Code-Switching and Mixing in Communication −A Study on Language Contact in Indian Media
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Yash Chopra the Legend
YASH CHOPRA THE LEGEND Visionary. Director. Producer. Legendary Dream Merchant of Indian Cinema. And a trailblazer who paved the way for the Indian entertainment industry. 1932 - 2012 Genre defining director, star-maker and a studio mogul, Yash Chopra has been instrumental in shaping the symbolism of mainstream Hindi cinema across the globe. Popularly known as the ‘King of Romance’ for his string of hit romantic films spanning over a five-decade career, he redefined drama and romance onscreen. Born on 27 September 1932, Yash Chopra's journey began from the lush green fields of Punjab, which kept reappearing in his films in all their splendour. © Yash Raj Films Pvt. Ltd. 1 www.yashrajfilms.com Yash Chopra started out as an assistant to his brother, B. R. Chopra, and went on to direct 5 very successful films for his brother’s banner - B. R. Films, each of which proved to be a significant milestone in his development as a world class director of blockbusters. These were DHOOL KA PHOOL (1959), DHARMPUTRA (1961), WAQT (1965) - India’s first true multi-starrer generational family drama, ITTEFAQ (1969) & AADMI AUR INSAAN (1969). He has wielded the baton additionally for 4 films made by other film companies - JOSHILA (1973), DEEWAAR (1975), TRISHUL (1978) & PARAMPARA (1993). But his greatest repertoire of work were the 50 plus films made under the banner that he launched - the banner that stands for the best of Hindi cinema - YRF. Out of these films, he directed 13 himself and these films have defined much of the language of Hindi films as we know them today. -
Vishwatma Hd Movie Download
Vishwatma hd movie download Continue Sunny Deol was born as Ajay Singh Deol on October 19, 1952 in New Delhi, India. He is the son of actor Dharmandra and Prakash Kaura. He has a younger brother, also an actor, Bobby Deol. His father married actress Hema Malini, and Sonny has two halves of sister Ash Deol, actress and Ahana Deol. His cousin Abhay Deol is also an actor. He is married to Puja Deol and they have two sons Rajvir Singh and Ranvir Singh. Sunny studied in Mumbai at Sacred Heart High School and Podar College. England Is the Old Web Theatre where he took acting and theater lessons. Sunny Deols debut film Rahul Rawalis Betaab (1983) was a big hit that followed the much famous plot of a poor boy falling in love with a rich girl. Debutante Amrita Singh was a rich beauty. The 1985 release, Arjun, with Dimple Kapadia was another film he is famous for. He has starred in such films as Samundar, Ram-Avtar, Maybor, Maine Tere Dushman and Rajiv Rais Tridev. Last released in 1989, starred the likes of Nasiraddin Shah, Madhuri Dixit and Jackie Shroff. The story of three men from different backgrounds who came together to fight the villains was well received. Chaal Baaz (1989) with Sridevi and Rajnikan was also successful. His performance as a boxer in Rajkumar Santoshis Ghayal (1992) with Meenakshi Sheshadri was recognized as brilliant and he won the Filmfare Best Actor Award. In 1993 Damini was a huge success, winning his Filmfare Best Supporting Actor, as did Yash Chopras Darr, with Shah Rukh Khan and Juhi Chawla. -
Research Paper Impact Factor
Research Paper IJBARR Impact Factor: 3.072 E- ISSN -2347-856X Peer Reviewed, Listed & Indexed ISSN -2348-0653 HISTORY OF INDIAN CINEMA Dr. B.P.Mahesh Chandra Guru * Dr.M.S.Sapna** M.Prabhudev*** Mr.M.Dileep Kumar**** * Professor, Dept. of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. **Assistant Professor, Department of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. ***Research Scholar, Department of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. ***RGNF Research Scholar, Department of Studies in Communication and Journalism, University of Mysore, Manasagangothri, Mysore-570006, Karnataka, India. Abstract The Lumiere brothers came over to India in 1896 and exhibited some films for the benefit of publics. D.G.Phalke is known as the founding father of Indian film industry. The first Indian talkie film Alam Ara was produced in 1931 by Ardeshir Irani. In the age of mooki films, about 1000 films were made in India. A new age of talkie films began in India in 1929. The decade of 1940s witnessed remarkable growth of Indian film industry. The Indian films grew well statistically and qualitatively in the post-independence period. In the decade of 1960s, Bollywood and regional films grew very well in the country because of the technological advancements and creative ventures. In the decade of 1970s, new experiments were conducted by the progressive film makers in India. In the decade of 1980s, the commercial films were produced in large number in order to entertain the masses and generate income. Television also gave a tough challenge to the film industry in the decade of 1990s. -
Page 01 Nov 02.Indd
SUNDAY 2 NOVEMBER 2014 • [email protected] • www.thepeninsulaqatar.com • 4455 7741 inside Star power helps COMMUNITY awaken Before • CHANSS-Qatar marks Kerala’s I Go to Sleep birthday P | 5 P | 8-9 WHEELS • 2015 Jeep Compass: Off-road look, without the muddy fenders P | 6 BOOKS • Black music, white culture and a legendary US highway P | 7 HEALTH • Zumba, pilates and their ilk are no longer a no-man’s land AOL’sAOL’Ls InstantInI stant MessengerMeM sssene ger ququietlyieetly P | 11 killedkillled offoff itsits chatroomschhatrt ooms inin 2010.20100 Yahoo Messenger axed its public chatrooms in 2012. And when MSN TECHNOLOGY Messenger closed shop on Friday in China, the last place where the • Apple criticised after service still operated, it marked the users’ private files conclusive end of the mainstream end up in the cloud chatroom era. P | 12 END OF LEARN ARABIC • Learn commonly used Arabic words CHATROOMS? and their meanings P | 13 2 PLUS | SUNDAY 2 NOVEMBER 2014 COVER STORY By Caitlin Dewey Just look at the earliest, successful forerun- realm of PLATO, people began to form highly per- ner to online chat — a program that academics sonal, social connections that had nothing to do acebook chose an odd time to launch invented, almost by accident, long before the birth with academics. In other words, they just wanted Rooms, its homage to the classic ‘90s of the World Wide Web. to chat. chatroom. AOL’s Instant Messenger, per- Talkomatic, the program’s appropriately retro “People met and got acquainted in Talkomatic, Fhaps the icon of the anonymous instant- name, was born out of PLATO, a computer-based and carried on romances via “term-talk” and messaging age, quietly killed off its chat rooms in education program at the University of Illinois, in Personal Notes,” one of its creators, David Woolley, 2010. -
Veer–Zaara Regie: Yash Chopra
Veer–Zaara Regie: Yash Chopra Land: Indien 2004. Produktion: Yash Raj Films (Mumbai). Regie: Yash Chopra. Buch: Aditya Chopra. Regie Actionszenen: Allan Amin. Kamera: Anil Mehta. Ton: Anuj Mathur. Musik: Madan Mohan. Neueinspielung: Sanjeev Kohli. Arrangements: R.S. Mani. Liedtexte: Javed Akhtar. Sänger: Lata Mangeshkar, Udit Narayan, Sonu Nigam, Roop Kumar Rathod, Gurdas Mann, Ahmed Hussain, Mohammed Hussain, Mohammed Vakil, Javed Hussain, Pritha Majumder. Ausstattung: Sharmishta Roy. Choreographie: Saroj Khan, Vaibhavi Merchant. Kostüme: Manish Malhotra. Beratung (Drehbuch & Ausstattung): Nasreen Rehman. Schnitt: Ritesh Soni. Produzenten: Yash Chopra, Aditya Chopra. Co-Produzenten: Pamela Chopra, Uday Chopra, Payal Chopra. Aufnahmeleitung: Sanjay Shivalkar, Padam Bhushan. Darsteller: Shahrukh Khan (Veer Pratap Singh), Rani Mukerji (Saamiya Siddiqui), Preity Zinta (Zaara), Kirron Kher, Divya Dutta, Boman Irani, Anupam Kher, Amitabh Bachchan, Hema Malini, Manoj Bajpai, Zohra Segal (Bebe), S.M. Zaheer (Justice Qureshi), Tom Alter (Dr. Yusuf), Gurdas Mann (als er selbst), Arun Bali (Abdul Mallik Shirazi, Razas Vater), Akhilendra Mishra (Gefängniswärter Majid Khan), Rushad Rana (Saahil), Vinod Negi (Ranjeet), Balwant Bansal (Qazi), Rajesh Jolly (Priester), Anup Kanwal Singh (Sänger), Kanwar Jagdish (Glatzkopf im Bus), Dev K. Kantawalla (Munir), Vicky Ahuja (Vernehmungsbeamtin), Ranjeev Verma (Vernehmungsbeamter), Jas Keerat (Junger Cricket-Spieler), Sanjay Singh Bhadli (Bauer), Kulbir Baderson (Töpferin), Shivaya Singh (Kamli), Huzeifa Gadiwalla -
Keshav Naidu (Film Editor ) AF&VE Membership No. FGI/124 B-504
Keshav Naidu (Film Editor ) AF&VE Membership No. FGI/124 B-504, Blue Diamond, Ranade Road, Dahisar (West), Mumbai – 400068 Cell – 9892575311/9967168996 Mail : [email protected] Born in 1944, joined eminent film editor Mr T.Krishna , who used to be the editor of legendary South Indian movie director Mr A. Subbarao in 1971. Have the distinct expertise in all formats of film editing ie moviola, stenback (Linear film format) as well as Avid, FCP (Non-linear Digital Editing) Had the blessed opportunity to work as editor for legendary film directors of India. Worked as Independent editor for classic movies of Padmashri Mr Govind Nihalani (Aakrosh,Vijeta) ,Mr Chetan Anand (Kudrat) ,Mr Mukul S. Anand (Aitbar-1985)and commercial superhit movies of Padma Bhushan Mr Yash Chopra(Silsila,Mashal,Fasle,Vijay,Lamhe,Chandni and Darr), Mr Sunny Deol (Dillagi), Mr Guddu Dhanoa (Shaheed), Mr Deepak Sareen (Jab Pyar Kisise Hota Hai, Albela, Aaina), Mr Atul Agnihotri (Dil ne Jise Pyar Kaha),Mr Tinu Verma (Baaz), Mr Manmohan Singh (Jee Aiya Noo, Yaraan Naal Baharan, Assanu Mann Watanda and Mr Anil Sharma (Gadar). Debut Film as Independent Editor, Aakrosh bagged National Award for Best Feature Film in Hindi (1980), Filmfare Best Director Award (1981) and the Golden Peacock for Best film at the International Film Festival of India,New Delhi in 1981.It was also debut film of Govind Nihalani as director. KUDRAT was a box office hit .Rajesh Khanna received the 1982 All India Critics Association Best Actor Award . It also won the Filmfare Award for Best Story for Chetan Anand Best Female Playback Award--Parveen Sultana and Best Cinematographer Award for Jal Mistry Received prestigious Filmfare Awards as Best Editor for Vijeta (1982).Vijeta also received Filmfare Best Cinematographer Award for Govind Nihalani and Filmfare Best Sound Award for Hitendra Ghosh Lamhe is regarded as a modern Masterpiece . -
Responses to 100 Best Acts Post-2009-10-11 (For Reference)
Bobbytalkscinema.Com Responses/ Comments on “100 Best Performances of Hindi Cinema” in the year 2009-10-11. submitted on 13 October 2009 bollywooddeewana bollywooddeewana.blogspot.com/ I can't help but feel you left out some important people, how about Manoj Kumar in Upkar or Shaheed (i haven't seen that) but he always made strong nationalistic movies rather than Sunny in Deol in Damini Meenakshi Sheshadri's performance in that film was great too, such a pity she didn't even earn a filmfare nomination for her performance, its said to be the reason on why she quit acting Also you left out Shammi Kappor (Junglee, Teesri MANZIL ETC), shammi oozed total energy and is one of my favourite actors from 60's bollywood Rati Agnihotri in Ek duuje ke Liye Mala Sinha in Aankhen Suchitra Sen in Aandhi Sanjeev Kumar in Aandhi Ashok Kumar in Mahal Mumtaz in Khilona Reena Roy in Nagin/aasha Sharmila in Aradhana Rajendra Kuamr in Kanoon Time wouldn't permit me to list all the other memorable ones, which is why i can never make a list like this bobbysing submitted on 13 October 2009 Hi, As I mentioned in my post, you are right that I may have missed out many important acts. And yes, I admit that out of the many names mentioned, some of them surely deserve a place among the best. So I have made some changes in the list as per your valuable suggestion. Manoj Kumar in Shaheed (Now Inlcuded in the Main 100) Meenakshi Sheshadri in Damini (Now Included in the Main 100) Shammi Kapoor in Teesri Manzil (Now Included in the Main 100) Sanjeev Kumar in Aandhi (Now Included in Worth Mentioning Performances) Sharmila Togore in Aradhana (Now Included in Worth Mentioning Performances) Sunny Deol in Damini (Shifted to More Worth Mentioning Performances) Mehmood in Pyar Kiye Ja (Shifted to More Worth Mentioning Performances) Nagarjun in Shiva (Shifted to More Worth Mentioning Performances) I hope you will approve the changes made as per your suggestions. -
The Past; Preparing for the Future
Vol. 5 No. 08 New York August 2020 Sanya Madalsa Malhotra Sharma breakout Angel face with talent a spunky spirit Janhvi Priyanka Kapoor Abhishek chopra Jonas Navigating troubled Desi girl turns Bollywood Bachchan global icon Learning thefrom past Volume 5 - August 2020 Inside Copyright 2020 Bollywood Insider 50 Dhaval Roy Deepali Singh 56 18 www.instagram.com/BollywoodInsiderNY/ Scoops 12 SRK’s plastic act 40 leaves fans curious “I had a deeper connection with Kangana’s grading Exclusives Sushant” system returns to bite 50 Sanjana Sanghi 64 her Learning from past; preparing for future 06 Abhishek Bachchan “I feel like a newcomer” 56 Sushmita Sen From desi girl to a truly global icon 12 Priyanka Chopra Jonas Perspective Angel face with spunky spirit happy 18 Madalsa Sharma 32 Patriotic Films independence day “I couldn’t talk in front of Vidya Balan” 26 Sanya Malhotra 62 Actors on OTT 15TH AUGUST The privileged one 41 44 Janhvi Kapoor PREVIOUS ISSUES FOR ADVERTISEMENT July June May (516) 680-8037 [email protected] CLICK For FREE Subscription Bollywood Insider August 2020 LOWER YOUR PROPERTY TAXES Our fee 40 35%; others charge 50% NO REDUCTION NO FEE A. SINGH, Hicksville sign up for 2021 Serving Homeowners in Nassau County Varinder K Bhalla PropertyTax Former Commissioner, Nassau County ReductionGuru Assessment Review Commission CALL or whatsApp [email protected] 3 Patriotic Fervor Of Bollywood Stars iti Sunshine Bhalla, a young TV host in Williams during 2008 to 2011. In 2012, Shah New York, anchored India Independence Rukh Khan, Anushka Sharma and Sanjay Dutt R Day celebrations which were televised appeared on her show and shared their patriotic in India and 23 countries in Europe. -
Darr Shahrukh Khan Full Movie Free Download
1 / 5 Darr Shahrukh Khan Full Movie Free Download ~Bollywood hit movie "Darr" (Fear) starred Juhi chawla, Sunny Deol ... Shahrukh Khan - Phir Bhi Dil Hai Hindustani (2000) Hindi Bollywood Movies, Bollywood ... Dubbed Watch Online Hindi Movies Online Free, Download Free Movies Online ... Get the Yash Chopra: Film posters latest photo gallery and picture news on .... To sign off on the food featured in the film, producer Juliet Blake consulted ... acter name, marathi movie, torrent patil Marathi movie download, patil movie actress name, ... Wikipedia Shah Rukh Khan's second outing as Don may not be an ... 'Lamhe' (Moments - 1991) and 'Darr' (Fear - 1993) At the , translation: fear) is a 1993 bollywood romanticڈﺮ :age of 23, Amruta Patki .... Darr: a violent love story (hindi: डर, urdu psychological thriller film directed by yash chopra under the banner .... Watch the Hindi full movie Darr on YouTube. Directed by Raja Sen, Starring Ferdous Ahmed, Rituparna Sengupta, Parno Mittra, Ritwick .... Net - Online video portal and search engine to the best free movies, videos, ... Darr (1993) Full Hindi Movie | Juhi Chawla, Sunny Deol, Shah Rukh Khan ... The film stars Rishabh Vaidya, Shakshi Diwedi, Ajay Azad Singh, Atul, Udit Kaushik and Raghav in lead roles. ... and Downloads June 08, 2020 0 Partners for Justice (Season 1) |Hindi Dubbed| ... all episodes Watch korean drama series and movie with english subs online free, ... 4 Darr Khuda Se (Ep 5) 7.. Spread smiles for free! NOTE: ... Stewart dan W. Hindi sahity me paheli ka bahut matlab raha hey. ... Subhan allha. whatsapp paheli film ka naam. ... Download PhotoMath lalu install seperti biasa di Android. -
Cinema and Tourism
© 2018 JETIR May 2018, Volume 5, Issue 5 www.jetir.org (ISSN-2349-5162) Cinema and Tourism Dr. Gunjan Malik Assistant Professor IHTM, MDU Abstract: Films play an eloquent role in customers’ decision making regarding choice of clothes, fashion, food and also the destination they want to travel. It has been proved by previous studies that when films are shot in a destination it boosts tourism. Government also offers various initiatives to promote film shooting so that tourism can be encashed. In this paper with the help of secondary data the status of film tourism has been identified in India as well as international destinations. The study found that films give a boost to tourism and various international destinations have been trying to woo Indian film makers to shoot at their locations. Even the ministry of tourism, government of India also gives incentives to filmmakers in order to promote film tourism. Keywords: film tourism, cinema, tourism, movies. Introduction Bollywood is a cardinal part of Indian society and has a considerable impact on the members of society. Cinema is one of the significant communication tools for conveying social values, social evils, corruption, sexual exploitation, historical events, drama or even tourism. Anything or everything can be communicated effectively to the society with the help of films or cinema. India, Brazil and China are the emerging travel and tourism markets and they are expected to supersede even the developed markets because of the development in infrastructure and increase in the disposable incomes. Placing or showcasing destinations in movies which helps in increasing tourism of that particular place is known as film tourism. -
Interviews of Aditya Chopra
Filmfare – April 1996 (on winning the Filmfare Award for ‘Dilwale Dulhania Le Jayenge’) Movies have been his school, his playground. As far back as you can remember, Aditya Chopra, has been a watcher, scurrying to the cinema halls to see every new release, preferably on the first day itself. Any image that moves on the screen tickles his appetite for more. When he was a kid, like Oliver Twist, Aditya Chopra, has been a watcher, he would ask for more. The first-born son of Yash and Pam Chopra is also a stickler when it comes to following the principles he believes in. He refuses to compromise his convictions. Perhaps that accounts for the honesty of thought in his debut feature, Dilwale Dulhania Le Jayenge, which evidently sprung from his stead-fast regard for unsullied family values. Although you have known Aditya aka Adi even since he was a sprightly teenager, the 24- year-old has avoided sitting himself down for a formal interview. Even if you've threatened him, periodically, that you'll quote his everyday statements anyway, he's been as elusive as the neighbourhood kid who rings the doorbell and bolts from the spot. On the Filmfare Awards night - following his triple triumph with trophies for the Best Director, Best Screenplay and Best Dialogue - he senses that you'd feel disappointed if he doesn't show up for the post-function photo shoot. Just for that, he turns up, whizzes before the eye of the still camera. And a few days later, agrees to a conversation conducted in a mattress-lined ante-room of the Chopras' Juhu bungalow. -
SIGNIS ASIA CINEMA DESK CINELITERACY TRAINING of TRAINERS (TOT) UNDERSTANDING FILM APPRECIATION Resource Handbook
SIGNIS ASIA CINEMA DESK CINELITERACY TRAINING OF TRAINERS (TOT) UNDERSTANDING FILM APPRECIATION Resource Handbook Prof. Jenith Sekar Prof. Vikas Singh Fr. Benedidct Rajkumar sdb Dr. Magimai Pragasam SIGNIS ASIA CINEMA DESK CINELITERACY TRAINING OF TRAINERS (TOT) UNDERSTANDING FILM APPRECIATION Resource Handbook Contributors: Prof. Jenith Sekar Prof. Vikas Singh Fr. Benedidct Rajkumar sdb Dr. Magimai Pragasam Edited by Dr. Magimai Pragasam Coordinators of the Programme Mac Machado, Chair, SIGNIS Asia Cinema Desk Dr. Magimai Pragasam (Team Leader and Coordinator) Fr. Joseph Vu Huu Hien (Coordinator) Ms. Mary Hwang (Coordinator) Dear SACD Cineliteracy TOT Participants, Welcome to the Training of Trainers Workshop on Cineliteracy! SIGNIS ASIA Cinema Desk (ACD) is extremely delighted to offer you this program. We are sure that this Workshop will become one of your most exciting experiences in deepening your understanding and expanding your world of cinema. You will explore the world of cinema, especially cineliteracy with your distinguished resource persons and your fellow participants. This program is composed of two phases: Phase I for learning and Phase II for doing and experiencing. You will learn to enjoy cinema, appreciate it, and analyze it critically. Our resource team will help you to acquire the basic tools and mindset to explore the cinema world. You are sure to become an efficient film teacher in the process. You will be motivated to spread Cineliteracy in your dioceses, parishes, and educational institutions. We had a Cineliteracy Workshop Online for Cinema lovers who are interested in film reviews and international film festivals. We successfully completed two programs and we are looking forward to the third one.