DOCSLIB.ORG

CV Sep 2015 for Website

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
CV Sep 2015 for Website NORIKO MANABE http://www.norikomanabe.com princeton.academia.edu/NorikoManabe scholar.princeton.edu/nmanabe ACADEMIC APPOINTMENTS Princeton University Princeton, NJ 2009–Present Assistant Professor, Department of Music. • Departmental Representative, Department of Music, 2012–13. • Executive Committee, Program in American Studies. • Associated Faculty, Department of East Asian Studies. • Affiliated Faculty, Program in Latin American Studies. School of Oriental and African Studies London, UK 2015–2017 Research Fellow, Department of Music. Library of Congress Washington, DC 2013–2014, 2015 Kluge Fellow, Japanese music. Tokyo University of the Arts Tokyo, Japan 2012 Visiting Scholar, Department of Musical Creativity and the Environment International Research Center for Japanese Studies Kyoto, Japan 2008–2009 JSPS Research Fellow, Japanese popular music. John Jay College, City University of New York New York, NY 2005–2009 (6 terms) Adjunct Lecturer, Art and Music Department. Brooklyn College, City University of New York New York, NY 2006–2008 (3 terms) Adjunct Lecturer, Conservatory of Music. Marymount Manhattan College New York, NY 2005-2006 (2 terms) Adjunct Lecturer in Music, Theater Department. EDUCATION CUNY Graduate Center New York, NY 2003–2009 Ph.D., Ethnomusicology/Music Theory (two concentrations). Comprehensive exams passed in music theory (2007), ethnomusicology (2008). MA, 2006. • Dissertation: “Western Music in Japan: The Evolution of Styles in Children’s Songs, Hip-Hop, and Other Genres.” • Advisers: Peter Manuel (Ethnomusicology), Mark Spicer (Theory). • Committee Members: William Rothstein (Theory), Jane Sugarman (Ethnomusicology). Stanford University Stanford, CA MBA, Finance. Yale University New Haven, CT BA, Mathematics and Music (two majors). Distinction in Music. Noriko Manabe, September 22, 2015 1 PUBLICATIONS Books • The Revolution Will Not Be Televised: Protest Music After Fukushima. Oxford University Press. In press. Release date: November 20, 2015. http://bit.ly/1PpNXq0 • Revolution Remixed: A Typology of Intertextuality in Protest Songs. Under contract with Oxford University Press. Final manuscript to be submitted October 2015. • Molding Citizens in War and Peace: Japanese Children’s Songs, 1877–1947. In preparation. • Alternative Identities: The Aesthetics of Japanese Club Musics. In preparation. • Oxford Handbook of Protest Music, co-edited with Eric Drott. Solicited by Oxford University Press. In preparation. • Sonic Contestations of Nuclear Power, co-edited with Jessica Schwartz. In preparation. Peer-reviewed journal articles • “Uprising: Music, Youth, and Protest against the Policies of the Abe Shinzō Government.” The Asia- Pacific Journal 12, no. 32/3 (August 11, 2014). http://www.japanfocus.org/-Noriko-MANABE/4163. • “Music in Japanese Antinuclear Demonstrations: The Evolution of a Contentious Performance Model.” The Asia-Pacific Journal, 11/42 (October 21, 2013), http://japanfocus.org/-Noriko- MANABE/4015. ⎯ Waterman Prize, Popular Music Section, Society for Ethnomusicology, 2014. • “Representing Japan: ‘National’ Style Among Hip-Hop DJs.” Popular Music 32/1 (2013): 35–50. • “Straight Outta Ichimiya: The Rise of a Rural Japanese Rapper.” The Asia-Pacific Journal 11/5 (February 4, 2013), http://www.japanfocus.org/-Noriko-MANABE/3889. • “The No Nukes 2012 Concert and the Role of Musicians in the Anti-Nuclear Movement.” The Asia- Pacific Journal Vol. 10, Issue 29, No. 2, July 16, 2012, http://japanfocus.org/-Noriko- MANABE/3799. • “Reinterpretations of the son: Guillén’s Motivos de son as interpreted by Grenet, García Caturla, and Roldán.” Latin American Music Review 30/2 (Fall/Winter 2009): 115–158. Analysis-heavy version of Spanish-language article below. • “New Technologies, Industrial Structure, and the Consumption of Music in Japan.” Asian Music 39/1 (2008): 81–107. • “Lovers and Rulers, the Real and the Surreal: Harmonic Metaphors in Silvio Rodríguez’s Songs.” Transcultural Music Review 10 (2006). http://www.sibetrans.com/trans/articulo/154/lovers-and-rulers- the-real-and-the-surreal-harmonic-metaphors-in-silvio-rodriguezs-songs. • “Globalization and Japanese Creativity: Adaptation of Japanese Language to Rap.” Ethnomusicology 50/1 (Winter 2006): 1–36. Noriko Manabe, September 22, 2015 2 Publications (continued): Chapters in edited volumes • “Music, Healing, and Commemoration of the Hiroshima and Nagasaki Bombings.” In Sonic Contestations of Nuclear Power, ed. Jessica Schwartz and Noriko Manabe. In preparation. • “Typologies of Intertextuality in Protest Music.” In Oxford Handbook of Protest Music, ed. Noriko Manabe and Eric Drott. In preparation. • “Monju-kun: Children’s Culture as Protest.” In Child’s Play: Multi-sensory Histories of Children and Childhood in Japan, ed. Sabine Frühstück and Anne Walthall. Invited submission; revising to resubmit. • “Hip-Hop and Reggae in Recent Japanese Social Movements.” In Two Haiku and a Microphone: Traveling Texts and the Work of Afro-Japanese Cultural Production, ed. William H. Bridges IV and Nina Cornyetz, 209–22. Lanham, MD: Lexington Books, 2015. • “Japanese Hip-Hop: Alternative Stories.” In Cambridge Companion to Hip-Hop, ed. Justin Williams, 243–55. Cambridge: Cambridge University Press, 2015. • “A Tale of Two Countries: Online Radio in the United States and Japan.” In Oxford Handbook of Mobile Music and Sound Studies, Vol. 1, ed. Sumanth Gopinath and Jason Stanyek, 456–95. New York: Oxford University Press, 2014. • “Songs of Japanese Schoolchildren During World War II.” In Oxford Handbook of Children’s Musical Cultures, ed. Patricia Campbell and Trevor Wiggins, 96–113. New York: Oxford University Press, 2012. • “Going Mobile: Ringtones, the Mobile Internet, and the Music Market in Japan.” In Internationalizing Internet Studies: Beyond Anglophone Paradigms, ed. Gerard Goggin and Mark McLelland, 316–32. New York: Routledge, 2009. Articles in conference proceedings • “La musique dans le mouvement antinucléaire japonais après Fukushima: quatre espaces de manifestation.” Popular Music and Protest in the 21st Century, ed. Jedediah Sklower. In press. • “How Music and Musicians Communicate the Antinuclear Message” and • “The Revolution Will Not Be Televised: Anti-Nuclear Protest Music in Post-Fukushima Japan.” 3.11 Virtual Conference: Looking Back to Look Forward, STS Forum on Fukushima, March 11–15, 2013, http://fukushimaforum.wordpress.com/online-forum-2/second-3-11-virtual-conference- 2013/how-music-and-musicians-communicate-the-antinuclear-message-2/. • “Ring My Bell: Cell Phones and the Japanese Music Market.” Music in Japan Today, ed. E. Michael Richards and Kazuko Tanosaki, 257–67. Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2008. • “Reinterpretaciones del son: Versiones de Motivos de son de Guillén por Grenet, García Caturla, y Roldán.” In El son y la salsa en la identidad del Caribe, ed. Darío Tejeda and Rafael Yunén, 515–32. Santo Domingo, Dominican Republic: Centro León, Instituto de Estudios Caribeños, Secretaría de Estado de Cultura, 2008. Noriko Manabe, September 22, 2015 3 Publications (continued): Articles in conference proceedings (continued) • “Don Giovanni’s Elvira: Analysis of the Evolution of a Mezzo Carattere.” In Interpretare Mozart: Atti del convegno, ed. Mariateresa Dellaborra, Guido Salvetti, and Claudio Toscani, 127–46. Lucca, Italy: Libreria Musicale Italiana, 2007. Book reviews • Mark Butler’s Playing with Something That Runs: Technology, Improvisation, and Composition in DJ and Laptop Performance (Oxford University Press). Music Theory Online. Invited submission; manuscript in preparation. • Susan Thomas’ Cuban Zarzuela: Performing Race and Gender on Havana’s Lyric Stage (University of Illinois Press). Latin American Music Review 33/1 (Spring/Summer 2012): 124–30. Encyclopedia entries • “Protest Music.” In Sage Encyclopedia of Ethnomusicology, ed. Janet Sturman. 3,000 words. Thousand Oaks, CA: Sage Reference, forthcoming. Invited submission; in preparation. • “Japanese Hip-Hop,” “DJ Krush.” In Encyclopedia of Pop Culture in Asia and Oceania, ed. Jeremy Murray and Kathy Nadeau, forthcoming. Santa Barbara, CA: Greenwood Publishing. Invited submission; under review. • “J-Pop.” In Grove Dictionary of American Music, ed. Charles Garrett. New York: Oxford University Press, 2013. • “Canción romántica,” “Nueva trova,” “Silvio Rodríguez.” In Encyclopedia of Latin American Popular Music, ed. George Torres, 70–73, 286–88, 285. Santa Barbara, CA: Greenwood Publishing, 2013. RECORDINGS Wayside Shrines is a band playing original songs to poet Paul Muldoon’s lyrics. I co-write songs, sing lead and backup vocals, and play keyboards and clarinet. Audio clips can be heard at www.waysideshrines.org. The band’s activities are chronicled at www.facebook.com/waysideshrines. • Word on the Street, Wayside Shrines, 13-track album, 2013. • Black Box, Wayside Shrines, 5-track EP, 2012. Noriko Manabe, September 22, 2015 4 CONFERENCE PRESENTATIONS Presentations as an invited speaker at conferences are listed under “Invited Conferences.” • “Playing with Space: A Methodology for Analyzing Urban Space, Soundscape, and Performance Through Japanese Antinuclear Demonstrations.” ⎯ Society for Ethnomusicology, December 2015. § Organizer and Chair, Panel, “Sounds of Resistance in the City: Reclaiming Urban Space and History through Contentious Sonic Practices” ⎯ American Musicological Society, Popular Music Study Group, November 2015. • “Typologies of Intertextuality in Recent Social Movements.” ⎯ Society for Music Theory, St. Louis, October
Load more

Recommended publications
  • 2010-11 Newsletter
    East Asian Studies Department & Program Newsletter 2010-11 The newsletter of Princeton University’s East Asian Studies Department and Program is published annually by the East Asian Stud- ies Program and is also available online. Unless otherwise stated, all activities reported are sponsored and organized by the East Asian Studies Program or Department, either solely or in collaboration with other departments or programs on campus. News and comments are welcome and should be addressed to the Program Coordinator. Photo Credits: Changdok Palace, Seoul, title page, and other motifs from Korea pp. 2, 25 (Buddhist Stone Sculpture, Mt. Namsan, Kyungju) and p.32 by Joy Kim. Images from PII, pp.9-11 by Yukari Tokumasu. Boy with brush, p.13 and Martin Heijdra, p.39 by Stephen F. Teiser. Classroom, p.13 by Nick Admussen. Mountain in Baiyu County, Sichuan province, p.27 by Doug Gildow. 2nd century B.C. garment, p.34, Abegg-Foundation, Riggisberg, Switzerland, courtesy Dieter Kuhn. From the photo contest by the Office of International Programs: p.8: Lotus, Beijing, by Evangeline Lew ’10; p.10: Inheritance, Jishou, Hunan, by Astrid Struth ’11; p.12: 3 Gorges, Sichuan, Province by Jeff Tang ’09; p.13: Girl in Red, Beijing, by Veneka Chag- wedera ’09. Princeton University Art Museum, photos by Bruce M. White: p.6: Scenes from the Tale of Genji (Genji monogatari), Edo, Japanese. Museum purchase, Fowler McCormick, Class of 1921 Fund [y1993 7]; p.7: Striding dragon, Northern Wei, Chinese. Gift of Mrs. Albert E. McVitty [y1949 26]; p.40: A Book from the Sky, Xu Bing, Modern, Chinese.
    [Show full text]
  • Taipei's Reggae Scene Turns It up a Notch
    A R O U N D T O W N 發光的城市 15 TAIPEI TIMES • FRIDAY, APRIL 24, 2009 Log on RESTAURANTS Your hosts for the evening: ��������������Miffer, a well- CONTINUED FROM P13 known singer in the Japanese reggae scene, Besides, he said, “it doesn’t have to be girl tits, left; Carib Rocks, below; and DJ Yahman, La Mairie Cafe (市長官邸咖啡餐廳) if a guy wants to clap his tits, either against below right, who has been credited with Address: 46 Xuzhou Rd, Taipei City (台北市徐州路46號) his own if they’re big giant fatman tits, great. helping to popularize reggae music in Japan. Telephone: (02) 2392-9510 Or if he claps against a friend, fine. As long as PHOTOS COURTESY OF ISLANDJAM Open: 9am to 10:30pm, meals not served after 9pm it’s boobs against boobs, you know the party Average Meal: NT$310 to NT$660 level goes up a notch. That’s the whole point Details: Chinese and English menu; credit cards accepted of that song.” On The Net: www.mayorsalon.com.tw (in Chinese only) Talk to Log long enough, and it’s hard not to wonder if he hasn’t gotten carried away with his The quiet and green La breast obsession. He says one of his weirdest Mairie Cafe offers such gigs took place in Belgium, where he says a relief from the typical woman with three breasts came up on stage for Taipei streetscape that one Boob Scotch. could almost forgive the “And she’s presenting all three of them, like restaurant for its over- ‘which one do you want in your drink?’ And it’s priced, mediocre food.
    [Show full text]
  • Performing, Dancehall, Roots Reggae, and Rastafari in Japan
    198 Book Reviews Babylon East: Performing, Dancehall, Roots Reggae, and Rastafari in Japan. Marvin D. Sterling. Durham NC: Duke University Press, 2010. xvi + 299 pp. (Paper US$ 23.95) Babylon East is about the global imagination of race. Marvin Sterling estab- lishes early his interest in extending scholarship on race beyond the dis- cussion of dialog between the West and the postcolonial non-West, to the race politics that emerge in Afro-Asian encounters. This he achieves admi- rably in his multi-sited ethnography of Japanese consumptions of Jamaica. Sterling’s interpretations of Japanese dancehall, roots reggae, and Rastafari form a spectacular mosaic of identity politics that will bring new life to weary minds. The book’s material is both clearly framed and intricately interpreted. It opens, more or less, with an outline of the development of ideas of cul- tural difference in Japan. Much scholarship discusses how ideas of Japanese cultural peculiarity have conventionally emerged in conversation with the West. But, Sterling argues, in contemporary Japan, “the public discourse of Japaneseness . has come to invoke the world at large beyond the West” (p. 20). For many, this process of invoking serves to reinforce ideas of Japanese uniqueness and cultural homogeneity. Disposable accessories, such as fake dreadlocks donned by audiences at reggae shows, alongside dream catch- ers and the like, join the global ethnic stew—the esunikku—“removed in time for work the next day” (p. 21). But the donnettes, DJs, and dreads that are the subjects of Sterling’s book provide evidence of how such engage- ments can go beyond mere hedonistic consumption of the esunikku, to inspire Japanese people’s deep personal investment in this culture from afar.
    [Show full text]
  • Music Have You Ever Seen a Band in Edmonton’S Cariwest Parade That Uses Large Oil Drums to Make Music? That Instrument Is Known As the Steel Pan Or Steel Drums
    Afro-Quiz Study Material (15-17) 2017 Music Have you ever seen a band in Edmonton’s Cariwest parade that uses large oil drums to make music? That instrument is known as the steel pan or steel drums. Steel pan originated in the Caribbean. In this module, you will learn about music that originated in Africa and the Caribbean and has since migrated all over the world. Do you know any other types of music that have roots in Africa or the Caribbean that are famous in North America now? Here is a list of activities you will work on: ● ​KWL Chart ● Reading ● Listening/Video ● Map Activity ● Summary ● Optional video KWL Chart K W L What I know about What I want to know What I learned about African and Caribbean about African and African and Caribbean music Caribbean music music Afro-Quiz Study Material (15-17) 2017 Reading Steel Drums1 Steel drum or steel pan is a musical instrument originally developed in Trinidad, ​ that is played by hammering raised and tuned portions of the bottom of an oil drum. It was the only new percussion (possibly the only acoustic) instrument invented in the 20th Century. Drumming was used as a form of communication among the enslaved Africans and was subsequently outlawed by the British colonial government in 1783. African slaves also performed during Mardi Gras celebrations, joining the French, who had brought the tradition to the island. The steelpan evolved from a communication device to the musical instrument it is used as today. The first instruments developed in the evolution of steelpan were Tamboo-Bamboos, tunable sticks made of bamboo wood.
    [Show full text]
  • S O U N D P L a N
    SOUND PLANET E C H A N N E L L I S T 2 012 . 10 … INSTRUMENTAL … Corresponds to the Internet Request A E B F C G D H I J K 01 REQUEST J-POP 01 J-POP Hits Now 01 Seasonal Music（ J-Pop Best Selection） 01 Seasonal Music（ Easy Listening） Seasonal Music（ Nursery Instrumental） 01 J-POP & Popular Hits Now 01 Baby Songs 01 Time Notice 02 REQUEST General Japanese Pops 02 J-ROCK 02 GIRLS ROCK 02 Seasonal Music（ Music Box） Seasonal Music（ J-POP Instrumental） 02 GIRLS J-POP 02 Play Songs For Children 02 Temporary 1 03 REQUEST Enka / Kayokyoku 03 Enka 03 SOFT ROCK 03 usen for Café Après-midi 03 J-HOUSE 03 All Time Kids Hits 03 Temporary 2 04 REQUEST Enka / Kayokyoku 04 Idol 04 HOUSE NATION 04 HOUSE MUSIC（ 125bpm） 04 J-TECHNO POP 04 Early Teen Pops Now 04 Weather Forecast 05 REQUEST J-POP/Popular 05 Japanese Folk Songs 05 salon jazz 05 LOUNGE MUSIC 05 Acoustic J-POP 05 Fairlyland Music 05 06 Kayo☆Hits Parade 06 Senior Rice Pops 06 Colorful Pop Styling 06 Afternoon Tea Music 06 Light Classic 06 Nursery Rhymes 06 Seasonal Music / Exhibition 1 07 Popular☆Hits Parade 07 Monthly Artist Selection J-POP 07 Organic Soul 07 Dance Beat Easy Listening Acoustic 07 Light Jazz 07 Melody of Acorn Forest 07 08 Healing Classic 08 Weekly Artist Selection J-POP 08 Organic SSW ～Slow Life Music～ 08 TRANCE（ Instrumental） Easy Listening Casual 08 Bossa Nova BGM 08 MINNANOUTA 08 Nostalgic TV Songs 09 Jazz for Gastronomic Ambience 09 Best of Show-wa era Kayokyoku Group Sounds 09 J-LOUNGE 09 Funky Beat Heartful Strings 09 J-POP Bossa Nova BGM 09 Happy♪Kiddy Songs 09 Seasonal
    [Show full text]
  • Popular Music in Southeast Asia & Schulte Nordholt Popular Music in Southeast Asia
    & Schulte Nordholt Barendregt, Keppy Popular Music in Southeast Asia Banal Beats, Muted Histories Bart Barendregt, Popular Music in Southeast Asia Peter Keppy, and Henk Schulte Nordholt Popular Music in Southeast Asia Popular Music in Southeast Asia Banal Beats, Muted Histories Bart Barendregt, Peter Keppy, and Henk Schulte Nordholt AUP Cover image: Indonesian magazine Selecta, 31 March 1969 KITLV collection. By courtesy of Enteng Tanamal Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 94 6298 403 5 e-isbn 978 90 4853 455 5 (pdf) doi 10.5117/9789462984035 nur 660 Creative Commons License CC BY NC ND (http://creativecommons.org/ licenses/by-nc-nd/3.0) All authors / Amsterdam University Press B.V., Amsterdam 2017 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). Table of Contents Introduction 9 Muted sounds, obscured histories 10 Living the modern life 11 Four eras 13 Research project Articulating Modernity 15 1 Oriental Foxtrots and Phonographic Noise, 1910s-1940s 17 New markets 18 The rise of female stars and fandom 24 Jazz, race, and nationalism 28 Box 1.1 Phonographic noise 34 Box 1.2 Dance halls 34 Box 1.3 The modern woman 36 2 Jeans, Rock, and Electric Guitars,
    [Show full text]
  • Jamming in Japan: Bob Marley & the Wailers in Japan 1979 INTRODUCTION
    REGGAE OUTERNATIONAL 03 Introduction 04 The Harder They Come: Japan Meets Reggae THE WAILERS IN JAPAN 07 Babylon-East by Shinkansen 14 12 Days with Bob Marley 21 On the Tokyo Trail 24 Fan Mail: Mitsuhiro Asakawa 26 Bob Marley by Keao Yamamoto J-REGGAE 28 After Marley: J-Reggae 33 Reggae Experience CONCLUSION 36 Afterword 38 Bibliography 39 Acknowledgements & Credits 2 • Jamming in Japan: Bob Marley & The Wailers in Japan 1979 INTRODUCTION Between 1973 and late 1980, Bob Marley and The Wailers travel around the world to spread their reggae music and message of rebellion, redemption, and Rastafari. In the spring of 1979, the legendary reggae formation extends its international triumphs to the ‘Far East’ and ‘Down Under’ by touring Japan, New Zealand, and Australia. The Wailers visiting Japan boosts Japanese interest in reggae, and signals the start of a Japanese homegrown reggae scene. In this publication we go back in time and A HUISMAN RESEARCH follow the Jamaican reggae king Bob Marley PUBLICATION and his entourage as they visit the cities of Tokyo and Osaka. From interviews with people Title who toured with Marley in Japan, Japanese Jamming in Japan: Bob Marley & newspapers and magazines, as well as visits The Wailers in Japan 1979 to the concert venues in Tokyo, emerges a colourful picture of Marley’s twelve days and eight intimate concerts in Japan, and what Research & Author they meant for reggae music and culture on the Martijn Huisman Japanese islands. © 2019 MARTIJN HUISMAN - The second part of this document zooms in ALL RIGHTS RESERVED on the development of J-Reggae.
    [Show full text]
  • Marvin D. Sterling, Phd, Curriculum Vitae Page 1 MARVIN D
    MARVIN D. STERLING, PH.D. Curriculum Vitae ADDRESS Department of Anthropology Student Building 130 Indiana University 701 E. Kirkwood Avenue Bloomington, IN 47405-7100 812-855-3858 (phone), 812-855-4358 (fax) [email protected] FACULTY POSITIONS • Associate Professor, Department of Anthropology, Indiana University, Bloomington (2011-Present) • Assistant Professor, Department of Anthropology, Indiana University, Bloomington (2004-2011) • Visiting Assistant Professor, Department of Anthropology, Indiana University, Bloomington (2003-2004) • Affiliated Faculty in the Department of East Asian Languages and Cultures; Department of Folklore and Ethnomusicology; Department of African American & African Diasporia Studies; the American Studies Program; Cultural Studies Program; Center for Latin American and Caribbean Studies; the Center for Research on Race and Ethnicity in Society • Visiting Assistant Professor, Institute for Research in Humanities, Kyoto University (Fall 2008) ADMINISTRATIVE POSITIONS Associate Director, Center for Research on Race and Ethnicity in Society (CRRES), Indiana University, Bloomington (2014-2016) RESEARCH INTERESTS Regional: Japan, Jamaica, African Diaspora Theoretical: Race, blackness, mixed-race identities, Afro-Asia, postcolonial theory, globalization, performance theory, human rights, African diasporic music Methodological: Multi-sited ethnography, critical discourse analysis EDUCATION PhD (2002): Anthropology, University of California, Los Angeles Dissertation: “In the Shadow of ‘the Universal Other’: Performative
    [Show full text]
  • 2018Iapms Conference Booklet
    - 0 81A1-A82A8 2 898681,A Welcome address by Faculty of Arts, Communication University of China & Global Media and China Dear participants, It is a great pleasure to welcome you to the 6th IAPMS Conference at the Communication University of China. As the Dean of Faculty of Arts, Communication University of China and the managing editor of Journal Global Media and China, I would like to give the most sincere welcome to all participants who have come from all over the world. We are sure this conference will be a memorable and exceptional experience for all of us. The Faculty of Arts of Communication University of China was set up in July, 2013. Our faculty not only holds the principle of "taking inheritance as the base, fusion as the key, innovation as the soul", but also the ideas of "humanities, science and art", "teaching, scientific research, creation", "study, character, horizon". Meanwhile, faculty of Arts encourages methodological innovations and cutting-edge theoretical development to advance the field of popular music studies. Global Media and China is a peer reviewed, open-access, scholarly journal that provides a dedicated, interdisciplinary forum for international research on communication and media with a focus on China. Covering both Chinese communication and media from a global perspective and global communication and media and from a Chinese perspective, it actively encourages both quantitative and qualitative approaches to media and communications, and social studies while seeking to advance the field by publishing innovative and thought-provoking papers, reviews, and discussions that open up new directions or shed new light on significant issues.
    [Show full text]
  • Bibliography
    BIBLIOGRAPHY The complete list of all sources consulted in the making of this book offers a comprehensive over- view of the literature and other materials available about reggae, Rastafari, Bob Marley, and other topics covered herein. Due to the fleeting nature of the Internet, where websites might change or dis- appear at any given time, online sources used at the time of writing might not be available any longer. The bibliography can also be found on the website of the book at www.reggaenationbook.com. Books History and Heritage (pp. 326-335). Routledge. Bennett, A. (2001). Cultures of Popular Music. Open University Press. Adejumobi, S. A. (2007). The History of Ethiopia. Biddle, I., & Knights, V. (Eds.) (2007). Music, National Greenwood Press. Identity and the Politics of Location: Between the Global Akindes, S. (2002). Playing It “Loud and Straight”. and the Local. Ashgate. Reggae, Zouglou, Mapouka, and Youth Bonacci, G. (2015). From Pan-Africanism to Rastafari: Insubordination in Côte d’Ivoire. In M. Palmberg African American and Caribbean ‘Returns’ & A. Kirkegaard (Eds.), Playing with Identities in to Ethiopia. In G. Prunier & E. Ficquet (Eds.), Contemporary Music in Africa (pp. 86-103). Nordic Understanding Contemporary Ethiopia: Monarchy, Africa Institute. Revolution and the Legacy of Meles Zenawi (pp. 147- Alleyne, M. (2009). Globalisation and Commercialisation 158). Hurst & Company. of Caribbean Music. In T. Pietila (Ed.), World Music Boot, A., & Salewicz, C. (1995). Bob Marley. Songs of Roots and Routes. Studies across Disciplines in the Freedom. Bloomsbury. Humanities and Social Sciences 6 (pp. 76-101). Helsinki Bordowitz, H. (2004). Every Little Thing Gonna Be Alright: Collegium for Advanced Studies.
    [Show full text]
  • MADE in NORTH KOREA a Collection of Bizarre Artifacts from the DPRK ONE for the BOOKS the Massive Library That Turned out to Be
    THE FINAL COUNTDOWN MADE IN NORTH KOREA Our pick of this year’s 10 best Chinese albums A collection of bizarre artifacts from the DPRK Follow us on WeChat Now Advertising Hotline 400 820 8428 城市漫步北京 英文版 12 月份 ONE FOR THE BOOKS 国内统一刊号: CN 11-5232/GO China Intercontinental Press ISSN 1672-8025 The massive library that turned out to be fake DECEMBER 2017 WWW.THATSMAGS.COM | DECEMBER 2017 | 1 主管单位 : 中华人民共和国国务院新闻办公室 Supervised by the State Council Information Office of the People's Republic of China 主办单位 : 五洲传播出版社 地址 : 北京西城月坛北街 26 号恒华国际商务中心南楼 11 层文化交流中心 邮编 100045 Published by China Intercontinental Press Address: 11th Floor South Building, HengHua linternational Business Center, 26 Yuetan North Street, Xicheng District, Beijing 100045, PRC http://www.cicc.org.cn 社长 President of China Intercontinental Press 陈陆军 Chen Lujun 期刊部负责人 Supervisor of Magazine Department 邓锦辉 Deng Jinhui 编辑 Editor 朱莉莉 Zhu Lili 发行 Circulation 李若琳 Li Ruolin Editor-in-Chief Noelle Mateer Deputy Editor Dominique Wong National Arts Editor Erica Martin Digital Content Editor Justine Lopez Designer Iris Wang Contributors Dominic Ngai, Jocelyn Richards, Mia Li, Sky Thomas Gidge, Yuka Hayashi, Qinxin Lu, Gabriel Clermont, Tanner Brown, Nick Mateer, Oscar Holland, Betty Richardson, Zoey Zha HK FOCUS MEDIA Shanghai (Head office) 上海和舟广告有限公司 上海市蒙自路 169 号智造局 2 号楼 305-306 室 邮政编码 : 200023 Room 305-306, Building 2, No.169 Mengzi Lu, Shanghai 200023 电话 : 021-8023 2199 传真 : 021-8023 2190 (From February 13) Beijing 广告代理 : 上海和舟广告有限公司 北京市东城区东直门外大街 48 号东方银座 C 座 9G 邮政编码 : 100027 48 Dongzhimenwai Dajie Oriental Kenzo (Ginza Mall), Building C, Room 9G, Dongcheng District, Beijing 100027 电话 : 010-8447 7002 传真 : 010-8447 6455 Guangzhou 上海和舟广告有限公司广州分公司 广州市越秀区麓苑路 42 号大院 2 号楼 610 房 邮政编码 : 510095 Room 610, No.
    [Show full text]
  • Power Struggles: the Strategies and Tactics of the Anti-Nuclear Movement in Contemporary Tokyo Alexander James Brown University of Wollongong
    University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2015 Power struggles: the strategies and tactics of the anti-nuclear movement in contemporary Tokyo Alexander James Brown University of Wollongong Recommended Citation Brown, Alexander James, Power struggles: the strategies and tactics of the anti-nuclear movement in contemporary Tokyo, Doctor of Philosophy thesis, School of Humanities and Social Inquiry, University of Wollongong, 2015. http://ro.uow.edu.au/theses/4512 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] School of Humanities and Social Inquiry Faculty of Law, Humanities and the Arts Power Struggles: The Strategies and Tactics of the Anti-nuclear Movement in Contemporary Tokyo Alexander James Brown This thesis is submitted in fulfilment of the requirements for the award of the degree Doctor of Philosophy from the University of Wollongong 2015 ABSTRACT In this thesis I explore the strategies and tactics of the anti-nuclear movement in the Japanese capital Tokyo after the Fukushima nuclear disaster of March 2011. A little over a year later the anti-nuclear movement had grown to become the largest social movement in the archipelago in more than half a century. The compound effects of the earthquake and tsunami of 11 March 2011 and the nuclear accident at Fukushima intensified existing dissatisfaction not only with the nuclear industry but with the decaying institutions of Japan’s capitalist developmental state. In this thesis I use autonomist Marxist perspectives to situate the disaster against the backdrop of the breakdown of capitalist developmentalism and the transition to a post-industrial society.
    [Show full text]