Campusthe Magazine for University of Wales Alumni
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People, Places and Policy
People, Places and Policy Set within the context of UK devolution and constitutional change, People, Places and Policy offers important and interesting insights into ‘place-making’ and ‘locality-making’ in contemporary Wales. Combining policy research with policy-maker and stakeholder interviews at various spatial scales (local, regional, national), it examines the historical processes and working practices that have produced the complex political geography of Wales. This book looks at the economic, social and political geographies of Wales, which in the context of devolution and public service governance are hotly debated. It offers a novel ‘new localities’ theoretical framework for capturing the dynamics of locality-making, to go beyond the obsession with boundaries and coterminous geog- raphies expressed by policy-makers and politicians. Three localities – Heads of the Valleys (north of Cardiff), central and west coast regions (Ceredigion, Pembrokeshire and the former district of Montgomeryshire in Powys) and the A55 corridor (from Wrexham to Holyhead) – are discussed in detail to illustrate this and also reveal the geographical tensions of devolution in contemporary Wales. This book is an original statement on the making of contemporary Wales from the Wales Institute of Social and Economic Research, Data and Methods (WISERD) researchers. It deploys a novel ‘new localities’ theoretical framework and innovative mapping techniques to represent spatial patterns in data. This allows the timely uncovering of both unbounded and fuzzy relational policy geographies, and the more bounded administrative concerns, which come together to produce and reproduce over time Wales’ regional geography. The Open Access version of this book, available at www.tandfebooks.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 3.0 license. -
Breathtaking Stories of Extreme Filming. Read the Full Story on Page 6
The newspaper for BBC pensioners - with highlights from Ariel Heights, Camera, Action Breathtaking stories of extreme filming. Read the full story on page 6. June 2011 • Issue 4 Yes, Prime Lord Patten Minister back takes the helm Sounds better? on stage Page 2 Page 7 Page 12 NEWS • LifE aftEr auNtiE • CLaSSifiEdS • Your LEttErS • obituariES • CroSPEro 02 uPdatE froM thE bbC Patten takes helm at BBC Trust On 3 May, Lord Patten began his appointment as chairman of the BBC Trust – with an interesting first day spent taking questions from staff in a ringmain session. Quality First) should be all about and I hope we’ll be able to discuss options with the Executive during the summer.’ 2011 pay offer It is also apparent that the new chairman is ready and willing to deal with the – an update repercussions of the less popular decisions to be taken, and those which will not always Further to requests by the unions for all be accepted gladly by the licence fee payer. staff in bands 2-11 to be awarded a pay ‘I hope we won’t be talking about closing increase which is ‘substantially above services but, whatever we are talking about inflation’, the BBC has offered a 2% doing, if the Trust and the Executive are increase – which falls far short of the agreed it is the best way of using the money Retail Prices Index (RPI) figures on which then we have to stand by the consequences. If it is intended to be based (5.2% as at that involves answering thousands of emails, April 2011). -
Future Directions for Higher Education in Wales: Students As Partners
Future Directions for Higher Education in Wales: Students as Partners Contents 5. Editorial 6. Theme 1: Student representation 6. Aberystwyth University: Student representation system 7. Bangor University: Student Experience Enhancement Strategy 9. Cardiff Metropolitan University: Student-led Teaching Fellowships 11. Cardiff University: Developing a learning and teaching strategy 12. Cardiff University: Academic representation system 12. Cardiff University: Student Charter 13. Coleg Llandrillo Cymru: Learner Involvement Policy and Strategy 14. Glynd ˆwr University: Development of a Student Representatives Council 16. Swansea Metropolitan University: School of Leisure & Sport Management – Leisure & Sport Management (LSM) society 17. Swansea Metropolitan University: ‘You said: we did’ 18. Swansea Metropolitan University: International student ambassadors 19. Swansea University: Enhancing the course representatives structure 19. Swansea University: ‘Have Your Say’ 21. University of Glamorgan: Engaging diversity 22. University of Glamorgan: Student voice representative for Welsh-medium learners 23. University of Glamorgan: Community and Citizenship student voice representative 24. University of Wales, Newport: Students as Partners Forum 25. Royal Welsh College of Music and Drama: Student representation system 27. Theme 2: Students supporting students 27. Cardiff Metropolitan University: Induction – a joint planning and delivery process (students and staff) 29. Cardiff Metropolitan University: Online community for the Mature Students Society 32. Swansea Metropolitan University: Student2student 32. Swansea Metropolitan University: ‘Don’t Drop Out, Drop In’ 33. Coleg Llandrillo Cymru: JISC-funded project – Using peer e-guides to promote digital literacy (PEDL) 35. University of Glamorgan: Student voice representatives 36. University of Wales, Newport: Course Representation Co-ordinator 37. University of Wales, Newport: PASS@Newport (Peer Assisted Study Sessions) 39. Theme 3: Curriculum development 39. -
THE LIVING CHURCH Is Published by the Living Church Foundation
Income from Church Property TLC Partners Theology of the Prayer Book February 12, 2017 THE LIV ING CHURCH CATHOLIC EVANGELICAL ECUMENICAL Prayer & Protest $5.50 livingchurch.org Architecture THE LIVING ON THE COVER HURCH Presiding Bishop Michael Curry: “I C pray for the President in part because THIS ISSUE February 12, 2017 Jesus Christ is my Savior and Lord. If | Jesus is my Lord and the model and guide for my life, his way must be my NEWS way, however difficult” (see “Prayer, 4 Prayer, Protest Greet President Trump Protest Greet President Trump,” p. 4). 6 Objections to Consecration in Toronto Danielle E. Thomas photo 10 Joanna Penberthy Consecrated 6 FEATURES 13 Property Potential: More Churches Consider Property Redevelopment to Survive and Thrive By G. Jeffrey MacDonald 16 NECESSARy OR ExPEDIENT ? The Book of Common Prayer (2016) | By Kevin J. Moroney BOOKS 18 The Nicene Creed: Illustrated and Instructed for Kids Review by Caleb Congrove ANNUAL HONORS 13 19 2016 Living Church Donors OTHER DEPARTMENTS 24 Cæli enarrant 26 Sunday’s Readings LIVING CHURCH Partners We are grateful to Church of the Incarnation, Dallas [p. 27], and St. John’s Church, Savannah [p. 28], whose generous support helped make this issue possible. THE LIVING CHURCH is published by the Living Church Foundation. Our historic mission in the Episcopal Church and the Anglican Communion is to seek and serve the Catholic and evangelical faith of the one Church, to the end of visible Christian unity throughout the world. news | February 12, 2017 Prayer, Protest Greet President Trump The Jan. 20 inauguration of Donald diversity of views, some of which have Trump as the 45th president of the been born in deep pain,” he said. -
BFI CELEBRATES BRITISH FILM at CANNES British Entry for Cannes 2011 Official Competition We’Ve Got to Talk About Kevin Dir
London May 10 2011: For immediate release BFI CELEBRATES BRITISH FILM AT CANNES British entry for Cannes 2011 Official Competition We’ve Got to Talk About Kevin dir. Lynne Ramsay UK Film Centre supports delegates with packed events programme 320 British films for sale in the market A Clockwork Orange in Cannes Classics The UK film industry comes to Cannes celebrating the selection of Lynne Ramsay’s We Need to Talk About Kevin for the official competition line-up at this year’s festival, Duane Hopkins’s short film, Cigarette at Night, in the Directors’ Fortnight and the restoration of Stanley Kubrick’s A Clockwork Orange, restored by Warner Bros; in Cannes Classics. Lynne Ramsay’s We Need To Talk About Kevin starring Tilda Swinton was co-funded by the UK Film Council, whose film funding activities have now transferred to the BFI. Duane Hopkins is a director who was supported by the UK Film Council with his short Love Me and Leave Me Alone and his first feature Better Things. Actor Malcolm McDowell will be present for the screening of A Clockwork Orange. ITV Studios’ restoration of A Night to Remember will be screened in the Cinema on the Beach, complete with deckchairs. British acting talent will be seen in many films across the festival including Carey Mulligan in competition film Drive, and Tom Hiddleston & Michael Sheen in Woody Allen's opening night Midnight in Paris The UK Film Centre offers a unique range of opportunities for film professionals, with events that include Tilda Swinton, Lynne Ramsay and Luc Roeg discussing We Need to Talk About Kevin, The King’s Speech producers Iain Canning and Gareth Unwin discussing the secrets of the film’s success, BBC Film’s Christine Langan In the Spotlight and directors Nicolas Winding Refn and Shekhar Kapur in conversation. -
University of Wales Archive (GB 0210 UNIVWALES)
Llyfrgell Genedlaethol Cymru = The National Library of Wales Cymorth chwilio | Finding Aid - University of Wales Archive (GB 0210 UNIVWALES) Cynhyrchir gan Access to Memory (AtoM) 2.3.0 Generated by Access to Memory (AtoM) 2.3.0 Argraffwyd: Mai 04, 2017 Printed: May 04, 2017 Wrth lunio'r disgrifiad hwn dilynwyd canllawiau ANW a seiliwyd ar ISAD(G) Ail Argraffiad; rheolau AACR2; ac LCSH This description follows NLW guidelines based on ISAD(G) Second Edition; AACR2; and LCSH. https://archifau.llyfrgell.cymru/index.php/university-of-wales-archive archives.library .wales/index.php/university-of-wales-archive Llyfrgell Genedlaethol Cymru = The National Library of Wales Allt Penglais Aberystwyth Ceredigion United Kingdom SY23 3BU 01970 632 800 01970 615 709 [email protected] www.llgc.org.uk University of Wales Archive Tabl cynnwys | Table of contents Gwybodaeth grynodeb | Summary information .............................................................................................. 3 Hanes gweinyddol / Braslun bywgraffyddol | Administrative history | Biographical sketch ......................... 3 Natur a chynnwys | Scope and content .......................................................................................................... 5 Trefniant | Arrangement .................................................................................................................................. 6 Nodiadau | Notes ............................................................................................................................................ -
Downloadable Text (Finkelstein and Mccleery 2006, 1)
A Book History Study of Michael Radford’s Filmic Production William Shakespeare’s The Merchant of Venice A thesis submitted in fulfilment of the requirements for the degree of MASTER OF ARTS of RHODES UNIVERSITY by BRYONY ROSE HUMPHRIES GREEN March 2008 ABSTRACT Falling within the ambit of the Department of English Literature but with interdisciplinary scope and method, the research undertaken in this thesis examines Michael Radford’s 2004 film production William Shakespeare’s The Merchant of Venice using the Book History approach to textual study. Previously applied almost exclusively to the study of books, Book History examines the text in terms of both its medium and its content, bringing together bibliographical, literary and historical approaches to the study of books within one theoretical paradigm. My research extends this interdisciplinary approach into the filmic medium by using a modified version of Robert Darnton’s “communication circuit” to examine the process of transmission of this Shakespearean film adaptation from creation to reception. The research is not intended as a complete Book History study and even less as a comprehensive investigation of William Shakespeare’s The Merchant of Venice . Rather, it uses a Shakespearean case study to bring together the two previously discrete fields of Book History and filmic investigation. Drawing on film studies, literary concepts, cultural and media studies, modern management theory as well as reception theories and with the use of both quantitative and qualitative data, I show Book History to be an eminently useful and constructive approach to the study of film. ii ACKNOWLEDGEMENTS I want to thank the Mandela Rhodes Foundation for the funding that allowed me to undertake a Master’s degree. -
We Need to Talk About Subsidy: Television and the UK Film Industry – a Thirty-Year Relationship
We Need To Talk About Subsidy: Television and the UK film industry – a thirty-year relationship. I want to conclude this panel by taking a broader perspective on the concept of film subsidy, as deployed by Film4 and BBC Films, respectively the film production arms of the UK’s major public broadcasters Channel 4 and the BBC. As well as indicating the distinctive features of this model within the economic structure of the UK film industry, the paper will offer some consideration of the kind of film product these interventions has tended to produce. It will conclude with an assessment of the strengths and weaknesses of what I want to call the cultural subsidy model of film production, and raise some general questions arising from the relationship between the film and television industries. In 2010, having been producing feature films in one form or another for twenty years, the BBC (the UK’s unique flagship PSB), produced its first explicit film strategy: ‘There are three principal public sector bodies which support film: BBC Films, Film4 (part of Channel 4) and UK Film Council (UKFC) (now merged with BFI)… This set up has provided the British film industry with stability and plurality which has been very important in the development and sustainability of the industry over the last decade’ (BBC Films Strategy, 2010). The confidence with which it trumpeted its own role in contributing ‘stability and plurality’ to the British film industry belied its protracted soul-searching about whether cinema was something the licence fee should really be spent on. Long-held anxiety within the Corporation that the licence levied on every household that owns a TV set should be spent on television content rather than movies the public has to pay again to see at the cinema, characterised the BBC’s ambivalence about following the film sponsorship model pioneered by Channel 4 from 1982. -
Gill Morgan, Is Dealing with Whitehall Arrogance
plus… Jeff Jones Labour’s leadership election Nicola Porter Journalism must fight back Barry Morgan Religion and politics Dafydd Wigley Options for the referendum Andrew Shearer Garlic’s secret weapon Gill David Culshaw Decline of the honeybee Gordon James Coal in a warm climate Morgan Katija Dew Beating the crunch Gear change for our civil service Andrew Davies The Kafka Brigade Peter Finch Capturing the soul www.iwa.org.uk Winter 2009 No. 39 | £5 clickonwales ! Coming soon, our new website www. iwa.or g.u k, containing much more up-to-date news and information and with a freshly designed new look. Featuring clickonwales – the IWA’s new online service providing news and analysis about current affairs as it affects our small country. Expert contributors from across the political spectrum will be commissioned daily to provide insights into the unfolding drama of the new 21 st Century Wales – whether it be Labour’s leadership election, constitutional change, the climate change debate, arguments about education, or the ongoing problems, successes and shortcomings of the Welsh economy. There will be more scope, too, for interactive debate, and a special section for IWA members. Plus: Information about the IWA’s branches, events, and publications. This will be the must see and must use Welsh website. clickonwales and see where it takes you. clickonwales and see how far you go. The Institute of Welsh Affairs gratefully acknowledges core funding from the Joseph Rowntree Charitable Trust , the Esmée Fairbairn Foundation and the Waterloo Foundation . The following organisations are corporate members: Private Sector • Principality Building Society • The Electoral Commission Certified Accountants • Abaca Ltd • Royal Hotel Cardiff • Embassy of Ireland • Autism Cymru • Beaufort Research • Royal Mail Group Wales • Fforwm • Cartrefi Cymunedol / • Biffa Waste Services Ltd • RWE NPower Renewables • The Forestry Commission Community Housing Cymru • British Gas • S. -
The Finance and Production of Independent Film and Television in the UK: a Critical Introduction
The Finance and Production of Independent Film and Television in the UK: A Critical Introduction Vital Statistics General Population: 64.1m Size: 241.9 km sq GDP: £1.9tr (€2.1tr) Film1 Market share of UK independent films in 2015: 10.5% Number of feature films produced: 201 Average visits to cinema per person per year: 2.7 Production spend per year: £1.4m (€1.6) TV2 Audience share of the main publicly-funded PSB (BBC): 72% Production spend by PSBs: £2.5bn (€3.2bn) Production spend by commercial channels (excluding sport): £350m (€387m) Time spent watching television per day: 193 minutes (3hrs 13 minutes) Introduction This chapter provides an overview of independent film and television production in the UK. Despite the unprecedented levels of convergence that characterise the digital era, the UK film and television industries remain distinct for several reasons. The film industry is small and fragmented, divided across the two opposing sources of support on which it depends: large but uncontrollable levels of ‘inward-investment’ – money invested in the UK from overseas – mainly from the US, and low levels of public subsidy. By comparison, the television industry is large and diverse, its relative stability underpinned by a long-standing infrastructure of 1 Sources: BFI 2016: 10; ‘The Box Office 2015’ [market share of UK indie films] ; BFI 2016: 6; ‘Exhibition’ [cinema visits per per person]; BFI 2016: 6; ‘Exhibition’ [average visits per person]; BFI 2016: 3; ‘Screen Sector Production’ [production spend per year]. 2 Sources: Oliver & Ohlbaum 2016: 68 [PSB audience share]; Ofcom 2015a: 3 [PSB production spend]; Ofcom 2015a: 8. -
September/October 2014 at BFI Southbank
September/October 2014 at BFI Southbank Al Pacino in Conversation with Salome & Wilde Salome, Jim Jarmusch and Friends, Peter Lorre, Night Will Fall, The Wednesday Play at 50 and Fela Kuti Al Pacino’s Salomé and Wilde Salomé based on Oscar Wilde’s play, will screen at BFI Southbank on Sunday 21 September and followed by a Q&A with Academy Award winner Al Pacino and Academy Award nominee Jessica Chastain that will be broadcast live via satellite to cinemas across the UK and Ireland. This unique event will be hosted by Stephen Fry. Jim Jarmusch was one of the key filmmakers involved in the US indie scene that flourished from the mid-70s to the late 90s. He has succeeded in remaining true to the spirit of independence, with films such as Stranger Than Paradise (1984), Dead Man (1995) and, most recently, Only Lovers Left Alive (2013). With the re-release of Down By Law (1986) as a centrepiece for the season, we will also look at films that have inspired Jarmusch A Century of Chinese Cinema: New Directions will celebrate the sexy, provocative and daring work by acclaimed contemporary filmmakers such as Wong Kar-wai, Jia Zhangke, Wang Xiaoshuai and Tsai Ming-liang. These directors built on the innovations of the New Wave era and sparked a renewed global interest in Chinese cinema into the new millennium André Singer’s powerful new documentary Night Will Fall (2014) reveals for the first time the liberation of the Nazi concentration camps and the efforts made by army and newsreel cameramen to document the almost unbelievable scenes encountered there. -
ICT Use and Connectivity of Minority Communities in Wales
Connected Communities ICT use and connectivity of minority communities in Wales Panayiota Tsatsou Ian Stafford Gary Higgs Richard Fry Robert Berry 1 ICT USE AND CONNECTIVITY OF MINORITY COMMUNITIES IN WALES ICT use and connectivity of minority communities in Wales Panayiota Tsatsou Ian Stafford Gary Higgs Richard Fry Robert Berry Executive Summary This project has aimed to gain an understanding of the impact of Information and Communication Technologies (ICTs) on changing cultures and patterns of connectivity within and between minority communities and the potential of multifaceted digital divides in constraining or shaping these forms of connectivity. It has used Wales as a test-bed and focused on ethnic communities (and their language and cultural attributes) and people with disabilities. The project activities ranged from reviewing the literature and existing research to undertaking stakeholder engagement activities. The project findings highlight that ICTs and the Internet are perceived as being key to promoting community connectivity in contemporary society and that the minority communities are at risk of both social and digital exclusion. There is clear anecdotal evidence that these communities require bespoke policy which reflects their specific needs and requirements. However, the evidence provided in existing (mostly quantitative) research data fails to adequately explore these issues and „grey data‟ is both difficult to identify and access. Therefore there is a clear rationale for developing more qualitative, fine grained, community-based