered today to honour the It is not that all his widespread endeav- memory of our Founder-President, Leonard ours proved to be successful. He had his Knight Elmhirst. share of failures. But that never daunted him. He referred to his failures as Leonard Elmhirst was a man of great vi- "negative results", judging them as no sion and initiative, a patron of the less useful than "positive results" in visual and performing arts as well as of any scientific experiment and cheerfully the social sciences and a champion of the taking up new experiments. Even at the downtrodden and deprived all over the age of 80 when he died he was looking world. This last concern of his, in par- forward and not backward. He was one of ticular, prompted him to help the Indian the blessed few who are ever young at poet-philosopher, Rabindra Nath Tagore, heart. to initiate path-breaking experiments and studies in rural development in India, to Your Executive Committee felt that the undertake other valuable experiments in best way in which your Association could his own country and to establish the honour Leonard Elmhirst's memory would be International Association of Agricultural to invite one of the world's outstanding Economists, of which he was the Founder- agricultural economists to give in each President for four decades. -
2019 Beatrix Farrand Society News
THE BEATRIX FARRAND SOCIETY NEWS 2019 Mountain laurel, with its showy pink flowers and glossy green foliage, is attractive in woodland gardens. This voucher was prepared by Marion Spaulding for the herbari- um at Reef Point. University & Jepson Herbaria, University of California, Berkeley, voucher UC1066978 ITALIAN LESSONS: BEATRIX FARRAND IN DIANE KOSTIAL MCGUIRE (1933-2019) THE FOOTSTEPS OF AUNT EDITH WHARTON LANDSCAPE ARCHITECT, SCHOLAR, MENTOR by CeCe Haydock by Judith B. Tankard DOROTHY WHITNEY STRAIGHT ELMHIRST PLANT PROFILE: MOUNTAIN LAUREL (1887-1968) (KALMIA LATIFOLIA) by Nick Opinsky by Matthew Wallhead DARTINGTON HALL, DEVON, ENGLAND BEATRIX FARRAND & GEORGE B. DORR: 2019 BEATRIX FARRAND SOCIETY THE INEVITABLE CONNECTION PROGRAMS by Ronald H. Epp ITALIAN LESSONS: BEATRIX FARRAND IN THE During her European tour, Farrand visited, measured, and wrote about many examples of classical gardens FOOTSTEPS OF AUNT EDITH WHARTON design. While her written prose never rivaled her aunt’s, her unpublished “Book of Gardening, 1893-1895” in- cludes thorough and thoughtful observation of gardens in and around Rome, Naples, Calabria, the Amalfi Coast, by CeCe Haydock Florence, Milan, and the Italian Lakes. Her citation of the plant material is keen, as was her commentary on the lack of design in certain gardens. “The garden was as usual a disappointment in the landscape gardening way, but some plants were interesting & some used in rather new ways.”(4) This experience greatly sharpened her ability to see, visualize, and critique elements of gardens that worked—and did not work. She also commented on the “Englishization” of various gardens, a phrase most likely borrowed from her aunt, who loathed the naturalistic gardening style.